Book Description
This mainstream, full-color physical anthropology text is the best-selling text in the market! While it continues to present a comprehensive, well-balanced introduction to the field of physical anthropology, this is a major revision and the book has shifted emphases in critical areas of biology, including molecular biology and genetics, to reflect the field as it stands today. Now, as a Media Edition, INTRODUCTION TO PHYSICAL ANTHROPOLOGY automatically comes with the new BASIC GENETICS CD which responds to growing interest in genetic variation driven by advances in molecular biology enhance.
Customer Reviews:
Excellent, brand new and shipped fast.......2007-02-21
This was a good deal, it was brand new and it shipped very fast. I was impressed.
Book Description
This comprehensive and engaging introduction to visual culture provides an overview of a range of theories about how we understand visual media and how we use images to express ourselves, to communicate, to experience pleasure, and to learn. Using over 175 illustrations, Professors Sturken and Cartwright examine how images - paintings, prints, photographs, film, television, video, advertisements, news images, the Internet, digital images, and science images - gain meaning in different cultural arenas, from art and commerce to science and the law, how they travel globally and in distinct cultures, and how they are an integral and important aspect of our lives. These images are analyzed in relation to a range of cultural and representational issues (desire, power, the gaze, bodies, sexuality, ethnicity) and methodologies (semiotics, marxism, psychoanalysis, feminism, postcolonial theory). Practices of Looking provides an explanation of the fundamentals of these theories while presenting visual examples of how they function. Central concepts such as ideology, the concept of the spectator, the role of reproduction in visual culture, the mass media and the public sphere, consumer culture, and postmodernism, among others, are explained in depth and in accessible, informative language. Marita Sturken and Lisa Cartwright provide the best introductory book for students coming to the study of visual culture for the first time. Truly interdisciplinary, this book aims to be the key text for courses across a range of disciplines including media and film studies, art history, photography, and communication media.
Customer Reviews:
one of the best books about visual culture.......2007-09-21
The authors of this book very clearly articulate the considerable factors of the visual culture in mass media and visual art. Not only the pictures cited in the texts are also quite helpful to better understand the details of description, but also more importantly this book provides knowledgeable contents and information enabling readers to be aware of the significant roles of visual culture and how it is embedded in our lives, influencing the whole culture, society, industry and other many impacts of social forces.
excellent!.......2007-02-26
This is an excellent book for anyone interested in media studies. The language is simple and articulate. The authors provide plenty of visual evidence in each chapter. If you enjoy reading about popular culture, even advertising strategies- this is the book for you.
Practices of Looking: An Introduction to Visual Culture.......2006-03-25
I actually returned this book after leafing through it. It was a little disappointing and did not have much information other than common sense kind of info. Where was the meat?
Review of Chapter Nine.......2003-09-30
As a class assignment, I closely studied chapter nine of Practices of Looking, and researched several of the listed source materials. This chapter is entitled "The Global Flow of Visual Culture" and deals with the globalization of Western media, primarily in the form of television and the internet. The authors explore such topics as the history of media globalization, its effects on non-western cultures, pros and cons of the internet, and possibilities that new global technologies afford us.
This chapter was well-presented, persuasive, and useful. It offered a cohesive and informative discussion of a broad variety of topics, dealing with each one in satisfactory depth and detail. After researching a few of the listed sources, I found that while some of them seemed to be surplus to the actual chapter content, those that were used were, on the whole, represented accurately and fairly.
I recommend this book to anyone studying visual culture, due to its detailed and informative treatment of this broad and varied topic.
Brief on Practices of Looking (with emphasis on Chapter 8).......2003-04-26
In Practices of Looking, imagery in culture is shown to play on the way we perceive, initiate, and direct ourselves in our daily life. This book, indicates that we rely on imagery to guide us daily. This book explains how imagery is the most relied upon role model of today; basically, due to the fact that it is the most direct measure for a humans consumption of information. It provides input on how imagery sells goods through advertising, how images evoke personal memories, and how images can provide us with scientific data. In Society, Imagery can be found in all areas of the social arena. Influence of imagery is never counted alone in any arena. It is quoted in Practices of Looking "That images are never singular, discrete events, but are informed by a broader set of conditions and factors. The identity of science in correlation with imagery is explained in a wide spectrum of social engagements. Anything in the fine arts, film, television, and advertising, to visual data, can provide insight into the way we see things.
