Average customer rating:
- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
- History as Science Fiction
|
History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
ProductGroup: Book
Binding: Paperback
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ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Book Description
In this riveting narrative of family, betrayal, vengeance, and murder, Lillian Baptiste is willed back to her island home of Dominica to finally settle her past. Haunted by scandal and secrets, Lillian left Dominica when she was fourteen after discovering she was the daughter of Iris, the half-crazy woman whose life was told of in chanté mas songs sung during Carnival: Matilda Swinging and Bottle of Coke; songs about a village on a mountaintop and bones and bodies; songs about flying masquerades and a man who dropped dead. Lillian knew the songs well. And now she knows these songs -- and thus the history -- belong to her. After twenty years away, Lillian returns to face the demons of her past, and with the help of Teddy, the man she refused to love, she will find a way to heal.
Set partly in contemporary Washington, D.C., and partly in post-World War II Dominica, Unburnable weaves together West Indian history, African culture, and American sensibilities. Richly textured and lushly rendered, Unburnable showcases a welcome and assured new voice.
Customer Reviews:
Takes a while to get started.......2007-09-07
I took a little while for me to get into this book. I, quite frankly, didn't care about Lillian the main character until I was almost a third of the way through. The most dimensional and complex characters were of course Matilda and Iris. Once the novel's focus shift primarily to them, it becomes a page turner. If you feel like investing the time to get to the heart of this tale, give it a read.
Chimamanda Adichie's comments on Unburnable.......2007-07-23
Chimamanda Adichie (Half of a Yellow Sun, Purple Hibiscus: A Novel) had these wonderful things to say about UNBURNABLE in the book review section of London's Guardian newspaper on Saturday June 23, 2007:
"I read Marie-Elena John's novel Unburnable on the plane from New York to Copenhagen. I laughed aloud so often reading this wondrously intelligent book about Dominica and the United States and Africa, about gender, class and race, about love and sexuality, that the bespectacled man sitting next to me put his Wall Street Journal down and leaned over to see what the title was. He asked what it was about. I could have told him how it dealt honestly with issues without ever forgetting to keep character and soul as its centre, but instead I told him a tiny anecdote from the book about black women and thongs. And I much enjoyed his blush."
A Must Read.......2007-03-27
This is a great book to kick back in silence and just immerse yourself into suspense, deep thinking, and a few tears. I was just a little disappointed with the ending, but all in all this was a great read.
Not a Fluff Read!.......2007-01-14
I have been blessed enough in the last week to read not one but TWO great books this one being the greater. I will admit I wasn't wrapped up in the book by page two but by page ten I was all caught up in this story. Marie-Elena John is an EXCELLENT story teller. Her words are beautiful and her descriptions come off the page so effortlessly. I could've easily believed this was her third novel instead of her first. I laughed, I cried and I called all my friends and advised them to please read this book. I did not know anything about Dominica before picking up this novel and now I cannot learn enough. This book intrigued me to no end and I cannot wait to read future publishings from Marie-Elena John. This story is not in the least predictable and her knowledge on the subject matter is outstanding! If you are looking for a mind challenging novel that will shock and educate you at the same time then look no further.
Long Story Short.......2006-11-08
Interesting story, you have to continue to read this book and not stop or you might get side tracked if you put it down for too long.
Book Description
An exciting and often terrifying adventure story, as well as an important precursor to such famous nineteenth-century slave narratives as Frederick Douglass's autobiographies, Olaudah Equiano's Narrative recounts his kidnapping in Africa at the age of ten, his service as the slave of an officer in the British Navy, his ten years of labor on slave ships until he was able to purchase his freedom in 1766, and his life afterward as a leading and respected figure in the antislavery movement in England. A spirited autobiography, a tale of spiritual quest and fulfillment, and a sophisticated treatise on religion, politics, and economics, The Interesting Narrative is a work of enduring literary and historical value.
Customer Reviews:
Beauty from Ashes.......2005-09-13
Of all the firsthand accounts known to us as "slave narratives," Vassa's description is unique in many ways. To begin with, he takes his readers all the way back to his African roots, shedding historically-confirmed light on almost lost ancient traditions. His discussion of the harrowing and epically sad capture and separation of he and his sister are among the most moving in this genre.
