Average customer rating:
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- Craft of Research
- A Must Have!
- Very comprehensive but not easy to remeber and follow
- An authentic jewel.
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The Craft of Research, 2nd edition (Chicago Guides to Writing, Editing, and Publishing)
Wayne C. Booth ,
Joseph M. Williams , and
Gregory G. Colomb
Manufacturer: University Of Chicago Press
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ASIN: 0226065685 |
Amazon.com
Skillfully done, research can be the solid cornerstone of your term paper (or dissertation, essay, or article); inadequately executed, it can cause your whole project to crumble and fall. Yet essential as research is to the ultimate success of your work, performing it is not an innate talent. The precepts, steps, and skills of solid research are readily acquired if you spend some time with The Craft of Research before you start on your outlines and thesis statements. Written by three distinguished professors in 1995, published by the University of Chicago, and winner of the 1995-96 Critics' Choice Award, The Craft of Research teaches how to plan, carry out, and report on research for any field and at any level. Aimed at assisting student researchers, from raw beginners to accomplished graduate and professional students, the book shows how to choose a topic, plan and organize research, and how to draft and revise a report of findings such that a convincing solution is offered to a significant problem.
The Craft of Research is more than just another instruction manual getting you from topic to outline to notes to report. Recognizing that good research is rarely a simple, sequential procedure, but is instead a complex and intricate process, it discusses the subtle ways in which asking questions about your topic can influence how you draft your report, how a quality introduction can send you back to the library, and how the process of drafting can highlight flaws in your argument that need to be addressed. Clear and explicit, sophisticated and practical, The Craft of Research encourages high standards of scholarly achievement, and spells out the steps by which to get there. --Stephanie Gold
Book Description
Since 1995, more than 150,000 students and researchers have turned to The Craft of Research for clear and helpful guidance on how to conduct research and report it effectively . Now, master teachers Wayne C. Booth, Gregory G. Colomb, and Joseph M. Williams present a completely revised and updated version of their classic handbook.
Like its predecessor, this new edition reflects the way researchers actually work: in a complex circuit of thinking, writing, revising, and rethinking. It shows how each part of this process influences the others and how a successful research report is an orchestrated conversation between a researcher and a reader. Along with many other topics, The Craft of Research explains how to build an argument that motivates readers to accept a claim; how to anticipate the reservations of thoughtful yet critical readers and to respond to them appropriately; and how to create introductions and conclusions that answer that most demanding question, "So what?"
Celebrated by reviewers for its logic and clarity, this popular book retains its five-part structure. Part 1 provides an orientation to the research process and begins the discussion of what motivates researchers and their readers. Part 2 focuses on finding a topic, planning the project, and locating appropriate sources. This section is brought up to date with new information on the role of the Internet in research, including how to find and evaluate sources, avoid their misuse, and test their reliability.
Part 3 explains the art of making an argument and supporting it. The authors have extensively revised this section to present the structure of an argument in clearer and more accessible terms than in the first edition. New distinctions are made among reasons, evidence, and reports of evidence. The concepts of qualifications and rebuttals are recast as acknowledgment and response. Part 4 covers drafting and revising, and offers new information on the visual representation of data. Part 5 concludes the book with an updated discussion of the ethics of research, as well as an expanded bibliography that includes many electronic sources.
The new edition retains the accessibility, insights, and directness that have made The Craft of Research an indispensable guide for anyone doing research, from students in high school through advanced graduate study to businesspeople and government employees. The authors demonstrate convincingly that researching and reporting skills can be learned and used by all who undertake research projects.
New to this edition:
Extensive coverage of how to do research on the internet, including how to evaluate and test the reliability of sources
New information on the visual representation of data
Expanded bibliography with many electronic sources
Customer Reviews:
Decent book.......2007-09-25
This book was on my book list for a college writing course. It is helpful but some of it is just tedious and common knowledge. Helps you write your paper if you have no idea where to start and some references to how to cite a book or article. There are some good tips when it comes to research, but take it with a grain of salt. Reusable, but there's a point to how much knowledge is just retained. Worth buying used, but not brand new.
Craft of Research.......2007-09-14
This book is so well- written, that I actually enjoy reading it. All it talks about is how to be a good writer, but it was written as if the reader is having a conversation with the author. It is also offers extremely helpful strategies for improving academic writing.
A Must Have!.......2007-08-05
As a seminary student in the midst of a master's thesis, 'The Craft' is a joy. It is helpful, and both easy to navigate and understand.
Very comprehensive but not easy to remeber and follow.......2007-06-02
The book is really great if you are persuining any degree. The only problem is that the authors did not lay out the guidlines as clear and strainght forward as I would expected. As you read you SHOULD take notes for later usage and "easy" reference.
An authentic jewel........2007-03-14
This book is a complete and authoritative guide to do sound academic research in any field at any level. It is stupendously well organized and brightly written. Many clear examples and illustrating anecdotes are included.
It is structured in five sections. The first section explains the nature of research and why it is important to write it up. It identifies the roles of writers and readers, focusing in making a connection between them. The second section deals with perhaps the most complicated task new researchers, and old ones adventuring into a new field, face: framing their research problem. In this section the authors describe, step by step, this process: from choosing a topic to asking questions to defining a problem to using sources. Section three is probably the core of the book. Its purpose is to illustrate how to make a claim and supporting it. This section explains that claims launched in research reports must be backed with reasons that are based on evidence; and that convincing research reports should also acknowledge and response other views. Section four is entirely devoted to the long and crucial task of clearly communicating what it has been found. It basically consists of three stages: planning, drafting and revising the report. Finally, in section five some last considerations are presented, including the ethics of research.
