Book Description
The definitive biography of William Butler Yeats. The most influential poet of his age, Yeats eluded the grasp of many who sought to explain him. In this classic critical examination of the poet, Richard Ellmann strips away the masks of his subject: occultist, senator of the Irish Free State, libidinous old man, and Nobel Prize winner.
Customer Reviews:
Biography and Literary criticism as one.......2006-01-17
Ellmann was both a masterful biographer and first- rate literary critic. In this early book he writes an excellent account of the life of Yeats, and combines with an overall analysis of Yeats' literary development. He probes deeply into the symbolic and mythic meaning of Yeats' poetry and provides for the lay-reader a key to this often complex poetry's, understanding.
Ellmann would go on later to write his much larger masterpiece , the biography of Joyce- but here as a young man he shows a surprising depth of understanding of the full range of Yeats' problems through his remarkable creative, and not easy personal, life.
Biograph Master.......2003-04-12
Ellmann was only 30 when he published this in 1948, less than 10 years after Yeats's death; he was the first biographer to see Yeats's papers in their chaotic entirety. What an astounding job! You'd think this would read like a warm-up for his later magisterial biographies of Joyce and Wilde, but "The Man and the Masks" holds its own against those works, giving a sensitive, economical portrait of an unusually fractured poet.
Ellmann stresses Yeats's life-long effort to forge his thoughts into a unified system in the teeth of inbred skepticism, shyness and vacillation. He draws a discreet curtain over the sexual parts of Yeats's life but compensates with a keen understanding of the courage it took for this diffident, ill-read & dreamy man to make himself by fits and starts into a modern poet. My favorite parts of the book were the sections where Ellmann compares earlier drafts of the poems to the printed versions, showing just how hard-won Yeats's genius was. He tempers a critical eye towards Yeats's excesses--the wild mysticism, the Fascist sympathies, the arrogant public demeanor--with an understanding of Yeats's deep need for masks. According to Ellmann, Yeats's theories and systems weren't dogmas so much as postures he assumed to fulfill his own desire for a certainty of belief he never quite attained. Ellmann shows how that drive shaped the poems and ultimately rescued them from the deadness certitude would have brought. A classic study and an excellent starting-point for further reading on Yeats's life and work.
Admirable, but not Perfect.......2000-06-24
Though I have the greatest admiration for Ellman, I must say that this critical biography of Yeats has a few too many blindspots, is too vague and shapeless in its outline of Yeats' life, to satisfy entirely. Roy Foster's two-volume account is ultimately preferable because far more complete.
Casting a Cold Eye.......2000-06-06
THE definitive, open, and engaging study of the man T.S.Eliot declared the greatest poet of his age. Richard Ellman is no longer with us, but this is a monument of Yeats biography and criticism, the book which all subsequent biographers try to rewrite. The text itself, written as it was amidst a flurry of uncollected papers in the forties and with the co-operation of W.B.'s widow George, is understandably reticent about some elements of the poet's private life, notably his early lovers and extra-marital affairs; but the introduction printed with this new edition fills in many of the blanks, and gives the reasoning for Ellman's assertion that Yeats's affair with Maud Gonne was indeed finally consummated, confirming a suspicion hitherto based only on ambiguous references in letters and the poem 'A Man Young and Old'. Most of all, however, it is Ellman's sensitive and insightful treatment of Yeats's at once shy and self-possessed nature that impresses; the writer will never have a more accurate critic, and the man never a more sincere and biting appraisal of his contradictions. This is the place to start if you are interested in Yeats: you may not find the book or the man that you were expecting, an easy dreamy life of lost women and lake isles, but the portrait is truer, and the artistic genius more clearly delineated than in any other book on the subject, and there have been many. Ellman went on to write the definitive lives of James Joyce and Oscar Wilde; that his first essay in literary biography stands comparison with these is its own testament.
