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Sweet Man, the Real Duke Ellington
Don R. George
Manufacturer: Putnam Pub Group (T)
ProductGroup: Book
Binding: Hardcover
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Jazz
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ASIN: 0399126600 |
Book Description
"A valuable, jubilant look at a great man and artist."-New York Times Book Review Gary Giddins has been called "the best jazz writer in America today" (Esquire). Louis Armstrong has been called the most influential jazz musician of the century. Together this auspicious pairing has resulted in Satchmo, one of the most vivid and fascinating portraits ever drawn of perhaps the greatest figure in the history of American music. Available now at a new price and size, this text-only edition is the authoritative introduction to Armstrong's life and art for the curious newcomer, and offers fresh insight even for the serious student of Pops.
Customer Reviews:
Satchmo Trumpets onto the Scene.......2005-02-19
Who knew that someone from such humble beginnings could become one of the greatest trumpeters and entertainers of all time? Well, meet Louis Armstrong. He came from the wrong side of the tracks, in a "red light district." Only in Satchmo: The Genius of Louis Armstrong by Gary Giddens can this be discovered. This book was published by De Capo Press on January 16, 2001. The story is inspirational, showing that anyone can become famous, from the most humble beginnings.
Louis Armstrong's story is an example of the life one can create in America. Being born into such poor conditions, it was amazing he could rise from pennies to diamonds. However, he had another disadvantage, being black. This story demonstrates anyone can be successful, no matter what race or ethnicity.
The story opens with a description of the doonies of New Orleans. The time was 1908, the year of Louis Armstrong's birth. The neighborhood was horrible, nothing but criminals and prostitutes. His own sister became a prostitute. However, even though most in his family were failures, he would show the world that he would not become one.
The following is a list of the main characters:
Louis Armstrong: Jazz trumpeter, and soon to become one of the most unforgettable voices in the world.
Mayann: Louis' older sister, who helped raise him, became a prostitute, but then repented as her brother became more famous.
There are many other characters, including his first wife, Daisy. He later married three more times. His home life was not so hot. He had many fights with his wives, and ended-up leaving each one for another.
Louis' life grew more successful as he moved on. Even when Rock and Roll the big hit on the pop charts, he was able to make a huge comeback. He had many hits, such as "What a Wonderful World." Earlier in his career, he would seldom be allowed to sing. He would play second fiddle to many different bands. Whenever Louis had the chance to play and sing in front of an audience, they adored him. However, his bandleaders always held him back.
The best part of the book was when he finally got his chance. He quit the band he was a member of and started his own group. He recorded his first song, "Lazy River." The people running the studio thought this man will not go anywhere. However the song hit number one. An overnight sensation was born.
Satchmo: The Genius of Louis Armstrong will stay popular because it is a loving portrait of a man who would change the face of music forever. It is a wonderful example of the American Dream, with a happy ending.
Embrace the Genius.......2003-08-25
Shouldn't the term "genius" be reserved for names like Mozart, Bach, and Beethoven? Does the term even come close to fitting Louis Armstrong? Absolutely. If you have any doubt as to Armstrong's place in music history, pick up this book and dive in. Giddins embraces not only the talent and genius of Armstrong, but also the humor, warmth, and generosity of the man. `Satchmo' is not so much a biography of the jazz pioneer as it is a celebration of the man's gift to the world: his music.
Giddins follows Armstrong's early days in New Orleans to his final days of touring and recording. The book focuses heavily on Armstrong's music, but readers won't need a degree in music to understand what Giddins is saying. The author quotes copiously from Armstrong himself, giving us an in-depth look at who Armstrong was and how he thought about music, race relations, friends, wives, and his philosophy on life.
`Satchmo' is a perfect introduction to the wonderful world of Louis Armstrong. If you want to know if a piece of non-fiction works, ask yourself after reading if you'd like to learn more about the subject. I warn you - after reading `Satchmo' you'll want to read more AND listen to each recording mentioned by Giddins...over and over and over. And you'll do it. And the songs won't ever grow stale. And you'll hear something different each time. That's the sign of genius.