This book has been very helpful to me not only to do my own research, but also to supervise my students to do theirs. After having read it several years ago, I still find it useful as reference book.
Average customer rating:
- Must read!
- just what i needed
- Chip off of the old block.
- A Manual for Writers
- Nerds of the world, rejoice!
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A Manual for Writers of Research Papers, Theses, and Dissertations, Seventh Edition: Chicago Style for Students and Researchers (Chicago Guides to Writing, Editing, and Publishing)
Kate L. Turabian ,
Wayne C. Booth ,
Gregory G. Colomb ,
Joseph M. Williams , and
University of Chicago Press Staff
Manufacturer: University Of Chicago Press
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Binding: Paperback
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The Chicago Manual of Style
ASIN: 0226823377 |
Book Description
Dewey. Bellow. Strauss. Friedman. The University of Chicago has been the home of some of the most important thinkers of the modern age. But perhaps no name has been spoken with more respect than Turabian. The dissertation secretary at Chicago for decades, Kate Turabian literally wrote the book on the successful completion and submission of the student paper. Her Manual for Writers of Research Papers, Theses, and Dissertations, created from her years of experience with research projects across all fields, has sold more than seven million copies since it was first published in 1937.
Now, with this seventh edition, Turabian’s Manual has undergone its most extensive revision, ensuring that it will remain the most valuable handbook for writers at every level—from first-year undergraduates, to dissertation writers apprehensively submitting final manuscripts, to senior scholars who may be old hands at research and writing but less familiar with new media citation styles. Gregory G. Colomb, Joseph M. Williams, and the late Wayne C. Booth—the gifted team behind The Craft of Research—and the University of Chicago Press Editorial Staff combined their wide-ranging expertise to remake this classic resource. They preserve Turabian’s clear and practical advice while fully embracing the new modes of research, writing, and source citation brought about by the age of the Internet.
Booth, Colomb, and Williams significantly expand the scope of previous editions by creating a guide, generous in length and tone, to the art of research and writing. Growing out of the authors’ best-selling Craft of Research, this new section provides students with an overview of every step of the research and writing process, from formulating the right questions to reading critically to building arguments and revising drafts. This leads naturally to the second part of the Manual for Writers, which offers an authoritative overview of citation practices in scholarly writing, as well as detailed information on the two main citation styles (“notes-bibliography” and “author-date”). This section has been fully revised to reflect the recommendations of the fifteenth edition of The Chicago Manual of Style and to present an expanded array of source types and updated examples, including guidance on citing electronic sources.
The final section of the book treats issues of style—the details that go into making a strong paper. Here writers will find advice on a wide range of topics, including punctuation, table formatting, and use of quotations. The appendix draws together everything writers need to know about formatting research papers, theses, and dissertations and preparing them for submission. This material has been thoroughly vetted by dissertation officials at colleges and universities across the country.
This seventh edition of Turabian’s Manual for Writers of Research Papers, Theses, and Dissertations is a classic reference revised for a new age. It is tailored to a new generation of writers using tools its original author could not have imagined—while retaining the clarity and authority that generations of scholars have come to associate with the name Turabian.
Customer Reviews:
Must read!.......2007-10-10
This book teach you how to write a paper. Very detail and useful. Highly recommend.
just what i needed.......2007-09-09
delivery was faster than expected; book arrived in pristine condition. would definitely use seller in future.
Chip off of the old block........2007-08-24
This edition of Turabian follows in a long line of excellent editions of the manual. It is very well put together and some improvements have been made including some much needed updating to abbreviations and some other matters. An excellent tool that is an absolutely essential addition to any busy student's library.
A Manual for Writers.......2007-07-29
Each major research paper must have a good introduction, hypothesis,
discussion. conclusion and provable claims. Simple questions
must be answered. i.e.
- What are the relevant questions to ask?
- What do we do?
- What direction will we select?
A good research work has practical answers, a workable hypothesis,
reasoning and evidence which supports the overall presentation.
i.e. numbers, facts, quotes and authorities
A thorough bibliography of reasonably recent sources should be
presented. This book succeeds in providing the reader with the
important requisites to doing expert research.
Nerds of the world, rejoice!.......2007-05-29
I have owned the Sixth Edition of Turabian for about five years and it has been used to the point of disintegration. I was excited about the new edition and when I received it I was elated to find that the Chicago Style Manual was included with the writer's manual. The editors have updated the manual to include citation of electronic sources which, if you have been doing any academic writing recently, has been a matter of preference. The two-color priniting makes section headings easier to find as you are leafing through the pages. The editors have included a bibliography divided into various disciplines that provides some suggestions for further research. Overall, I am enjoying using the new manual. The biggest downside is that I am having to relearn the section headings that I have grown familiar with over the past five years. Small price to pay for the added advantage of having the Chicago Style Manual at my fingertips.
Nerds, do yourselves a favor and update your Turabian manual. You won't be sorry.