He then describes the despicable, inhumane conditions in the holds of the slave ships with a "you-are-there" writing style. Again, confirmed by other sources, these are some of the most often quoted accounts in historical texts. In this same chronological phase, Vassa also depicts the shared empathy among the enslave Africans, helping us to see how they collaborated to survive.
His ongoing narrative offers one of the more balanced looks at slavery. Vassa clearly tells the horrors of this evil system and the people responsible for it. At the same time, he often shares accounts of Europeans and White Americans who befriended him. In fact, his positive statements about non-Africans lend further credence to his critique of the many evils of slavery.
His narrative also contains unique elements in his descriptions of his path toward freedom and his life as a freeman. We learn that in his era, for a man of his race, it was barely more tolerable to be free, given the hatred that he still endured.
Though some reviewers tend to minimize or criticize it, his conversion narrative is classic. In fact, it may well have been the standard from which later testimonies were crafted about how "God struck me dead." Perhaps the evangelical nature of his conversion turns off some. However, if we are to engage Vassa in his other accounts, we must engage him here. Further, coming as it did later in his life, it is easy to see how his account of his entire life is entirely shaped by his conversion experience. Clearly, Vassa sees even the evils that he has suffered as part of a larger plan. In doing so he never suggests that God condones the evils of slavery. Rather, he indicates that God created beauty from ashes.
Reviewer: Bob Kellemen, Ph.D., is the author of "Beyond the Suffering: Embracing the Legacy of African American Soul Care and Spiritual Direction," and of "Soul Physicians" and "Spiritual Friends."
Amazing Primary Source History.......2005-06-28
Hemingway said of Tillie Olsen's "Tell Me a Riddle" that, however many readers it may have, it will never have enough. He expressed my feelings about this book. Yes, the "Autobiography of Frederick Douglass" is critical to achieve an understanding of the obscenities of black slavery in the New World, but Equiano's remarkable account dramatizes it in ways even more diverse. He summarizes in his single life the whole span of slavery, from his kidnapping as a child from Africa to the fiendish brutality of Caribbean sugar plantations. But he is also a celebration of the indomitability of the human spirit at its most resilient: from his insistence, against all odds, on his own worth as a person, his acquisition of seafaring and business skills, his achievement not only of literacy but of an Englishman's 18th century eloquence.
I didn't think I could learn more about the particular brutalities of slavery, but I did. An example: in the Caribbean some slavemasters "rented out" their slaves by the day to other masters for excruciating toil. Their temporary masters sometimes "forgot" to feed them lunch, and moreover sometimes sent them back to their masters without payment. For retribution, their masters then beat the slaves! This was a new twist for me, and reminded me that the psychological torture--imagining the starved and exhausted slaves returning to their masters, knowing what was awaiting--often outstripped physical torture for cruelty.
But this is no litany of abuses, and Equiano is careful to spare us gratuitous outrages. He lived the equivalent of five or six lives within his timespan, and the book likewise breaks up into episodes: the African years--during which he chronicles a clime of abundant food and privileged childhood; his adventures at sea, serving several captains on mercantile ships that faced enemy fire and perils of every kind; his strivings to buy his freedom in the Caribbean and North America; his conversion to Christianity; and his settling as a freeman in England with marriage to a British wife.
As with most primary source documents, there are lulls in the narrative. The writing about the author as a Christian aware of his "sins" (he who has so overwhelmingly sinned against) is as familiar as it is ironic. Episodes in the seafaring accounts will be of more interest to afficionados of Melville or Conrad. But what is finally amazing is Equiano's moderation and modesty in describing a most remarkable life. One wonders how many hundreds of thousands of uprooted Africans succumbed to the brutalization and denial of their self-worth for every one who managed to salvage some shred of dignity, but one is nevertheless grateful to Equiano for putting his own example in writing.
It is writing for the ages. I wonder whether it should be required reading, for high school students, for example. Perhaps it's a bit too difficult or tedious for everyone in that age group. But at the very least it should be mentioned in the same breath as Douglass's books. I was 62 before I'd even heard Equiano's name. This remarkable account should be better known.
A fascinating story.......2004-08-06
Many people -- including myself -- read science fiction and fantasy novels to see new vistas of the imagination, alien cultures and circumstances in which we could never imagine ourselves. Sometimes we look to distant futures or galaxies without remembering just how alien the planet we live on can be!
