This Jazz Man

Book Description

In this toe-tapping jazz tribute, the traditional "This Old Man" gets a swinging makeover, and some of the era's best musicians take center stage. The tuneful text and vibrant illustrations bop, slide, and shimmy across the page as Satchmo plays one, Bojangles plays two . . . right on down the line to Charles Mingus, who plays nine, plucking strings that sound "divine."

Easy on the ear and the eye, this playful introduction to nine jazz giants will teach children to count--and will give them every reason to get up and dance!

Includes a brief biography of each musician.

Customer Reviews:

Excellent Just Needs A Musical CD !!!!.......2007-04-23

I love this book! My son is 20 months and loves this book the rhythm of the words, the numbers, the clapping the sounds of the instruments. What would be excellent if there was an auditory accompaniment to the book. A taping of someone reading the book who can demonstrate the sounds or even better a taping that included musical instruments playing.
I know a lot of people would LOVE to hear it as well and it would be an excellent teaching tool. Please forward this to the appropriate individuals and if possible keep me updated on the release date of the cd. Thank YOU for writing such an awesome, entertaining and needed book!

Encore! We want more!.......2007-03-22

Oooh, this book made me what to rap and tap and beedle-di-bop! Which is quite somethin', since I don't have a musical bone in my body!
This is a great book-the text jives off the page and the illustrations thimp dumple thump right along. What a great way to teach kids about jazz legends!
Hats off to Ehrdhardt and Roth for a beautiful book!
Encore!

A great read aloud for kids!.......2007-03-07

I am an elementary school media specialist for grades 1 - 5. I read this book to my first and second graders. By the third jazz man they were chanting along with me. By the fifth man we were all singing along with the familiar song tune. They loved the scat phrases and repeated them over and over. What a bonus that these men are actual jazz legends. I highly recommend this book for a great musical read.

Jude's Review of Jazz Man.......2007-01-21

I'm 3 and my Grandmother Helene reads this book to me. She said that my Doctor Beth gave it to me and my sister Scarlett and the author signed it. That made me smile.

I really like this book. My grandmother sings me it and i like music and instruments and can name the saxophone and trumpet and drums.I like the pictures of the conga drums.

I usually say, " read it again" when she's done and I can almost pick out all the numbers now too. Jude Stulb, Pueblo Colorado

This Great Book! (More and More Honors!) .......2006-10-05

Note: Since writing the review below, I've discovered that "This Jazz Man" has received three (and counting) prestigious honors in the last month or so: A Nick Jr. Book of the Year for Children, one of the N.Y. Public Libraries Top 100 books to Read to Kids, and one of a very few named by National Public Radio as a best children's book of the year!

February 2007 Update: This Jazz Man is on the cover of the February "Crickets" magazine! In addition, it was shortlisted as a top book by the Cooperative Children's Book Center, and is being used as a teaching tool for a Smithsonian Museum (yes, that Smithsonian!) exhibit.

If you've bought this book, you and I share a certain nose for kids' books; if you haven't, you'll discover a book that's snappy and swinging, fun and informative. My original review follows.

"Doodly-doodly-Doot-doot! Toot-Toot!"

That's Karen Ehrhardt's delightful take on a Dizzy Gillespie trumpet line, and like the rest of this sparkling first book, every note rings joyous and true. In a somewhat daring move, Ms. Ehrhardt airs out the musty English poem, "This Old Man," with jazz-infused lyrics, and distills the essence of nine jazz giants: Louis Armstrong, Bill "Bojangles" Robinson, Chano Pozo, Fats Waller, Duke Ellington, Art Blakey, Charlie Parker, Dizzy Gillespie, and Charles Mingus.

The improvisations in "This Jazz Man" are authentic and fun--the text is made for reading out loud! Listen to this evocation of Charlie Parker, for example:

This jazz man, he plays five,
He plays bebop, he plays jive,
With a Deedle-di-bop! Bebop!
Give the man a hand,
This jazz man blows with the band.

Within the 5-line format of the original song, the author conveys the sound and spirit of these artists, while keeping the tone light and understandable for her young, perhaps jazz-naive audience (about 3 to 7 years-old). Along with each Jazz Man's stanza are the sounds and rhythms of his performance -- depicted in text incorporated with each illustration. When drummer Art Blakey "plays solos with his sticks" and "beats with the band," the percussive sounds "Chikka-chee! Chikka-chee! Bubbuda-bubbuda-bubbuda-BOMP!" pulse over his vibrating cymbals. Following the `performance,' older readers (and adults) can learn more about Blakey -- his innovation of the "press roll" and his role in nurturing new talent -- in the book's afterward. Riffing on the customary introductions of band members at jazz gigs ("Playing 4, form Washington, D.C... Edward Kennedy "Duke" Ellington"), the book briefly spotlights the life of each Jazz Man.