190 pages
written with love and understanding.......2002-12-04
This is one of the best books about Louis I've read and the reason is simple. Giddins clearly lays out the reasons why Pops was the greatest influence on modern music that this country has produced. His love for the man and the music comes through on every page. This is a wonderful almost poetic homage to a great and deserving artist. I loved the Bergreen biography and rated that 5 stars as well. That book is a fine chronological story of a fascinating life. This book is a musical biography that truly captures the essence of Louis Armstrong as well as anything written posthumously can be expected to. If you're a fan of Louis Armstrong you cannot afford to miss this. If you are curious as to why Louis Armstrong has become such an American icon this book will provide the answer.
LOUIS !!!!!.......2000-07-10
This book is brilliantly put together with great photos, newly found and well-crafted biographical information, and personal writings from Armstrong himself. It's a joy to read from cover to cover. Amazingly, it gets more interesting and fun to read a second, and third time. For any lover of Louis Armstrong this book is a must! Gary Giddins has written a great book. Look for his biography on Bing Crosby (Volume one)!!!
purejoy - like the man himself.......1998-12-21
Louis Armstrong is one of the central figures along with Duke Ellington of Giddins's incredible Visions of Jazz, and that sent me to Satchmo, a mindblowing collection of photographs and a biographical and musical discussion that brings the man and his work to life. Although Giddins covers some of the same ground here as in Visions, it is a far more expansive study built on the idea that Armstrong was at once a great artist and a great entertainer and that his role in one area did not diminish his role in the other. The pictures are remarkable, and numerous excerps from Armstrong's own writing show what a decent and joyful man he was. Highly recommended.
Book Description
Notes and Tones is one of the most controversial, honest, and insightful books ever written about jazz. As a black musician himself, Arthur Taylor was able to ask his subjects hard questions about the role of black artists in a white society. Free to speak their minds, these musicians offer startling insights into their music, their lives, and the creative process itself. This expanded edition is supplemented with previously unpublished interviews with Dexter Gordon and Thelonious Monk, a new introduction by the author, and new photographs. Notes and Tones consists of twenty-nine no-holds-barred conversations which drummer Arthur Taylor held with the most influential jazz musicians of the '60s and '70s-including:
Customer Reviews:
Priceless view into the lives and minds of these artists.......2006-10-17
Notes and Tones is distinct in its highly synergistic dialogue. The fact that Arthur Taylor was a serious [Black] jazz drummer, with a familiar professional and personal relationship with many of the interviewees, resulted in wide ranging discussions marked by unguarded sincerity. Certain themes are touched upon numerous times [the Black Power movement & the need for jazz musicians to unite and practice cooperative economics], which while perhaps dating the book, nevertheless provide a telling contrast to the current state of affairs in the music world in general, and the social concerns of the U.S. Black community specifically. This clearly was a labor of love, and the insights shared by these iconic figures consistently inspire me to make the most of my time and efforts in whatever I'm pursuing, every time I read from the book.
A 5* classic.......2004-05-05
Simply a classic! There is no other book written on jazz that even comes close. A.T.'s questions were intelligent, pointed and insightful. I loved the interview format. It gave the musicians an even wider canvas to paint on. The no-holds-barred and candid portrait of Black life should be a book to cherish for ages to come.
Great book.......2001-01-04
A genuinely fascinating collection of interviews with some of the most important jazz figures of the 1950s-60s. (It's worth the purchase price just for the goofy, entertaining exchange with Dexter Gordon which opens the book.) Not only do you get an unusually intimate sense of what some of these brilliant musicians were/are actually like in "real life," but the book is particularly interesting--and frank--about the subject of race, in the jazz world and beyond. If you love jazz, don't miss this book.