Average customer rating:
- Lord of my love, to whom in vassalage
- Shakespeare is always a 5 star, However Print is Small & Smudged
- Sonnets with All the Safety Features
- Very good
- Definitive edition for scholars and advanced students
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Shakespeare's Sonnets (Yale Nota Bene)
William Shakespeare
Manufacturer: Yale University Press
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The Shakespeare Wars: Clashing Scholars, Public Fiascoes, Palace Coups
ASIN: 0300085060 |
Book Description
This prize-winning work provides a facsimile of the 1609 Quarto printed in parallel with a conservatively edited, modernized text, as well as commentary that ranges from brief glosses to substantial critical essays. Stephen Booth's notes help a modern reader toward the kind of understanding that Renaissance readers brought to the works. Winner of the ninth annual James Russell Lowell Prize of the Modern Language Association.
Customer Reviews:
Lord of my love, to whom in vassalage.......2007-02-15
Thy merit hath my duty strongly knit,
To thee I send this written embassage,
To witness duty, not to show my wit.
(Sonnet 26.)
How to do justice to the legacy of literary history's greatest mind - moreover in such a limited review? Forget Goethe's "universal genius" and his rebel contemporary Schiller; forget the 19th century masters; forget contemporary literature: with the possible (!) exception of three Greek gentlemen named Aischylos, Sophocles and Euripides, a certain Frenchman called Poquelin (a/k/a Moliere), and that infamous Irishman Oscar Wilde, there's more wit in a single line of Shakespeare's than in an entire page of most other, even great, authors' works. And I'm not saying this in ignorance of, or in order to slight any other writer: it's precisely my admiration of the world's literary giants, past and present, that makes me appreciate Shakespeare even more - and that although I'm aware that he repeatedly borrowed from pre-existing material and that even the (sole) authorship of the works published under his name isn't established beyond doubt. For ultimately, the only thing that matters to me is the brilliance of those works themselves; and quite honestly, the mysteries continuing to enshroud his person, to me, only enhance his larger-than-life stature.
The precise dating of Shakespeare's sonnets - like other poets', a response to the 1591 publication of Sir Philip Sidney's "Astrophil and Stella" - is an even greater guessing game than that of his plays: although #138 and #144 (slightly modified) appeared in 1599's "Passionate Pilgrim," most were probably circulated privately, and written years before their first - unauthorized, though still authoritative - 1609 publication; possibly beginning in 1592-1593.
Format-wise, they adopt the Elizabethan fourteen-line-structure of three quatrains of iambic pentameters expressing a series of increasingly intense ideas, resolved in a closing couplet; with an abab-cdcd-efef-gg rhyme form. (Sole exceptions: #99 - first quatrain amplified by one line - #126 - six couplets & only twelve lines total - #145 - written in tetrameter - and #146 - omission of the second line's beginning; the subject of a lasting debate.) Their order is thematic rather than chronological, although beyond the fact that the first 126 are addressed to a young man - maybe the Earl of Pembroke or Southampton, maybe Sir Robert Dudley, the natural son of Queen Elizabeth's "Sweet Robin," the Earl of Leicester - (the first seventeen, possibly commissioned by the addressee's family, pressing his marriage and production of an heir), and ##127-152 (or 127-133 and 147-152) to an exotic woman of questionable virtues only known as "The Dark Lady," even in that respect much remains unclear; including the nature of Shakespeare's relationship with the two main addressees, regarding which the sonnets' often ambiguous metaphors invoke much speculation. #145 is probably addressed to Shakespeare's wife; the closing couplet plays on her maiden name ("['I hate' from] hate away she threw And saved my life, [saying 'not you']:" "Hathaway - Anne saved my life"), several others contain puns on the name Will and its double meaning(s) (exactly fourteen in the naughty #135: "Whoever hath her wish, thou hast thy Will;" and seven in the similarly mischievous #136), and the last two draw on the then-popular Cupid theme. Sometimes, placement seems linked to contents, e.g., in #8 (music: an octave has eight notes), #12 and #60 (time: twelve hours to both day and night; sixty minutes to an hour); and in the famous #55, which praises poetry's everlasting power and as whose never-expressly-named subject Shakespeare himself emerges in a comparison with Horace's Ode 3.30 - in turn written in first person singular and thus, denoting its own author as the builder of its "monument more lasting than bronze" ("Exegi monumentum aere perennius") - as well as through the number "5"'s optical similarity to the letter "S," making the sonnet's number a shorthand reference for "5hake5peare" or "5hakespeare's 5onnets," echoed by numerous words containing an "S" in the text.
Of indescribable linguistic beauty, elegance and complexity, Shakespeare's sonnets owe their timeless appeal to their supreme compositional values, the universality of their themes, and their keen insights into the human heart and soul; as much as their transcendence of the era's poetic conventions which, following Petrarch, heavily idealized the addressee's qualities: a form new and exciting twohundred years earlier, but encrusted in cliche in the late 1500s. Indeed, Shakespeare's "Dark Lady" Sonnet #130 owes its particular fame to its clever puns on that very style, which went overboard with references to its golden-haired, starry- (beamy-, sparkling, sunny-) eyed, cherry- (strawberry-, vermilion-, coral-) lipped, rosy- (crimson-, purple-, dawn-) cheeked, ivory- (lily-, carnation-, crystal-, silver-, snowy-, swan-white) skinned, pearl-teethed, honey- (nectar-, music-) tongued, goddess-like objects. "My mistress' eyes are nothing like the sun;" the Bard countered, proceeded to describe her breasts as "dun," her hair as "black wires," and her breath as "reek[ing]," and denied her any divine or angelic attributes. "And yet," he concluded: "by heaven, I think my love as rare As any she belied with false compare."