Illustrator R. G. Roth complements Ehrhardt's narrative pictures with multi-media illustrations that are playfully retro yet fresh and child-friendly. Airy compositions help children see the relaxed, expansive pose of the smiling Louis Armstrong, the verve and rhythmic creativity of "Chano" Pozo (how many times have you seen him in a jazz book for kids?), the playful attack of Fats Waller, and the stature and majesty of Charles Mingus. Roth displays a repertoire of textures and soft, engaging colors, and makes subtle references to Birdland, the Newport Jazz Festival, and other venues along the edges of book's `stage. For the small fry, a cute and playfully elusive mouse plays hide and seek throughout the book. "This Jazz Man" has an exhilarating finale -- after each man plays (1 through 9), all of the jazz icons appear on stage together:

This jazz band, they play ten,
We beg them to play again,
With an "Encore, we want more!"
Give them all a hand"
These jazz men make one great band!

"This Jazz Man" gets it right, rhymes it tight, and entertains without misrepresenting. (To put this achievement in context, too many kids' "jazz" books really focus on the blues--usually the rural blues, seen through an awkward sentimentalism--or solely on dance. Sometimes they confuse eras, portraying any jazz singer as a combination of Bessie Smith, post-WWII hep cats, and 1950's beats, with a dash of oddly misplaced 1970's styles.)

"This Jazz Man" is a natural for school or library audiences, rambunctious group singing, the first efforts of beginning readers, or as a bedtime treat for toddlers. One doesn't need to know one lick about jazz to enjoy the musicality of the rhymes and the understated but compelling jazz portraits: They stand on their own. In addition, teachers can easily adapt "This Jazz Man" to language units, numbers and counting, music appreciation, art, solo and group singing. Older students may delve further into the lives and times of the musicians through Ehrhardt's rich yet compact biographical sketches in the afterward. (Offhand, I can't think of any book--for kids or adults--that so succinctly and eloquently describes each musician's significance.) For readers who'd like to sample the actual music, Ehrhardt recommends recorded works for each Jazz Man: a couple tracks for each musician, and even two feature films (available on video) that display Bojangles' tapping talents. (Perhaps in future editions of this book, the publishers could include a companion CD/DVD.)

With apologies to the author--though inspired by her:

This jazz fan, I count one,
"This Jazz Man" is lots of fun!
With a smile and a nod and an "ain't that grand!"
Let's give Ehrhardt a great big hand!

Duke Ellington: The Piano Prince and His Orchestra (Caldecott Honor Book)

Average customer rating:

"Duke Ellington" continues to jazz it up
Excellent read aloud
Put it this way. Jazz is a good barometer of freedom. - D.E.
Singin' and Swingin'
An outstanding picture book biography!

Duke Ellington: The Piano Prince and His Orchestra (Caldecott Honor Book)
Andrea Pinkney
Manufacturer: Jump At The Sun
ProductGroup: Book
Binding: Hardcover

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ASIN: 0786801786

Amazon.com

We applaud this talented husband-and-wife team--award-winning illustrator Brian Pinkney and writer Andrea Pinkney--for making music fly in this fantastic tribute to a jazz legend. Andrea does an extraordinary job of translating music into words, with blues "deeper than the deep blue sea" and "hot-buttered bob, with lots of sassy-cool tones," while her husband visually interprets the movement of music as spirals, waves, and swirls of color, prepared as scratchboard renderings with luma dyes, gouache, and oil paint. Andrea writes, "Toby let loose on his sleek brass sax, curling his notes like a kite tail in the wind. A musical loop-de-loop, with a serious twist," while Brian paints those curling notes, the loop-de-loops, and the kite sailing up to the New York City skyline. Young readers will enjoy the rhythm and beauty of the story itself, and may even be inspired to give Raffi a rest and swing with the Duke! (Great read-aloud, ages 4 to 8) --Karin Snelson, Amazon.com Kids editor

