Book Description
One hundred years ago, Edward Sheriff Curtis began a thirty-year odyssey to photograph and document the lives and traditions of the Native peoples of North America. This monumental project was hailed by The New York Herald as "the most gigantic undertaking since the making of the King James edition of the Bible."
In this landmark volume, almost 200 of the finest examples of Cu rt is's photographs are reproduced with startling fidelity to his original prints. Produced to the very highest standards, Sacred Legacy presents Curtis's work without compromise for the first time in the modern era. Taken together, these profound images constitute no less than the core and essence of his life's work. Until now, virtually none of Curtis's photographs have been reproduced in a manner that captures the clarity and richness of his original master prints. In Sacred Legacy, his greatest images are reproduced from the finest source materials available -- a significant number from breathtaking platinum, gold, and silver prints. All have been carefully selected for pub lication and for an accompanying international exhibition by Curtis authority Christopher Cardozo.
In an effort to bring a new understanding to Curtis's monumental work, Sacred Legacy was developed according to the organizing principles set forth by the great photographer himself. Following the path la id out in his 20 volume magnum opus, The North American Indian, geographic regions are presented separately and individual tribes within each region are depicted and described. Interspersed between these sections are compelling portrayals of those aspects of life common to all tribes, among them spirituality. ceremony, arts, and the activities of daily life.
With The North American Indian, Curtis achieved the impossible: an extraordinary 20 -volume set of handmade books composed of nearly 4,000 pages of text and 2,200 images presenting more than 80 of North America's Native nations. Luminous, iconic, and profoundly revealing, the pictures that form the heart of the original project are reproduced here in Sacred Legacy. These extraordinary photographs had an immense impact on the national imagination and continue to shape the way we see Native life and culture.
Sacred Legacy is a fitting testament to the profound beauty, meaning, and complexity of Indian life and to Edward S. Curtis -- a man whose wisdom, passion, and strength drove him to devote thirty years to capturing the nobility and pride of the Native peoples of North America. The photographs in this brilliant volume represent the most important presentation of Curtis's work since the publication of the first volume of Me North American Indian nearly a century ago.
Customer Reviews:
Absolutely Beautiful.......2007-08-21
I absolutely love this book, the photagraphs are stunning. As a Native American of the Plateau Tribes, I love to browse through the photographs and see the images of my ancestors. My family consists of many different tribal Nations, from Coastal to Plateau and Plains, so it is nice to see the faces and the land as well as the clothing during the time these images were taken.
perhaps a generation too late.......2007-06-20
The many photographs have a hazy sepia tinge that somehow adds to the distancing from us, the present day readers. Curtis did an amazing and sympathetic photographic survey of native Americans in the early 20th century. His collection epitomises the changing view of natives, to the broader American society. No longer were they portrayed as bloodthirsty savages. Instead, Curtis took care to show many natives in peaceful surroundings. Often, getting on with everyday chores. A distinguishing aspect is that few of the photos show them brandishing weapons.
Keep in mind that even by the earliest photos, there were very few "wild" natives left in the US. Years earlier, they had been defeated by the US army, and the survivors often relegated to reservations. So what the photos show are domesticated peoples. Nomadic no longer, even if their forebears had been so just a generation ago.
In this sense, Curtis was a generation too late. Had he been a contemporary of Matthew Brady, he might have given us a visual legacy of peoples that were more unassimilated. Though of course he would have risked real injury to himself, in doing so. Still, we should not complain. Curtis did well with what he had, in the era he inhabited.
"Take a good look. We're not going to see this kind of thing much longer. It already belongs to the past". .......2005-07-27
Edward Sheriff Curtis dedicated his life's work to documenting the customs and lifeways of the Native American peoples of North America. This extraordinary book includes some of the best photographic examples from Curtis' twenty volume masterpiece, "The North American Indian," one of the most significant representations of traditional indigenous culture ever produced.