Arguably, Shakespeare's very choice of addressees (a young man - also the subject of the famously romantic #18: "Shall I compare thee to a summer's day;" the first of several sonnets promising his immortalization in poetry - as well as the "Dark Lady," in turn introduced under the notion "black is beautiful" in #127) itself suggests a break with tradition; and compared to his contemporaries' poetry, even the equally-famous #116's on its face rather conventional praise of love's constancy ("Let me not to the marriage of true minds admit impediments"), echoed in the poet's vow to vanquish time in #123, sounds fairly restrained. But ultimately, Shakespeare's sonnets - like his entire work - simply defy categorization. They are, as rival Ben Jonson acknowledged, written "for all time," just as the Bard himself immodestly claimed:
'Gainst death and all oblivious enmity
Shall you pace forth; your praise shall still find room
Even in the eyes of all posterity
That wear this world out to the ending doom.
(Sonnet 55.)
Shakespeare is always a 5 star, However Print is Small & Smudged.......2007-01-22
Who is to judge Shakespeare? Here all I can question is the medium. I purchased this book expecting normal sized print as it is a dimensionally larger than average sized paperback. Ironically however, the print in this edition is rather smallish, compressed, and often smudged throughout the book.
If want want a scholarly text this is a good one. However, if you wear reading glasses and simply want to read Shakespeare's Sonnets in a relaxed way without squinting, you may want to look elsewhere.
Sonnets with All the Safety Features.......2004-12-04
I once had a philosophy professor who memorized a new sonnet every day, perhaps because he felt there is so much to learn from each one. Unpacking a sonnet, really making it your own, is a beautiful and intensely laborious process.
Booth helps. This edition gives the sonnets in a clean, contemporary, sensibly edited typeface, and on the facing page a facsimile of the 1609 edition of the sonnets, so you never have to choose between readability and historical rececption. You get both. Plus, Booth gives precise supporting material for each poem, crystallizing a few hundred years of thought and meditation into an easily referenced appendix. Best part: it's cheap and there are tons of used copies around.
Good stuff!
Very good.......2004-01-12
This is an amazing book - excellent for the student of Shakespeare. Wonderful reference and resource book to keep on hand. More information than any other collection of sonnets I've seen.
Definitive edition for scholars and advanced students.......2002-11-06
Professor Booth's unsurpassed edition of the immortal Sonnets has an exhaustive consideration of all the issues that can perplex a reader, but it may proving daunting to beginning students. Undergraduate students may wish to begin with Katherine Duncan-Jones edition from Routledge (The Arden Shakespeare) or Burrows edition from Oxford. Advanced students in Shakespeare or English literature who intend to continue mining this ore over the years will find Booth's edition a precious resource for their library.
Rather than repeat the fine points in other reviews, allow me just to caution the reader about the change in the publisher's standards of printing (beginning around 2000): the paper gets cheap, and the binding too. I would love to support Yale University Press in its commitment to keep this edition in print. Unfortunately, if you are a serious enough student to value Professor Booth's work, you will be using this volume enough to need a better printing, and I need to encourage you to seek out a used copy of an earlier printing.
Average customer rating:
- amazing illustration
- Falls apart, horrible production value
- Wonderful Adaptation of Two Novellas
- Short but very good.
- Not too impressed by the writing, but the art is magical!
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The Wood Boy - The Burning Man
Raymond E. Feist ,
Tad Williams ,
Sean J. Jordan ,
Robin Gillespie ,
Mat Broome , and
Brett Booth
Manufacturer: Dabel Brothers Productions
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Binding: Paperback
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ASIN: 0976401118 |
Book Description
The Wood Boy is an adaptation of the short story by fantasy master Raymond E. Feist that first appeared in the Legends anthology (edited by Robert Silverberg) and offers a unique side story to the events depicted in his beloved book, Magician. The Wood Boy is an exciting story that offers readers an excellent introduction to Feist's Riftwar Saga. The Burning Man was written by world-renowned science fiction and fantasy author Tad Williams (Otherland) and originally appeared as a short story in the anthology Legends as well. A ghostly coming of age tale rendered in a beautiful, ethereal style by popular comic book artist Brett Booth (Thundercats: Dogs of War), The Burning Man is an exciting and thought-provoking story about life and death, love and fear, and innocence and betrayal.
Customer Reviews:
amazing illustration.......2006-11-10
I was not aware that I was buying an Illustrated or Graphic novel when I purchased this. I was greatly pleased at the illustration to go along with the story. I had read The Wood Boy in the Legends Series but to add the illustrations made it come to live. As for the Burning Man, reading this graphic novel urged me to read more of Tad Williams also. I would highly recommend this.
Falls apart, horrible production value.......2006-04-27
This book is half good. Half of the Wood Boy story is really well illustrated, then the second half is drawn by some amateur. Same thing with the second story, the first half looks like the artist took his time to craft a lovely visual, then the second half it looks super-rushed, and half-assed.
Then the production value, filler pages flood the middle of the book advertising another series. ADVERTISTING. In a GRAPHIC NOVEL. Then at the end of the book you get a bunch of low resolution sketches that look like they were taken off a website at 72dpi.