Book Description

Edward Kennedy "Duke" Ellington, "King of the Keys," was born on April 29, 1899, in Washington, D.C. "He was a smooth-talkin', slick-steppin', piano-playin' kid," writes master wordsmith Andrea Pinkney in the rhythmic, fluid, swinging prose of this excellent biography for early readers. It was ragtime music that first "set Duke's fingers to wiggling." He got back to work and taught himself to "press on the pearlies." Soon 19-year-old Duke was playing compositions "smoother than a hairdo sleeked with pomade" at parties, pool halls, country clubs, and cabarets. Skipping from D.C. to 1920s Harlem, "the place where jazz music ruled," Duke and his small band called the Washingtonians began performing in New York City clubs, including the Cotton Club, where Duke Ellington and his Orchestra was officially born. By 1943, Duke Ellington--writer of more than 1000 compositions, including ballet and film scores, orchestral suites, musicals, and choral works--had made it all the way to Carnegie Hall.We applaud this talented husband-and-wife team--award-winning illustrator Brian Pinkney and writer Andrea Pinkney--for making music fly in this fantastic tribute to a jazz legend. Andrea does an extraordinary job of translating music into words, with blues "deeper than the deep blue sea" and "hot-buttered bob, with lots of sassy-cool tones," while her husband visually interprets the movement of music as spirals, waves, and swirls of color, prepared as scratchboard renderings with luma dyes, gouache, and oil paint. Andrea writes, "Toby let loose on his sleek brass sax, curling his notes like a kite tail in the wind. A musical loop-de-loop, with a serious twist," while Brian paints those curling notes, the loop-de-loops, and the kite sailing up to the New York City skyline. Young readers will enjoy the rhythm and beauty of the story itself, and may even be inspired to give Raffi a rest and swing with the Duke! (Great read-aloud, ages 4 to 8) --Karin Snelson, Amazon.com Kids editor

Customer Reviews:

"Duke Ellington" continues to jazz it up.......2007-02-20

If the brilliant colors and impressive images don't catch your attention, then the amazingly written story of Edward Kennedy Ellington will.

"Duke Ellington" throws the reader into the early 1900's with its slang talk and direct narrative. The reader becomes a part of the story as the narrator tells about how Duke started out being bored by the piano, and then grew to love it when he heard ragtime being played. Andrea Davis Pinkney makes this a fun book for readers by describing the sounds of all the instruments with such detail that one could imagine they are actually hearing Duke's music being played just for them. I became enthralled with the vivid pictures depicting jazz as one might sense it if they had been there. "Duke Ellington" has won both the Caldecott Honor award, and the Coretta Scott King Award. This book is a good, fun, imaginative read for all ages.

Excellent read aloud.......2006-02-02

As an elementary school library specialist, this is my all time favorite read aloud. I utilized music/sound files on the web to have the King of the Keys himself accompany his biography. The text itself is a story to be read out loud. A teacher commented that this was his favorite read aloud and I believe a student favorite of all the grades I read this to (grades 3-6). Students were swaying, snapping their fingers, and just tapping away. The older kids didn't do that, but when the music ended, they asked for a repeat and I obliged. Hats off to you Ms. Pinkney!

Put it this way. Jazz is a good barometer of freedom. - D.E........2005-07-04

Being a relatively new reader of children's books, I tend to go about my systematic reading of all good picture books out there in a backwards manner. Case in point, Andrea Davis Pinkney. I first came across this writer, and her talented hubby Brian, through their lovely, "Ella Fitzgerald: The Tale of a Vocal Virtuoso". It was through that book that I discovered that the art of scratchboard (remember having to do those in elementary school?) can produce some truly fabulous picture book art. After reading "Ella" I doubled back and found her 1999 Caldecott Honor winning baby, "Duck Ellington". The book that started it all. Also using scratchboard (and without relying on fictional talking felines ala "Ella") the book is a whirlwind biography of one of the world's jazzy greats. There are tons of picture books about jazz musicians out there today. Only one, however, has garnered both the Coretta Scott King Award and the Caldecott Honor.

In this tale we meet Duke from his baseball playing days in Washington, D.C. Children everywhere will sympathize when Duke decides that learning to play the piano is a waste of his time and that he'd much rather be out and about with his friends. Fast forward a couple years and an older pool shooting Duke hears the sweet sounds of ragtime for the very first time. Suddenly the piano doesn't sound so lame, and Duke teaches himself the rudiments of it immediately. Over time, his particular style and talents get him jobs in clubs and cabarets and at last he forms his own band. From here on in the book's a whirlwind series of visits to places like the Cotton Club (which I think illustrator Brian Pinkney probably failed to base after the real club itself) and, at long last, New York's Carnegie Hall in 1943. A matter-of-fact bio at the back as well as a complete bibliography of sources (well done there) round out this lively encapsulation of a life.

