Book Description
Nonlinear editors are increasingly expected to perform graphic design and production tasks that were traditionally assigned to specialists. Adobe Photoshop is the application of choice in this domain because of its diverse tool set and popularity with third-party developers. Photoshop, and its plethora of instructional books, is principally designed for use in print and on the Web. There are many technical nuances to master this application for moving images.
Full-color presentations and hands-on tutorials demonstrate how to combine still and moving images. Fundamental concepts and techniques like transparency, pixel aspect ratio, and alpha channels are made precisely clear, and advanced techniques show how to use Photoshop as a character generator, color corrector, and animation tool. Interviews with notable guest editors and motion graphic artists, and a focus on time-efficient and automation techniques make this book a valuable resource for advanced users. The companion DVD includes video instruction, tutorial media, plug-ins, and foundation material for less-experienced users.
Master the graphic design and production skills required of today's digital video professional with this comprehensive guide to the video tools in Adobe Photoshop.
Customer Reviews:
Easy and thorough.......2007-09-04
As an "old school" Avid editor from big post houses, Photoshop was used for simple titles and the rest went to the graphics department or our hands were slapped.
The book only goes through the usefulness and purpose of nearly all Photoshop tools and their relevancy to video. It has tutorials showing all common video uses from cutting out photos, lower thirds, backgrounds, creating elements for motion graphics programs like After Effects, uses of masks and alpha channels and the many ways you can create them depending on circumstance and content. In addition, the book points out some of the differences with different versions of Photoshop so you can work through aspects even if you haven't updated to CS3 yet.
The accompanying DVD not only includes all the elements needed to complete each task, there's also supplemental "Podcasts" in which Richard Harrington actually SHOWS you how to do many of the key aspects of each tutorial.
This is a must have book for video editors who must now do it all since Photoshop is the Swiss Army Knife of video graphics.
Photoshop for Video, Third Edition.......2007-08-07
I have been in multimedia for 5 years and is always learning. I like the fact that i don't know everything!
This book is a must for anyone in multimedia and graphic design.
Excellent reference book.......2007-06-27
This is my second purchase of this series. I work with quite a few photos and found Richard Harrington's suggestions to be extremely helpful. The book provides insights that I haven't found elsewhere. This book is for those new to working with Photoshop for video as well as more seasoned users.
Great book.......2007-06-11
I found this book to be very informative with plenty of step by step tutorials. I think beginners as well as experienced photoshop uers will find this book very handy. I keep it on my bookshelf as a handy reference.
This is a GREAT PHOTO SHOP BOOK!!!.......2007-06-05
"Photoshop for Video" is not only a well written book on learning how to use Photoshop as an artistic tool to create graphics, with lots of Gee-Wiz tips, techniques & tutorials to make you a better designer and Photoshop user, but if you have anything or want to have anything to do with using Photoshop along with your favorite non-linear video application, buy this book NOW.
From DV to High Definition video this book is an indispensable reference guide on how to get your graphics from Photoshop into your editor correctly. The included DVD has 2 1/2 hours of training video, tutorials and images to work on to will help you sharpen your skills.
My favorite parts in the book are the so called "PROfile" sections' highlighting editors and motion graphic designers and detailing the many ways these pro's use Photoshop to make graphics and save time.
Book Description
The art of editing in a nonlinear mode cannot be gleaned from software application manuals. This book is designed to convey the artistic considerations and techniques that both new and experienced editors need to employ in editing digital stock. Readers learn the importance of timing, emotion, and art in assembling a cohesive project that tells a story with the appropriate flow and pace. Each chapter features interviews with professionals and exercises relevant to the subject matter under discussion.
Nonlinear Editing is chock full of provocative ideas, insights, resources, tools, and exercises that will inspire you to making better decisions in the edit bay and in your career. For editors, directors, producers, and screenwriters.
Customer Reviews:
A must read!.......2003-06-10
I Bought this book as a reference for technical issues (formats, standards, procedures) but I got much more. Button gives you the whole layout of this art/craft of film editing. The topics covered range from editing equipment to film theory, color harmony&design basics to writing resumes. Light, sound - this book covers it all. Not all topics are discussed in great length, but there are excellent reference lists for further reading and websites.