Amazon.com
There are several biographies of the great Irish poet to choose from, and the one you'll prefer depends on how much biography you want. Subtitled "The Apprentice Mage, 1865-1914," this is the one for completists (though they'll have to wait for Volume Two to get through Yeats's death in 1939). The author, a noted Irish historian, renders Yeats's life almost day to day, giving a particularly lively sense of the helter-skelter nature of his early years and a nice depiction of his tumultuous engagement with the Abbey Theatre.
Book Description
In the first authorized biography of W. B. Yeats for over fifty years, Roy Foster sheds new light on one of the most complex and fascinating lives of the late nineteenth and early twentieth century. Working from a great archive of personal and contemporary material, he dramatically alters traditional perceptions to illuminate the poet's family history, relationships, politics and art. From a childhood inheritance of declasse Irish Protestantism with strong nationalist sympathies, and an exceptional and talented family background, the narrative charts Yeats's development into an original and outstanding poet. It ends in his fiftieth year with the controversies and disillusionment affecting his personal and public life at the time of the First World War. A bohemian life of uncertain finances, love-affairs, avant-garde friends and experiments with drugs and occultism prefaces his attempt to unite politics with high culture and his creation of an Irish national theatre. Constantly shifting between Dublin, Coole Park and London, with forays to America and Paris, ruthlessly constructing a public life as well as a creative reputation, Yeats's genius attracted admirers and enemies with equal passion. His story intersects with those of an engrossing cast of characters including Lady Gregory, J. M. Synge, George Moore, `AE', Ezra Pound and above all Maud Gonne - an influence eternally re-created `like the phoenix', affecting almost everything he did. The search for supernatural wisdom forms a constant thread, traced through Yeats's occult notebooks and closely related to the insecurities of his personal life. The Apprentice Mage charts the growth of a poet's mind and of an astonishing personality, both of which were instrumental in the formation of a new and radicalized Irish nationalist identity.
Customer Reviews:
Informative biography of a complicated man.......2004-03-01
William Butler Yeats offers a life of contradictions. Born in Dublin to a middle-class Protestant family, Yeats went on to become one of the premier poets of the twentieth century. As a writer and member of the Irish literary community, he also helped to forge Irish national identity through his words and his deeds. In this biography, the first of two volumes, Roy Foster offers an account of Yeats' development into one of the leading figures of the Irish literary scene.
This is not an easy book. Foster recounts Yeats' life in what is sometimes excruciating detail, covering every movement and literary battle the poet undertakes. Moreover, as he does so he assumes the reader's familiarity with both the background of late nineteenth century Ireland and the members of the Irish literary community. People appear in his narrative with little introduction, creating a confusing jumble of names that limits the appreciation of their role in Yeats' life.
Such problems aside, this is a first-rate biography. Foster does a great job examining Yeats' life, in a text that while long is never dense. His coverage of Yeats' occult interests is particularly good, as is that of the poet's involvement in nationalist causes - both integral aspects of his poetry. Foster's argument that Yeats' involvement in the mystical was a reaction to the declining position of Protestants in Ireland, an effort to cope with the sense of dislocation by asserting psychic control, is a compelling one that helps to fit more of his poetry into its contemporary context. Foster helps this process; while he asserts that his biography is about what Yeats did rather than what the poet wrote he does offer a perceptive commentary on aspects of Yeats' work, which helps us better appreciate the connection between the man and his writings. Thanks to this, we have a book that is essential for understanding such a complicated literary figure and the role he played in his times.
The Lighthouse and the Anteater.......2003-05-02
For the first 100 pages or so, this book had me completely. Roy Foster writes with elegant brio and has a historian's eye for the wider events and contexts that shaped Yeats's early years. Where previous biographers like Ellman take a sort of lighthouse approach to their subject, treating the passions and conflicts of Yeats's day as fuel for the poetry that was destined to outshine them, Foster is more like an anteater, eagerly snuffling up the everyday bits of information that give the flavor of Yeats's multifaceted life as he actually lived it, before his later fame and incessant revisions smoothed it into a pattern.