Kids are often assigned biographies in school, and "Duke Ellington" has the advantage of being both interesting and filled to the brim with sources and facts. The story is as lively as Ms. Pinkney could make it, often going into deep descriptions of individual players' talents in the Duke's band. The art is lovely as well. Using luma dyes, gouache, and oil paint and then rendering it in a scratchboard style, there's a real throbbing beauty to some of these paintings. In a final picture Duke conducts his band in a purple suit and the notes of the players curl out as almost iridescent swirls and waves. Altogether lovely.

In many ways, the book's going to be a bore to those kinds who've never heard a jazz note in their lives and don't understand the importance. If at all possible, try finding a copy of that incredibly amazing film "Cabin In the Sky" and showing it to the kids and THEN give them this book. The movie's worth checking out and Duke (with his orchestra) is wonderful in it.

Though this is perhaps not my favorite jazz picture book out there (I've still some very fond feelings for "Charlie Parker Played Be Bop") it's still quite a wonder and worth checking out. A necessary addition to any well-rounded children's biography section of their local library.

Singin' and Swingin'.......2004-09-03

Edward Kennedy Ellington, who preferred being called Duke, didn't like playing the piano at first. As the book made out, he considered piano lessons a chore, although it doesn't directly say this in the text. The boring "umpy-dumpy" noises that the piano made when he hit the keys made him soon quit lessons so he could pursue the interests of a regular boy. It would be a couple of years later until Duke would start practicing piano once more.

In what looks like a pool hall, Duke discovers a new way of playing piano. His discovery is ragtime. The ragtime music isn't boring and repetitve as the type of music he had practiced as a boy. This music gives of a rythmical sensation throughout the body. Duke is soon in love with the piano. And he starts practicing with the little knowledge of the piano he has. He is soon good enough to have his own band and becomes a frequent performer at the Cotton Club. Duke records many hit songs in his life and becomes known as "The King of the Keys".

Pinkney's unusually good painting are very enjoyable and I really like the way that the musical chords showed up to let the reader know that music was being played.

An outstanding picture book biography!.......2001-09-04

This beautiful picture book biography recounts the life and career of jazz musician, Edward Kennedy Ellington -- better known to all as the Duke.

When the Duke's parents enrolled him in piano lessons for the very first time, he flat out did not want to go. At that time he had visions of playing baseball; but his parents insisted that he learn to play the piano. The music lessons were slow and not a lot of fun. It wasn't long before he quit taking lessons altogether and kissed the piano goodbye. Little did he know then that the melodious rhythms of Ragtime would draw him back to this instrument again and lead to his success as a great musician, composer, and orchestra leader!

Customer Reviews:

The Man tells it all in this flashing memoir.......2004-12-30

This is most recommended who loves Jazz and/or ever been a fan to Duke from the past and the future. I always been a long-time supporter to him since I was 9 or 10. This is definitely going into my book collection alongside Autobiography of Malcolm X, Miles: The Autobiography, Revelations: There's a Light After the Lime, Divided Soul: The Life of Marvin Gaye, Hip-Hop America, As Though I Have Wings: The Lost Chet Baker Memoir, and mos definitely the Bible.

I'm a huge fan to the memoir/biography section than I do most books I read about life and stuff. This would go on forever in a lifetime.

The man in his own words.......2004-12-11

Sometimes self-serving, somewhat pretentious, but indispensable. Edward Kennedy Ellington, the greatest composer this country has ever produced, in his own words.

Class........2004-11-18

Classic. If you consider the classic elegance of Edward Kennedy Ellington, it should come as no surprise that his prose is as lyrical and poetic as his music. This is a wonderful collection of writings. It is in effect an arrangement of essays and short pieces written with what I suspect is love about the love of his life-jazz, or music itself, if you will. The book contains many short pieces-impressionistic sketches and characters of persons that Duke Ellington knew-musicians, friends, acquaintances, public figures. But it also has a variety of essays-longer subjects interwoven with themes and counterpoint. Ellington's is exquisitely musical prose-again, not to be surprised. The organization is chronological, narrative, more or less. Duke organizes with autobiographical passages followed by short portraits-Dramatis Felidae-that demonstrate the concreteness through brief descriptions of the persons that he knew with anecdotes that define them. The book covers a life filled with friends and experience. The variety is tremendous, and the life and the career are masterpieces. The themes and subjects are multifaceted. This is Duke Ellington's poetic literary suite posing as prose, and it should not be missed. Really-it's great poetry and a terrific compendium of jazz history and experience.