Equiano's account -- generally a clear, crisply written and unsentimental account with detailed descriptions of the places he visits, with the occassional sermon or rare florid description (Dr. Charles Irving's device "renders fresh Neptune's briny element") -- shows a whirlwind series of adventures, from his time as an Igbo village prince, to his enslavement and trek to the African coast under a series of masters, to his horrendous voyage across the middle passage, his amazement at the terrifying new world he was brought into, his conversion to Christianity, his service in the Seven Years War, his attempts to buy his freedom, and his varying adventures as a sailor. The account goes on to include his disastrous expedition to the North Pole and subsequent spiritual crisis upon such a close touch with his mortality, his management as a commissar for an attempt to settle freed blacks in Sierra Leonne, and, finally, his marraige (something touched on very cursorily, perhaps because he didn't wish to add too much to new editions of the book, which was initially completed before his marraige, or possibly because he was very busy raising his daughters, lecturing, and testifying for the abolitionist cause).
Some parts of the account seem, perhaps, slightly too convenient. One might be tempted to wonder if Equiano's memories, as a ten year old, of the customs of his people are shaped by his desire to retrospectively turn them into Jews, or if his account of, upon hearing that a book contain words, holding it to his ear is borrowed from countless other accounts of the "primitive" who misunderstands the nature of the written word, or if his account of himself as a determined fighter for the integrity of the Sierra Leone colonization project, undermined by the other corrupt managers of the project, who stole from the Exchequer and undersupplied the intended black colonists isn't a biased portrayal in his favor. Overall, though, the records that have been recovered by historians have been favorable to Equiano's story, and inaccuracies are remarkably rare for a book so extensive and often written from memories thirty-years old.
Good Book.......2002-02-09
This book presents an interesting and unique view into the world of slavery. Buy it...now!
This book is a gift from a great man who lived 200 years ago.......2001-03-22
An amazing story of a young man kidnapped from his African village as a boy, transported to the Caribbean from island to island and his dealings with the people who were in power. How he gained his freedom, then lost it, then gained it again. His struggle to reconcile what the Bible taught about kindness with what he saw the "Christians" actually doing to slaves. This book is essential reading for anyone living in the Caribbean who wants to understand the mental slavery that still exists there to this day. Its THE guide to "self-help" that beats all others. Its the story of a wonderfully determined man.
Book Description
Olaudiah Equiano's 1789 narrative tells the remarkable story of his childhood in Africa, his kidnapping and subsequent years as a slave and seaman, and his eventual road to freedom in the Caribbean and in England. The text reprinted here is that of the 1789 first edition. It is accompanied by explanatory annotations, textual notes, and a map of Equiano's travels. "Contexts" provides essential related public writings on the work by James Tobin, Gustavus Vassa (Olaudiah Equiano), and Samuel Jackson Pratt; general and historical background by Jean-Jacques Rousseau, Eav Beatrice Dykes, Wylie Sypher, Charles H. Nichols, Nathan I. Huggins, and David Dabydeen; related travel and scientific literature by Anthony Benezet, John Matthews, and John Mitchell; eighteenth-century works by African authors James Albert Ukawsaw Gronniosaw, John Marrant, and Quobna Ottabah Cugoano; and English debates about the slave trade by Thomas Clarkson, John Wesley, and William Wilberforce, as well as antislavery verse by Thomas Day and John Bicknell. "Criticism" includes six contemporary reviews of The Interesting Narrative in the Life of Olaudiah Equiano. Nine modern essays are contributed by Paul Edwards, Charles T. Davis, Houston A. Baker, Jr., Angelo Costanzo, Catherine Obianju Acholonu, Henry Louis Gates, Jr., Geraldine Murphy, Adam Potkay, and Robert J. Allison. A Chronology and Selected Bibliography are included.
About the Series: No other series of classic texts equals the caliber of the
Norton Critical Editions. Each volume combines the most authoritative text available with the comprehenive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.
