History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

Magic Lantern Guides: Pentax K100D / K110D (Magic Lantern Guides)

Average customer rating:

Good but with several typographical errors
Ideal for noobs, far better than the manual ...
Magic Lantern Guides: Pentax K110D

Magic Lantern Guides: Pentax K100D / K110D (Magic Lantern Guides)
Joe Farace
Manufacturer: Lark Books
ProductGroup: Book
Binding: Paperback

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ASIN: 1600590861

Product Description

Two entrees in the digital SLR market from Pentax, in one Magic Lantern Guide. Both of these easy-to-use, budget-friendly cameras are packed with loads of features, including: a 6.1 megapixel sensor, large 2.5" LCD monitor, Auto Picture modes, Shake Reduction image stabilization (K100D only), and more.

Customer Reviews:

Good but with several typographical errors.......2007-10-17

Pros:
Easy to read and understand
Useful for pentax k110d new owners

Cons: It need to be revised, has several typographical errors

Ideal for noobs, far better than the manual ..........2007-07-02

Pentax, who caters to amateur photographers unlike most other dSLR vendors who cater far more to professionals *COUGH*Canon*COUGH*Nikon*COUGH*, actually includes a very detailed manual with all of its K series of dSLR products. Unfortunately, while the manual suffices for amateur photographers, it is very difficult for the beginning SLR user. The terminology poorly defined in the Pentax manual is a major barrier to using their dSLR products effectively. That's where the Magic Lantern Guides come in.

This book takes you through not only the K100D (and K110D), but covers the much needed terminology for beginners of photography, all while using the K100D. That right there is gold -- using the actual buttons, menus and other settings in the K100D to setup common photo scenes and settings. The author effectively covers many aspects beginners, novices and even not-so-seasoned amateurs will want to cover (or recover). The author also does a good job of covering select Pentax lenses for various scenes, including some of the newer DA lenses, or at least introducing them as and when they are appropriate.

The only reason I give this a book four (4) stars instead of five (5) is because the author could have done better job of layout and organization. Although some aspects and depth of photography are unavoidable microcosms in themselves, the fact that you have to (and I mean have to) read the entire book to get down the basics is not the "ultimate" beginners' guide. I felt the author could have done a better job of pointing new users to bracketing and exposure compensation first, which are great for initial experimentation, and then rolled back into more in-depth concepts. But otherwise, it is an "ideal" beginners' guide, so it does get four (4) stars.

But if you do read it from cover-to-cover, you will know how to use your K100D (or K110D) to its full effectiveness without being an experienced photographer. Everything else is a combination of practices and non-camera specific implementation, like metering and other exposure considerations (that you can pick up from other sources). I came from Point'n Shoot cameras, being utterly ignorant of photography fundamentals. This book, combined with Pentax's award winning ergonomics and "built for amateurs" mentality in its products, will make you an amateur almost overnight -- or at least by your first half-dozen scenes and hundred-plus shots.

Magic Lantern Guides: Pentax K110D .......2007-03-21

If you buy this camera theis book is a must. The camera is a bit complicated and I found the book great for learning all its features. I am carrying the book in my camera bag. The book that came with the camera is cryptic and leaves too many unanswered questions.

Average customer rating:

The Music of Dolphins: A heart-warming tale
Our summer book club loved this book!
A speechless dolphin
The adventures of the lost dolphin girl
Sociological Literature for Young People

The Music of Dolphins
Karen Hesse
Manufacturer: Scholastic Paperbacks
ProductGroup: Book
Binding: Paperback

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ASIN: 0590897985

Customer Reviews:

The Music of Dolphins: A heart-warming tale.......2007-10-15

This book was amazing! A young girl the humans called "Mila" is found near the island of Cuba and brought into the National Institute of Mental Health in Miami, Florida. After she starts learning to speak, Mila is continuously asking when she can return to her dolphin family. As the novel moves along, Mila learns more and more about why she can't return to her dolphin family. The longer she is with humans the more she longs for the sea. Will Mila be reunited with her Fishy Family? I know what you're thinking. I'm not telling you. You will have to read it like everyone else.
I loved how this book was put into autobiographical form. Because it is written from the point of view of Mila, as her vocabulary and her knowledge grow the story becomes more and more complicated. I also enjoyed how vividly the author describes the characters in the book. The author uses imagery to make you feel like your really there. I would recommend this fantastic novel to anyone who likes heart-warming tales.

Our summer book club loved this book!.......2007-07-28

We are a book club of girls entering [...]. We all loved this book. There was so much to discuss and talk about. We loved exploring the differences between Shay, who was not shown love, and Mila, who had a loving dolphin family. Shay was unable to respond to human contact or relate to music at all. Even though the tug of the sea and her life with the dolphins eventually reclaims Mila, she makes a valiant attempt at living in the world of men.

A speechless dolphin .......2007-03-02

I am writing this because I am doing it for a reading assignment. I rated it 2 ½ stars because it was catchy but the point of the story was given away in the middle of the story.
I would recommend this book to kids from the ages of 9-12 because it is easy at the beginning and it gets harder towards the middle.

The adventures of the lost dolphin girl.......2007-03-02

I'm writing this assignment for our 7th grade humanities class.
I liked the description they used to describe each character. I disliked when they give almost everything away, like when she goes swimming she sees people in white and it's obvious their doctors. I liked the book because the author allows you to picture everything.
I rated it 3 ½ because it gives important beginnings and ends away, and also I thought they described everything that happens so you can just tell what the end is going to be. I loved the words the used to describe each character.
I would recommend this book for second graders because some would like the sea and others the dolphins and its description.

Sociological Literature for Young People.......2006-04-30

I am writing this as a reply to the review entitled "OMG THIS BOOK WAS HORRIBLE."

This novel is not about it being a "true" story, which it isn't, but about the development of language and social communication and interaction.