A classic for the mind, body and spirit.......2000-06-15
Arthur Taylor, a most creative source of a force in the drumming world, has created a moving, startling, and lovely group of interviews of some of the most influential artists in jazz (Black Classical) music. Giants like; Thelonious Monk, Erroll Garner, Elvin Jones, Nina Simone, Miles Davis, Dizzy Gillespie and so many others paint images of pointedness, beauty, intellect and feeling. The reader really gets an insight into the personalities and lives of these wonderful people that are the lineage of the only true American art form. I really recomend the book to anyone, from the person who has had one passing thought about jazz artists to those who dedicate their life to the art form, or any artform. This is, as they say, the real deal. I am humbled by Mr. Taylor's wonderful work and, in my own way, feel love for each of the unique artists that he interviews. Thank You Arthur!
A classic for the mind, body and spirit.......2000-06-15
Arthur Taylor, a most creative source of a force in the drumming world, has created a moving, startling, and lovely group of interviews of some of the most influential artists in jazz (Black Classical) music. Giants like; Thelonious Monk, Erroll Garner, Elvin Jones, Nina Simone, Miles Davis, Dizzy Gillespie and so many others paint images of pointedness, beauty, intellect and feeling. The reader really gets an insight into the personalities and lives of these wonderful people that are the lineage of the only true American art form. I really recomend the book to anyone, from the person who has had one passing thought about jazz artists to those who dedicate their life to the art form, or any artform. This is, as they say, the real deal. I am humbled by Mr. Taylor's wonderful work and, in my own way, feel love for each of the unique artists that he interviews. Thank You Arthur!
Book Description
For more than forty years Miles Davis has been in the front rank of American music. Universally acclaimed as a musical genius, Miles is one of the most important and influential musicians in the world. The subject of several biographies, now Miles speaks out himself about his extraordinary life.
Miles: The Autobiography, like Miles himself, holds nothing back. For the first time Miles talks about his five-year silence. He speaks frankly and openly about his drug problem and how he overcame it. He condemns the racism he has encountered in the music business and in American society generally. And he discusses the women in his life. But above all, Miles talks about music and musicians, including the legends he has played with over the years: Bird, Dizzy, Monk, Trane, Mingus, and many others.
The man who has given us some of the most exciting music of the past few decades has now given us a compelling and fascinating autobiography, featuring a concise discography and thirty-two pages of photographs.
Customer Reviews:
Amazing reading.......2007-07-30
Written with much candor and some bitterness, this book gives incredible insight into one of the greatest musical minds of modern jazz, but also gives valuable perspective on the lives and music of other giants, such as Parker, Gillespie, Coltrane, etc., with amusing anecdotes about older players - Coleman Hawkins, Duke Ellington, etc.
Naturally, one might argue that there is a certain amount of pose in Miles- using of fowl language; see for example Key Phrases - Statistically Improbable Phrases (SIPs) generated on this site (this is pasted from amazon, but I omitted letters in order not to offend the amazon policies...):
# modal thing, hip s--t, s--t off nobody, stupid bu----it, great trumpet player, bad m---------ker, working band, silly s--t, real hip, shooting heroin #
See how much music is there?
But, seriously, this sort of attitude goes with his lifestyle - he even mocks himself for being too much fashion conscious...
The problem is that the book is not edited well enough
< not only that certain tales are retold too many times (or in bad prose), the cuss words are boring because they are unimaginative. Add "he played his a.. off" and you covered nearly everything Miles said about some players who are very important not only for the history of jazz, but also for Miles- personal history.
Still, fascinating book, very useful for understanding significant aspects of American culture
(f. i. I get how he didn-t like Satchmo-s, Dizzy-s or Bird-s goofy monkying around and grinning, but I don-t for the life of me understand how can he put Prince and other figures of modern or contemporary popular music on the same level as Lester Young, Charlie Parker, Dizzy Gillespie and other giants of jazz he discusses).
Well, the controversial aspects never hurt a book...