Straight from the master's mouth.......2000-07-27

I'm a great fan of autobiography. Granted, often it is sanitized and self-serving, but there's nothing like hearing a person tell their own life, especially if the life is as important as this one. Without a doubt, Duke Ellington was the century's greatest American composer and bandleader; the only ones who even come close to him (Aaron Copland, George Gershwin, Cole Porter) had neither his longevity nor his variety. And none of them also maintained a working band through six decades! I own almost every recording ever released by Duke Ellington; his music has become indelibly printed on my brain. This book may not be the most accurate account of his life (if you can handle a little armchair psychology, the Collier biography is the best choice for that), but this is like sitting in a room hearing Duke talk -- and play!

Utterly Fascinating Life.......2000-01-13

Wow what a book. The best part about this book is that Duke wrote it. You get it straight from him. I recommend this book to anyone into the music.

His accounts of his younger days were what most appealed to me. He pays so much respect to the people he was surrounded by, both his family and the community of musicians. Sometimes the many names dropped can be a bit much, but that was just his style--always letting people know who helped him, who mentored him, who taught him, who he admired. There's scarcely a mean-spirited word in the whole book!

There is a lot of variety to the way he tells his stories. Sometimes its through the name dropping profiles; sometimes its through interviews reprinted for this book; sometimes its through out-and-out philosophical dissertations about music and life; sometimes it's in the midst of his endless travelling of the globe with his band.

For the musician looking for tips and advice, there's plenty of Duke wisdom provided throughout. His overall love for music and musicians is just SOOO apparent. My favorite piece of advice is that he said he learned music exclusively through oral instruction, from people in the scene who would share techniques and secrets seemingly as freely as idle conversation (how different the musical climate is these days!)

The last third or so of the book get a bit tedious for this reader. There just wasn't a lot of variety to his accounts of globetrotting and meeting all the important people in all the countries. What kept me going through these sections were the occasional gems of advice or insight, but there's more of that in the first half of the book. Thank god for the end of the book, a funny interview where the interviewer is REALLY condescending to Duke, but Duke gets through is with all the grace, wit, intelligence, and humor that makes him such a compelling person, composer, and most of all, a genius and musical mystic.

Amazon.com

One of the 20th century's greatest composers, Duke Ellington (1899-1974) led a fascinating life. The first biography to draw on the vast Duke Ellington archives at the Smithsonian Institution, this book recounts the entirety of his remarkable career: his childhood in Washington, D.C. and musical apprenticeship in Harlem; his long engagement at the glamorous, gangster-owned Cotton Club; the challenging years during the Depression; his tours to Europe and into America's deep South, where he helped lower racial barriers; the postwar years when television and bebop threatened to eclipse the big bands; Ellington's own triumphant comeback at the 1956 Newport Jazz Festival; his collaborations with Billy Strayhorn, Johnny Hodges, Ella Fitzgerald, and John Coltrane, among others; and of course, the music itself, five decades of hits and masterpieces that constantly broke new ground.

John Edward Hasse serves as Curator of American Music at the Smithsonian Institution, curator of its traveling exhibition Beyond Category, and producer and annotator of the boxed set of recordings by the same name.

Book Description

One of the twentieth century's greatest composers, Duke Ellington (1899-1974) led a fascinating life. Beyond Category, the first biography to draw on the vast Duke Ellington archives at the Smithsonian Institution, recounts his remarkable career: his childhood in Washington, D.C., and his musical apprenticeship in Harlem; his long engagement at the Cotton Club; the challenging years of the depression; his tours to Europe and into America's deep South, where he helped lower racial barriers; the postwar years when television and bebop threatened to eclipse the big bands; Ellington's own triumphant comeback at the 1956 Newport Jazz Festival; his collaborations with Billy Strayhorn, Johnny Hodges, and Ella Fitzgerald; as well as five decades of hits and masterpieces that constantly broke new ground. The art of Duke Ellington was a musical expression of the African-American experience, in all its pain, pride, and glory. He composed his music as he composed his life-with flair, passion, and individuality-and no book reveals the man and his artistic evolution more brilliantly than Beyond Category.