An example case relative to Mila's predicament would be the case of Isabelle, who was discovered when she was 6 years old in a dark room, where her family kept her secluded from the world. She hadn't properly developed speech, nor did she have social experience.

The point is that as the book progresses, the author writes from Mila's perspective as she develops her language skills.

History: Fiction or Science? Chronology 2 (Chronology)

Average customer rating:

Check and see
Suprise! Suprise!
Prescient St Augustine?
Something of a disappointment
Romulus courts Helen, Paris founds Rome, Moses goes to Troy..

History: Fiction or Science? Chronology 2 (Chronology)
Anatoly T Fomenko
Manufacturer: Delamere Resources LLC
ProductGroup: Book
Binding: Paperback

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ASIN: 2913621066

Product Description

`History: Fiction or Science? Chronology 2` is the second volume of the most explosive and astounding tractate on history ever written - however, every theory it contains, no matter how unorthodox, is backed by rock solid scientific data. The book is easy and pleasant to read; it is well-illustrated, contains hundreds of charts, graphs and illustrations, copies of ancient manuscripts, and countless facts attesting to the falsity of the chronology used nowadays. You will be amazed to discover: - That the chronology universally accepted today and taken for granted is simply wrong; - That ALL methods of dating of ancient sources and artefacts known today are erroneous or non-exact; - That there is not a single document that could be reliably dated earlier than the XIth century; The Author refers to the Middle Ages as the Antiquity and proves mutual superimposition of the Second and the Third Roman Empire, both of which become identified as the respective kingdoms of Israel and Judah. Furthermore, he asserts that the famous reform of the Occidental Church in the XI century by Pope Gregory Hildebrand was the reflection of the XII century reforms of Byzantine emperor Andronicus who in his turn identifies with Jesus Christ. The Trojan war counted by Homer happened only as late as of the XIII century A.D. and the great poet actually lived in XIV century A.D. No stone in history of Antiquity is left unturned. Literally. This book is the beginning of a major correction to the chronology we live with.

Customer Reviews:

Check and see.......2007-06-21

I don't care what other people say of this book. Those affirmig it's fake, they hadn't ever read it. Or have some special reasons to do so. "Living is easy with eyes closed, misunderstanding all you see..." This book won't make you feel comfortable. It'll make you feel free. It'll make you feel you're "not the only one" to feel you'd been lied to for centuries.

Suprise! Suprise!.......2007-03-22

Here is a serie of books which turns "the whole world" upside down. I learned a lot of it and I hope that a new book from A.T. Fomenko will follow very quick. A absolute must for everybody who is interested in history or even a little bit from it.

Prescient St Augustine?.......2006-02-05

We can so far divide the New Chronology into the following three parts:

a) The verifiable theory that proves consensual chronology wrong with the aid of astronomy, statistics and mathematics;

b) The new chronology hypothesis based on a new understanding of known historical facts and the most likely logical explanation of the most obvious inconsistencies inherent in the official version of history;

c) The history conjectures, that is experimental historical reconstructions based on assumptions that the authors believe to make sense in the light of their research and linguistic parallels - void of ironclad factual support to date.

Fomenko's theory complies with the most rigid scientific standards as a whole:

It gives a coherent explanation of what we already know.

- It is consistent: independent lines of inquiry all lead to the same conclusion.

- The predictions it makes are confirmed empirically.

Fomenko goes by the following axioms:

- Chronology is the basis of history;

- Human evolution has always been linear, gradual and irreversible;

- The "cyclic" nature of human civilization is a myth, likewise all the gaps, duplicates, "dark ages" and "renaissances" that we know from consensual history;

- The accumulation of geographical knowledge as reflected in cartography is a gradual and irreversible process;

- The chronological distance between a given manuscript and the events described therein is proportional to the amount of distortions it contains;

- There is no "useless" information in authentic ancient sources.

Why the mainstream historians do not shower mathematician Academician Dr.Prof Fomenko with thanks and laurels?

The Russians:

Because Fomenko asserts that there was no such thing as the Tartar and Mongol invasion followed by three centuries of slavery, providing a formidable body of documental evidence to prove his assertion. The so-called "Tartars and Mongols" were the actual ancestors of the modern Russians, living in a bilingual state with Arabic spoken as freely as Russian. The ancient Russian state was governed by a double structure of civil and military authorities. The hordes were actually professional armies with a tradition of lifelong conscription (the recruitment being the so-called "blood tax"). Their "invasions" were punitive operations against the regions that attempted tax evasion. Fomenko proves that Russian history as we know it today is a blatant forgery concocted by a host of German scientists brought to Russia by the usurper dynasty of the Romanovs, whose ascension to the throne was the result of coup d'état, charged with the mission of making their reign look legitimate. Fomenko proves Ivan the Terrible to be a collation of four rulers, no less. They represented the two rival dynasties - the legitimate rulers and the ambitious upstarts. The winner took it all! Over some 30 years of controversy, Russian historians have made a most remarkable transition - they were initially accusing the young mathematician Fomenko of anticommunist dissident activity and attempts to deface the historical legacy of Soviet Russia; nowadays the middle-aged mathematician is accused of adhering to "pro-communist Russian nationalism" and defacing the proud historical legacy of Great Russia.

The Westerners:

Because Fomenko blows consensual Russian history to smithereens, successfully removing a crucial cornerstone from underneath the otherwise impeccable edifice of World History. Fomenko adds insult to injury, wiping out one by one the Ancient Rome (the foundation of Rome in Italy is dated to the XIV century A. D.), the Ancient Greece and its numerous poleis, which he identifies as the mediaeval crusader settlements on the territory of Greece, and the Ancient Egypt (the pyramids of Giza become dated to the XI-XV century A. D. and identified as the royal cemetery of the Global "Mongolian" Empire, no less). The civilization of the Ancient Egypt is irrefutably dated to the XII-XV century A. D. with the aid of the ancient Egyptian horoscopes cut in stone. He was the first one to decipher and date all such horoscopes, coming up with mediaeval dates in every case. English historians rage at the suggestion that the history of Ancient England was de facto a Byzantine import transplanted to the English soil by the fugitive Byzantine nobility. To reward the English historians who consider themselves the true scribes of World History, the cover of the present book portrays Tintoretto's Jesus Christ crucified on the Big Ben.