Whoever ran the production and editing on this book should be kicked out of the comic book world until they have a clue how to put a decent book together.
Wonderful Adaptation of Two Novellas.......2006-04-17
This graphic novel combines two stories that were adapted from two stories that originally appeared in Robert Silverberg's mammoth anthology LEGENDS in 1998.
This graphic novel collects:
Raymond E. Feist's THE WOOD BOY (a Midkemia story) and Tad Williams's THE BURNING MAN (a Memory, Sorrow and Thorn story).
I think that the WOOD BOY actually improves the story, because it adds visual depth to an otherwise rather lame tale. I have not read the story in a long time, but I remember that it was rather average. But the adaptation was very good and I am looking forward to MAGICIAN.
I think BURNING MAN must have been much more diffcult to adapt because it does not have a lot of outward action, but rather a lot of introspection. A lot hinges on atmosphere rather than plot. But I enjoyed the adaption quite a bit. It was very faithful to the text, but also added a couple of lines of dialogue here and there to make the story livelier. I think that worked rather well.
One little caveat though. When Sulis finally asks the Burning Man his question that he so desires to ask, the answer of the Burning Man is left out and the action resumes with the attack of Tellarin. Is that the point where the other two artists took over from Brett Booth? That was an odd moment, and I think that something is missing there.
But it is a nice book. The characters looked "right" enough to me and I would definitely like to see more of them.
Unfortunately, the Dabel Brothers have currently no other Tad Williams projects in the works (as far as I know), but I hope that that will change soon.
Meanwhile, I am looking forward to MAGICIAN, RED PROPHET and THE SWORN SWORD.
Short but very good........2006-03-03
This "comic" is very good, it has a nice story, very much like other Fiest works (you know, a few fights and near death experiences, throw in a token bit of magic and royalty) and the graphics in this book are amazing.
Personally I felt that they could have been sold seperately so collectors only get the authors work they want, but both stories are good.
Besides that it is very short, takes under 10 minutes to read.
Not too impressed by the writing, but the art is magical!.......2006-03-01
Personally, I think both Feist's Wood Boy and Williams' Burning Man are told better in the text version. While the art does add some definition to some parts of the story, and it is kind of nice to put faces and expressions to the names in the stories, I think it is obvious that these stories were not meant for the comic book format. By breaking up the writing into small bubbles, and relying on the artist for so much of the feel of the story, a lot of the original magic is lost. This is not to blame either the artists (who couldn't have done a better job in my opinion) or the writers. I just think it is hard to bring a novella such as those found in the Legends Anthology to the comic book format.
The Wood Boy is the tale of a small boy in the realm of Feist's Riftwar Saga that lives in a town taken by the Tsurani. As he learns to cope with living as a slave, and as he falls in love with his lord's daughter, the 'wood boy' begins to feel resigned to his fate under his new masters. When one of his only friends betrays his own and kidnaps(?) the lord's daughter, the boy finds himself setting out on a dangerous journey with nothing to loose and nowhere to go. The story ends as a promise for more to come.
In The Burning Man, a lonely girl named Breda is confused by nearly everything that has happened in her life. When she finds out that her cold acting stepfather has captured a witch and seems to be planning on hurting her, Breda goes stealth and witnesses her lover betraying his master. (Interesting both of these stories revolve around unexpected betrayals). This story is told in a narrative form with a much older Breda speaking to the reader of a time long past and includes much more text boxes providing some extra background and setting info.
Still a quick and fun read with really great art, but not a replacement for the original stories.
Average customer rating:
|
Upgrading and Refurbishing the Older Fiberglass Sailboat
William D. Booth
Manufacturer: Cornell Maritime Pr/Tidewater Pub
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ASIN: 0870333356 |
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- Well-written but overly political rather than spiritual
- Stick to Politics Roy!
- A Remarkable Partnership
- Stick to Politics Roy!
- Who really founded the Army?
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Blood and Fire: The Story of William and Catherine Booth and the Salvation Army
Roy Hattersley
Manufacturer: Doubleday
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William and Catherine Booth: Founders of the Salvation Army (Heroes of the Faith)
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William and Catherine: The Life and Legacy of the Booths: Founders of the Salvation Army
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The Most Effective Organization in the U.S.: Leadership Secrets of the Salvation Army
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Red-Hot and Righteous: The Urban Religion of The Salvation Army
ASIN: 0385494394
Release Date: 2000-05-16 |
Amazon.com
They preached in the streets of London accompanied by brass bands, appropriating the methods of ungodly popular entertainment to draw working-class sinners to righteousness. They founded soup kitchens and people's halls to feed the hungry and give them a place to congregate other than the tavern. William Booth (1829-1912) and his wife, Catherine (1829-90), outraged polite society with the establishment of their Christian Mission in 1865. Rechristened the Salvation Army in 1878, the organization challenged the smug Victorian status quo by insisting that sin sprang from unjust social conditions. British writer and Labour Party stalwart Roy Hattersley vividly conveys the political and religious context within which the Salvation Army operated without scanting the forceful (not to say peculiar) characters of its founders. William was authoritarian and self-righteous, yet he often deferred to intellectual, strong-minded Catherine, whose instinctive sympathy for the poor and belief in women's equality before God shaped their ministry. They were hardly warm people, yet their marital love was unshakable and absolute. The Salvation Army survived their autocratic leadership to flourish into the 21st century: "It is not necessary to believe in instant sanctification," writes Hattersley in a characteristically balanced summing-up, "to admire and applaud their work of social redemption." --Wendy Smith
Book Description
Blood and Fire is a brilliant biography of two great social and religious figures whose inheritance lives on to this day. William Booth (1829-1912) was one of the most extraordinary men of his age, a pawnbroker's clerk who would found the most successful religious movement of the nineteenth century--the Salvation Army. As a twenty-year-old, he developed the unshakable belief that God had ordained him to convert the world to Christianity. Convinced that both churches of Victorian England were ignoring the needs of the poor, he founded the East London Christian Mission. As the mission became the Salvation Army, it recruited thousands of members in battalions around the globe. Its membership is now in the hundreds of thousands in virtually every country.