Customer Reviews:

Not Merely A Genius Of Jazz...But Rather A Musical Genius!!!.......2005-06-02

His music has resonated all around us for nearly a century. We almost unconsciously react to the melodic rhythms of his brilliant compositions as we watch television or listen to the radio. Often the arrangements are backdrops to our daily lives...soothing our mood or stimulating us to tap our feet or simply sway to its almost spiritual cadences. Such is the music of the Great Duke Ellington. In "Beyond Category" we find an outstanding biography of arguably the greatest composer the world has ever known. From his early days as an aspiring composer/bandleader in Washington, D.C.; through his New York days at the Cotton Club; and onto his unprecedented tours of Europe, Africa and the Far East, this book takes you on a delightful journey into the creative mindset and personality genius of Ellington. Unlike many writings of this nature, Hasse manages to avoid sentimental veneration in conveying many of Ellington's talents in regards to people, business dealings, and his relationship with women. The book is a well-written, enjoyable composition that draws the reader into Ellington's world. Additionally, the author grants appropriate respect to the musicians, artists and businessmen who aided Ellington throughout his career, thus balancing the text superbly. I highly recommend "Beyond Category", not only for the Ellington fan or even a Jazz fan, but for anyone interested in the life and times of a musical genius and an icon of American history.

Top Ellington biography of the 3 I've read so far.......2004-05-29

Beyond Category is the best introduction to Duke Ellington's life and music. It was created to coincide with a Smithsonian exhibit and it offers a quality professional biography of Ellington's life and times. The author considers Ellington's life a series of problems to solve for his mind. Some of these problems are how to learn piano, how to start a band, how to compose with a partner, how to react to the recording band, how to deal with the loss of key soloists, how to compose larger works and ends up hitting many of the high points of Ellington's life and works.

Most of the new research at the time came from Mercer Ellington's enormous donation of his warehouse of materials for the Duke Ellington collectionl. Yet as a book intended for a popular audience, the musical content of this trove was not really fully dealt with. Mercer's collection comes through in the fabulous photographs that are interspersed throughout the book. It may have been better to have all the photographs grouped in several sections as not everyone will have time to read the entire book I suppose.

One very helpful aspect to the book was that at the end of each chapter there was a guide to key recordings of Ellington's life. This type of material is very helpful to those new to Ellington's life.

I found the prose to be clear and adequate although not as lively as some of the other excellent jazz biographies I've read such as Chambers' Milestones.

This book gets a 4.5 star rating for anyone new to Ellington. It's accessible, readable, and gives you several ideas to approach the true gold mine of Ellington's music.

For jazz researchers and scholars, there's still room for a knockout biography of Ellington that adds the information from the Smithsonian collection to wide ranging interviews and even better prose. Researchers will want to read this, but I'm not sure how much of this material is groundbreaking.

4.5 stars for neophytes
3.5 stars for Ellington scholars

4 stars overall

Better late than never.......2003-11-08

No sentimentality here. Just warm, rich story telling of a great man. I'm actually embarrassed to say that after lifetime of jazz I just dicovered The Duke. This is a very well written and balanced portrayal of a man,his music and his times. If there's more to say I don't want to read it; it's time to listen.

excellently researched book.......2000-04-12

As an old time lover of Jazz, but rather new to really examining the lives behind its great musicians, and particularly Duke Ellington, I started out with "Duke Ellington: A Spiritual Biography" by Janna Tull Steed (great book (and just 192 pages) for anyone new to the Duke & jazz). It was Steed's book that really built the interest to explore Ellington in more depth and, Hasse's book is just what I was looking for. It is a hefty book but it is absolutely and completely accessible, just what is required to approach this great man of Jazz.

A compeling portrait of one of America's greatest composers.......1999-04-08

This is a thoroughly enjoyable story of the life and times of one of America's greatest and most prolific composer/musicians. It characterises the "Duke" as a caring, people loving person with close family ties, and a quest for excellence against all odds. The Forward by Wynton Marsalis is clear and insightful. The author has accomplished an easy to follow sequence of events enhanced by photos and drawings. I highly recommend it to anyone interested in the genre.

Howard Morgen / The Ellington Collection for Solo Gui (Howard Morgan Fingerstyle Jazz)

Average customer rating:

Top-notch jazz pieces
Great arrangements, but not for beginners
Not for Beginners

Howard Morgen / The Ellington Collection for Solo Gui (Howard Morgan Fingerstyle Jazz)
Howard Morgen
Manufacturer: Alfred Publishing Company
ProductGroup: Book
Binding: Paperback

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ASIN: 1576234932

Book Description

Twelve of the Dukes' most memorable compositions arranged in standard notation and tablature. Includes: Do Nothin' Till You Hear from Me Don't Get Around Much Anymore In a Sentimental Mood It Don't Mean a Thing (If It Ain't Got That Swing) Mood Indigo Satin Doll Sophisticated Lady Take the 'A' Train.