The Chinese:

Because Fomenko wipes out the Ancient History of China outright. No such thing. Full point. The compilation of the so-called Ancient Chinese History is reliably datable to the XVII-XVIII century only. It is perfectly recognizable as the Ancient European history, reworked and transcribed in hieroglyphs as yet another historical transplantation, this time performed on the Chinese soil by the loving Jesuit hands. The Chinese are the next in line to go berserk. Chinese history is inevitably bound to get both more ancient and more eventful, proportionally to the growing involvement of China in the world affairs. Chinese historians will keep on finding valid proof of prehistoric Chinese spaceflights until the Politburo orders them to shut up.

The Arabs:

Too bad. Islam with all its key figures is datable to XV-XVI century A. D. Arabic historians may find consolation in the crucial historical role of the Ottoman Empire in the XVI-XVII century. The trouble is that this empire was initially a Christian state, with Hagia Sophia identifiable as Temple of Solomon, according to Fomenko! We can only guess if the acquisition of Alexander the Great (a Macedonian and a Christian) as the founder of the Muslim World Empire will make Fomenko's theories more acceptable to the Arabic mainstream. He certainly does not spare any holy cows at all, claiming The Stone of Qa'Aba in Mecca to contain the lost Arch of the Covenant.

The Divinity:

Despite of reiterated statement that his theory is all about chronology and not Religion, Fomenko stirs up a whole condominium of wasp nests. His collection of anathemas, fatwa, and other condemnations from all parties concerned is already considerable. Little wonder, considering that the history of religions à la Fomenko looks as follows: the pre-Christian period (before the XI century and JC), Bacchic Christianity (XI-XII century, before and after JC), JC Christianity (XII-XVI century) and its subsequent mutations into Orthodox Christianity, the Catholicism, Islam, Buddhism, and so on.

According to Fomenko we know strictly NOTHING about the events that predate the X century A. D.

St Augustin was prescient when he spoke unto us: "be wary of mathematicians, particularly when they speak the truth."

Something of a disappointment.......2005-09-09

After having read the first volume of this expected series of 7 volumes I was triggered by the thesis of these authors that ancient Greek and Roman history did in fact take place in the Middle Ages. So I started studying medieval history of the Middle East - also known as Islamic history - to find out if the opponents of the ancient Greeks and Romans - the Acheamenid Persians, Sassanids, Scythians, Egyptians, etc. - also have their duplicates in medieval history. My search was disappointing: none of the many medieval Islamic dynasties seemed to correspond to the ancient middle eastern rulers.

However, I did find a close correspondence between Herodotus' Persian kings and medieval events:

- the defeat and capture of an Anatolian king - the Lydian Croesus - by the Persian conqueror Cyrus is identical to the defeat and capture of another Anatolian king - sultan Bayezid - by the Asian/Mongol conqueror Tamerlane;
- the Persian conquest of Egypt by the cruel tyrant Cambyses reds almost exactly as the Ottoman conquest of Egypt by Selim the Grim (note the nickname!);
- Darius the Lawgiver of the Persian Empire looks very much alike to Sulayman the Magnificent, the Lawgiver in Islamic history;
- Xerxes, whose main claim to fame is to be defeated by the Greeks at the naval battle of Salamis, looks like Selim II (the Sot) whose main claim to fame is to be defeated by a Spanish-Italian alliance at the naval battle of Lepanto.

I should have expected Fomenko et al. to arrive at similar conclusions, however, they claim that the Persian kings are the alter egos of the Angevin kings of Sicily whose biographies do not contain the exploits of the Persian kings.

The similiarities I indicate lead to the conclusion that Herodotus must have written his Histories at the close of the 16th century. But this is extremely late, given that Herodotus is "the Father of History", so therefore all other "ancient" histories must have been fabricated even later. Yet, the founders of modern chronology - Scaliger and Petavius - laid their foundations also at the close of the 16th century and had the full corpus of ancient histories already at their disposal.

It seems to me that Fomenko has to address these inconsistencies, maybe in the forthcoming 5 volumes?

Another critique of their book is that the correspondencies between different rulers are often based on a superficial comparison of the biographies; upon a more thorough comparison many details appear that do not correspond at all.

Finally, the authors rely heavily on the works of Gregorovius (1821-1891!!) - his medieval histories of Rome and Athens - as the source of medieval history; these works are - at least in the West - hoplessly outdated and have been superceded by more up-to-date works (for instance, Julius Norwich's trilogy on Byzantine history is not even cited).

Romulus courts Helen, Paris founds Rome, Moses goes to Troy.........2005-07-30

If you agree with Fomenko that Roman chronology is basically the foundation of the entire edifice of global chronology; you would also certainly agree that despite its numerous gaps and inconsistencies, Roman history is the best-documented field of ancient history, and thus a reference scale. But how well is the actual date of the Eternal City's foundation known?

Firstly, Rome is supposed to have been founded by the Trojans who had to flee after the fall of Troy. Some claim Rome to have been founded by Aeneas and Ulysses shortly after Troy had fallen; others are of the opinion that there was an entire dynasty that ruled for 500 years between the fall of Troy and the foundation of Rome.