Not a perfect piece of work (therefore only 4 stars), but compelling and therefore obligatory reading for all jazz fans.
This book is amazing.......2007-03-27
I use the present tense when I describe this book as a classic, because I could read this multiple times and never get bored, while gaining large amounts of knowledge. This book is brilliant because it is honest. It is a first hand account of his life that really cannot be explained by anyone else but himself, Miles Davis. Miles starts from his earliest memories all the way to the end in this book without holding anything back. He does not limit his speech to selective words that would hinder the actual situation. He tells everything truthfully with no fluff. This is definitely one of the most treasured jazz read in the history of literature. If you are a serious musician or an active listener of this music, I highly suggest you read it. Besides learning everything from Miles perspective and how his life was, you will also gain knowledge on the music himself and how the other players of his time were like. Buy this now, you will not regret!
My brother loved it........2007-03-14
I got this for my brother for Christmas and he really liked it.
gritty, raw inside look at the soul of a rare artist.. .......2007-02-27
Miles in his words, with all the raw emotion, anger, bitterness, of a man who changed the course of jazz at least 3 times in his life..this is one of my favorite bio's of all-time because I never felt pandered to or appeased..this is the way Miles viewed his life and art and if you don't like it, tough...but if you want to try to understand the grist of an artist's soul this is a book you do not want to miss.
A lot of motherfuckers.......2007-02-24
Miles tells it like it is in this book . You can tell its his voice and not his co-writer as he descibes in detail all of the people in his life, good and bad. The heroin addiction and the trumpet playing. The naems of the men around him present you with a history of jazz players that are iconic today. good book.
Book Description
Lady Sings the Blues is the fiercely honest, no-holds-barred autobiography of Billie Holiday, the legendary jazz, swing, and standards singing sensation. Taking the reader on a fast-moving journey from Holiday’s rough-and-tumble Baltimore childhood (where she ran errands at a whorehouse in exchange for the chance to listen to Louis Armstrong and Bessie Smith albums), to her emergence on Harlem’s club scene, to sold-out performances with the Count Basie Orchestra and with Artie Shaw and his band, this revelatory memoir is notable for its trenchant observations on the racism that darkened Billie’s life and the heroin addiction that ended it too soon. We are with her during the mesmerizing debut of “Strange Fruit”; with her as she rubs shoulders with the biggest movie stars and musicians of the day (Bob Hope, Lana Turner, Clark Gable, Benny Goodman, Lester Young, Coleman Hawkins, and more); and with her through the scrapes with Jim Crow, spats with Sarah Vaughan, ignominious jailings, and tragic decline. All of this is told in Holiday’s tart, streetwise style and hip patois that makes it read as if it were written yesterday.
Customer Reviews:
I still hear Billie singing, and I just finished the book..............2007-05-14
I have a deep love and respect for some of the most influential female jazz and soul singers of our time, like Ella Fitzgerald, Sarah Vaughn, Dinah Washington, Carmen McRae, Lena Horne, and last but not least, Billie Holiday. In LADY SINGS THE BLUES, Holiday recalls some of the most resonant memories of her turbulent past--the good, the [mostly] bad and the [frequently] ugly. From the very start, Billie Holiday (birth name Eleanora Fagan) born to thirteen year old Sadie Fagan and sixteen year old Clarence Holiday, had a very difficult life. The young girl saw much in the rough streets of Baltimore, Maryland, as a call girl, a jailbird and a spitfire with a vey hot temper.
Billie didn't even consider a career in singing, and her introduction as a vocalist was (perhaps) accidental, but definitely fate. Her descent into drug addiction, jailtime, turbulent relationships (with both men and women) and the great antipathy she faced in the storm of racism, jealousy and gossip made for a very adverse life, on and off of the stage. Some of the greatest moments of her career are documented here, as told to writer William Dufty. We learn the stories behind songs like "Strange Fruit," that are songs she created and truly lived and experienced, before setting them to lyric and melody. Though, I never heard Billie Holiday's speaking voice, I heard it throughout this piece, and I can see why it was brought to the screen, as a film. I haven't seen it, so I honestly have no idea how well it translated as a movie, with Diana Ross. Though, I have heard it was fantastic.