Bryce Button seems to be an experienced editor and a film scholar and clearly enjoys teaching.
I have been a film editor for 10 years -I've still learned a lot. Some of the information will be redundant to the more experienced but still- very well written, packed with knowledge, insight - in short, a real inspiration. Well Done!
Very good advice for beginners.......2003-05-24
The book contains tons of very good advice for novice editors. The tips on planning will save a lot of time when the real work begins. The suggestions on the practical and aesthetic (including sound) aspects of editing will speed up the process and improve the quality of the finished work, perhaps by the equivalent of at least a few month's apprenticeship. The chapters on dealing with stress and team members, clients and the business, give an idea of the work environment to be expected. After reading the whole book, chapter 13 summarizes the most important tips as "cheat sheets" - very useful.
The only thing I didn't like was a number of typos, and what I thought was an occasional lapse in a couple of explanations.
Customer Reviews:
Excellent.......2002-11-22
I've read a number of books on the subject, and this is by far the best. Its clarity and concision put most of the others (such as the disorganized Ohanian books) to shame.
Best technical book in the field.......2002-03-07
As a working (nonlinear) editor, and as an editing teacher, I can't recommend this book highly enough. Six years ago I made the switch from film to computer, with Michael Rubin's book as my constant companion. Rubin writes with a keen intelligence and an implied sympathy for both the professional editor and the student trying to make sense of the complex and rapidly-changing world of post production.
Because he IS an editor, Rubin is the only technical writer I know who is able to prioritize exactly what you need to know and to tell you why you need to know it. Like any good editor, he has the ability to think macro- and microscopically at once. His post-production flowcharts, history of nonlinear, and overview of systems and distribution are unsurpassed in the field. The down-and-dirty details of digital video- subjects like timecode, telecine and 3:2 pulldown, and compression algorithms- are clearly demystified. These are sections to which I still refer! This book is always in my cutting room as a reference, and when I teach I borrow examples from the book and urge my students to purchase their own copy.
This book contains another unique feature, which is an intellectual and practical interest in editing theory. Rubin has worked not only as an editor, but also in research and development at several companies during the dawn of nonlinear technology. Thus, he is able to pose and answer the most fundamental questions: Why do we need nonlinear technology? And how can that technology serve our creative needs? What might we see in the future?
This is a book that will be helpful for anyone who is already editing at any level, or for anyone just learning about the craft. Straightforward, well-organized, and filled with humor and wisdom, this is quite simply my favorite book about the technical side of editing.
An Excellent Introduction to Video.......2002-02-07
Like many new editors, I came to Final Cut Pro with no NLE experience nor any knowledge of video whatsoever. In fact when I started, just over two years ago, there was not a single book on FCP. Since that time there have been a number of excellent books published about FCP. I have bought and read all of them.
During the past two years I have learned the terminology used with FCP video. But my knowledge is FCP-centeric. I had little understanding of video, it's relationship to film or it's history.
Last week I discovered "Nonlinear/4" written by Michael Rubin. I can best describe this book as a complete reference guide to all things video. But its actually more.
Each element covered in this book is in it's own section. Each section is brief, concise and clearly written. Very simple (read: clever) analogies are employed to help the reader gain understanding. While there is technical information, the book is not overly technical. There is a great deal of art, illustrations and photos. This art furthers the learning experience and is one reason that the book works so well, the art really illustrates the
lessons being taught.
The history of film and video runs throughout the book. This history is essential to understanding how and why video is what it is today.
I learned a great deal from this book and now have a better understanding of why things are the way they are. Our modern day NLE Digital video is the result of a long legacy, going all the way back to the early days of film. This book is a great reference guide as well with a full index at the back.
I am really glad that I came across Nonlinear/4. I truly have a better understanding of what's going on with Video and how it works. This knowledge will certainly help me with FCP.