Curtis was one of two official photographers for the 1899 Harriman expedition to Alaska. On his return, he stopped in northern Montana, accompanied by George Bird Grinell, editor of Forest and Stream. There he witnesses the deeply sacred Sundance of the Piegan and Blackfoot tribes, a sight which transformed his life. Grinell said to him at that time, "Take a good look. We're not going to see this kind of thing much longer. It already belongs to the past". It became clear to him then, that he was to record, with pen and camera, the life of the North American Indian. By the time the last volume appeared in 1930, little remained of the ancient traditions of the peoples he photographed.
Beginning in 1900 and continuing over the next thirty years, Edward S. Curtis, sometimes called the "Shadow Catcher" by tribes' people, took over 40,000 photographs and recorded ethnographic information from over eighty American Indian tribal groups, ranging from the Eskimo or Inuit people in the North to the Hopi people of the Southwest. In the end, the work comprised twenty textual volumes and twenty portfolios with over 2,000 illustrations.
"Sacred Legacy: Edward S Curtis And The North American Indian" was compiled and published to honor the 100th anniversary of Curtis's project to photograph the North America's indigenous peoples, and is a sacred legacy. This impressive volume beautifully reproduces in luminous images 200 of Curtis's greatest photographs from the finest source materials available - a significant number from platinum, gold and silver prints. Christopher Cardozo, an authority on Curtis, carefully selected the photographs for publication and for the accompanying exhibition. Writers who contribute their work here include: Joseph D. Horse Capture, N. Scott Momaday, and Anne Makepeace.
The photographs are organized by tribes and culture areas, encompassing the Great Plains, California, the Southwest, Plateau Region and Woodlands, Pacific Northwest, and Alaska. These reproductions represent an artistic masterpiece worthy of any collection. This volume is a fitting tribute to Curtis's genius.
"The passing of every man and woman means the passing of some tradition, some knowledge of sacred rights possessed by no other." Edward S. Curtis (1868-1952)
JANA
This book is a treasure.......2001-04-07
The works of Edward S. Curtis are monumental and beautiful. This book reproduces them with stunning clarity capturing the luminescence of his orotones remarkably well. The text serves to convey the rich meaning behind the photographs. For anyone interested in photography, art, or the story of the Native Americans, this is a treasure not to be missed.
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The State of the Native Nations: Conditions under U.S. Policies of Self-Determination
Harvard Project on American Indian Economic Development ,
Eric C. Henson ,
Jonathan B. Taylor ,
Catherine E.A. Curtis ,
Stephen Cornell ,
Kenneth W. Grant ,
Miriam R. Jorgensen ,
Joseph P. Kalt , and
Andrew J. Lee
Manufacturer: Oxford University Press, USA
ProductGroup: Book
Binding: Hardcover
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ASIN: 0195301250 |
Book Description
Media filters and personal preconceptions can make it hard to get a clear view of present-day Indian America. The reality is that the 500+ Native nations in the United States confront many of the same day-to-day challenges that are faced by other nations and communities--raising children with strong identities, practicing religion, providing economic sustenance, strengthening culture, managing business and governmental affairs, and protecting public health and safety--but they are doing so from foundations built on their distinct histories, cultures, and circumstances. The State of the Native Nations: Conditions under U.S. Policies of Self-Determination chronicles the efforts, obstacles, and accomplishments that are shaping Indian Country under contemporary federal policies and responsive tribal strategies of self-determination. In The State of the Native Nations, The Harvard Project on American Indian Economic Development brings together scholars and Native leaders to produce the most comprehensive, cohesive interdisciplinary study available on current conditions and trends in Indian Country. Broad in scope and thematically organized, the volume features twenty-three chapters covering issues ranging from tribal governance, land and natural resources, and economic and social development, to arts and culture, the large off-reservation Native population, and federal Indian policy. Fourteen accompanying essays bring to life the personal perspectives of noted national leaders in Native affairs. The result is invaluable insight into the universal challenges of creating resilient, sustained, and self-determined communities. Features:ulliBalances first-person accounts and field findings with extensive and up-to-date data and factsliEmphasizes the critical issues of Native self-determination and nation-buildingliPuts contemporary issues in their historical and policy contextsliIntegrates case studies that highlight successful examples of the practice of Native nation self-determination/ul
Book Description
Between 1896 and 1930, Edward S. Curtis documented Native Americans and their way of life in the western United States and British Columbia. His efforts resulted in a twenty-volume visual record accompanied by text—a document unequaled in the history of photography.