Well, that's just an innocent 500 years long misunderstanding compared with what heretic Fomenko says, asserts, proves in his second volume: Second Roman Empire, Third Roman Empire, Biblical Kingdom of Israel, Biblical Kingdom of Judah, Holy Roman Empire are stories about basically same events, written from different points of view at different times. The underlying events have actually taken place during xii-xv cy. These histories have been written and perfected by multitude of highly talented humanist and clerical writers of xiii-xvi cy disguised as "ancients" with glorious names like Homer, Pluto, Thucydides etc..Chronology 2.0 beta..

Historians are kindly invited to report the bugs.

Average customer rating:

Great introduction for kids!
Mozart's The Magic Flute
The Definitive Magic Flute
A great way to learn about opera, suitable for young or old.
Wonderful story-telling

The Magic Flute
Anne Gatti
Manufacturer: Chronicle Books
ProductGroup: Book
Binding: Hardcover

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ASIN: 0811810038

Amazon.com

Mozart's last opera, the simultaneously comic and serious fairy tale The Magic Flute (Die Zauberfloete), is as problematic as anything in the medium. Some deplore it for its perceived sexism and racism; some deplore it for its arguably goofy plot. "Depending on your perspective," writes David Foil in his essay in this book, it "is either the silliest opera ever written or a work of profound insight that happens to be dressed in the trappings of a cartoon." That it is Mozart's sublime music that ennobles something meant to be merely a short-lived popular entertainment is not in question.

This volume, issued by Black Dog Opera Library, puts together Foil's essay, lots of pictures, a complete libretto (with running commentary) in English and German, and a classic recording on two compact discs in one comfortably priced hardcover package. It is a fine introduction to what remains a great opera, goofy plot or no. (And Bellini's plots aren't even goofier?) It is worth buying just for the now out-of-print EMI/Angel 1972 (remastered in 1987) recording, contained on two very long-playing CDs, found inside the front and back covers of the book. The dialogue portions work better in this version than in most recordings. Anneliese Rothenberger is an appealing Pamina, and Walter Berry is a delightful Papageno. Edda Moser nails the difficult music of the Queen of Night, while Kurt Moll is our day's definitive Sarastro. Wolfgang Sawallisch, brisk and never lugubrious, conducts his soloists and the Bavarian State Opera Chorus and Orchestra with total certainty.

Book Description

Enter a magical world of monster serpents, mysterious ladies, and flying machines where giant flowers and butterflies the size of birds abound. It is here, amidst a lush wood and within a dark labyrinthine castle that an unforgettable cast of characters gathers and a magical story of good versus evil unfolds. Readers will thrill as Prince Tamino strives to save Princess Pamina from the wicked Queen of the Night and the Chancellor Monostatos. Accompanied by Papageno, the birdcatcher, and a magic flute to ward off evil, Tamino and Pamina must overcome thundering waterfalls and walls of fire to save their kingdom from darkness and live happily ever after.

Illustrated with the glorious paintings of Peter Malone, this enchanting retelling of Mozart's famous opera paired with an audio CD is sure to delight lovers of fairytales and music alike.

Awards and honors for The Magic Flute:
School Library Journal, starred review
1998 Bookbuilders West Award 1998 Parent Council Ltd. - Outstanding

Customer Reviews:

Great introduction for kids!.......2007-03-08

This is a great opera introduction for kids. The story is really easy to follow and the CD is a great addition. I highly recommend this for anyone.

Mozart's The Magic Flute.......2007-02-14

This was a wonderful story well written for a young audience. We bought it for our six-year-old son who began studying violin a year ago, and this was his one-year anniversary present. Mozart's Eine Kleine Nacht Musik was his inspiration to learn the violin, and he has since taken interest in other Mozart music. The illustrations are also very beautiful.

The Definitive Magic Flute.......2005-04-12

I'm usually dismissive of most Die Zauberflotes because I find the overall quality of the singers and recording lacking. Then I came upon this recording...I have to say that it is simply the most amazing Die Zauberflote I've ever heard! The orchestrations to the singers to the conductor himself...everything is mind-blowing! I'm not a Mozart person, but if I really like a recording of his I will buy it. This is an excellent way to introduce yourself to the Flute, especially since there is such a wonderful introduction accompanying this extremely famous opera. And the Queen of the Night-Edda Moser!!! Amazing! Simply amazing! No other Queen has conveyed that much drama into her singing. This is the Flute. I would suggest Marriner's version if I hadn't seen this one, but then here is a Flute with all the greats in it! Get it now!

A great way to learn about opera, suitable for young or old........2004-04-21

I received this as a gift from a mislead but well-meaning relative. Needless to say, I have never been a fan of opera. However, I was surprised that I was actually able to enjoy this book and accompanying CD. The book begins with a brief biography of Mozart, and then offers a prose overview of the story (extremely helpful for understanding!). The second half of the book contains the libretto, or text, of the opera. The original German forms one column on the left-hand side of each page, and the English translation is printed on the right. This way one can follow along with the story while listening to the music, even if you don't know a word of German. Throughout the entire book there are pictures from different stage performances of The Magic Flute. The musical recording is of high quality, contained on two disks that fit into pockets on the inside front and back cover of the book.

This would be a wonderful book for anyone interested in learning about opera, young or old. However, I must disagree with the reviewer who said this was geared toward children between three and seven. A 3-year-old would never be able to read the text, and a 7-year-old, unless very advanced, would no doubt struggle with it. The book is better suited for slightly older children all the way up through adults of any age. While I'm still not a fan of opera, I did gain some appreciation for it from this book and CD. I'm sure the only way to truly experience an opera is to see it performed live (just listening to a recording removes the entire visual element), but I would nevertheless recommend this product.

Wonderful story-telling.......2004-03-15

P. Craig Russell's drawing style seems especially apt for stories of enchanted lands and beings. His lines are light and airy, and he sets a mood nicely with color. In other words, he is ideally suited to illustrate this story.

