History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

Albrecht Dürer and the Venetian Renaissance

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Albrecht Dürer and the Venetian Renaissance
Katherine Crawford Luber
Manufacturer: Cambridge University Press
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Binding: Hardcover

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Book Description

Katherine Crawford Luber examines twenty-five paintings by the German artist in an effort to reevaluate his relationship to contemporary Italian art and his status as a painter. Luber explains how DÜrer appropriated Venetian techniques and suggests that the artist was engaged in the exploration of an atmospheric, coloristic perspective. She argues that this exploration unifies DÜrer's work and necessitates a reassessment of the critical division between his painted and graphic work.

Biographical Encyclopedia Of Artists (Biographical Encyclopedia of Artists)

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Biographical Encyclopedia Of Artists (Biographical Encyclopedia of Artists)
Alvar Aalto , Paul Durand-Ruel , Albrecht Durer , Jan Lievensz , Limburg Brothers , Francisco Ribalta , Jusepe De Ribera , and Francisco De Zurbaran
Manufacturer: Facts on File
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Binding: Hardcover

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ASIN: 0816058032

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Dürer and his Culture

Manufacturer: Cambridge University Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0521620376

Book Description

This collection attempts to set preeminent German Renaissance artist Albrecht DÜrer (1471-1528) in the cultural context of the early sixteenth century. It offers analyses of and suggests relationships between DÜrer's work and aspects of his culture that have not received much attention in previous scholarship. These include views of nature and attitudes to collecting, patriotism and morality, witchcraft and the rituals of courtship, the power of visual images and the role of censorship.

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Albrecht Durer (Lifelines)
Victoria Salley
Manufacturer: Prestel Publishing
ProductGroup: Book
Binding: Paperback

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Albrecht Durer: 1471-1528, The Genius of the German Renaissance (Taschen Basic Art Series)

ASIN: 3791330756

Book Description

Introducing Prestel Art Guides: attractive, affordable and authoritative. What more could you want from a reference book?

Designed to slip into a pocket, backpack or purse, and written to deliver concise information, these new guides to the world's major artists are a handy reference tool. Open any page of these guides and you'll find a host of facts and illustrations clearly presented in eye-catching spreads.

Compare and contrast details of artworks. Learn about the artist's life and times. Follow the evolution of a career. Discover where his or her works can be found today. Enhanced with glossaries, bibliographies, and maps, the guides are printed on heavy, coated paper with a flexible cover that is durable enough to withstand repeated use. With this much information made accessible, Prestel's new Art Guides are certain to be opened again and again.

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Human Figure
Albrecht Durer
Manufacturer: Dover Publications
ProductGroup: Book
Binding: Paperback

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Drawings of Albrecht Durer

The Complete Engravings, Etchings and Drypoints of Albrecht Durer

The Complete Woodcuts of Albrecht Durer

Albrecht Durer and His Legacy: The Graphic Work of a Renaissance Artist

Michelangelo Life Drawings (Dover Art Library)

ASIN: 0486210421

Book Description

This incredible collection contains drawings in which Dürer experimented with many methods: the "anthropometric system," learned from Leonardo; the "exempeda" method, known to most as the man inscribed in a circle, the human figure in motion and much more. While some drawings are theoretical, many more are life studies that rank among the finest ever done. 170 plates.

Albrecht Durer and His Legacy: The Graphic Work of a Renaissance Artist

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Albrecht Durer and His Legacy: The Graphic Work of a Renaissance Artist
Giulia Bartrum
Manufacturer: Princeton University Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0691114935

Book Description

Albrecht Dürer is the most significant and admired artist of the northern Renaissance. Tracing his work and influence from his earliest career to his powerful posthumous role within German culture, this richly illustrated book surveys all of the artist's best-known prints as well as numerous drawings and watercolors.