In Practices of Looking, written by Marita Sturken and Lisa Cartwright, mediums of influence and expression for Science and Imagery are identified in Chapter 8, Scientific Looking, Looking at Science. This chapter projects ideas with scientific imagery from the early 19th century to modern day. The chapter opens your eyes to the realization that we are constantly being fed ideas from imaging dealing with any subject matter. Whether the ideas are correct or not, most people today take the information and the images they see very seriously, especially when there are relations to science. Maybe due to the fact that science has proved itself in time, at least this is one opinion written in Practices of Looking; life science is seen as the "truth" and is accepted as objective knowledge due to the fact that doctors have a clearer understanding for the body through their experience. The understanding and the experience of Doctors is covered very thorougly throughout this chapter. It explains how imagery even comes into play in arenas we would never correlate influence from imagery, like (law and medicine). This chapter provides us with archival proof, predictions, perspective for current and past issues, time frames, and also developmental measurements. I found this book to be a great resource for understanding the influence that imagery has upon us in society. It really gives one a great look at the daily impact that imagery plays, and how it effects the publics outlook. I would definately recommend this book to anyone interested in learning more about "how art and media plays a role in society".
Average customer rating:
- Media Impact
- good solid media book
- boring
|
Media/Impact: An Introduction to Mass Media (with InfoTrac and CD-ROM)
Shirley Biagi
Manufacturer: Wadsworth Publishing
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AP Stylebook and Briefing on Media Law (Associated Press Stylebook and Briefing on Media Law)
ASIN: 0534597068 |
Book Description
Consistently praised for its engaging writing style, currency, and visual appeal, this revised text introduces students to the basic mass media channels, such as newspapers, magazines, electronic media and the Internet. It includes a focused examination of the history, ethics, cultural and social implications, regulation and technology that surrounds and controls the media. The new edition will engage and excite students even more with the addition of an interactive CD-ROM. Biagi fully immerses students within the media as they learn about the media.
Customer Reviews:
Media Impact.......2005-10-20
The book was here in 5 days and every one in the class including the teacher can't believe the price I got for it. Worked out just great and the teacher is going to buy the book from me.
good solid media book.......2000-01-24
This is a good media textbook. Shirley Biagi does a nice job of updating this text regularly. Students will find it interesting and informative. Lots of photos and sidebars add to the information. Covers all the media as well as social isues, ethics, global conglomerates and more.
boring.......1999-12-12
I swear, this book is the worst book ever for Mass Communications because it's just a bunch of articles about what might be the case of mass media in the future. If i didn't need the book for a college course, I would never have bought it
Book Description
Media, Gender and Identity is an accessible introduction to the relationship between media and gender identities today. It begins with an assessment of the different ways in which gender and identity have previously been studied and provides new ways for thinking about the media's influence on gender and sexuality.
David Gauntlett explores the gender landscape of contemporary media and draws on recent theories of identity negotiation and queer theory to understand the place of popular media in people's lives. Using a range of examples from films, television programs, and men's and women's magazines, Media, Gender and Identity shows how the media are used in the shaping of individual self-identity. The book is supported by a regularly updated website at: www.theoryhead.com/gender.
Customer Reviews:
excellent introduction, not only for media students!.......2002-10-30
There are dozens of books on popular culture and its relation to gender and identity issues out there, but this one is extraordinary: concise, up-to-date, and very readable. Mr Gauntlett wrote not only an introduction to the main theories of popular culture like Giddens, Foucault or queer theory - he illustrated all the discussed theoretical concepts with recent examples like movies, TV series, music, websites, and magazines.
If you are a student of media studies and always wanted to know how popular culture influences our lifestyles and our concepts of gender and identity - grab this book! It is well written and clearly structured with plenty of cross-references and suggestions for further reading. A unique feature is the accompanying website where additional material can be found.