He does a delightful job of it, too. He amplifies all of the characters theatrically beyond the believable, and has one small advantage over true opera - he is never at the mercy of the set designers, costumers, or other effects.

I am very glad to see this classic of western culture (and the others coming soon) made available in this format. I confess, I have not fully acquired the taste for opera, or the ability to derive the story from the way it is sung. I do, however, want to know at least a bit of the story, and this is a very digestible form. Russell's drawing makes it more than digestible, it's a real confection. I also appreciate the fact that Russell has adapted the story, and not created a new one from fragments of the classic.

Opera buffs - I hope you can accept this for what it is. One way to look at this is opera appreciation on training wheels, a painless entry into part of the operatic art. It's also a way to spread some knowledge of this classic across a generation that might not have been exposed to the story otherwise - certainly a good thing.

If nothing else, it's a well-drawn comic by a very capable artist. It's that "else" that makes this comic stand out. I'm looking forward to the next Russell operas.

Customer Reviews:

An excellent book to Add to my Ted Andrews Collection........2007-08-15

I always enjoy the writing style of Ted Andrews. He puts a lot of content into everything he writes. I always learn many new things and I feel this is an excellent book on magic healing.

Ayse Aktas.......2007-03-08

Ted Andrews is a kind of person that leaves you with a feeling that whatever he does he does well. This also holds true for this book. It is a well structured and easy to read book for understanding the importance of sound in our daily lives. We are also reminded in the storytelling section that the words of the songs that we frequently listen can have a great subconscious impact on our feelings and emotions.

Sacred Sounds: Magic & healing Through words and music.......2007-02-03

good, practical book on using both words and music to heal - yourself and others. very easy to read, and follow.

Healing With Sound (Words & Music).......2006-12-31

This is a very well written book, as Ted Andrew's books are. They provide a great deal of explanation, details, and how-to instructions. This book provides lots of background information on the use of sound, in words and in music and how sound has related to healing for many years, much of which has become a lost art. Ted covers a lot of history, for credibility and for understanding the linear path to nowadays.

If you think it is not logical that sounds can affect you, ask yourself how you feel when you listen to certain types of music. Try it. Does some music make you angry, some sad, some peaceful, and does some music make you feel love? How about words? Is there a word someone could call you to make your blood boil? Is there something nice someone said to you recently that made you feel like you could just melt? That's just to get you thinking. Now what if someone told you that you could maybe begin to reverse a health problem by playing a note that corresponds the the chakra area that has an energy blockage? Bull??? Worth a try?

Ted goes all the way into details of 10 names of God from the Qabala and how to tone them properly. He explains which music notes influence and balance which chakras and a whole lot more. After reading this book, I now understand what is happening with my voice and why. There is a lot of metaphysical information found in this book as it relates to the use of sound that you will not normally find just anywhere. If you're looking for that kind of information, get the book.

If you are interested in how animals might have messages for you, check out "Animal Speak" by Ted. I have also read several other books of his on the topics of angels and spirit guides, colors, and auras. They are all well written and provide a lot of information.

Magical properties of music and words.......2003-03-04

This valuable book is divided in two parts. The first is The Secret Power of The Word, in which the author discusses the science of sacred sound with reference to its principle of resonance (sympathetic vibration), the principles of rhythm, melody and harmony, plus qualities like pitch and timbre. The scales and the healing elements of music are investigated - the section on the musical interplay with the charkas is particularly enlightening. Other fascinating sections are The Occult Significance of Speech and Mystical Words of Power which deals with ritual words and sounds like the Hebrew God-names plus Sanskrit Mantras and chants.

Part Two, the Renaissance of the Bardic Traditions, provides a history of the mystical bards and deals with magical storytelling. It includes a section on musical instruments like the lyre, harp, guitar, keyboard instruments, flute and others. There is also a captivating section on magical poetry with a discussion of forms such as alliteration, repetition, anagrams, assonance, meter, rhythm and rhyme. The book concludes with the chapter Bardic Healing that provides practical techniques for tuning and healing the human body.

There are notes to every chapter, a select bibliography on (a) sound, music and voice and (b) on the Bardic traditions. The illustrations include musical notations, the human body and the charkas, plus the astrological musical wheels of the spheres. Several helpful tables are also provided, for example on the God-names.

Andrews has succeeded in bringing to life the lost tradition of the Word in this well-written and engaging book that opens the door to our understanding and using the power of sound, music and words for regeneration, healing and enhanced creativity.

This book is ideal for those interested in esoteric healing, in the metaphysical aspects of sound and music and for those who love sacred music in any tradition. If sound has always been considered the direct link between humanity and the divine, this excellent book, Sacred Sounds, serves as the key that provides access to that link again.

Average customer rating:

Who knows where the time goes?

Great new fantasy.

J. J.'s Music

Its enchanting traditions and customs, and the heart of the Irish people.

Fantasy Readers May Like This

The New Policeman (Costa Children's Book Award (Awards))
Kate Thompson
Manufacturer: HarperTeen
ProductGroup: Book
Binding: Hardcover

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Tamar: A Novel of Espionage, Passion, and Betrayal

ASIN: 0061174270
Release Date: 2007-01-23

Book Description

Who knows where the time goes?

There never seems to be enough time in Kinvara, or anywhere else in Ireland for that matter. When J.J.'s mother says that what she really wants for her birthday is more time in her day, J.J. decides to find her some. But how can he find time for her, when he barely has enough time to keep up with school and his music? And where will he get time to find out if the shocking rumor is true—that his great-grandfather was a murderer?

It seems as though J.J.'s given himself an impossible task. But then a neighbor reveals a secret to him—there is a place where time stands still. J.J. realizes he's the only person who can make the journey, but to do so he'll have to vanish from his own life.

And when J.J. disappears from the village, enter the new policeman. . . .