--ken
A True Friend in the Editing Room.......2000-09-25
This book helped me to put aside all doubt and really get a product. It made the process very easy and was a constant help throughout the whole editing experience. I feel a more competent and able editor thanks to this book. I hope everyone considers it when making their next purchase!
Average customer rating:
- I didn't know much, but now I can pretend I do...
- The Definitive NLE 101 Textbook
- Disappointing and Overpriced for the Content
- Exelent book, updated information.
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Digital Nonlinear Editing: Editing Film and Video on the Desktop, Second Edition
Thomas Ohanian
Manufacturer: Focal Press
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In the Blink of an Eye Revised 2nd Edition
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Nonlinear Editing Basics: A Primer on Electronic Film and Video Editing
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The Technique of Film and Video Editing, Third Edition: History,Theory, and Practice
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Television Production Handbook
ASIN: 024080225X |
Book Description
Nonlinear editing is the key topic in digital film and video today, and Digital Nonlinear Editing is the professional "bible" of the new era in post-production. The book details the procedural, creative, and technical fundamentals of editing moving images within a computer-based, interactive environment. Readers will understand not only what nonlinear editing is and how it works, but also how such systems can be used to achieve greater creative flexibility as well as cost and time savings.
The completely revised second edition chronicles a decade of digital nonlinear editing from home consumer editing applications to professional film and video editing systems. It provides in-depth explanations of digital video compression, storage, and networking; advances in digital video, computer processing power, the blurring of offline and online, digital storage advances, and desktop painting and compositing applications.
By far the most comprehensive book on the subject, Digital Nonlinear Editing details the growing role of compressed and digitized video in all types of communication. From the basics of traditional editing to the cutting edge of digital media, this is the book for every current and prospective communications professional.
Thomas A. Ohanian is a Chief Editor, Director of Product Design for Avid Technology in Massachusetts and a designer of the Avid Media Composer. During is tenure as a film and video editor he has worked on award-winning commercials, documentaries, industrials, television shows, and features. He is also the author with Michael Phillips of Digital Filmmaking (Focal Press).
Addresses the latest developments in digital editing for film and video
The established reference for professionals and advanced students
Over 18,000 copies of previous edition sold
Customer Reviews:
I didn't know much, but now I can pretend I do..........1999-11-27
Mr Ohanian takes you from basics, through to heady tech-stuff. Clearly organised and comprehensive. And very enjoyable!
The Definitive NLE 101 Textbook.......1999-09-26
No one explains how NLE started and how the technology works better than Mr. Ohanian. It answers every question and answers questions you didn't even know you had to ask. Well written and well organized.
Disappointing and Overpriced for the Content.......1999-07-18
The title of this book should be The Technology Components of Digital Nonlinear Editing. Definitely not worth 49.95. If you know computers, don't buy it.
Exelent book, updated information........1999-02-01
For non-linear editors & special FX artist - it's a "dream reading". All new hardware & software from 1998 (Avid, Adobe, Discreet Logic - now only Discreet) and all platforms covered (SGI, PC, MAC). All basic and advance principles of digital and analog video covered + extensive info about film (history, tech. spec. , edit etc)
Book Description
Nonlinear Editing Basics is an essential guide for the student or professional to understanding nonlinear editing. Not a technical manual, this easy-to-understand guide to film and video post-production incorporates the basics of nonlinear editing along with the telecine bay, three two pulldown, and simple operation of five important and powerful editing systems. The author incorporates his experience with the Editbox, Media 100, Avid Lightworks, and DVision to bring not only an overview of the nonlinear process, but to describe the basic operation of each of these powerful editors.
Regardless of whether one is looking for film or video information, this text explains the basics of both, as well as how they are interrelated. If there is a film project to be finished on video or a video project to finish in the nonlinear editor, the answer to how it is done can be found in this book.
Starting with film and video basics, this book explains the integration of the nonlinear editor, as well as why some projects continue to cut workprint alongside the nonlinear editor. It addresses the use of the electronic editors to complete feature films in record time, in addition to the dangers of cutting on these quick and sometimes too powerful systems.