Customer Reviews:
Teachers beware--poorly proofread edition!.......2005-04-13
This review is neither of Equiano's text itself, nor of the editorial material (both are excellent for teaching). When I ordered this text for my class, I was dismayed to discover numerous proofreading errors which generated some confusion among students. These tend not to be mispellings, but much worse: substitutions of one word for another, or omissions of important words, as though the whole text had only been run through a spell-checker. Some of these are embarrassing (Equiano's report of "the mortifying circumference of not daring to eat with the free-born children" [33-34]) and others more serious (the omitted word in the crucial sentence "I own offer here the history of neither a saint, a hero, nor a tyrant" in the first paragraph). There is probably one major error for every page of this text. I don't think this has to do with fidelity to the London first edition of 1789, although I haven't checked. The errors seem to have been introduced at Norton. So, sadly, despite Werner Sollors's excellent introduction and the useful maps prefacing the text, I can't recommend this book until Norton gets its act together. Use the texts in either Henry Louis Gates's "Pioneers of the Black Atlantic" or Vincent Carretta's "Unchained Voices" instead--the notes to the latter make it the teaching edition of choice.
Interesting indeed, an amazing account of an unusual life.......2002-07-16
"The Interesting Narrative of the Life of Olaudiah Equiano, or Gustavus Vassa, The African, written by Himself" is the story of an African man, Olaudiah Equiano (slave name: Gustavus Vassa) who was (evidently) born in 1745 in what is now Nigeria. He was captured by African slave traders, taken to the Atlantic coast, and sold into the slave trade. He was taken to the Caribbean, then Virginia, and eventually Europe. He served a ship's captain and sailed the Mediterranean and on a voyage to explore the North Pole (Greenland). He obtained his freedom and became an author and early anti-slavery activist. The publication of this book made him the best-selling black African author ever (up to that time). This book became a prototype of the "up-from-slavery" autobiography (typified by Frederick Douglass) and is a classic among Atlantic slave narratives.
The book is autobiographical and arranged chronologically, the author detailing events of his African childhood and his years as a slave and eventual self-emancipation. One notable thing about the book is the extent to which it is a travelogue: Equiano clearly enjoys telling travel tales more than decrying the horrors of slavery. His depictions of being a "stranger in a strange land" (e.g., the first time he encounters a clock, a painted portrait, books) are memorable.
The Norton edition is filled with related texts pertaining to Equiano and his times: articles and excerts by other writers about Africa, slavery, abolition, Equiano's birthplace, his literary influences; a useful map; a diagram of a sailing ship, etc. A good choice among several editions of Equiano's book.
Book Description
The Interesting Narrative of the Life of Olaudah Equiano or Gustavus Vassa, the African. Written by Himself was the first work that began the nineteenth-century genre of slave narrative autobiographies. Written and published by Equiano, a former slave, it became a prototype for those that followed.
Kidnapped in Africa as a child, Equiano was transported to the Caribbean and then to Virginia, bought by a Quaker shipowner, and placed in service at sea. Aboard various American and British ships, he sailed throughout the world, and he continued to do so after having purchased his freedom in 1766. Once settled in London, he fought tirelessly to end slavery, and his Interesting Narrative was placed on members' desks in the Houses of Parliament.
This edition of The Interesting Narrative places the text in the center of abolitionist activity in the late eighteenth century. Equiano knew many of the leading abolitionist figures of his time, and this edition allows readers to trace the common ideas and cross-influences in the works of the political and literary figures who fought for the end of slavery in America and England. The original 1789 text of the narrative has been used for the Broadview edition with Equiano's subsequent emendations included in the appendices.
Customer Reviews:
Olaudah, an African Heart........2005-11-10
Olaudah Equiano's narrative is his experience away from his dear home. The slave trade from the very beginning was one of the worst components of European history. This narrative is a moving but important historical document that recounts the hardship the slaves had to endure and survive in their nightmare to the New World.
"In this way I grew up till I had turned the age of eleven, when an end was put to my happiness..."(p.47). This way began the Olaudah's odyssey after been kidnapped and taken through many African countries reaching finally the African west coast and the slave ship that brought him/them to the West Indies and North America.
Africa, as the land of Equiano, was divided among different tribes with different organizations and related customs, in some cases speaking similar languages, in other cases as we see in the towns close to the coast, almost strangers. These tribes used to have their own defense system against the hunt and persecution of slave traffickers, which during the XVIII century it was a dark business, a daily affair, and a way of revenue.