Average customer rating:
- Introductory book which skips the technical details
- Practically Useless
- A Good Introductory Text
- Good for beginners
- Good for beginners or undergrade students only
|
Embedded Systems Design: An Introduction to Processes, Tools and Techniques
Arnold S. Berger
Manufacturer: CMP Books
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An Embedded Software Primer
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Embedded Systems Architecture: A Comprehensive Guide for Engineers and Programmers (Embedded Technology)
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Programming Embedded Systems in C and C ++
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Designing Embedded Hardware
-
Programming Embedded Systems: With C and GNU Development Tools, 2nd Edition
ASIN: 1578200733 |
Book Description
* Hardware/Software Partitioning * Cross-Platform Development * Firmware Debugging * Performance Analysis * Testing & Integration Get into embedded systems programming with a clear understanding of the development cycle and the specialized aspects of
Understand the embedded systems development cycle and the specialized aspects of writing software in this environment. You get clear explanations of how cross-development environments work, software/hardware integration techniques, and the key methods and technologies for each phase of the development process.
Customer Reviews:
Introductory book which skips the technical details.......2006-09-25
A book for someone who is developing first embedded system(s). Limited coverage, but has some good references at the end of each chapter that might be helpful to the reader.
Practically Useless.......2006-05-05
Maybe it would be beneficial to a marketing team, but I'm an engineer and I found the book totally useless.
A Good Introductory Text.......2004-10-22
This book offers a clear view of the embedded system design process. If you are a newcomer, it can help you clear up the mystery and it is a easy reading. If you have been through a embedded project from ground up, this is not the book for you. Even though I like this book, it lacks of depth and the text closed up in a hurry.
Good for beginners.......2004-04-25
Good for beginners. Really valuable if you are out of college and in need of directions in this field. The references in the end of each chapter are quite useful. It will give you directions but do not expect any deep/serious discussions about the topics it is supposed to cover.
Good for beginners or undergrade students only.......2003-08-06
Very good to learn the embedded system world for the new comers.
If you have some experience with project management and know what are the differences between MCUs and development tools, then it is no need to buy it.
Average customer rating:
- Excellent as a Historical Text Book
- Not very good...
- A very useful beginners guide to American film.
- Movie spoiler
|
American Cinema/American Culture
John Belton
Manufacturer: McGraw-Hill Humanities/Social Sciences/Languages
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Study Guide to Accompany American Cinema/American Culture
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Study Guide for American Cinema
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A Short Guide to Writing about Film (Short Guides Series)
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Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text
ASIN: 007004466X |
Book Description
Developed to accompany the Annenberg-funded telecourse American Cinema, and written under the aegis of The New York Center for Visual History, this text offers a fascinating look at the interplay between the movie industry and mass culture in America.
Ideal for film appreciation and film and culture courses found in Cinema Studies, English, History, American Studies, or other departments, American Cinema/American Culture first examines the industry, its narrative conventions, and its cinematographic style.
Following this introduction, students are exposed to the sweep of film history in the U.S. using five genres as the bases for discussion and focusing on the point at which each had the greatest affect on the industry, film aesthetics, and American culture.
Finally, the book concludes with a look at Hollywood post World War II, giving separate chapter coverage to the effects of the Cold War, television, the counterculture of the Sixties, directors from the film school generation, and the trends of the Eighties and Nineties.
Customer Reviews:
Excellent as a Historical Text Book.......2007-03-24
So, I expected this book to be a bit more fun. Unfortunately, the fun element is missing. However, in fairness, the book serves as a thorough textbook for the history of American Cinema and its techniques and various genres. I did enjoy reading about the early studio system and the vast amount of control this oligopoly held. There were some very good critiques and studies of specific films, and a bit about specific actors and actresses. Even a bit about directors. Though packed with information, the book just lacks an entertainment value that it could and should have pulled off based on the subject matter.
The different genres studied include:
Westerns
War Movies
Silent Films
Film Noire
Screwball Comedies
As well as an overall dissertation on Classical Hollywood Style and its various techniques.
Not very good..........2005-03-05
I got this book for a class on the history of cinema. Unfortunately, as the title implies, it only deals with American Cinema. If this is a book for school, check out the class to see if foreign films and film history will be discussed. This book is, again, as the title implies--one-sided. Most of the movies it discusses, gives away crucial plot-points and endings. Some movies that I've been dying to see were ruined in just one or two sentences. This book is also very puffed-up and biased (I don't know any other way of explaining it). Many times throughout the book, Belton seems like James Lipton of "Inside the Actor's Studio", and goes on and on about the greatness of Hollywood, actors, director's, and films with nothing negative to say. It's not at all critical of anything and the author frequently inserts his own interpretation of films into the general text, which I found a little pompous. The book does offer up some interesting facts about the early history and the birth of cinema, but there's something about the way this book was written that makes it hard to stay interested. I think the chapters about film genres exaggerate the importance of some of them, and neglects other genres completely, ie. Horror, Thriller, Mystery, Sci-fi, Animation, Epics, etc. Again, question the instructor and/or look at the class syllabus before siging up if this is the only book for this class. I don't believe this is a comprehensive and unbiased view of cinema and it's history.