There is also a companion CD, that goes with the memoir, to mark the 50th anniversary of its original release (1956-2006). Perhaps that's why I had to take one star away from the package, as a whole. You really can't read a book like LADY SINGS THE BLUES and then hear other artists covering the songs that Billie really created. There is no comparison, even though musicians like Kenneth "Babyface" Edmonds are featured on the album (doing a respectable job of STRANGE FRUIT). It's just not the same. Yet, if the CD was excluded from this 50th anniversary reissue, I would give the book (on its own) five stars, without hesitation. Highly reccomended!
Book---Slightly Boring, Billie--FAR FROM IT!.......2006-10-08
The only thing that saved this book is Billie's personality, which oozes off every page. I found it really hard to get through this book because it doesn't read chronologically---events are thrown all over the place and there are too many people named throughout the book (as if she just wanted to give them a shout-out--so that they could be remembered because she cared about people in that way) but its very difficult to keep up with so many names. It doesn't dig too deep into her drug habit or relationships...and some things are believed to be fictionalized so that the book could sell. Nonetheless, I have to give the book three stars because if anything, it introduced me to Billie. She was sassy, charming, real, and plain beautiful inside and out despite her life experiences. I'm very unfortunate to have not lived in that musical era...when artists truly sang from the heart with passion. I would have loved to meet her. In fact, after reading this novel, I feel like everytime I hear one of her songs, we will have a connection. You don't have to buy this particular book, but you should read up on her and try to listen to some of her music...just to keep her memory alive.
Book Description
Former Time Paris Bureau Chief and bestselling author Tom Sancton returns to the New Orleans of his youth and the music that shaped and guided his life.
Song for my Fathers is the story of a young white boy driven by a consuming passion to learn the music and ways of a group of aging black jazzmen in the twilight years of the segregation era. Contemporaries of Louis Armstrong, most of them had played in local obscurity until Preservation Hall launched a nationwide revival of interest in traditional jazz. They called themselves "the mens." And they welcomed the young apprentice into their ranks.
The boy was introduced into this remarkable fellowship by his father, an eccentric Southern liberal and failed novelist whose powerful articles on race had made him one of the most effective polemicists of the early Civil Rights movement. Nurtured on his father's belief in racial equality, the aspiring clarinetist embraced the old musicians with a boundless love and admiration. In a sense, they became his spiritual fathers and role models. Meanwhile his real father, who had first led the boy to the "mens" and shared his reverence for them, later recoiled in horror at the idea that his son might lose his way in the world of late-night jazz joints, French Quarter bar rooms, and a precarious life on the margins of society. The tension between the father's determination to control the boy's destiny and his son's abiding passion for the music is a major theme of the book.
The narrative unfolds against the vivid backdrop of New Orleans in the 1950s and '60s. But that magical town is more than decor; it is perhaps the central player, for this story could not have taken place in any other city in the world. Written several years before Katrina crashed into New Orleans and changed its face forever, Song for My Fathers seems all the more moving in the wake of that cataclysm. 16 pages of color.
Customer Reviews:
Song for My Fathers: A New Orleans Story in Black and White.......2007-01-17
As a fan of New Orleans and Dixieland jazz, I ordered this book as soon as it became available, and consumed it immediately. Tom Sancton met all my expectations, and also provided me with recent history of my favorite musicians, the Olympia Brass Band. He honestly described people and an era that will never be recaptured, with love, and affection, but without guilding the lily. These were real people, shown by Sancton with all their warts, and I miss them all greatly. On a visit to the Preservation Hall recently, I enjoyed the music provided by all white musicians and one black drummer, but was so aware of the loss of those originals. The drummer's father, one of the Fathers described by Sancton, is now gone, and we cried on each other's shoulders, over the loss of a music that can be preserved, but musicians who can never be duplicated. I am just so appreciative to Tom Sancton for producing this book, especially now that Katrina has erased so many of his memories.