Customer Reviews:

Who knows where the time goes? .......2007-10-01

J.J. Liddy, the main character of Kate Thompson's novel The New Policeman, has a problem: there never seems to be enough time in the day. In fact, there seems to be decidedly less time. With barely enough hours in the day for school and his music, J.J. has no time left over to contemplate the shocking revelation that his grandfather may have been a murderer. To make matters worse, this time problem seems to affect everyone in Kinvara.
When J.J.'s mother reveals that she wants more time for her birthday, J.J. decides to go and find some. A task, at first, that seems like an impossible undertaking for a fifteen-year-old. That is until a neighbor shows J.J. an unlikely place to look for everyone's lost time.

Even though he doesn't believe in fairies, J.J. finds himself in Tir na n'Og, the land of eternal youth, and the home of Irish fairies. So begins J.J.'s search of Tir na n'Og to figure out where the time has gone and, more importantly, how to get it back. Along the way J.J. meets a variety of memorable characters including Aengus Og (a personal favorite after finishing the novel).

The narration shifts throughout the book alternating between J.J. in his search for the county's lost time and the wanderings of the new policeman in Kinvara, Garda Larry O'Dwyer. Like J.J. (and most of Kinvara it seems), the new policeman has a love for music. The new policeman is also almost certain he used to have a good reason for becoming a policeman--if only he could remember what it was.

Thompson expertly entwines these two seemingly disconnected narratives throughout the novel. The common thread between them remains the music that literally runs through the novel. Chapter breaks are denoted by sheet music for traditional Irish songs whose titles relate to the story in addition to the strong affinity all of the characters have for music. By the end of the novel, Thompson ties together both stories creating a sensational end to a truly enjoyable book.

At the same time, The New Policeman is irresistibly Irish, as if you can hear an Irish accent in the narration (or hear a jig or two in the background). The book's "Irish-ness" is enhanced by Thompson's integration of Irish mythology and folklore; a glossary in the back explains the pronunciation and origin of especially Irish words like ceili (a dance) or craic (fun).

Thompson's novel has already received a variety of critical acclaim on the other side of the Atlantic. In addition it is the winner of the Whitbread Children's Book Award and the Guardian Children's Fiction Prize. Even better, though, is the fact that this book is a great choice for readers of any age. Thompson takes her time arriving at the crux of the plot, but the richness or her writing more than makes up for that. A good book is one that can transport the reader to the place within its pages: The New Policeman does that and more.

Originally published in Great Britain in 2005, this is the first year that The New Policeman was published in the United States. All this reviewer can say to that is it's better late than never.

Great new fantasy........2007-08-18

This is a surreal fantasy/sci-fi set in rural Ireland. A local Teen
discovers that time is leaking from his world into the world of Fairy or Tir na nOg. There is also a great mystery element regarding JJ (the teen's)grandfather and the sudden disappearance of the town's Preacher after a disagreement many years ago.
This might be a hard sell for some teens, but they won't regret reading it!

J. J.'s Music.......2007-06-02

Time seems to pass with increasing rapidity for the small Irish town of Kinvara, and for all of Ireland. J. J. Liddy must not only deal with the swift passage of time but also with the increasing hostility of his
former school friends toward his Liddy family name. There have been strange rumors for years about his musically talented family. These rumors never kept the townspeople from attending the ceilis on the Liddy's farm on the second Saturday of every month, however. As well as his mother who plays the concertina on these occasions, J.J. plays a mean fiddle There are rumors that his family might be related to the
immortal, magical race of Tuatha de Danaan, who got pushed out of (or rather into) Ireland long ago. It is also rumored that J.J.'s great-grandfather , was somehow involved in the murder of the local priest, although no one ever found the body of the priest -- or J.J.'s great-grandfather, for that matter. As there has always been a bit of to-ing and fro-ing between the land of the immortal young and the local inhabitants, a strong strand of suspicion not only falls on the Liddys, it falls on anyone who happens to be a stranger to Kinvara - including
the new policeman.

The complex strands of this highly original story seem woven together with music. Although a book is silent, this one seems to ring with the Celtic music that plays a a pivotal role in the plot. Our young hero must and does solve an old musical mystery.

Its enchanting traditions and customs, and the heart of the Irish people........2007-06-01

J.J. Liddy has lived his entire life in the Irish village of Kinvara. In fact, he lives in the same house that his mother and grandmother, and her ancestors, have lived in for generations. And each generation has something else in common as well --- music. Music has always been important to the Liddys. Every month they host a dance at their home, where musicians weave amazing traditional Irish tunes. J.J. is no exception; he plays the fiddle and the flute so well that his room is stacked with ribbons and awards for his talents.

Besides music, J.J. keeps busy with school, friends, farm chores and sports (such as hurling). It seems as if there's never enough time to get things done, and he's not the only one who thinks so. Everyone in the village struggles to fulfill their responsibilities, yet many still end up running late and oftentimes their tasks are left uncompleted. No one has time to stroll down the lane or daydream with the passing clouds. When asked what she wants for her birthday, J.J.'s mother announces she would like more time, so J.J. promises to find it for her.

Hearing about J.J.'s quest, a neighbor suggests he look in the hidden underground chambers that are scattered beneath the old fort ruins. J.J. stumbles through an entrance to Tir na n'Og, the world of the fairies. Their amazing world looks very similar to J.J.'s, yet everything is brighter, easier and more relaxed. That's because the fairies live in a world without time. No one grows older and the sun never sets. At least, it used to be that way. Recently, their sun has been slowly shifting west, the seconds quietly fading away. Somehow, somewhere, time was leaking from the human world into the fairy world, leading to disaster for both.

J.J., along with the help of his new fairy friend, sets out to find and fix the mysterious leak before both worlds end in catastrophe. But back in the human world, J.J.'s family has reported him missing. The entire village pitches in to help the police look for him, but weeks pass with no sign. A new fellow on the police force, arriving just before the commotion breaks out, is helping with the investigation. He doesn't seem to be a very competent officer, but he knows he's there for a specific reason. If only he could remember what it is. In Tir na n'Og, J.J. rushes to save time and, in the process, may even help solve an old mystery and clear his grandfather's name of murder.