A very useful beginners guide to American film........2003-01-08
Years ago I took an intro-level film class at a community college. This was the text for the class. It was accompanied (at least in my class) by a PBS video series that combined film clips with interviews and historical information. Going into the class I had little more than a passing interest in film and film history. But after taking that class, my passion for film has grown exponentially with each year. But back to the book, I really liked this book and highlighted my way from the front cover to the back cover. There are of course limitations to this book. Firstly, it deals only with American films. Secondly, this book barely breaks the 300-page mark - hardly a comprehensive volume. You aren't going to get any information on John Cassavetes here or anything. Now if you have a chance to use this book in conjunction with the PBS films, I think you'll do much better (in fact I think the vids even give a nod to Cassavetes), but even then please note that this material is for an INTRO-level film class, and won't be much good for someone who already knows a fair amount about American film. But with that in mind, the book still has a lot to offer someone looking to introduce themselves to film history.
The first third of the book starts with the birth of film, moves quickly on to the Hollywood studio system, and walks us through the basics of film style (camerawork, lighting, editing, etc.). The second third covers the basics of film genre; there is a chapter about film noir, one on comedies, one on war films, and one on westerns. This second section was particularly useful to me. I could read each chapter, jot down a list of promising titles, hit my local video store, and I was good to go. The third section covers American film after World War II. In this section things seem a little compressed. 110 pages for 50 years of film? A lot is lost on the cutting room floor. But there's lots to dig into all the same. There's a chapter on Hollywood during the McCarthy years (yikes!), one on film's evolution during the emergence of television, a chapter on 1960s counterculture films, one on the film school directors of the 1970s and 1980s, and finally a pretty weak chapter on film in the 1990s. Oh yeah, and at the end of the book there's a handy glossary (in case you're ever stuck on what point-of-view editing is) and a pretty thorough index.
Again, not a book for someone who already has a good feel for film history. But definitely a great resource for someone new to film studies, or for someone who has trouble finding a movie at Blockbuster on Fridays. It did a great job getting me excited about movies, and I imagine its done the same for others.... A good companion to this text (or possibly an all-out replacement of it) is Scorsese's VHS/DVD, "A Personal Journey With Martin Scorsese Through American Movies."
Movie spoiler.......2002-10-08
This would be a great book to read if you have no intention of watching the films discussed within, or if you've already seen them. On quite a few films, it tells the whole plot, in detail, from opening to end credits.
I also don't like the prose of the author, as he excessively uses sentences "in quotations". The writing structure is very formulaic and boring. The "5 paragraph essay" format is good for high school students learning to write, but imagine an entire book written that way. I can only read it for 15 minutes before losing interest.
The book does, however, provide plenty of examples from a variety of films.
This book is a companion piece to the PBS series by the same name. The series is much more interesting. Don't bother with the book. A much better film text is "Film: An Introduction", by William Phillips, ISBN: 0312258968.
Average customer rating:
- Broadcasting, Cable, the Internet & Beyond
|
Broadcasting, Cable, the Internet and Beyond: An Introduction to Modern Electronic Media
Joseph R Dominick
Manufacturer: McGraw-Hill Humanities/Social Sciences/Languages
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Sight, Sound, Motion: Applied Media Aesthetics
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Writing for Television, Radio, and New Media (with InfoTrac )
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Associated Press Broadcast News Handbook
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Media Management: A Casebook Approach (Lea's Communication Series)
ASIN: 0072493836 |
Book Description
This text surveys the field of modern electronic media and beyond. Beyond, more than a word in the title, refers to the new technologies, regulations, programming, and competition that affect our world and the broadcasting industry. The authors of Broadcasting, Cable, the Internet and Beyond have three main goals for every edition: 1) to convey the excitement of the industry, 2) to provide a survey of the industry, and 3) presenting a readable text that makes even the most difficult information understandable. With new information and innovations added to an already strong foundation, this edition achieves each of these goals, again.