Catherine, his wife, was in many ways even more exceptional. A chronic invalid and mother of eight children (within ten years), she inspired the social policy that was, and remains, an essential part of the Salvation Army's success. Catherine held ideas on social equality that were ahead of her time, and she encouraged the Army to accept "women's ministry" and give female officers authority over men. Her campaign against child prostitution resulted in the age of consent being raised from thirteen to sixteen. And it was Catherine who, even while dying of cancer, urged William to develop his plans for clearing the Victorian slums.
Blood and Fire is a brilliant account of a fascinating period of social history.
Customer Reviews:
Well-written but overly political rather than spiritual.......2005-01-14
The Booths were certainly a very interesting social couple during the mid to late 1800's. The things that they did to reform the church were noteworthy, but not always positive. However, the legacy of the Salvation Army deserves the respectful and compassionate overview. The author does wax political and/or socialist at times, but mostly sticks to the fascinating lives of William and Catherine Booth. Written with heart and soul, this book is a rewarding read. This couple should be remembered more often than they are in secular circles for the enormous contribution they made to British society, and the continuing service the Salvation Army renders to the poor and jobless. A beautiful book!
Stick to Politics Roy!.......2003-09-25
William and Catherine Booth endured this kind of humanist gossip throughout their marvellous ministry. It is highly significant that no Salvation Army personel recommend this book. The author, being unsaved, and a senior British politician, concentrates on the radical social reforms the Booths and Salvation Army championed in Victorian Britain. Hattersley, sadly, hasn't a clue about salvation. It's akin to Scott of the Antarctic, frozen to death in his blizzard-bound tent, trying to commentate on a Barbados Test Match. Not only does this author not know his subject, but he has no idea of his subject's Subject. I suspect Roy's next book may portray Christ as a zealous Jewish Zionist with Marxist leanings. It's fluff. Dentist room reading only. Now Roy's even managed to write a book about John Wesley, characterising him as a lecherous toad. Don't waste your money.
For a far better biography of William and Catherine Booth, one written by a Christian, get Trevor Yaxley's (ISBN 0764227602). And for John Wesley, read John Pollock's biography.
A Remarkable Partnership.......2003-03-08
William and Catherine Booth were both remarkable. Many past biographers of one or the other have found it difficult to concentrate on their chosen subject, as the other keeps intruding. Roy Hattersley has solved that problem. He has written about the two of them.
The story is engrossing. William Booth, the pawnbroker's assistant, became a Methodist minister, then an itinerant evangelist, before founding the East London Mission, which eventually became The Salvation Army. Catherine, brought up by Methodist parents, met William in London in 1852, where they fell in love and soon became engaged. It was to be three more years before they were able to marry; at one time during that period they endured over 14 months of almost unbroken separation.
They formed a dynamic partnership, each complementing the other. William was an action man, a whirlwind who swept all before him. Though he was not unintelligent, he was anti-intellectual and repeatedly ignored Catherine's frequent urgings for him to study. Catherine by contrast had a powerful mind, wrote forcefully, argued convincingly, and, in spite of her shyness, became a powerful preacher. She had strongly held views about Christians abstaining from alcohol and women being allowed to preach. It is no coincidence that The Salvation Army has always taken a strong stand against alcohol, and women have been prominent in its ministry. Two of its Generals have been women.
One of the fascinating aspects of the Booths' story is the motley crowd of eccentrics they attracted to their flag. Many of their early soldiers were recruited literally from the streets, and then immediately put to work to win others to Christ. Some were illiterate, some had been drunks, others prostitutes. This particular volume, however, does not quite capture that diversity. Though The Salvation Army is probably most often thought of today as an organization engaged in social work, the Booths were first and foremost evangelists. To them the social work was secondary, both in terms of emphasis and chronology.
Roy Hattersley, the author of this book, was a cabinet minister in a British Labour Government, and his political background gives the book an interesting slant, particularly when he examines The Salvation Army's social work. The book does, however, have some problems. Hattersley seems out of sympathy with the Booths' religious convictions, and tends to sound rather condescending when discussing them. He also does not understand some basic Christian terms such as "sanctification", and frequently uses them inappropriately. In addition the book has too many avoidable errors, which suggests it may have been a rushed job. But it remains both very readable and enjoyable, and is a worthy tribute to two great Christians.