That was the circumstance of this little boy and many others like him experiencing 'fatigue and grief'(p.47), 'violence and despair' (p.49), and wishing for death rather than anything else'(p.59). After they reached the slave ship waiting for its human cargo a chained multitude of black people of every description expressing dejection and sorrow (p.54) awaited to board in an overpopulated deck filled with horrors of every kind.
Many, as Equiano, were young and ignorant of what was happening, where they were going, and the reason for such adventure. They were told by other prisoners confessing to be 'carried to white people's country to work for them'(p.55), but of course the pain and suffering yet to come was a disguised mystery and heart destructive lifelong encounter. The living conditions of the journey were brutal and cruel: the smell, the vomiting, the cries, the anguish, and the suffocation under decks overcrowded where many of them were unable to reach the other side of the Atlantic, dying under those inhuman conditions. Sometimes some of them, embracing hopelessness, ran toward the open board and preferring death to such a life of misery, jumped into the sea (p.57), to die in the deep waters of the dark blue sea.
The Mediterranean labor shortage after the 8th century primarily brought about the African external slave trade. But the West Indies European demand for slaves changed all the institution of slavery transforming it in a deadly and huge intensive labor business. Two-thirds of all these immigrant slaves went directly to the Caribbean (Caribbean-West Indies-Brazil), and fewer than 1/20 went to Colonial North America which started 100 years later; and in 1671 we had already in Barbados (where Equiano first experienced the new world)30,000 slaves and 3,000 in Virginia.
A great deal of trembling and bitter cries from these terrified Africans of all languages did not stop whites from transporting them, as in Equiano's case, first to the island of Barbados unloading them at Bridgetown. They were transported to the merchant's yard, like sheep in a fold (p.58) without regard to sex or age. On a sign given to the buyers they run at once toward them and 'picked up' what parcel they like best. Many of them, family and friends, from that very moment were separated forever. Never to see each other again.
From the merchant's yard they were shipped to different North American Colonies as was needed and pleased the slave traders; one after another chapter of disgrace would be recounted over the 'white' shoulders for generations to come. Some slaves, as this poor boy, were taken as servants to England.
The conditions they confronted later on in sugar or rice plantations by their brutal slave codes and violent methods of control were deadly; much of the cases included diseases and no possibility to become free one day. They were treated as cheap merchandise, deprived of any human right given by our Creator.
The story of Olaudah Equiano over moistens my eyes. His narrative and lack of vengeance or hate; his imploration to the heart and the reason of supposed Christians made me feel the need to meet him and embrace him, and tell him: "Hope is not gone at all my friend.
Olaudah young boy, you were right when you cited those true gospel words:
"O, ye nominal Christians! Might not an African ask you--Learned you this from your God, who says unto you, Do unto all men as you would men should do unto you?"
Alejandro Roque.
Response to Robert Allison.......2000-07-13
The 1772 publication date of Gronniosaw's _Narrative_ seems to have been recently established by Vincent Carretta in _Unchained Voices: An Anthology of Black Authors in the English-Speaking World of the 18th Century_ (Kentucky, 1996), with the evidence offered on pp. 53-54. The post-1791 editions in which Equiano understandably deletes the wording "My hand is ever free--if any female Debonair wishes to obtain it" after his April 7, 1792 marriage to Susanna Cullen are the 5th (Edinburgh, 1792), the 6th & 7th (both London, 1793), the 8th (Norwich, 1794), and the 9th and last (London, 1794). My source for this information is Vincent Carretta's authoritative Penguin edition of Equiano's _Interesting Narrative_ (1995), pp. 297-297, note 633. A reader from Virginia
Response to Robert Allison.......2000-07-13
The 1772 publication date of Gronniosaw's _Narrative_ seems to have been recently established by Vincent Carretta in _Unchained Voices: An Anthology of Black Authors in the English-Speaking World of the 18th Century_ (Kentucky, 1996), with the evidence offered on pp. 53-54. The post-1791 editions in which Equiano understandably deletes the wording "My hand is ever free--if any female Debonair wishes to obtain it" after his April 7, 1792 marriage to Susanna Cullen are the 5th (Edinburgh, 1792), the 6th & 7th (both London, 1793), the 8th (Norwich, 1794), and the 9th and last (London, 1794). My source for this information is Vincent Carretta's authoritative Penguin edition of Equiano's _Interesting Narrative_ (1995), pp. 297-297, note 633. A reader from Virginia
caveat emptor.......1999-03-13
Prospective buyers of Mr. Allison's edition of Equiano's autobiography should be advised that although Mr. Allison says that his "edition follows the first American printing . . . (New York, 1791)" and that "the only significant changes . . . are the insertion of paragraph breaks and notes to the text," Mr. Allison does not warn the reader that he's silently combined parts of various editions of the autobiography to form a book Equiano himself never published. For example, if you compare the next-to-the-last paragraph (p. 195), in which Equiano mentions his marriage, to the passage on page 187, where he says his hand is free, you might get the impression that he's saying he's available for adultery or bigamy. But the fault lies not in Equiano, who changed the earlier passage after he added the paragraph about his marriage in 1792. What Mr. Allison gives us is his text, not Equiano's. And he might have mentioned that the New York edition was published without Equiano's knowledge or permission. Readers should also not assume that all "facts" given are true. For example, on page 21, Gronniosaw's book was published in 1772 (not 1770), Marrant's in 1785 (not 1790), and Equiano died on 31 March 1797 (not in April).
