Customer Reviews:
Connections.......2007-01-11
I was wowed reading this energetic, straightforward book, mainly by the many connections made--how Pollocks studies with the great Mexican muralist Orosco who used used/taught a dripping splashing underpainting technique can logically link to how Pollock got splashing and painting on large scale canvases---to the influence of other artists, such as Picasso, on the early works of Jackson Pollock, to the revelation of Pollock's love of and use of found natural forms...
still reading it.......2006-08-07
I am just beginning to explore pollacks work - book is well laid out
Good review of Jackson Pollock's work, but not personal enou.......1999-07-12
This book is a thorough review of Jackson Pollock's work and his professional life; however I would have enjoyed it more if there had been more indepth reporting of his personal life. HIs relationship with his wife, parents and brothers would have made for a more insightful view of the artist as a man.
Customer Reviews:
Great for teachers!.......2007-04-20
Informative book about the late author for elementary school level children. Also a great artist to study and try to replicate. My students have a blast learning about Jackson Pollock then creating their own splattered masterpiece!
Mike Venezia has lots of fun teaching young kids about the art of Jackson Pollock.......2006-05-01
Mike Venezia's Getting to Know the World's Greatest Artists series is dedicated to the principle of introduction children to art and artists in fun ways. His primary way of doing that is to draw engaging cartoons that highlight not only biographical information about his subjects, but which also focus on key elements of the artist's work. That means this book about Jackson Pollock plays to Venezia's strengths, and he gets to do two jokes about using an eggbeater. If you count the front and back covers, Venezia gets to do nine of his cartoons, which may not be a record but it sure seems like one for this series, which also provides solid introductions to great artists from Da Vinci to Dali.
This book begins by pointing out that Pollock was one of hte greatest artists of the 20th century and that he was best known for huge paintings made by slapptering, throwing, and dripping paint onto this canvases. Then Venezia spends the rest of this informative and entertaining volume explaining how the latter leads to the former. Young readers learn how Pollock painted, what his work was called (Abstract Expressionism) versus what he called it (Action Painting), and how they emphasized emotions and energey rather than recognizable objects. The middle part of the books covers the key aspects of Pollock's life, but the best part is when Venezia details how Pollock developed his style, because that is where young readers are going to get a mini-education in art history.
Early on Pollock was trying to paint like Thomas Hart Benton, and Venezia contrasts Benton's "Arts of the West" with Pollock's "Going West," to show how that did not really work out. Paintings by Jose Clemente Oroczco and Pablo Picasso's "Guernica" also become reference points as Venezia traces the evolution of Pollock's art, culminating in "Blue Poles." The book touches on Pollock's unhappinesss without getting into detail, but that is appropriate for an introductory look at his life and art. In the end, Venezia underscores how Pollock was not just throwing paint around and that he knew exactly what he was doing. It is suggested that seeing Jackson Pollock's paintings in person is a good thing, so it is helpful that Venezia explains where the paintings in this book come from so you have an idea of where to go to see some of them (but be careful, because some of these references are for the works by the other artists).
Pollock for kids........2000-09-24
I took last summer my two daugthers, age 6 and 9 to the Museum of Modern Art in New York. They loved it and each one choose her favorita artist. The younger one, Isabel, loved Picasso. Who doesn't?. My older daughter, Camila loved the american artist Jackson Pollock, she sat in front of his masterpiece One, admiring all that aparently no-sense. Its beautiful, she told me, and I sure can do that. She's not very good in art class and she felt identified with this painter's work. Wanting to explain his art I found a wonderful book, part of a series written by Mike Venezia about the great artists. In the case of Jackson Pollock, the author mixing words, comics and paintings explains in a fun way the wonders of the work of this artist. Pollock was the brother of a painter and went to study art as his brother did in New York, he tought he wasn't very good at it. But working and studyng with contemporary painters helped to create his personal style making him one of America's biggest contemporary artist. Try explaining that to your kid, don't bother. Mike Venezia will do the job.
Book Description
"A remarkably fresh look at Pollock's life and work."
-Publishers Weekly
Ellen G. Landau's compelling and original book, now published in an affordable paperback edition, covers the life and work of this complex, tragic, and immeasurably influential figure in modern art. More than 100 of Pollock's big, bold canvases are reproduced in glorious color, including six gatefolds that show his vast horizontal works without distortion. Every lover of American art, every lover of great art, will enjoy this gorgeous volume, the definitive work on a painter who revolutionized the world of art.
Customer Reviews:
"Jack The Dripper" Enchants and Excites the Art World.......2007-01-10
This beautiful book with an anthology of Pollock's work; along with the details of his life, was very engrossing. I was unfamiliar with his work; although I do collect some artwork. When I saw and read the book from the coffee table of a friend's home over the holidays; I couldn't wait to order from Amazon.com for my copy. A recent find of Pollock's work was shown on David Letterman. It sold for millions after being locked away in a closet for many years. Beautiful book for a fantastic artist.
strong text, inconsistent reproduction quality.......2003-08-08
Before Varnedoe and Karmel's Pollock monograph, which accompanied the MOMA / Tate retrospective a few yeas ago, this was the best available text-and-plates book about Pollock. In terms of its text, this book is still relevant and insightful. Like Elizabeth Frank, Landau does a lot of truly eye-opening comparison work throughout her book. She'll reprint a work by Picasso, say, or a Native American artifact, or a Pollock sketch, and then analyze the influence it exerted on one of Pollock's key canvases.