The catalogue of a greatly anticipated exhibition of Dürer's work in England--including loans of many precious works rarely seen by the public--the volume features 85 color and 267 black-and-white illustrations. It follows Dürer's career from his first work in the medieval tradition of Martin Schongauer, through his Italian education in the classical tradition, to his sophisticated development of the woodcut and engraving techniques that changed the history of printmaking. The book examines Dürer's long-lived influence, from the obsession of artists and collectors with his work during the late sixteenth century to the iconic status he acquired amid the rise of German nationalism in the nineteenth. It considers how the popularity of his images migrated into a range of materials as diverse as porcelain and banknotes. This assessment of his art and legacy concludes with a contemplation of Dürers famous print, Melancholia, written by the Nobel Prize-winning German novelist Günter Grass, himself a printmaker.

Offering a much-needed fresh look at the work of a major Renaissance artist, this handsome book is certain to deepen the broad international appreciation that Dürer's work already enjoys.

EXHIBITION SCHEDULE

The British Museum
December 5, 2002 - March 23, 2003

Albrecht Durer: 1471-1528, The Genius of the German Renaissance (Taschen Basic Art Series)

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Excellent short book on Durer

Albrecht Durer: 1471-1528, The Genius of the German Renaissance (Taschen Basic Art Series)
Norbert Wolf
Manufacturer: Taschen
ProductGroup: Book
Binding: Paperback

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ASIN: 3822849227

Customer Reviews:

Excellent short book on Durer.......2007-10-19

Taschen's artist series varies, but all are certainly carefully turned out little books, filled with nicely formats and excelletn printing.
This book on Durer is an example of the better ones. The author begins right at what for me is the pinnacle of Durer's art - his charcoal drawing of his mother near death, a supreme work of realism, and one of the most powerful portraits in art. A wealth of material is covered without too much difficulty, rather an accomplishment, as Durer's worl is myriad and tricky to get a handle on.
Highly recommended, though Art History majors and readers up to a challenge should step up to the far more complex studies of Durer by Panofsky and, especially, the more recent one by Joseph Koerner, The Moment of Self-Portraiture in German Renaissance Art, this latter now in paperback. Koerner's book also has a fine discussion of the misunderstood and very underappreciated art of Hans Baldung Grien.

Albrecht Durer: His Life, His World, And His Art

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Albrecht Durer: His Life, His World, And His Art
Peter Moser
Manufacturer: Babenberg
ProductGroup: Book
Binding: Hardcover

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ASIN: 3933469163

The Life and Art of Albrecht Durer (Princeton Classic Editions)

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Looking for good reproductions? Don't get this one.
An essential classic in Durer studies
Unen-Durer-able
Definitive

The Life and Art of Albrecht Durer (Princeton Classic Editions)
Erwin Panofsky
Manufacturer: Princeton University Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0691122768

Book Description

This classic text presents the life, times, and works of Albrecht Dürer. Through the skill and immense knowledge of Erwin Panofsky, the reader is dazzled not only by Dürer the artist but also Dürer in a wide array of other roles, including mathematician and scientific thinker. Originally published in 1943 in two volumes, The Life and Art of Albrecht Dürer met with such wide popular and scholarly acclaim that it led to three editions and then, in 1955, to the first one-volume edition. Without sacrifice of text or illustrations, the book was reduced to this single volume by the omission of the Handlist and Concordance. The new introduction by Jeffrey Chipps Smith reflects upon Panofsky the man, the tumultuous circumstances surrounding the creation of his masterful monograph, its innovative contents, and its early critical reception. Erwin Panofsky was one of the most important art historians of the twentieth century. Panofsky taught for many years at Hamburg University but was forced by the Nazis to leave Germany. He joined the faculty at the Institute for Advanced Study in 1935, where he spent the remainder of his career and wrote The Life and Art of Albrecht Dürer. He developed an iconographic approach to art and interpreted works through an analysis of symbolism, history, and social factors.