Book Description
Edited and with Notes by Shelly Eversley
Introduction by Robert Reid-Pharr
In this truly astonishing eighteenth-century memoir, Olaudah Equiano recounts his remarkable life story, which begins when he is kidnapped in Africa as a boy and sold into slavery and culminates when he has achieved renown as a British antislavery advocate. The narrative “is a strikingly beautiful monument to the startling combination of skill, cunning, and plain good luck that allowed him to win his freedom, write his story, and gain international prominence,” writes Robert Reid-Pharr in his Introduction. “He alerts us to the very concerns that trouble modern intellectuals, black, white, and otherwise, on both sides of the Atlantic.”
The text of this Modern Library Paperback Classic is set from the definitive ninth edition of 1794, reflecting the author’s final changes to his masterwork.
Customer Reviews:
ok book.......2007-10-07
Not much to say. Sometimes fascinating, often times tedious and annoying... don't just read it for readings sake. Vassa... or is it Equiano will surprise you in the end.
And he might not even be the true author!
Beauty from Ashes.......2005-09-13
Of all the firsthand accounts known to us as "slave narratives," Vassa's description is unique in many ways. To begin with, he takes his readers all the way back to his African roots, shedding historically-confirmed light on almost lost ancient traditions. His discussion of the harrowing and epically sad capture and separation of he and his sister are among the most moving in this genre.
He then describes the despicable, inhumane conditions in the holds of the slave ships with a "you-are-there" writing style. Again, confirmed by other sources, these are some of the most often quoted accounts in historical texts. In this same chronological phase, Vassa also depicts the shared empathy among the enslave Africans, helping us to see how they collaborated to survive.
His ongoing narrative offers one of the more balanced looks at slavery. Vassa clearly tells the horrors of this evil system and the people responsible for it. At the same time, he often shares accounts of Europeans and White Americans who befriended him. In fact, his positive statements about non-Africans lend further credence to his critique of the many evils of slavery.
His narrative also contains unique elements in his descriptions of his path toward freedom and his life as a freeman. We learn that in his era, for a man of his race, it was barely more tolerable to be free, given the hatred that he still endured.
Though some reviewers tend to minimize or criticize it, his conversion narrative is classic. In fact, it may well have been the standard from which later testimonies were crafted about how "God struck me dead." Perhaps the evangelical nature of his conversion turns off some. However, if we are to engage Vassa in his other accounts, we must engage him here. Further, coming as it did later in his life, it is easy to see how his account of his entire life is entirely shaped by his conversion experience. Clearly, Vassa sees even the evils that he has suffered as part of a larger plan. In doing so he never suggests that God condones the evils of slavery. Rather, he indicates that God created beauty from ashes.
Reviewer: Bob Kellemen, Ph.D., is the author of "Beyond the Suffering: Embracing the Legacy of African American Soul Care and Spiritual Direction," and of "Soul Physicians" and "Spiritual Friends."
Average customer rating:
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Great Slave Narratives
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Maiden Voyages and Infant Colonies: Two Women's Travel Narratives of the 1790s (Literature of Travel, Exploration and Empire)
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