And unlike the Varnedoe/Karmel book, this volume reprints these several kinds of works in close proximity, often on the same or a facing page, a useful feature. Landau's remarks about Pollock's sources, outcomes, growth and directions are always at least provocative and often really instructive, particularly in her coverage of the late black paintings. Indeed, Landau's analysis is regularly listed and praised in other authors' bibliographies.
The drawbacks of the book are its numerous poor reproductions, and plates after all make the primary reason for buying an artist monograph. Many of the plates are excellent and crisp--"Lucifer," "Pasiphae," "Autumn Rhythm," the colorful, playful works following Pollock's marriage. But too many of the plates and fold-outs are muddy, and Pollock's use of silver or aluminum paint is simply beyond this book's ability--as with the gaudy and over-exposed looking gatefold that opens the book. "Blue Poles" and "Stenographic Figure" are among the book's other poor reprints. Until I saw the Varnedoe/Karmel reprint of "One: Number 31, 1950," and then again in "person" at the MOMA, I just flatly didn't understand how Pollock had approached it. It looks "ok" in Landau, but with a lessened resolution that just slightly confuses the webbing throughout.
Still, I value the book and particularly its text. As for the reproduction quality, I did buy a second copy to cannibalize it; I've posted many laminated pages throughout my classroom. But I got that copy at remaindered prices. At full cost, this is a 3 1/2 or 4 star book. At bargain prices, the book rates 4 or 4 1/2 stars. Varnedoe/Karmel is just visually superior.
A gorgeous retrospective of a brilliant body of work.......2001-05-19
This intelligent and lavishly illustrated volume, which first appeared in a 1989 hardcover edition, covers Pollock's entire career, his early influences, and the progression of the themes, techniques, and accomplishments of his life as an artist. Ellen Landau's text is enlightening, but the best part of this book is, inevitably, the illustrations themselves, which are an unparalleled feast for the eyes. For those who want to experience and understand Pollock's art (rather than dwell on his personal problems) this is an excellent choice.
Average customer rating:
- The Norton Critical Edition of Jackson Pollock
- A Great Supplement
- Very disappointed!
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Jackson Pollock: Key Interviews, Articles, and Reviews
Jackson Pollock
Manufacturer: The Museum of Modern Art, New York
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Such Desperate Joy: Imagining Jackson Pollack
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The Essential: Jackson Pollock (Essentials)
ASIN: 0870700375
Release Date: 2002-07-02 |
Book Description
This anthology surveys five decades of critical response to Jackson Pollock, bringing together essential and hard-to-find texts from newspapers, journals, and catalogues. It includes all of Pollock's statements about his art as well as interviews with his wife, painter Lee Krasner, providing firsthand testimony about his goals and methods. Reviews of Pollock's early exhibitions reveal the intense interest his work aroused even before he arrived at his famous technique of "dripping" paint. Later articles trace the growth of Pollock's myth after his death in 1956 and document the continuing debate over psychological and mythological interpretations of Pollock's work.
Customer Reviews:
The Norton Critical Edition of Jackson Pollock.......2002-12-21
The intended and proper audience for this terrific book is the deeply engaged Pollock student (or acolyte). Further, the volume has no artwork or pictures at all; if you're looking for a good edition of his paintings, try the wonderful MOMA exhibition catalogue, edited by Kirk Varnedoe. What this volume offers is a rich and engaging range of Pollock statements, interviews, art reviews, criticism, analysis, and aesthetic speculation. Together with a good book of his paintings, this book would give you a sort of "Norton Critical Edition" of Pollock's work--you'd have the paintings and then this record of decades of analysis.
Now, in a few cases the lack of pictures does actually hinder one's ability to follow all of the comparisons and insights these essays offer. This is especially true in this book's generous reprint of William Rubin's seminal "Jackson Pollock and the Modern Tradition", originally serialized with copious illustrations. Nonetheless this book presents, chronologically, a tremendous overview of the 20th century's evolving reception and understanding of Pollock's art, from his own published or radio-broadcast commentary to Life magazine's ambiguous (but myth-making) "Is He the Greatest Living Painter in America?" to Clement Greenberg to psychoanalytical writings to Elizabeth Langhorne's allusive and speculative examination of a single painting, "The Moon Woman Cuts the Circle." It's a great book to just pick at, what with its variety and scope, and each page poses something for consideration or debate--to the person who really knows Pollock's work and its underpinnings well. I wish this book had included something from John Berger; what the book "Such Desperate Joy" includes from him is really provocative and efficient. But I suppose that's a petty criticism in light of what this book does assemble, making availiable in one place all of this critical investigation into one of the 20th century's great artists.