After a while though, the book tends to bury Yeats in a mass of trivia that include everything from the menu at one of his literary dinners to the prices he charged for his lectures. This level of detail could be enlightening if Foster stopped for breath more often to tell us why these things are important. Too often though he keeps his head firmly down with the ants, cataloging the day-to-day intrigues of a very complicated life without linking them to any kind of larger interpretation of Yeats's personality or development. Instead, Foster spends his 500+ pages introducing new names at the rate of one or so per page, most of them disappearing by the end of the chapter never to be heard from again. We get the intrigues of various Irish nationalist factions, potted bios of minor figures on the Dublin and London art scenes, humorous sketches of Yeats's fellow-travellers in his sundry mystical societies. It was hard to see Yeats after a while with all these minor figures crowding the stage.
If Foster does have an interpretation of his own, as far as I can tell it's a revisionist one. Where Ellman or Jeffaries saw Yeats's life as a drama of painful self-creation, Foster sends to see an ambitious man on the make, an aggressive networker who wasn't beyond bending the truth if it helped his own advancement. Even his life-long passion for Maud Gonne, one of the key sources of his poetry, was, according to Foster, in part a self-conscious realization that a great poet needed a great passion to write about. In trying to bring Yeats back down to earth, I think Foster overcompensates by making him more canny and worldly than the sexual naivete, table rapping, faery talk and aesthetic posturing of these years suggest. Worst of all, Foster shows almost no interest in Yeats's poetry, the reason we're reading the biography in the first place. I put down the book admiring Foster's energy and mastery of such a huge anthill of facts, but I couldn't shake the feeling that a lot less would have told us a lot more.
Surprises!.......2001-07-04
This is loaded with surprise after surprise. Foster's insights into the poetry, through historical and social readings, are often revelatory. My only complaint is that many of the tales he tells tend to have the same emotional architecture due to a descirptive repetition: this makes it a little monotonous at times. But this is a quibble. This book is great. When is Vol. 2 going to be published?
The Definitive Yeats Biography.......1999-12-12
R.F. Foster's two-volume biography (second volume to come in 2000) is a model of articulate and knowledgable scholarship, arguably comparable to the great biographies of Joyce and Wilde written by Richard Ellman. Foster's work leaves nothing to be desired. It easily excels previous Yeats biographies written by Cootes, Jeffares, etc.
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Yeats (A Galaxy Book 378)
Harold Bloom
Manufacturer: Oxford University Press, USA
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ASIN: 0195016033 |
Book Description
At once praised and condemned by his contemporaries and by critics ever since for his highly complex poetic vision, William Butler Yeats remains one of the most important and controversial twentieth-century poets. In what has become a classic work of literary criticism, award-winning critic Harold Bloom breaks new ground with his radical interpretation of Yeats' relationship to the English Romantic tradition. Yeats tells the continuous story of the lifelong influence of Shelley, Blake, and the Romantic tradition upon Yeats' work. Through his analysis of the full spectrum of Yeats' poems and plays, Bloom offers a profound reinterpretation of poetic influence in general.
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- Faerie Folklore of a Shadowy Ireland of Celtic Mysteries !
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The Celtic Twilight: Faerie and Folklore
W. B. Yeats
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ASIN: 0486436578 |
Book Description
Rooted in myth, occult mysteries, and belief in magic, these stories are populated by a lively cast of sorcerers, fairies, ghosts, and nature spirits. The great Irish poet heard these enchanting, mystical tales from Irish peasants, and the stories' anthropologic significance is matched by their timeless entertainment value.
Customer Reviews:
Faerie Folklore of a Shadowy Ireland of Celtic Mysteries !.......2005-05-03
In Celtic Twilight, originally published in 1902, Yeats recites several accounts of encounters with the faerie folk and with the people of Ireland of the time which gives us insight into Irish folklore, myth and legend.
Yeats associates poetry with religious ideas and sentiment. And, I believe that he saw himself as writing for Ireland, but a shadowy Ireland of Celtic mysteries and legends, not the Ireland of the modern day. By modern day, of course, I relate this to the modern day of Yeats in the late 1890s and early 1900s.