The nonlinear editor can be mastered quickly and efficiently if the overall concept is understood. This text not only offers a clear, concise conceptual understanding, but also gives practical operation techniques using specific machines.
Steven E. Browne is a Senior Editor in the Finishing Department of New Wave Entertainment in California. He is the author of two other Focal Press titles, Video Editing, now in its third edition, and Film/Video Terms and Concepts.
An easy-to-understand guide to the concept of using computerized editing
Explains how nonlinear editing systems have entrenched themselves into the film and video post-production work flow
Brings simplicity to an often confusing segment of the film and video industry
Average customer rating:
- Timeless, and highly recommended
- *snicker*
- Terrible...just terrible.
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Nonlinear: A Guide to Digital Film and Video Editing
Michael Rubin
Manufacturer: Triad Pub Co
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Binding: Paperback
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ASIN: 0937404845 |
Book Description
This handbook about the popular world of digital nonlinear editing is addressed to both professionals and students, as well as interested bystanders. It covers virtually everything anyone would want to know about the new world of electronic post production, in non-technical language and without the geeky mumbo jumbo that characterizes most professional texts. Profusely illustrated.
While the book is useful for anyone investigating or wishing to purchase a digital editing system, it is not meant to be a buyer's guide. It is designed not to go out of date every time a new product is introduced or software release comes out. It is about essentials. Fundamentals. Concepts. And language.
With over 15,000 copies in print, Nonlinear is the best selling textbook on nonlinear editing in the world today. It is widely used in colleges, universities, and professional organizations.
Customer Reviews:
Timeless, and highly recommended.......1999-11-01
I was very fortunate to stumble onto this book in its earliest incarnations, back when Hollywood was just beginning its massive shift away from decades of traditional ways of doing film & video post-production. At the time, I'd realized that Nonlinear was the next big thing, but welcomed some expert help in riding that paradigm shift to a very different way of working.
Yet in a technical subject that might have been daunting to explain, Rubin comes across as a very down-to-earth and unpretentious friend who knows precisely what he's talking about, but is secure enough in that knowledge (having started out working for George Lucas in the dawn of the modern nonlinear era) that he doesn't have to resort to a bunch of techno-babble to get his wisdom across.
He covers all the essentials of film/video post-production, both traditional and nonlinear; puts it in a valuable perspective with forty years of video editing history (anyone remember the CMX 600?); and wraps it up with an essay on "horizontal" vs. "vertical" nonlinearity that makes the future of the technology entirely clear as well. And the big paradigm shift? It's as plain as "the folded paper method", p.183-193 (itself worth the price of admission). As he states, the book is about Fundamentals -- those that are universal and constant no matter how many vendors rise & fall, and regardless of how many software patches they spew out in the process.
I guess you could say that Michael Rubin has been my "mentor". Many other pros working in the field today would probably say the same thing.
*snicker*.......1998-06-04
Mr.Camerron's comments speak well for his book. Interested parties should investigate all points of view, even those which appear... less than worthwhile. Nonlinear 3 continues to be adopted at film schools and corporate video groups in larger and larger numbers. Seek as much information as you can find.
Terrible...just terrible........1998-04-20
Nothing but the best from the king of highbrow, techno babble. If you really want to foray into the world of nonlinear editing stay away from this book. Read mine...my name is Dwight Camerron and you'll find my book by May 1998, Nonlinear Editing is 'da Bomb.
Book Description
This digital document is an article from T H E Journal (Technological Horizons In Education), published by T.H.E. Journal, LLC on October 1, 1993. The length of the article is 3402 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
From the supplier: Desktop video (DTV) is becoming more accessible to educators with the advent of non-linear editing in digital video. Nonlinear editing is a process wherein images are randomly accessed from the hard drive, rather than used in the linear order of clips and source videotape. It requires digitizing and codec (compression/decompression) devices as well as display devices. DTV calls for powerful hardware that offers significant storage space. DOS users will need at least 16Mbytes of RAM and hard drives that can store up to 1Gbyte. Macintosh users require a high-end model such as the Centris 650 with a minimum of 8Mbytes of RAM and 300Mbytes of storage space. DTV software includes graphics and paint systems, full-featured non-linear editors and digital-video-effects systems.