Sixty-eight photographs from the original collection have been selected for this Aperture book; the result is a compilation of Curtis’s best-known images documenting the Native American way of life, molded by rich traditional values centered on nature and the universe.
Customer Reviews:
68 photographs gleaned from the original collection.......2002-07-12
From 1896 to 1930, famed photography pioneer Edward S. Curtis documented Native Americans, their cultures and way of life throughout the western United States and British Columbia. His years of field work resulted in the publication of a unique twenty-volume visual record, accompanied by his written observations. 68 photographs have been gleaned from the original collection of hundreds of period photographs and compiled into the Aperture edition of The North American Indians, along with Curtis' field notes detailing the content of the images. Enhanced with an informative introduction by Native American expert Joseph Epes Brown, The North American Indians is an enthusiastically recommended contribution to academic and community library Native American studies reading lists and reference collections.
Book Description
Early in June 1984 some thirty-five of the retired four-star generals of the United States Air Force gathered in Washington, D.C., for the annual Senior Statesmen Conference. Each year since the early 1960s the Air Force has invited its retired four-star generals to Washington. From that group in 1984, the Office of Air Force History invited four general officers -Generals Curtis E. LeMay, Leon W. Johnson, David A. Burchinal, and Jack J. Catton- to participate in a group oral interview on the history of strategic air warfare. They accepted and on June 15, 1984, at Bolling Air Force Base, the four discussed for nearly three hours the development and evolution of strategic air warfare. Because the session ended without time for a discussion of the Cuban Missile Crisis and the Vietnam War, the four conferred again, this time by telephone, to discuss these and other issues not considered earlier. This interview was the third in a series begun by the Office of Air Force History with the "senior statesmen," the first in 1982 covering air superiority in World War II and Korea, the second in 1983 discussing the type of aerial interdiction used in World War II, Korea, and Vietnam.
The purpose of the interview was to have the air commanders meet in an informal setting and discuss the development of strategic air employment as a form of warfare. The hope was that in the course of the discussion these men, who had served together for many years and undergone common experiences, might stimulate each other to remember facts and events that have otherwise gone unrecorded, and to flesh out the record with fuller explanations of motives and the reasoning behind great occurrences. The result was beyond our expectations, for almost immediately the four generals began interviewing each other, reminiscing at times, exchanging ideas, questioning circumstances, and recalling motives and objectives clear at the time of decision but clouded over by the passage of time. Often a single question led to four or five others generated from within the group. At one point when they were discussing atomic warfare and the creation of the Strategic Air Command, General LeMay leaned forward and said quietly to General Johnson, "Let me tell you what I was trying to do...."
The Strategic Air Command was but one of many issues discussed. Beginning with preparations for World War I1 and the concepts underlying planning, training, and equipping American air forces for the strategic bombing of Germany and Japan, the participants explained their roles: in the war in flying and commanding bombing missions and campaigns; in creating the atomic air forces in the immediate postwar years; in building and molding the Strategic Air Command in the 1950s; in advising and making decisions during the Cuban Missile Crisis; and in leading and observing the Air Force during the limited war in Southeast Asia.