This book, one of his most important, is a comprehensive study of painter and printmaker Albrecht Dürer (1471-1528), the greatest exponent of northern European Renaissance art. Although an important painter, Dürer was most renowned for his graphic works. Artists across Europe admired and copied his innovative and powerful prints, ranging from religious and mythological scenes to maps and exotic animals. The book covers Dürer's entire career in exacting detail. With multiple indexes and more than three hundred illustrations, it has served as an indispensable reference, remaining crucial to an understanding of the work of the great artist and printmaker. Subsequent Dürer studies have necessarily made reference to Panofsky's masterpiece. Panofsky's work continues to be admired for the author's immense erudition, subtlety of appreciation, technical knowledge, and profound analyses.

Customer Reviews:

Looking for good reproductions? Don't get this one........2007-10-04

I was immensely disappointed when I received this book. I was aware that it was an art critic book, and not all focused on the actual works of Dürer, but still: The reproductions are poor excuses for illustrations. I don't think I've ever seen worse. This is a book for people who are interested in Panofsky's theories, not mainly interested in making up their own minds.

An essential classic in Durer studies.......2003-06-05

While Panofsky may seem indigestible to some - this is not a book for the "general reader" - this book remains essential material for anyone researching any aspect of Durer's career. It is written in more accessible prose than some of Panofsky's other works, since he concentrates more on straight monographic information than on deep interpretation.

The book takes us through Durer's career in chronological order. It is easy to look up specific works and their contexts (there are handy indices as well). It's comprehensiveness makes it a really useful book to have on hand. All Durer studies after this one necessarily make reference to what Panofsky said.

As a monograph this is, hence, extremely succesful. It is also a product of its time and of Panofsky's method. Newer studies, such as Joseph Koerner's "The Moment of self-portraiture in german renaissance art", probe deeper into some of the themes about which the reader may be left wondering upon reading Panofsky.

Durer is arguably THE most important artist of the German Renaissance; Panosfky the most important art historian of our time. Read the book!

Unen-Durer-able.......2002-10-21

Erwin Panofsky was one of the founders of modern art criticism and a very learned man who wrote many books on such abtruse subjects as the difference between iconography and iconology with all the seriousness of a central European academic.

This lavishly illustrated work on the great German Renaissance painter and print-maker, Albrecht Durer (1471 - 1528), starts with a reasonably good introduction, mentioning the differing historical views on Durer, such as the belief common among 19th-century German Romanticists that he was a meek and pious soul wholly devoted to the interpretation of Christian subjects and contented with a quiet and dependent life.

This picture of a pedantic, conservative craftsman is countered by a suggestion that there might have been a Faustian element in Durer's nature, typified by a restless craving for a perfection never to be attained and an acute awareness of irresolvable artistic problems.

Unfortunately, this lively opening is not lived up to. Panofsky's treatment of the biographical details of Durer's life - including the revelationn that he was unhappily married - leads to a long, shapeless, rambling account, governed more by the intricate chronology of Durer's artistic production than any profound sense of the man himself.

There is no denying Panofsky's erudition. He definitely has all the colors on his mental palette. But like a bad painter he mixes all the hues together in a messy attempt to show off how vast and detailed his knowledge is. An intrinsically fascinating subject is thus rendered increasingly murky and morass-like by Panofsky's inability to make clear points or structure the rich detail of his knowledge. This work is the classic example of a book written by an academic with his nose too deeply buried in his subject. A strong editor would have been a godsend.

Definitive.......2000-02-18

This is surely the definitive book on German renaissance artist Albrecht Durer (still justly famous in this century for his engravings "Knight, Death and the Devil," which a baby-boomer friend had as a poster on his wall, and "The Four Horsemen of the Apocalypse"). The collection of reproductions of Durer's work, and that of contemporaries that influenced him, is extraordinary, taking up much of the volume's rather sizable girth. My only significant complaint is that I wish there had been at least a few color reproductions.

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