Citation Details
Title: Desktop video goes digital with advent of nonlinear editing. (includes desktop video company directory information)
Author: Elizabeth Gellerman
Publication:
T H E Journal (Technological Horizons In Education) (Refereed)
Date: October 1, 1993
Publisher: T.H.E. Journal, LLC
Volume: v21
Issue: n3
Page: p12(6)
Distributed by Thomson Gale
Average customer rating:
- Nuts and bolts survey of the world of non-linear editing
|
Digital Nonlinear Editing: New Approaches to Editing Film and Video
Thomas A. Ohanian
Manufacturer: Focal Pr
ProductGroup: Book
Binding: Hardcover
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ASIN: 024080175X |
Customer Reviews:
Nuts and bolts survey of the world of non-linear editing.......1998-04-28
Filmaking is at a unique point in time where the previously independant and separate realms of images are merging into a forced compatibility. Video, film and computer graphics are struggling to coexist and fit into some sort of standard. It can be very confusing and challenging to apply all this fresh emerging and changing technology into flowing art to deliver an esthetic message. This book brought me out of darkness and into the world of nonlinear editing. It is a perfect survey course for anyone having the need define clearly the technology available to the filmaker. Leon Rodriguez Writer/Director/Filmaker
Average customer rating:
- A essential reference title for film editors and students.
|
Nonlinear Editing (Media Manuals)
Patrick Morris
Manufacturer: Focal Press
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Binding: Paperback
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ASIN: 0240515641 |
Book Description
Nonlinear is a buzzword for every broadcaster and facility house worldwide. Systems range from the humble to the exotic, and despite the growing acceptance of the technology, many users, both new and experienced, find the complexity of the operation and the time spent loading the material and rendering effects difficult to manage at first. Non-linear editing also comes with its own specialist language, requiring each editor to be conversant with a new range of skills from day one. As desktop systems improve the role of the traditional editor is constantly evolving and expanding.
This is an operational manual for professional trainees and students in the post-production industry. It will also serve as a useful reference tool for producers and directors. Written in a concise and clear manner, the book serves as a practical guide to the efficient management and operation of non-linear editing systems. It describes the technology involved, the essential techniques to be mastered including on-line and off-line editing, project management, rendering effects, working with graphics and audio, and adding third party applications. Designed for quick and easy reference, this is a practical user guide to non-linear editing that comes complete with an extensive jargon buster that will get you fully conversant with the technology in a short space of time.
Patrick Morris is a Trainer in Post-Production for the Television Corporation of Singapore and the Singapore Broadcasting Authority as well as Chairman of the South East Asia User Group. He is an AVID Certified Trainer with a working knowledge of Lightworks, Media 100, Quantel, D Vision and other systems. Formerly a consultant and Senior Editor for BBC, ITV and SKY TV, he also spent many years a Training Manager for BBC Wood Norton and as Senior Video-Tape Editor for Television South West.
A quick reference guide containing all essential information
Provides useful `on-the-job' information
Basic concepts are explained in a clear manner for ease of understanding
Customer Reviews:
A essential reference title for film editors and students........2000-02-04
Nonlinear Editing is an exceptionally well written and organized instructional manual on post-production film editing. Ideal as a reference tool for film producers and directors, Nonlinear Editing is designed as a quick and easy-to-follow guide providing a practical, one-volume introduction to the efficient management and operation of nonlinear editing systems. Experienced educator and film editor Patrick Morris describes the technology involved, the essential techniques to be mastered (including on and off-line editing), project management, rendering effects, working with graphics and audio, and adding third party applications. Highly recommended for film school curriculums and professional reference collections, Nonlinear Editing is a complete media manual and "on-the- job" guide for all nonlinear editing needs.
Average customer rating:
|
Nonlinear Editing and Visual Literacy (Bfi Education Research Report)
Roy Stafford
Manufacturer: British Film Institute
ProductGroup: Book
Binding: Paperback
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ASIN: 0851705499 |
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