The Office of Air Force History chose strategic air warfare as the topic because it is a distinctive aspect of air warfare that has molded and defined the United States Air Force since the 1920s. From the writings of Billy Mitchell through the great strategic campaigns of World War I1 to the creation of the nuclear deterrent forces of the 1940s, 1950s, and 1960s, strategic warfare dominated the Air Force, determining the preparations for war, the types of airplanes developed and deployed, and the size and configuration of the service, from the location of its bases to the distinctive decoration on part of its uniforms. The very creation of the Air Force was bound up with the effort to wage independent air war, to use air power against the will and capacity of an enemy nation to wage war in order to decide a conflict without -or independent of- military operations on land or at sea. Thus the Office believed that by exploring the experiences and ideas of some of the senior commanders who led America's strategic air forces in war and peace, it would contribute to an understanding not only of the United States Air Force, but of air power itself. Readers should remember, however, that this interview is not history but the collective memory of four leading airmen; it is the source material upon which history rests. The interview was conducted in person, with the followup discussion completed by telephone two months later. The transcript was edited and partially rearranged to follow a chronological format. Each discussant read and approved the edited transcript, occasionally adding some small fragment of material or editing the text further. The introduction, footnotes, and bibliography were contributed by the editors.
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Introduction to Comparative Government, Update Edition (5th Edition)
Michael Curtis ,
Martin C. Needler ,
Roger E. Kanet ,
Joseph Fewsmith ,
Theodore McNelly ,
Stephen Wright ,
Bernard E. Brown ,
Jean Blondel ,
Donald Kommers ,
A. James McAdams , and
John S. Reshetar
Manufacturer: Longman
ProductGroup: Book
Binding: Paperback
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With an accessible, descriptive approach and an easy-to-use, three-part structure within each chapter, this is a flexible comparative text that is about 25% less expensive than its competitors.
Book Description
John Gardner writes, "The first step is not action; the first step is understanding" (1990, xiv). Great people over the centuries have grappled with the meaning of effective leadership. In that same spirit of inquiry, our goal is to inform and stimulate rather than to "mold" future leaders. As with any subject, knowledge of the basics—those great thoughts that have shaped understanding about that subject—is the foundational platform upon which to build your knowledge of leadership.
From those early ideas, however, the concept of leadership is changing in exciting ways. Our own views of leadership diverge from more traditional, authority-centered approaches in favor of contemporary views emphasizing the common good, risk, collaboration, and civic responsibility. Newer theories in leadership are having an impact in executive suites, public institutions, and communities. We hope our students will carry the mantle of leadership throughout society, committed to making a difference in every kind of context.
This book was created because of our desire to help students understand the many dimensions of leadership theory. Our aim was to develop a readable workbook/textbook that would provide a comprehensive overview of the major theories in leadership studies. It is not intended, however, to be heavily theoretical. We include only the basic elements of the various conceptions of leadership. Our interest is in surveying ideas, their importance to leaders and followers, and their applicability to the process of leadership.
Book Description
Joseph Bruchac tells the compelling story of how a young boy named Curly seeks a vision in the hope of saving his people - and grows into the brave and fierce warrior Crazy Horse. Sioux artist S. D. Nelson's paintings, in the traditional ledger style of the Plains Indians, evokes the drama and the tragedy of this important American figure.
Customer Reviews:
An outstanding picture book.......2004-01-15
Featuring color paintings by Sioux artist S. D. Nelson (who was inspired by the traditional art style of the Plains Indians), Crazy Horse's Vision by Joseph Bruchac is the true story of a young Native American boy named Curly who witnessed fierce battles between his tribe of Lakota Indians and white settlers. Defying the custom of his people, Curly ran to the hills in search of a vision, and what he saw would transform him forever. Curly would then come to be known in history as the Sioux war chief Crazy Horse. An author's note following the story relates a summary of the life and death of this brave an unselfish leader. Crazy Horse's Vision is an outstanding picture book and a welcome addition to personal, school, and community library collections.
Wonderful.......2001-09-14
I adore Crazy Horse and bought this for my 5 year old daughter who just loves this story. It's a great story for anyone and I highly recommend it for all schools.
Fantastic book.......2001-02-14
This beautifully illustrated book is one to read to your children many times over. It tells a story all American children should hear, and it has a magical feel to it.
A mastery of color.......2000-04-17
I especially enjoyed the illistrations in this book. The pictures almost draw you into the pages. They are drawn in the traditional style of the Sioux People. The story is about a man who is greatly respected by his people.
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