In the introduction to Celtic Twilight Yeats states; "I have therefore written down accurately and candidly much that I have heard and seen, and, except by way of commentary, nothing that I have merely imagined. I have, however, been at no pains to separate my own beliefs from those of the peasantry, but have rather let my men and women, dhouls and faeries, go their way unoffended or defended by any argument of mine."
I got the strong impression from reading Celtic Twilight that Yeats actually believed in the existence of the faeries. Not just as some myth or legend, but as actual beings that exist in this world, though perhaps unseen by the common man. He wrote each story as if it was something that actually happened, having been related to him by the storyteller, or perhaps that which he had seen for himself in some past time, now recalled as he set pen to paper.
There is a depth to Yeats' writing that lies just below the surface, something that's perceived more than seen. The idea that perhaps magic and the faerie folk are alive in the world of today, but unseen, or perhaps only seen from time to time as a fleeting shadow until one knows just where to look.
It is interesting to note that Yeats was heavily involved in occult studies and practices as part of the Madame Helene Blavatsky's,Theosophical Society and later, the Hermetic Order of the Golden Dawn, and finally in 1912 the Ordo Templi Orientis.
This would have certainly influenced his outlook on life and his belief in, and dare we say ability to see the unseen things of this world.
I too ask myself from time to time; just what unseen things exist in this world. Perhaps Yeats has seen that which other men can only hope for, or that which they turn away from in dread given the course of their spirits.
Yeats also makes a profound observation: "The things a man has heard and seen are threads of life, and if he pull them carefully from the confused distaff of memory, any who will can weave them into whatever garments of belief please them best."
I found Yeats' observation of particular interest, especially when it comes to theological or philosophical thought. If it is those things that we hear and see in life that forms the fabric of our beliefs, then surely we must take care that that which we see and hear forms strong enough threads so that the fabric we weave is not shoddy.
Yeats' works help us build those strong threads in our lives. For, he certainly influenced the world at large with his writings. In 1923 Yeats was awarded the Nobel Prize for Literature, and in 1934 he shared the Gothenburg Prize for Poetry with Rudyard Kipling.
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W.B. Yeats (Literary Lives Series)
Micheal Macliammoir ,
Eavan Boland , and
Micheal Mac Liammoir
Manufacturer: Thames & Hudson
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ASIN: 0500260222 |
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Ireland's greatest poet, William Butler Yeats, was also perhaps the most outstanding poet to have written in English since Wordsworth. Many of his early poems--wistful, mysterious, and suffused with Pre-Raphaelite imagery--are of haunting beauty. But in the early 1900s Yeats became disillusioned with this twilight, imaginary world and turned his thoughts increasingly to reality. Directing his energies to the twin causes of the Irish literary renaissance and Irish national independence, he evolved a new style: austere but capable of sustained magnificence. Michel Mac Liammir and Eavan Boland trace Yeats's long and eventful career, covering such episodes as his directorship of the Abbey Theatre and service in the Irish Senate, as well as his poetic activities. They analyze, with acuteness and humor, the contradictory qualities of a genius who was both lovable and forbidding, sophisticated and unworldly, a practical mystic and a superstitious realist.
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The AUTOBIOGRAPHY OF WILLIAM BUTLER YEATS (REISSUE)
William Butler Yeats
Manufacturer: Scribner Paper Fiction
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Amazon.com
At this point in literary history, any biographer of W.B. Yeats is up against some stiff competition. Most of the late Richard Ellmann's work on the poet is, alas, out of print. But to judge from its first installment, R.F. Foster's double-decker life looks to be a monumental accomplishment, while in the recent Yeats' Ghosts, Brenda Maddox casts a cold (and discerning) eye over her subject's erotic life and supernatural predilections. Now comes The Life of W.B. Yeats by the Irish scholar Terence Brown. His book is very much a critical biography, attending more to the perfection of art than the perfection of life (while gracefully conceding that neither in fact exists). So there's relatively little frolicking around in the poet's boudoir à la Maddox. Still, Brown has a gift for conveying the texture of Yeats's life, selecting just the right details from what is now a copious historical record. Here he delivers a fine snapshot of the poet paying court to chain smoker Iseult Gonne after having been spurned by her notorious mommy:
In August 1917 Yeats had visited Maud and Iseult Gonne in Normandy where he renewed his suit for Iseult's hand. She was moody, sickly from over-indulgence in cigarettes, flirtatiously affectionate but no more inclined to marry Yeats than she had been the previous summer. Her mother he found surrounded by the usual menagerie which included a laughing parrot whose forte was peals of hysterical laughter.