THE NEW POLICEMAN is a wonderful story filled with fairies, folklore and fiddles. Author Kate Thompson plays the fiddle herself, and her obvious love of music weaves into her tale, creating its soul. Another refreshing aspect of this endearing book is its peek into Ireland's history, a whisper of its enchanting traditions and customs, and the heart of the Irish people.

--- Reviewed by Chris Shanley-Dillman

Fantasy Readers May Like This.......2007-04-11

In the novel The New Policeman, time doesn't seem to be on anyone's side. All the Irish villagers of Kinvara feel like they never have enough of it. For teenager JJ Liddy, time seems to be passing too quickly, with no time to practice his Irish music, no time to understand his family's mysterious history, no time to hang out with his friends to go clubbing. In fact, JJ's mom's only request for her birthday is to have more time. In search of it, JJ finds himself in the magical and musical world of Tír na n'Óg, the land of eternal youth, that he thought only existed in fictional storybooks. Here, there has never been any time...until recently. Somehow, a leak has been created between these parallel worlds...a leak which brings time to Tír na n'Óg, and will eventually bring death, to the fairy world. In turn this leak is taking away the hours of the "noddy" (human) world. If JJ can help the fairies find the leak, then he can bring time back to his mother, and even solve a few family mysteries as well. However, unbeknownst to JJ, as time is passing at a snail's pace in Tír na n'Óg, it is flying by in JJ's village, and his disappearance is causing great concern back home.

Author Kate Thompson has carefully crafted a story that fuses together Irish history, folklore, music, and mystery. The short chapters that end with traditional Irish musical score section create an interesting break in the tale. Although there is a glossary included that contains of many of the Irish terms used in the novel, it would benefit students to have background knowledge of such words along with some Irish musical information to create initial curiosity in a story that could seem overwhelming without such knowledge. It would even be fun to begin the book Reader's Theatre style in order to generate interest. Cross curricular connections with the music teacher would enhance the text even more. Students usually not interested in fantasy may at first be bothered with the introduction of the fairy world, but wondering how JJ will find the leak and whether he will make it back to his home before too much time passes will move readers willingly through this book.

Mel Bay Flute Magic: An Introduction to the Native American Flute

Average customer rating:

Good, but...
Just fine
Just an Excellent Source of Information on the NAF
An excellent, "must have" resource.
To Start With

Mel Bay Flute Magic: An Introduction to the Native American Flute
Tim R. Crawford
Manufacturer: Mel Bay Pubns
ProductGroup: Book
Binding: Paperback

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ASIN: 0786658169

Book Description

This book contains 20 chapters addressing everything from the origin and design of the Native American flute to a method for learning to play the instrument and read its music. Together with the fingering exercises presented in eight lessons, a number of tunes are included for both the five and six-hole Native American flute. Old standards, indigenous music, and original compositions are presented, meeting the needs of beginning to advanced players. This useful and practical guide to the Native American flute is suitable for either individual or classroom instruction.

Customer Reviews:

Good, but..........2006-09-02

I rated this book with 3 stars because (1) it's not the most recent edition, (2) it's not spiral bound, and (3) if you want to hear the songs as played by the author, you have to buy not one, but two, CDs that come separately and are not even offered as options when you buy the book. Not much more is added in the newer edition, but it does come spiral bound, which is quite helpful when you're trying to keep the pages open to a particular song or exercise. Otherwise, there are lots of songs for 4-, 5-, and 6-hole Native American flutes, and the instruction is good. Recommended, with the above caveats.

Just fine.......2006-02-24

Was recommended for my son by one of his Native AMerican flute teachers. Very helpful to him. Arrived in perfect condition.

Just an Excellent Source of Information on the NAF.......2005-10-10

I just recently picked up the book, Flute Magic "An Introduction to the Native American Flute" by Tim Crawford with Dr. Kathleen Joyce-Grendahl as the Editor. I must say I have played flute for many years and stayed away from books. I am a completely self-taught fluteman, except where I have learned from other flute makers or players. But I find this book, even better than the book put out by Nakai. The two of these books together make excellent resource material for the NAF flute If you want a book that gives you the whole set of basics for not only history of the flute, but some of the intricacies necessary for making flutes, excellent teaching methods if you are wanting to learn how to read tablature, etc. It does an excellent job of laying out these basics with drills and songs for both the five hole flute and the six hole flute, as well as addressing the four hole flute rather well. Like I said, I have played for many years. recorded, and performed, but this flute book, definitely will help get me even further advanced than I am right now. I only wish I would have picked it up sooner. this book, along with Nakai's book are musts for the serious flute player today.

An excellent, "must have" resource........2005-07-03

This is the most complete book available on the Native American Flute. History, design, care, lessons, music, etc... The history presented reflects the authors significant original research on the Native American Flute. I found the lessons in Nakai Tablature were more easily understood than Nakai's own book. Nakai Tablature is the most widely used tablature for the native flute (another reviewer mistakenly refered to it as classical notation, which it is not). Finger chart tab is also available along with many other resources. A must have book for anyone interested in the Native American Flute.

To Start With.......2005-07-01

I found this book to be a great place to start with information about the Native American Flute regardings history, notation and sources to purchase and find more information.

This book is not extensive in any aspect but covers many things and introduced to me avenues for future research.

This book is not designed to be a book of music but an introduction to the music of the Native American Flute. I appreciated the fact that he covered some of the basics of music. I have used his material in teaching others how to play and reccomend this book for a great place to start your flute journey or a gift for someone who you know is looking for a place to start.