Customer Reviews:

Top-notch jazz pieces.......2007-09-12

I bought this book a while ago and Howard Morgen's arrangements look quite different from pieces arranged by other jazz masters: they are very elegant, incredibly melodic, and grab the ear by unusual combinations of chords and single note solos with harmonics. I agree with other reviewers that Howard's arrangements are technically difficult to perform and fretting hand fingering is quite challenging. However, playing his arrangements is not impossible! This is my advice how to work on them. First, when working on the piece listen to it on the CD alone with reading the notation to link the audo signal with its notation's spelling - do it until you can hear the music just by reading the notes. Second, practice playing the most challenging measure until it sounds very close to what's on the CD: don't jump to practicing the new measure until you are good with the previous one because if they both sound "bad" you may become easily frustrated. Third, if you find it difficult to play chords requiring stretching fretting fingers over "15 frets" you can re-arrange these parts by either skipping some notes in the chord or refingering them into a more comfortable position: it will not sound as nice as original arrangement but will be good enough to walk through the entire piece.
The reason I gave it 4 is that it appears that there are few places where notation does not match its CD sound (check Satin Doll), and I hope this will be corrected in next editions of this wonderful book.

Great arrangements, but not for beginners.......2003-04-18

I really like this book. The arrangements are very interesting and well presented. Although it's not a book for beginners, some of the arragements are well suited for intermediate players who are just starting to learn solo jazz guitar. Others, though, are challenging even for a fairly advanced player (which is what I consider myself). If you find this book too challenging, make sure to stay away from Morgen's book on Gershwin. Even the simplest of those arrangements are hard.

Not for Beginners.......2003-03-21

... or even intermediates. I went through a handful of the arrangements in detail, and I found that the fingerings are much more demanding than necessary to perform any of these pieces. The flourishes and single-note non-melody material should be marked optional and instead is treated as essential, making the arrangements pretty, but also pretty tricky. Best for an intermediate guitarist, who is probably already able to make decent money gigging and who already owns a handful of fake books, who is looking for alternative arrangements.

Duke Ellington (Getting to Know the World's Greatest Composers)

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Duke Ellington by Mike Venezia

Duke Ellington (Getting to Know the World's Greatest Composers)
Mike Venezia
Manufacturer: Childrens Press Chicago
ProductGroup: Book
Binding: Paperback

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ASIN: 0516445405

Customer Reviews:

Duke Ellington by Mike Venezia.......1997-12-15

The book is only 32 pages and with only 11 pages devoted to actual text, he did an excellent job in projecting DE musical career. A wonderful gift to a child in the 4-8 age bracket.

The Life and Times of Duke Ellington (Masters of Music)

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The Life and Times of Duke Ellington (Masters of Music)
John Bankston
Manufacturer: Mitchell Lane Publishers
ProductGroup: Book
Binding: Library Binding

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ASIN: 1584152486

Book Description

Duke Ellington brought jazz to America. The music he played sprang in part from the blues and gospel rhythms of the plantation slaves living in the mid-19th century, infused with the sounds of ragtime from the turn of the century. The music was a sharp improvisation for which band members played anything they wanted along a chosen key or set of chords, so the music was always different.

Blutopia: Visions of the Future and Revisions of the Past in the Work of Sun Ra, Duke Ellington, and Anthony Braxton

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Sorry, but it's just ...
A Groundbreaking Study that Any Fan of Jazz Must Read

Blutopia: Visions of the Future and Revisions of the Past in the Work of Sun Ra, Duke Ellington, and Anthony Braxton
Graham Lock , and Graham Lock
Manufacturer: Duke University Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0822324407

Book Description

In Blutopia Graham Lock studies the music and thought of three pioneering twentieth-century musicians: Sun Ra, Duke Ellington, and Anthony Braxton. Providing an alternative to previous analyses of their work, Lock shows how these distinctive artists were each influenced by a common musical and spiritual heritage and participated in self-conscious efforts to create a utopian vision of the future.
A century after Ellington’s birth, Lock reassesses his use of music as a form of black history and compares the different approaches of Ra, a band leader who focused on the future and cosmology, and Braxton, a contemporary composer whose work creates its own elaborate mythology. Arguing that the majority of writing on black music and musicians has—even if inadvertently—incorporated racial stereotypes, he explains how each artist reacted to criticism and sought to break free of categorical confines. Drawing on social history, musicology, biography, cultural theory, and, most of all, statements by the musicians themselves, Lock writes of their influential work.
Blutopia will be a welcome contribution to the literature on twentieth-century African American music and creativity. It will interest students of jazz, American music, African American studies, American culture, and cultural studies.