Customer Reviews:
Broadcasting, Cable, the Internet & Beyond.......2000-06-23
This book has been used broadly in American Universities from the first Edition. This book provides a lot of infomarion about history, procedure, and broadcating technology itself in the United States. Currently, the area of broadcasting has been broaden into Internet. Web-casting is one of new types of broadcasting internationally. This 4th edition includes this new shapes of broadcasting on the Web. I hope this edition gives more insights of American broadcasting systems.
Book Description
Written by two leading film scholars, Film History: An Introduction is a comprehensive survey of film-from the backlots of Hollywood, across the United States, and around the world. As in the authors' bestselling Film Art, concepts and events are illustrated with actual frame enlargements, giving students more realistic points of reference than competing books that use publicity stills.
Customer Reviews:
The best single-volume book on film history.......2006-05-01
If you are interested in film history on the whole, please, give yourself a treat by purchasing this book. It is not cheap but it is worth every penny. I had it after a course in film history and despite being someone who usually sell or dump away my texts after graduation, I find it very hard to give this one away. Boy, am I glad I did not. As one's scope and experience in world cinema grows, so too does one's interest in this book. Bordwell and Thomas's style is academic but always enthusiastic, and theirs is the most comprehensive account of world cinema in English (pre-war Japanese cinema, anyone?). I have not found another general film book on world cinema history to match, and I will certainly be purchasing its third edition (what I have is the first) if that ever comes by.
comparison.......2006-01-26
here's a short comparison I made between the following 3 film history books:
A History of the Cinema from Its Origins to 1970 (Eric Rhode)
A Short History of the Movies (Gerald Mast)
Film History: An Introduction, (Thompson-Bordwell)
I was looking for a technical/historical overview of the development of cinema, without idiosyncratic criticism and with emphasis on the origins of film techniques, genealogy of influences of filmmakers, relevant references to history, literature and other arts, and impartial accounts of filmmakers' careers.
Instead of a verdict, I will simply quote passages about two greats:
Rhode: [about Fellini] "Fellini's greatest works are inevitably works of laughter and tears. [...] Fellini gets into trouble when he deserts feeling for thought. La Dolce vita (1959) is a sterile thematic exercise [...] In the film's first sequence, a helicopter [...] The film, intellectualy, is over. Christ has been petrified into wood; he is the tool of modern machinery [...] Although the film has nothing more to say, Fellini continues for two hours, contrasting sensual things [...] Juliet of the Spirits [...] suffers from a similar over-schematization."
Mast: [about Antonioni] "Antonioni sometimes has trouble in allowing his images to accrete meaning [...] His failure to generalize experience was to be total in La notte (1960). Lacking any understanding of how writers think and feel, his portrait of the author, [...] is so unconvincing that the spectator may be tempted to think that Giovanni's crisis of conscience is no more than a rationalization of his inability to escape from his wife's purse-strings."
Thompson-Bordwell: [about Antonioni] "From the start of his career Antonioni demonstrated a mastery of deep focus (Fig. 19.30) and the long take with camera movement (pp. 427-429). The early works also pioneered [...] Antonioni's muted dramatization of shallow or paralyzed characters found a sympathetic response in an era that also welcomed Existentialism. [...] Juan Bardem, Miklos Jansco, and Theo Angelopoulos learned from his distinctive style. Francis Ford Coppola's The Conversation (1974) and Brian De Palma's Blow-Out (1981) derive directly from Blow-Up."
nuff said...
Comprehensive, nicely packaged.......2002-02-12
I used this book in a film studies class about four years ago and I kept it because of the wealth of information. For the first time I understood the different epochs of film not only in the U.S. but also around the world. I was introduced to a wider variety of international film and the work of Eisenstein, Renoir, Kurosawa, and others. I highly recommend this book for the concise language, easy explanations, and beautiful black and white and color reproductions from many films. This book is a page turner.