The Music Behind the Magic Boxed Set with Book

Average customer rating:

A Must Buy For Any Serious Composer...
Don't miss out!
Wonderful

The Music Behind the Magic Boxed Set with Book
Menken Ashman and Rice
Manufacturer: Walt Disney Records & Audio
ProductGroup: Book
Binding: Audio CD

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ASIN: 1557236194

Customer Reviews:

A Must Buy For Any Serious Composer..........1998-10-15

The Music Behind The Magic is simply just that...magic! It doesn't matter whether you enjoy 'Disney' music or not; this collection is a must buy for any serious musical composer. By experiencing these tapes, you actually go behind the scenes to the creation of some of the most famous and magical songs ever written. Want to hear 'A Friend Like Me' in its demo version? How about 8 time Academy Award(R) winner Alan Menken playing around the piano trying to think of 'Arabian Nights'? This set not only includes the entire scores and songs to The Little Mermaid, B&B, and Aladdin (although some minor score cues are left out), but it also includes priceless work and demo versions of these beautiful and moving songs. Imagine hearing Alan on the piano humming the theme to a Whole New World before the song even had lyrics! Or what about Howard Ashman singing Poor Unfortunate Souls with lyrics that were cut from the movie. The book is a great addition, providing photos, great behind the scenes info, and the entire lyrics to all the songs in this collection. You'll not only enjoy the superior brillance of Mr. Menken, and the late Mr. Ashman, but you'll also learn some stuff about composing and writing worthy musical material. It took me months to get a hold of this set. Thank God for amazon.com...take advantage of it and purchase a piece of pure sophistication!

Don't miss out!.......1998-01-29

Work tapes, demos...don't be deceived, Alan Menken and Howard Ashman produce nothing but pure magic. Marvel at the quality of their 'rough' stuff, and the music that never made it. I had been trying to obtain a copy of this set (CD apparently discontinued) for ages; I was not disappointed. Obviously if you are reading this then you like/love Disney music, and this will only increase your appreciation of the beautiful, timeless lyrics and melodies . The accompanying book is excellent, through it you are given an idea of how work on the music for these three films proceeded. The inclusion of the original score to Aladdin is a real gem, and if you didn't already consider these three men geniuses....

Wonderful.......1997-05-04

If you adore the music of "The Little Mermaid", "Beauty and the Beast", and "Aladdin", you will love this set. Besides final versions of most songs, it also contains work tapes and demos perfromed by the song writing team of Howard Ashman and Alan Menken. The music and the book that comes with it are gems. As a special treat, the origional score for "Aladdin" by Ashman and Menken is included. They paint a whole different feel for the film

Drumming at the Edge of Magic: A Journey into the Spirit of Percussion

Average customer rating:

drumming at the edge of magic
Incredible book
Not just for drummers.
this book changed my whole approach to drumming
A Comprehensive Introduction to the Rhythm other-world

Drumming at the Edge of Magic: A Journey into the Spirit of Percussion
Mickey Hart , Jay Stevens , and Fredric Lieberman
Manufacturer: Acid Test Productions
ProductGroup: Book
Binding: Paperback

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ASIN: 1888358181

Customer Reviews:

drumming at the edge of magic.......2005-09-09

it was recieved in a very timely manner - no complaints at all and in fact I would gladly do business with this vendor again!

Incredible book.......2002-05-20

I am not a Deadhead, nor am I a drummer, but I have really admired this book, and Mickey Hart big time. He really went off the deep end of his knowledge of percussion, both conventional, and exotic. I had not had this book with me since 1995, so my mind is a bit foggy, but if I remember right, the book is also a trip down Memory Lane, speaking of the hippie days of the Haight-Ashbury, The Grateful Dead and the whole scene in general. One of my favorites was of a drum he got in Tibet made from human skulls. He was wondering why he felt like he was being cursed, and he was told that he was using the drums wrong and it was used to wake the dead. He decided to return the drums and get a similar one not made of skulls. Drumming at the Edge of Magic was also a tie-in to what was then Mickey Hart's latest CD called At the Edge. This book really makes me wished I was there with the hippies and the Deadheads, even if I, myself don't listen to the Dead. It's too bad the Dead isn't around anymore thanks to Jerry Garcia's untimely death. Whether you're a Deadhead or not, whether you're a percussionist or not, this is truly an enthusiastic and well-written book on the subject of percussion.

Not just for drummers........2001-01-11

At a glance, Drumming at the Edge of Magic may seem like an autobiogrphical journey by the Grateful Dead's Mickey Hart. While the book is autobiographical, it goes far beyond that to discover the real meaning of drumming and music in general.

The meaning of drumming (or life?) comes in many forms, and many disguises. As Hart begins to unluck the secrets to why humans desire to express themselves in music, one can't help but say, "YES!". Hart, and to a certain extent, Jay Stevens, put into words what drummers and other musicians have felt all along but have never known how to express. The journey ends up being a look inward; not just for Hart but for the reader as well.

After reading this, I had my wife and father read it. I explained, "This is how I feel about drumming."

The companion CD and sequel book, "Planet Drum," are nice additions but the book stands by its self as an outstanding source for understanding music at its most basic form.

This book will move you.

this book changed my whole approach to drumming.......2000-07-08

I'd lost interest in playing for about 5 years before I read this book, but Mickey Hart's book brought me back to the reasons I started hitting the bottom of tin cans woth a wooden spoon! This book follows, to a degree, the history of drums, and studies the emotional, spiritual and physical effects of drums, old ancient, and new on people. I highly recommend this book to anyone who likes to play for any or no reason, and to andone who can't explain why the music makes them dance.

A Comprehensive Introduction to the Rhythm other-world.......2000-06-25

Drumming At The Edge of Magic is a truly inspirational book for all people interested in drumming and rhythms. It details Harts cathartic exploration and eases the modern drummer into other-worldly potentials.

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