Coming of Age with George Lewis, et. al........2006-11-25
Sancton has written an outstanding account of his coming of age in 60's New Orleans while learning trad jazz clarinet from George Lewis and other "old mens" at Preservation Hall in the French Quarter. Whether you love New Orleans and trad jazz, or not I think you'll enjoy Sancton's memoir. His story of being an Uptown white boy spending a lot of time with black musicians in the a world apart from where most of his comtemporaries were growing up is nothing if not unique. Sancton's day job after a Harvard degree turned out to be a correspondent for Time Magazine. So, he can definitely turn a good phrase. In addtion to documenting his interactions with the musicians, Sancton also writes about race, culture, and history in New Orleans. He also explores his relationship with members of his family, especially his writer father, who has an interesting story of his own, probably the subject of another book.Just a delightful read.
Jealous.......2006-09-19
Jealous
Boy, am I jealous of this guy! He lived a dream life as a teenager.
Every musician that reads this will envy this story. Well written and boy am I jealous!
Gone With The Wind.......2006-07-27
Tom's is a touching and layered story; both a personal bio and a history of New Orleans Jazz and its creators. Tom pulls back the veil and introduces us, in a very personal way, to both his family and biological father, and to the "mens" as his jazz fathers called themselves. A tale of passages; Tom's from childhood to manhood; the mens' passage on to the great second-line in the sky, and, finally, the passage of a way of life for a whole region possibly passed into only the memories of people fortunate enough to have lived it, and a few graying pages. It is a poignant story told well and sure to be loved by all readers.
Book Description
In 1919, the world stood at the threshold of the Jazz Age. The man who had ushered it there, however, lay murdered--and would soon plunge from international fame to historical obscurity. It was a fate few would have predicted for James Reese Europe; he was then at the pinnacle of his career as a composer, conductor, and organizer in the black community, with the promise of even greater heights to come. "People don't realize yet today what we lost when we lost Jim Europe," said pianist Eubie Blake. "He was the savior of Negro musicians...in a class with Booker T. Washington and Martin Luther King." In A Life in Ragtime, Reid Badger brilliantly captures the fascinating life of James Reese Europe, tracing a critical chapter in the emergence of jazz through one man's remarkable odyssey. After an early start in Washington, Europe found his fame in New York, the entertainment capital of turn-of-the-century America. In the decade before the First World War, he emerged as an acknowledged leader in African-American musical theater, both as a conductor and an astonishingly prolific composer. Badger reveals a man of tremendous depths and ambitions, constantly aspiring to win recognition for black musicians and wider acceptance for their music. He toiled constantly, working on benefit concerts, joining hands with W.E.B. Du Bois, and helping to found a black music school--all the while winning commercial and critical success with his chosen art. In 1910, he helped create the Clef Club, making it the premiere African-American musical organization in the country during his presidency. Every year from 1912 to 1914, Europe led the Clef Club orchestra in triumphant concerts at Carnegie Hall, winning new respectability and popularity for ragtime. He went on to a tremendously successful collaboration with Vernon and Irene Castle, the international stars who made social dancing a world-wide rage. Along the way, Europe helped to revolutionize American music--and Badger provides fascinating details of his innovations and wide influence. In World War I, the musical pioneer won new fame as the first African-American officer to lead men into combat in that conflict--but he was best known as band leader for the all-black 15th Infantry Regiment. As the "Hellfighters" of the 15th racked up successes on the battlefield, Europe's band took France by storm with the new sounds of jazz. In 1919, the soldiers returned to New York in triumph, and Europe was the toast of the city. Then, just a few months later, he was dead--stabbed to death by a drummer in his own orchestra. From humble beginnings to tragic end, the story of Jim Europe comes alive in Reid Badger's account. Weaving in the wider story of our changing culture, music, and racial conflict, Badger deftly captures the turbulent, promising age of ragtime, and the drama of a triumphant life cut short.