Still, Brown is strongest on the poetry itself, which he methodically mines for fresh insights. And he's refreshingly open to scolding his subject when he falls short of his own gargantuan talents (even Responsibilities, which most Yeatsians consider a breakthrough into the poet's major, post-Celtic Twilight phase, gets some flack from Brown: "The several poems in which Yeats celebrates Irish beggary as a metaphor of the spiritual freedom the Irish materially minded moneyed class so signally lacks, are without purchase on much beyond the literary salon's version of mendicancy"). There are times, to be sure, when the author's prose bogs down a bit, and he's hardly aided by the publisher's eyeball-punishing type size. Yet Brown's Life of W.B. Yeats remains an enlightening account of how one Irish poet in particular did learn his trade--to a degree that most of his fellows are still struggling to match. --Ingrid Broun
Book Description
W.B. Yeats, widely regarded as the greatest English-language poet of the twentieth century, believed that the life of a lyric poet was an experiment in living that should be told. This new critical biography seeks to tell that story as it unfolded in the various contexts in which Yeats worked as an artist and as a public figure. It considers a career that began in the late Victorian world of 1880s and 1890s London, which involved a deep commitment to the life of an emergent Ireland in the twentieth century, disillusionment and the alienation from the modern world that made Yeats, who began as a symbolist poet, one of the major figures of the Modernist movement in the second decade of the century. A central focus of this study is Yeats's perennial pursuit of sacral power which he saw as being vested in traditional institutions. It examines how at various stages of his life he sought to acquire such power for himself in such institutions as a magical order, a nation, a theatre, the community of the dead, and, climactically, an occult marriage. The concluding stages of the book assess Yeats's final years as a crisis of that faith in institutions, which had hitherto sustained him in all he attempted. At the last only the institution of the verse itself retained its efficacy. This allows us to gain a much deeper appreciation of the poet's engagement with occult knowledge and power and with spiritualist illumination. It explores this problematic aspect of the poet's career as bearing on key elements in the experience of modernity: the roles of science and religion, the emancipation of women and the artistic representation of the body. In this book all Yeats's major works as poet and dramatist are considered in the contexts in which they came to be written and published.
Book Description
The acclaimed first volume of this definitive biography of W. B. Yeats left him in his fiftieth year, at a cross-roads in his life. The subsequent quarter-century surveyed in The Arch-Poet takes in his rediscovery of advanced nationalism and his struggle for an independent Irish culture, his continued pursuit of supernatural truths through occult experimentation, his extraordinary marriage, and a series of tumultuous love affairs. Throughout he was writing his greatest poems, from the stark simplicity of 'The Fisherman' and 'The Wild Swans at Coole', through the magnificent complexities of the sequences reflecting the Troubles and Civil War and the Byzantium poems, to the radical compression of his last work - some of it literally written on his deathbed. The drama of his life is mapped against the history of the Irish revolution and the new Irish state founded in 1922. Yeats's many political roles and his controversial involvement in a right-wing movement during the early 1930s are covered more closely than ever before, and his complex and passionate relationship with the developing history of his country remains a central theme. Throughout this book, the genesis, alteration, and presentation of his work (memoirs and polemic as well as poetry) is explored through his private and public life. The enormous and varied circle of Yeats's friends, lovers, family, collaborators, and antagonists inhabit and enrich a personal world of astounding energy, artistic commitment, and verve. Yeats constantly re-created himself and his work, believing that art was 'not the chief end of life but an accident in one's search for reality': a search which brought him again and again back to his governing preoccupations: sex and death. He also held that 'all knowledge is biography', a belief reflected in this study of one of the greatest lives of modern times.