Just great.......1997-02-22
this is one of the most comprensive and clear books on film history. Just great to use it as a main reference book to college student
Book Description
From the oilfields of Saudi Arabia to the Nile delta, from the shipping lanes of the South China Sea to the pipelines of Central Asia, Resource Wars looks at the growing impact of resource scarcity on the military policies of nations. International security expert Michael T. Klare argues that in the early decades of the new millennium, wars will be fought not over ideology but over access to dwindling supplies of precious natural commodities. The political divisions of the Cold War, Klare asserts, have given way to a global scramble for oil, natural gas, minerals, and water. And as armies throughout the world define resource security as a primary objective, widespread instability is bound to follow, especially in those areas where competition for essential materials overlaps with long-standing territorial and religious disputes. In this clarifying view, the recent explosive conflict between the United States and Islamic extremism stands revealed as the predictable consequence of consumer nations seeking to protect the vital resources they depend on.A much-needed assessment of a changed world, Resource Wars is a compelling look at warfare in an era of rampant globalization and intense economic competition.
Customer Reviews:
best characterization of the geopolitical framework of the Post-Cold War era .......2006-11-19
copyright 2006 Kat W.
In Resource Wars: The New Landscape of Global Conflict Michael Klare argues that the post-Cold War era can be best explained by a perspective that focuses on the "global demand for" what he calls "key materials." These materials include but are not limited to water, oil, old-growth timber, uranium, copper, rutile, bauxite, diamonds, gold, other minerals, gems and the global atmosphere. Klare's concept of what Thomas Friedman would call `The One Big Thing' readily explains the major global conflicts in the post-War era. Klare concedes, however, that his conception of dynamic global order, as it is informed by disputes over resources "may not be " The One Big Thing" that lies at the heart of all international relations, [but] it helps explain much of what is happening in the world today" (14).
Klare's perspective is a useful and accurate one. I think that Klare's text stands above Friedman's Lexus and the Olive Tree, Sam Huntington's Clash of Civilizations, and Stigliz's Globalization and its Discontents. Klare gives the most parsimonious description of the current geopolitical climate. His characterization of conflicts as "resource Wars" is adaptable enough to be a useful paradigm for the next 40-60 years, perhaps longer if technology creates viable renewable forms of energy. This is because Klare's resource-based view of the global political climate is founded on the undeniable fact that as the world population soars and industrialization spreads; vital, finite resources will continue to diminish rapidly. Two hundred and fifty years of heavy industrialization in Europe and the United States has taken a toll on the world's resources. As India and China look to reap the benefits of a fully industrialized economy, resource allocation will play a priority role in the geopolitical climate of the coming decades.
American Capitalism was able to provide benefits and commodities that Soviet Communism failed to deliver. It was able to avoid the shortages that befell the Soviet Union. The fall of Communism in the Soviet Union was marked in economic terms more than in ideological terms. Klare usurps the view of Christopher Warren who claimed that "economic competition is eclipsing ideological rivalry"(8).
Currently, Nations perceive economic strength as a vital part of National security. Nations believe a strong economy is necessary for political influence in the world. Klare explains, " the adoption of an econocentric security policy almost always leads to an increased emphasis on resource protection" (14). A thriving economy is necessary for strong national security and open access to vital resources is a necessary component for a strong economy. Klare makes a compelling connection between national security, economic growth, and strategic military operations. In the post Cold-War era there is a shift from the "weapons technology and alliance politics [that] once dominated the discourse on military affairs, American strategy now focuses on oil-field protection, the defense of maritime trade routes, and other aspects of resource security" (6).
We see that documents of official U.S. foreign policy target resource-rich regions such as the Persian Gulf. When asked why the United States invaded Iraq instead of North Korea Donald Rumsfeld responded that the country swims on a sea of oil. Where Huntington sees clashes of civilizations as the main challenge to peace in the world, Klare sees "intensified resource competition" pushed by private and state interests as the main purveyors of global conflict in the current era. We see that the United States is all-too-often able to avert its watchful eyes from humanitarian atrocities as long as those atrocities don't hurt U.S. business' access to "vital raw materials." The United States allies itself with "three Muslim states -Azerbaijan, Turkey, and Turkmenistan -against two prominently Christian ones, Armenia and Russia" The Reason? : to have a claim to the Caspian Sea basin's impressively rich reserves of petroleum and natural gas(Klare 12-13). The strategic desire to acquire high-demand resources becomes more important than playing along civilizational lines. Klare's Resource-based perspective on international and domestic conflicts speaks to me in a compelling way for several reasons.