Stick to Politics Roy!.......2003-03-05
It is highly significant that no Salvation Army personel recommend this book. The author, being unsaved and a senior British politician, concentrates on the radical social reforms the Booths and Salvation Army championed in Victorian Britain. Hattersley, sadly, hasn't a clue about salvation. I suspect Roy's next book may portray Christ as a zealous Jewish Zionist with Marxist leanings. Well written fluff. Now Roy's managed to write a book about John Wesley characterising him as a lecherous toad. Don't waste your money.
For a far better biography of William and Catherine Booth, get Trevor Yaxley's. And for John Wesley, read John Pollock's.
Who really founded the Army?.......2001-01-23
For those of us who have grown up in the UK Roy Hattersley's wit and intellect has long been well known. For those of us who are also Salvationists the prospect of Hattersley writing about the founders of the movement we love and serve filled our minds with a sense of forboding.
We needed not worry. Hattersley writes well, every word being closely considered, and brings what is for me the best biography I have yet read about these icons of The Salvation Army. In a "no punches pulled" account, which propels one forward with a real idea of the Booths' enthusiasm and obsession, one reads about how the movement began, survived and ultimately prospered. Unlike many in-house accounts there is no glossing over of the shortcomings of these very human beings, rather we learn how, fired by what the Booths would consider Divine Inspiration, they "pressed forward to the mark of their high calling".
Hattersley concludes "It is not necessary to believe in instant sanctification to admire and applaud their work of social redemption." To those of us who do believe we not only admire and applaud but also see the hand of God in all that the Booths did. Hattersley notes that the Army is the only breakaway group from schismatic 19th century Methodism which survives into the twenty-first century. Many of us who believe know the reason - "Blood and Fire" gives enough evidence for every reader to reach his or her own conclusions.
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King Lear, MacBeth, Indefinition, and Tragedy
Stephen Booth
Manufacturer: Yale Univ Pr
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ASIN: 0300028504 |
Book Description
In this provocative book, first published in 1983, Stephen Booth speculates on the essence of tragedy. He argues that the literary works we call tragedies have their value as enabling actions: dramatic tragedies can render us capable, temporarily, of enduring practical, personal experience of the fact of infinity.
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First published in 1983, this book closely examines the way in which King Lear and Macbeth act upon the understandings of their audiences, and asks what it is about these plays that makes us call them tragedies, and what we are labeling in a play when we call it a tragedy. Booth argues that the literary works we call tragedies have their value as enabling actions: dramatic tragedies can render us capable, temporarily, of enduring practical, personal experience of the fact of infinity. In Part 1, 'On the Greatness of King Lear' Booth's starting point is the impact of the play. Through analysis of its variously indefinite particulars, he works toward general assertions about tragedy. Part 2, on Macbeth, starts with the idea of tragedy and works back to the play. Seeing an essential connection between tragedy and human intolerance of indeterminacy, he characterises Macbeth as a flirtation between definition and indefinition. Bridging Parts 1 and 2 is a brief chapter on Love's Labor's Lost in which Booth points out the indeterminacy that this comedy shares with King Lear and describes the categorically necessary function of indeterminacy in jokes and puns. In an appendix on the practice of doubling by Elizabethan and Jacobean actors he considers the possibility that Shakespeare's purposeful exploitation of artistic definition/indefinition extended to the particulars of theatrical production.
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- Finally, Some Historical SANITY
- An important contribution to Lincoln assassination study
- a very confusing novel
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The Lincoln Murder Conspiracies
William Hanchett
Manufacturer: University of Illinois Press
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Binding: Paperback
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Lincoln and Booth: More Light on the Conspiracy
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Come Retribution: The Confederate Secret Service and the Assassination of Lincoln
ASIN: 0252013611 |
Customer Reviews:
Finally, Some Historical SANITY.......2004-06-11
I've had it with all these idiotic "conspiracy books" that flood the market. If it's not JFK, it's space aliens and "black helicopters" and sad to say, Abraham Lincoln is not imune to the lunacy. But for the SERIOUS student, here is a book that dispells all of the dribble concerning the assassination of our 16th president. The author takes on each of these wacked out theories and disects them. BRAVO! The most laughable ones concern the Vatican's involvement as well as the European bankers. When in doubt, blame the Catholic church or the rich was the montra in America during the late 1930's and '40's. I'm neither rich, nor Catholic, so I have no axe to grind. Oh, I'm sure the "believers" will continue this psychophantic devotion to blaming Stanton, Andrew Johnson, et al. But face it, Booth was a basket case and he destroyed any attempt at a peaceful reconstruction after the war. What really amazes me is how this hack actor managed to pull off the murder with such a motley collection of mental idiots and buffoons. Booth's derringer was of larger caliber than their collective I.Q. If you are tired of the nonsence of conspiracy theories and want to deal in solid fact, read this book.
An important contribution to Lincoln assassination study.......2000-03-25
Since the day Lincoln was assassinated, many theories have emerged about who was the mastermind behind the plot. Among the accused have been members of the Confederate government, including Jefferson Davis, the Catholic Church and members of Lincoln's own Cabinet.
Hanchett examines these conspiracy theories and the people who put forward the theories in an attempt to find out if a higher authority, civil or religious, ordered John Wilkes Booth and his co-conspirators to kill Lincoln and members of his Cabinet. By examining each theory individually as well as the motives behind those who suggested the theories, Hanchett does an excellent job of refuting some of the more unlikely theories.
a very confusing novel.......1999-12-12
This book showed each side to any conspiracy that could have been involved in the Lincoln assassination. I became confused after reading a chapter and then all of that historian thinking was rejected by some other guy. If you are into that kinda thing, sure go ahead and read the book, but I just got confused. I can't determine what really happened and what was people's thoughts.