Customer Reviews:
Jim Europe, The Founder of the International Jazz Movement.......2000-02-23
In a true sense of the word pioneer James Reese Europe, brought the only true American Art form to continental europe in the early part of the twentieth century. Reid Badger has captured the essence of a time in history that brought jazz and the cultural attitudes of black America to the international scene.
The very detailed text is a wonderful read, that gives you a sense of the push and pull of being an American Black living in the early 1900's. The book reads as if it were an adventure tale with all the action one could wish for.
The author has done a wonderful job of putting together facts and photos in a fast moving easy to understand academic work. His understanding of the contribution that Europe made to the growth of Jazz is clear and compeling. The details of the stature of the man that was Jim Europe reveals his human and sometimes non perfect personality.
Of particular interest to all should be his tenure as the Band Master of the famous 369th Infantry "Hell-Fighters" band during WWI in Europe.
This a must read for any student of jazz or military history and all who read about contributions to African-American society.
Average customer rating:
- A BOOK THAT'S EASY TO READ-GREAT FOR JAZZ LOVER'S
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Unfinished Dream: The Musical World of Red Callender
Red Callender , and
Elaine Cohen
Manufacturer: Quartet Books
ProductGroup: Book
Binding: Hardcover
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Jazz
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ASIN: 0704325071 |
Customer Reviews:
A BOOK THAT'S EASY TO READ-GREAT FOR JAZZ LOVER'S.......1999-09-22
I WOULD RECOMMEND THIS BOOK TO ALL BABY BOOMER'S, JAZZ LOVER'S, AND COLLEGE STUDENT'S WHO ARE STUDYING MUSIC OR THE ART'S.
Book Description
Based on extensive interviews, Oscar Peterson is a well-informed and provocative exploration of Peterson's music.
Customer Reviews:
A brilliant read.......2007-08-27
If you listen to Oscar Peterson recordings and ever wonder just how and why he became so great this is he book to read. An accurate and facinating biography of Peterson from birth right up the year 2000 in this updated edition.
The book is full of little musical details that you won't know about. Stories about Oscar's influences, his musical competetiveness and his abhorence of racism. There is lot written on the mixed reaction to Oscars playing over the years. Nobody disputes he has (or had) technique of the highest standard, but some critised him for lacking originality and Miles Davis (in)famously once said "...he even had to learn how to play the blues". All this is discussed and more.
A great biography of a great artist.
Lees paints portrait of legendary pianist.......2000-08-08
This updated version of the great jazz pianist is an excellent work by Mr. Lees. Few other writers could do justice to this project. Gene Lees has known most of the legends of jazz and counts many as personal friends. Only someone like Lees could have done such an extensive piece on this celebrated artist. The story of Oscar Peterson and his impact on modern jazz is worthy of 5 stars. Highly recommended for students of jazz history and those many fans that have collected OP's recordings for decades. A marvelous effort by the author.
Average customer rating:
- The First Black Combat Pilot.
- Bullard's definitive biography
- A forgotten hero not deserving to be forgotten!
- A True Hero
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Eugene Bullard: Black Expatriate in Jazz-Age Paris
Craig Lloyd
Manufacturer: University of Georgia Press
ProductGroup: Book
Binding: Paperback
African-American & Black
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ASIN: 0820328189 |
Product Description
This is the complete biography of the first African American fighter pilot, Georgia native Eugene J. Bullard (1895-1961). An accomplished professional boxer, musician, club manager, and impresario of Parisian nightlife between the world wars, Bullard found in Europe a degree of respect and freedom unknown to blacks in America. There, for twenty-five years, he helped define the expatriate experience for countless other African American artists, writers, performers, and athletes. Craig Lloyd recounts Bullard's life from his boyhood in Jim Crow-era Georgia and his vagabond journey to Europe through his varied careers in France and his final years in New York. Eugene Bullard, Black Expatriate in Jazz-Age Paris offers a fascinating look at an extraordinary man who lived on his own terms.