Customer Reviews:

Sorry, but it's just ..........2001-06-26

This reads like poorly researched graduate-school blathering (which I expect it is).

Mr Lock appears to have approached his sources with his thesis already formed and to have avoided all contact with anything that might force him to reconsider. Check out his footnote admitting that his use of Ellington's song title is totally inappropriate to what he's trying to make it mean, yet he decided to use it anyway!

His comparison of Sun Ra's mythological musings and autobiographical confessions with slave narratives is ridiculous in that it reveals a thorough lack of knowledge of comparative religion. The author acts as though the experience of death and rebirth or of choosing a new name to reflect a new station in life were phenomena unique to (and invented by) African-Americans. He clearly didn't research this topic thoroughly.

This is a really shoddy work and not worth your time, much less your money.

A Groundbreaking Study that Any Fan of Jazz Must Read.......2000-08-18

Graham Lock's "Blutopia" stands as one of the great explorations into three of the most enigmatic performers in the history of creative music: Sun Ra, Duke Ellington, and Anthony Braxton. When I first heard that this book going to be published, I worried that Lock's approach might not be able to draw a strong connection between these amazing performers, or that it might be too journalistic and not critical enough, like some of his previous work. After reading just a few pages, it became obvious that this is a first-rate work of scholarship that should be required reading for anyone who is interested in creative music. This will undoubtedly stand among the classic texts written about creative music, along with the brilliant studies by Valerie Wilmer, John Szwed, and Mike Heffley.

Lock examines the common musical heritage of his subjects, showing how their visionary thoughts become manifest in their music, often amidst the crippling misconceptions perpetuated by the press. He delves deeply into the actual interviews and writings of Ra, Ellington, and Braxton, establishing connections between their work and a larger spectrum of academic, religious, and political thought. Particularly interesting is the section on Anthony Braxton, which is a welcome addition to the author's previous work "Forces in Motion." Lock examines Braxton's operas, including even those that have not yet been made available to the public. His discussion of Braxton's use of "text" is an illuminating contribution, and one that is much needed in contemporary scholarship on Braxton.

In short, Lock shows how the art and thought of Braxton, Ellington, and Ra provide those who experience their work with not only the opportunity to view the world with an alternative paradigm, but how in many ways we, as collective humanity, should forget about "history" (which has failed) and start believing in "mystery." The mystery is real--and it is true--and I can think of no better preface to read before embarking on Sun Ra's trips to space--or Braxton's forays into affinity dynamics and meta-reality--than Lock's "Blutopia." It is a masterpiece.

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Very Difficult!

Learn From the Master

Excellent Transcriptions

Oscar Peterson Plays Duke Ellington: Piano Artist Transcriptions
Oscar Peterson
Manufacturer: Hal Leonard Corporation
ProductGroup: Book
Binding: Paperback

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Oscar Peterson Note for Note

ASIN: 0634077740

Book Description

17 transcriptions of one of the greatest piano players of our time performing the works of one of the greatest composers of our time. Includes: Band Call * C-Jam Blues * Caravan * Cotton Tail * Do Nothin' Till You Hear from Me * Don't Get Around Much Anymore * I Got It Bad and That Ain't Good * In a Mellow Tone * John Hardy's Wife * Just a Settin' and a Rockin' * Night Train * Prelude to a Kiss * Rockin' in Rhythm * Satin Doll * Sophisticated Lady * Take the "A" Train * Things Ain't What They Used to Be.

Customer Reviews:

Very Difficult!.......2007-10-03

This is a great volume of sheet music to get, it includes many classic Ellington tunes as perfomed by Oscar Peterson. I didn't realise when I purchased it that, the version of C-Jam Blues here is an exact transcription of the recording on the Night Train album. This alone makes the purchase worthwhile.

Naturally these transcriptions are very difficult and will require a lot of time and effort to get anywhere near the original recordings. Its worth pointing out, that most, if not all the recordings these transcriptions are based on, are available to buy. So at least you will be able to hear how they are supposed to be played, even if you never quite reach that standard!

Learn From the Master.......2007-04-20

Heralded as one of the greatest pianists to ever live by critics. This book is a good resource for those to see the genius of Peterson and how he composed and improvised. The licks and chord voicings are wonderful.

Excellent Transcriptions.......2005-08-30

This book is great for anyone who listens to an Oscar Peterson recording and thinks, "I'd love to see that solo written out so I could try to play it." The transcriptions are fantastic-- trying to play along is a great way to begin to understand how OP would perform a piece. It also gives you insight into how talented this man truly is! Perfect for the aspiring jazz pianist.

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