Customer Reviews:
Messin' With Ellmann et al.......2004-05-22
I agree, largely, with what I've read here. Foster *is* an anteater, to quote one Amazon reviewer.
On the other hand, you're dealing with Yeats. Yeats was probably the most sophisticated thinker about literary persona and literary stance that Western literature has ever produced. Only Shakespeare--who, as far as we know, never theorized explicitly about any of this, much less wrote it down--surpasses him, and not by design. Such figures as Pound are nothing in comparison. It should come as no surprise that Yeats' own autobiographical material is forbidding in the extreme; if you get past that you have Ellmann to deal with, and you'd best go loaded for bear.
Foster has taken a blunderbuss, since Ellmann showed up with a rifle. Nonetheless, both approaches are invaluable. Foster's work is magisterial, even if it's not a great literary biography *taken as such*. On the other hand, it offers an incredible resource for the serious student of Yeats. Detail aside (helpful as that is to scholars) Foster makes a very good case for Yeats' persona-management in public and private, something I have come to feel is essential to understanding the poet and which, along with the occult study, has been imperfectly examined. (See Maddox's ridiculous effort for an example of this at its worst.)
Read together, though, both major biographies tend to compliment each other very nicely. Give that a try.
Te Diem.......2002-06-02
If I may be permitted to speak oxymoronically, this book as it once indispensable and utterly useless. It is indispensable for the sheer wealth and weight of fact it carries. The book constitutes a veritable rhapsody of small details, collected without due regard for relevance and with every regard for hanging on the the myriad fruits of bibliophilia. How then is it useless?It is useless because it dispenses with the immense effort - at once imaginative and cognitive - of reconstructing the relationships and the world to which the work and activity of Yeats was a response and against which he defined himself. This task of reconstruction is never only a matter of painstaking factual excavation. It is a question of reimagining a whole "field of force" (Wittgenstein) into which, so to speak, the poet was "thrown". This bok is a heroic but antiquarian leviathan.
Book Description
The Collected Works of W. B. Yeats, Volume IX: Early Articles and Reviews is part of a fourteen-volume series under the general editorship of eminent Yeats scholars Richard J. Finneran and George Mills Harper. This first complete edition includes virtually all of the Nobel laureate's published work, in authoritative texts with extensive explanatory notes.
Coedited by John P. Frayne and Madeleine Marchaterre, Early Articles and Reviews assembles the earliest examples of Yeats's critical prose, from 1886 to the end of the century -- articles and reviews that were not collected into book form by the poet himself. Gathered together now, they show the earliest development of Yeats's ideas on poetry, the role of literature, Irish literature, the formation of an Irish national theater, and the occult, as well as Yeats's interaction with his contemporary writers. As seen here, Yeats's vigorous activity as magazine critic and propagandist for the Irish literary cause belies the popular picture created by his poetry of the "Celtic Twilight" period, that of an idealistic dreamer in flight from the harsh realities of the practical world.
This new volume adds four years' worth of Yeats's writings not included in a previous (1970) edition of his early articles and reviews. It also greatly expands the background notes and textual notes, bringing this compilation up to date with the busy world of Yeats scholarship over the last three decades. Early Articles and Reviews is an essential sourcebook illuminating Yeat's reading, his influences, and his literary opinions about other poets and writers.
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Recommended Books
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- The Gospel of Thomas: The Hidden Sayings of Jesus
- Johnny Panic and the Bible of Dreams: Short Stories, Prose, and Diary Excerpts
- Landscaping with Stone
- Photoshop CS / CS2 Wow! Book, The, 1/e
- Physics for Scientists and Engineers with Modern Physics, Third Edition
- Social and Political Philosophy: A Contemporary Introduction
- Here I Stand: My Struggle for a Christianity of Integrity, Love, and Equality
- International Business Marionettes
- 2004 New Mexico Manufacturers Register
A Reader's Guide to William Butler Yeats (Irish Studies)
Yeats's Poetry, Drama, and Prose (Norton Critical Editions)
The Apprentice Mage, 1865-1914 (W.B. Yeats: A Life, Vol. 1)
James Joyce (Oxford Lives)