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A Thriving Modernism: The Houses of Wendell Lovett and Arne Bystrom
Grant Hildebrand , and
T. William Booth
Manufacturer: University of Washington Press
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ASIN: 0295984333 |
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A Thriving Modernism celebrates the remarkable careers of architects Wendell Lovett and Arne Bystrom and their contributions to modernism and to the architectural legacy of the Pacific Northwest.
Wendell Lovett joined the University of Washington faculty in 1948; Arne Bystrom was one of his first students. Their work, now encompassing half a century, has been published in Germany, Spain, Italy, Japan, Denmark, England, Brazil, Switzerland, and France, and their reputations in these places are established. Yet in the United States, despite their being elected Fellows of the American Institute of Architects in 1978 and 1985, respectively, they remain little known outside the Northwest.
Both men believe deeply in the emotional dimension of architecture; both are dedicated to expressive detail, executed through exquisite craftsmanship; both have been offered remarkable sites on which to build. In a series of domestic projects, each has found, in his own way, a much enriched modernism. Lovett draws influences from modern Scandinavia and Italy, from Alvar Aalto and Santiago Calatrava. Bystrom acknowledges debts to medieval Scandinavia and the ancient Far East, Frank Lloyd Wright, and Greene and Greene. Lovett's dedication to industrialized materials and methods is informed by gesture and anthropomorphic metaphor. Bystrom, devoted to the natural and the handcrafted, develops an abstract discipline of geometry and physics into a crisp structural concept. Lovett's manipulation of space, light, and mechanistic detail yields a richness undreamed of in early modernism, while Bystrom's delight in wood as inspiration is comparable to that of ancient Asian crafts.
This lavishly illustrated book sets forth the extraordinary work of these two architects. It will appeal to practicing architects, as it will to any reader interested in a vital tale of architects and architecture helping to define the cultural history of the American Northwest.
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- The Salvation Army - How It All Began
- Outstanding
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William and Catherine: The Life and Legacy of the Booths: Founders of the Salvation Army
Trevor Yaxley
Manufacturer: Bethany House
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Blood and Fire: The Story of William and Catherine Booth and the Salvation Army
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ASIN: 0764227602
Release Date: 2003-04-01 |
Book Description
The amazing beginnings and growth of the Salvation Army are told through the stories of its founders, William and Catherine Booth. Even when attacked by angry mobs, the Booths and their growing army preached "the power of the blood of Christ and the fire of the Holy Spirit" to the destitute, desperate people unwelcome in the churches of nineteenth-century England. This highly readable biography will introduce new readers to the worldwide ministry of the Salvation Army and the pioneers who selflessly dedicated their lives to God's service.
Customer Reviews:
The Salvation Army - How It All Began.......2006-09-20
This wonderful book, published in 2003, will answer all your questions about the Salvation Army. I always wondered how it all began and when, and how it has evolved. I hope Mr. Yaxley will consider a sequel and write about the Army as it exists today. This book ends just as Evangeline Booth begins her leadership in America in the last century
I recommend this biography by Trevor Yaxley because of all the information, the look inside England in the mid eighteen hundreds, the easy to read can't put this book down style, and the almost unbelievable accomplishments of these two beloved people, William and Catherine Booth. There is a timeline and family tree in back of the book as well as good pictures.
The epilogue, entitled The Challenge, consists of the last public address by Catherine Booth, to two thousand delegates of her "army" in London on June 21, 1888. It is remarkable, challenging, and inspired.
Quoting from the first chapter is a paragraph by Paul Smith - here it is: "On April 9, 1865, Robert E. Lee met Ulysses S. Grant in the parlor of a private home at Appomattox Court House. He surrendered his army, bringing to an end four long years of death and devastation called the American Civil War. In the same year, a thirty six year old Englishman by the name of William Booth declared war on the powers of darness by founding The Salvation Army."
The multitudes of people living in poverty and without dignity inspired the Booths to declare this spiritual War and with great love and compassion, they gave hope to the helpless by offering faith in God (salvation thru Christ) food (soup kitchens) clothing, and employment, and a purpose (serving in the Army to help others as they were helped and lifted up).
The story of the Booths is all about a couple in love and a passion for helping desperate destitute people and giving spiritual and physical help - so innovative was their work, that what began in England gradually spread throughout the world and they also raised many children who continued in the work of helping the poor. Today, the Salvation Army is first to appear when disasters occur anywhere in the world - want to join!
I loved the book and you will too. I never even imagined what this "Army" was all about until I came across this biography.
Outstanding.......2003-09-25
Sensitive, engaging, historical account of the lives of the two founders of the Salvation Army. Peronal letters between these two sweethearts, then husband and wife as well as life-long evangelists, detail the outstanding faith and human struggle it took to start an army in the slums and in opposition to the "old church hierarchy" which did not want to deal with the "riff-raff." The dedication of the first salvationists often meant placing themselves in harms way as angry mobs jeered and soldiers lost their lives. Still, the Army grew stronger and stronger. Every paragraph in this book is engaging...and I generally find historical accounts very boring. If you are looking for an exciting and sensitive historical account and wish to be enaged spiritually as well, this is a must read.
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