The new preface for this paperback edition draws on documents discovered in a French archive since the book was first published. Author Craig Lloyd notes that the new archival material confirms Bullard's suspicions that it was an American military officer, Edmund Gros, who ended Bullard's career as a combat pilot flying for France in World War I. Letters among the archival materials also affirm Bullard's contention in All Blood Runs Red, his memoir, that he was a close friend of Edmund Genet, a then-famous white American pilot flying for France.
Customer Reviews:
The First Black Combat Pilot........2007-07-26
This book gives you the opportunity to get a feeling of what your life may have been like living in the Jim Crow era of Georgia. My name is Bullard and I am a white genealogist. Eugene Bullard was the son of ex-slaves that were owned by a family named Bullard.
It is fabulous to see a black person rise out of impossible circumstances to become an expatriate combat pilot in the French Air Force during World War I. Jazz and Blues is what I listen to every day and the Jazz story in this book is very interesting to me.
Bullard's definitive biography.......2002-03-12
Eugene Bullard was an African American man who was born in 1895 in Columbus, Georgia, and lived a really fascinating live. After leaving the U.S. in 1912 to escape the existing suffocating racist oppression, he stayed first in Britain, and then settled in France where he lived as a boxer, entertainer, jazz drummer, was a war hero in the trenches in Verdun, and become the first African American combat pilot in 1917 (in French service: the U.S. would allow black combat pilots only in 1941...). After the war, like so many other African Americans, he remained in Europe. He become a well known entrepeneur in the Parisian night club life during the 20s and 30s. At the German invasion in 1940, and after a brief stint in the French army, he went back to the U.S. where he died in New York in 1961. Revered in France as a national hero during is life, and completely unknown in his country until more than twenty years after his death, the life of this extraordinary man has in this book a much deserved homage and, probably, its definitive biography.
A forgotten hero not deserving to be forgotten!.......2001-09-29
A very well documented biography on a genuine American and French hero. Unfortunately he was born during the Jim Crow era in the south (even though the constitution which was written over 100 years before his birth mentions "all men are created equal", this did not include any non-caucasian's or women, did it? Did not use the word minority since it denotes less than some majority, there are more non-caucasian's in the world anyway and what is really meant by that word is just that, non-caucasian. I find it odd that the USA was founded by European descendants like the English, French and even though the country prided itself on it's progresive nature, it did not include equality, even though Europe itself did not practice racial discrimination). He was born the seventh child of a large family and his father always had a premonition of a very distinguished future for him and let it be known to him when he was young. Talks about his travel through the south after he left home and was told early by his father of a country (France) where all men are truly free. This had a profound effect on him because he eventually made it to France via England first.
He began his livelyhood as a theatre performer and boxer; two opposing and similar avocations. He joined the military and became the first Black American and Black Frenchman aviator and was awarded medals for his bravery, dedication and skills. Very well liked, he had a contagious personality and started working at a famous Paris club later in life and eventually became a club owner himself. He met the famous of the day like Louis Armstrong, Duke Ellington, Langston Hughes, Bricktop and many others. This biography also got me interested in Jazz age Paris to request both autobiographies of Hughes and Bricktop.
Slowly (too slowly) more is being known about this man and his acomplishments and contributions to the human race.
You won't be able to put it down. Jack Johnson's autobiography "In the Ring and Out" is another good bio of that era too.
A True Hero.......2000-08-02
I had earlier learned of some of Eugene Bullard's exploits, but Craig Lloyd's book spotlights an endless list of amazing achievements that seem unbelievable for any man to accomplish in just one lifetime. It's a shame Bullard's life has been up to now unexplored and uncelebrated. Hopefully this extremely well-researched biography will fix that.
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