1) I am an environmentalist and I am well versed in the stubborn attitudes that certain senators (ex. =Voinovich from Ohio!) have toward diminishing U.S. economic output (measured in G.N.P) by limiting the use of finite fossil fuel resources. The U.S. senate regularly fails to pass climate change initiatives aimed at CO2 reductions because they believe investment in non-CO2 producing technology and subsequent shifts away from a coal-based economy will lead to a net loss of jobs and a drop in GNP. Klare does a nice job of connecting resource acquisition with the economy. He then relates the economy to national security, which informs political and especially military policy.
2) I am an atheist. I think this predisposes me to be more receptive to Klare's claims about the geopolitical climate of the post Cold War world, and less receptive to Sam Huntington's strongly argued and conceived civilizational division of global regions of power. Religion seems to be ( as Huntington explains) the heart of civilization. Klare is able to bring conflicts into focus with specific regional resources at the center when ostensibly these outbreaks of violence appeared to be results of ethnic or religious clashes and nothing else. Klare takes time to address conflicts (such as water wars between Israel and Palestine) that at first appear to be civilizational. He successfully convinces the reader that at its core the conflict is because of a dispute over resources.
3) I read the forementioned books with the U.S. occupation of Iraq in the forefront of my thought. Klare actually makes a cameo appearance in Hijacking Catastrophe, a movie that explains some of the ways that Bush's " War on terror" (which I believe to be a misnomer in the first place! - I think Wars are against nation states not decentralized, non-state actors) is not about preventing the spread of terrorist cells and "Islamo-Facism" but instead the war is about securing vital oil resources of the Persian Gulf region. The Plan for the New American century literally said that Persian gulf oil would be of vital interest to U.S. and that the U.S. should be prepared to act unilaterally to gain control or influence over the use of this oil. My previous exposure to the role that resources play in U.S. foreign policy made me very open to the core thesis of Klare's book.
4) I don't know very much about Islam in general, and my exposure (a few days a week for 14 years) to Christianity in America left me uninspired. Klare's discussion of the politics on the Arabian peninsula speak to me where perhaps, if I knew more about the region I might find Huntington's civilizational, demographic, and core state/ cleft state/ torn state perspective more compelling.
5) My interest in global politics is based in my desire to create a more egalitarian society in the United States and to spread the riches of industrialization to the poorest people in underdeveloped countries. With this purpose I see resource re-allocation as a way to pull some underdeveloped countries into the class of those who have what they need to survive comfortably. "The United States alone consumes approximately 30 percent of all raw materials used by the human population" (Klare 13). Each human requires a minimum of " approximately 1,000 cubic meters (265,000 gallons) per" year and there is currently enough for every person if the water is shared equitably (Klare 142-144). Klare's statistical data is a very useful tool that can be used to the meet the end of securing nutritional necessities for humans living in countries without infrastructure or exploitable assets (that could be used to get them out of poverty). Klare's thesis leads to a conclusion where he argues that the best outcome for the human population would be to manage and control resources in a peaceful way, under the regulation of a "global authority." He believes this, coupled with a concerted effort among nations to develop technological revolutions could help solve resource crises. Klare is weak on policy suggestions (it seems like less than 10 pages of the book is policy recommendations) but his `One World' unificationist ending is much more satisfying, hopeful, and accurate than strong challengers' ultimate conclusions about the strife-ridden, perpetually divided future of the world.
Religion haunts the text of Klare's Resource Wars. Interspersed between strong arguments for his resource-based perspective on Global politics Klare makes concessions to the popular conservative, Samuel Huntington. These concessions do not de-value the central thesis of the book, however. He does not attack a straw man's version of Huntington's, Friedman's and others' characterizations of the geopolitical climate. Instead, he critically engages these popular frameworks that are in opposition to the main trend he lays out. In terms of politics and conflict in the Middle East Klare admits," Even before the discovery of oil, the states in this region were torn by internal divisions along ethnic and political lines, and by historic rift between Sunni and Shiite Muslims. ... This fiery cauldron has been further heated in recent years by the rise of Islamic fundamentalism, and the endurance of authoritarian regimes, and deep frustrations (among many Arabs) over Israel's treatment of the Palestinians" (45).
However, at the same time, Huntington is unable to preach along civilizational lines without giving some mention of the fact that Saudi Arabia is both the "original home of Islam" and the land with "the world's largest oil reserves" (Huntington 178). Similarly Iraq is both the land of Babylon and the land with an estimated 112.5 billion barrels of oil, the second greatest oil reserves in the world (Klare 45). Lands of great religious significance are the same lands under which vital resources sit ready to be fought over. Conflicts in the Middle East must be approached with some previous knowledge of cultural, ethnic, historical and religious lines drawn between groups of people, but the significance of middle eastern conflicts and their primary significance all around the world lies in the fact that the region sits on top of resources that the rest of the world wants access to.
If I were to rewrite Klare's book I would change very little. I would expand on the policy implications that can be extracted from the paradigm that Klare lays out. I would probably offer stronger critiques of the United States' claims to unfair portions of global resources. I think Klare strikes the balance between the influence resources exert over global politics and the influence that culture and civilization exert over global politics. If I were Klare I would have gone one step further and in rewriting the book I would address Global climate change as it is related to the acquisition of fossil fuel resources. In addition, treaties such Kyoto would be areas of global politics that I would examine. I believe that issues having to do with the global warming will become very important in the coming decades. Densely populated regions face loss of coastal land and this means that there will be mass migrations of peoples. An environmentalist spin on Klare's Resource Wars may move a bit toward Friedman's claims that Green energy industry will be a prime money-making market of the new century.
Ultimately I believe that Klare's lens gives the least distorted view of international relations as they exist and operate in today's world. It is not what Huntington's followers may belittle as "vacuous" "western universalism" that pushes Klare to plead for resource allocations to be parsed out by transnational organizations (or "global authorities") ; it is the universalism of the basic rights and physical needs of the body that are common among all human beings. This is something that can be understood without religion, without culture (Huntington's definition) and without nationality.
Power where does it all stem from..........2006-11-03
This is a good book and it really opens your eyes to all the bickering that occures over the use of resources.. When you think of resources a lot of people think of hard material items such as gold or oil as scarce but even the most basic element water is faught over on a day-to-day basis in rugged territories and contested borders. How many people know that Roosevelt had a meeting with King Abdel-Aziz in 1945 and the bearing it had on US Saudi relations to date? How many people know about France's ties with Saddaam Hussein before the 90's? How about the divide between the rich and the poor refered to as globalization?
Good book on resource geopolitics. My 13 yo son loves it.......2006-10-09
We all knew that respources, like money, move the world. And that by explaining the concentration, consumption and need to control them, everything we see in geopolitics can be somehow explained.
What is also amaizing, is that this book is written in a way that my pre-teen son (13) was so inetrested that he read it with calm and eagerness, so you know that the style is not dry or uniteresting. Try it with your kids or those teens you are close to.
It woud be good to have a update, specially now that the venezuelan oil supply is in control of an american hating militaristic madman with pretention of waging a war against the "empire".
Needs a 2nd edition.......2006-02-12
This is a decent book. It is well researched and referenced, and it contains a lot of interesting information about foriegn policy with respect to resources (especially oil and water). Klare remains rather nuetral throughout, which is rather refreshing. Unfortunately, it is a little dated by now (written when the Taliban still controled Afganistan and before the Iraq war). Most of the US foreign policy dates back to the Clinton era.
The problem is that the book is not very well written. There aren't mistakes, it is grammatically correct, etc., but painfully dry. In place of indepth anaylsis, I felt like a lot of pages were devoted to term-paper type intros and conclusions, with really obvious and vague statements. These statements seems to be repeated ad nausem. At times the book fell from my hands. I almost gave up on the book after wading though the painfully long intro and half the first chapter. I finally just skimmed ahead to chapter 3. The first 50 pages do nothing more than to say basically "oil is important and most of it is in politically unstable areas."
It is unfortunate, because it is an important book, and there is a lot of good info burried in it. It could just be about half as long.
balanced and dispassionate analysis.......2005-11-17
Thirty or forty years in the future, people will look back at Resource Wars by Michael Klare as one of those books they wished they had read, or as one that policymakers should have read.
Klare takes a serious look at the types of potential conflicts that will emerge as a result of increasing population and decreasing natural resouces. Many would cover oil exlusively (and Klare has written on oil alone), but this book was refreshing because it also looked at resources such as lumber, and water. The book covers a wide range of topics in a very practical, matter-of-fact fashion. This is not a polemical book and that is refreshing.
Resource Wars could almost be compared to Huntington's Clash of Civilizations in the way that each author is making a prediction about future conflicts. While Huntington's thesis is interesting, Klare's seems more likely.
Highly recommended.
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