A Great Supplement.......2002-11-06
This book is the type of art book that is the exception to the picture rule. The fact that there are no pictures doesn't detract a bit from the abundant amount of information it contains. I suspect greatly that this is the type of book that only those initiated into the Pollock milieu (and his work) would want to read anyhow. A fantastic source of nostalgia and information that allows the informed reader the opportunity to fill in some blanks on his own.
Very disappointed!.......2001-12-28
Image, a book about a famous artist, will all kinds of information, but ZERO pictures of either him or his paintings. Other Pollock books are better. If you must have every book about this artist, ok, get it, but put it at the bottom of your wish list.
Book Description
Jackson Pollock was more than a great artist, he was a creative force of nature. He changed not only the course of Western art, but our very definition of "art." He was the quintessential tortured genius, an American Vincent van Gogh, cut from the same unconforming cloth as his contemporaries Ernest Hemingway and James Dean--and tormented by the same demons; a "cowboy artist" who rose from obscurity to take his place among the titans of modern art, and whose paintings now command millions of dollars.
Here, for the first time, is the life behind that extraordinary achievement--the disjointed childhood, the sibling rivalry, the sexual ambiguity, and the artistic frustration out of which both artist and art developed.
Based on more than 2,000 interviews with 850 people, Jackson Pollock is the first book to explore the life of a great artist with the psychological depth that marks the best biographies of literary and political figures. In eight years of research the authors have uncovered previously unknown letters and documents, gained access to medical and psychiatric records, and interviewed scores of the artist's friends and acquaintances whose stories had never been told. They were also the first biographers in twenty years to benefit from the cooperation of Pollock's widow, Lee Krasner.
The results of these unprecedented efforts lie before you: a rich, sprawling, landmark biography of one of the most compelling figures in all of American culture; a brilliant, explosive "portrait of the artist," intimately detailed, abundantly illustrated (with more than 200 photographs from Pollock's life and work, many of them never before published), and filled with new information and new insights.
In a style as richly textured, engrossing, and poignant as the best of contemporary literature, Steven Naifeh and Gregory White Smith give us the family crucible out of which the artist and his art emerged. Beginning with Jackson's birth on a sheep ranch in Wyoming, we follow the Pollock family on a relentless trek across the American West, as their dreams of a better life somewhere else are repeatedly frustrated. We see the young Jack Pollock as a struggling art student in New York, escaping into drunken rages or throwing himself into the Hudson River in one of several attempts at suicide.
Later, we see Pollock, by turns, gently affectionate and outrageously cruel, creatively bankrupt and heroically productive. We see him alternately fascinated and intimidated by his contemporaries: Clement Greenberg, Franz Kline, Willem de Kooning, Robert Motherwell, Barnett Newman, Harold Rosenberg, Clyfford Still, Tennessee Williams. We see him enter into a tumultuous marriage with the painter Lee Krasner, creating a powerful alliance that will lead first to triumph, then to decline, and finally to death when, with his mistress at his side, Pollock smashes his car into a tree.
But Jackson Pollock is more than the epic story of a tormented man and his sublime art, it is also a compulsively readable, sweeping saga of America's cultural coming of age. From frontier Iowa to the dust bowl of Arizona, from the twilight of the Wild West to the desolation of Depression-era New York, from the excitement and experimentation of the Mexican muralists to the fanfare of the Surrealists' visit to America, from the arts projects of the WPA to the explosion of interest and money that marked the beginning of the modern art world, Pollock's story unfolds against the dramatic landscape of American history.
Here then is a definitive record of the journey of an artist, filled with piercing psychological insights, that brings us to a truer understanding of the power and pathos of creative genius.
Customer Reviews:
profound, beautiful, fascinating writing--lags at the end.......2007-08-03
Must admit that when I received this tome in the mail, it took me weeks even to pick it up and look at it, as it seemed just well over-the-top in length and weight for the story of this one man or for a summer read. But as soon as I began, I was off. The writers carry you along like the best fiction writers, and in the meantime you get an inside peak at an entire era -- the times, the mood, the other people around and active in the American modern art movement. It almost seems impossible that the authors were able to gather so much detail to make this so vivid! I became attached to it like a favored novel. Only one criticism--the last multiple chapters are all about his post-production, post-return to drinking, destructive downhill spiral. After a while, this portion became repetitive as in "enough already, I don't need to hear about his destroying yet another set of lawn furniture." At some point well before the end, I the reader wanted to jump in the book and put him out of his misery. Still -- what an American tragedy and must read.
Comprehensive and detailed.......2005-09-07
Whenever I hear the phrase "exhaustively researched," I will think of this book. The authors interviewed over 800 people! The notes section is extensive and detailed, so if you wonder where they (Naifeh/Smith) got a quote, go to the back of the book and find out. I have been lugging this book around for about three weeks (the hardcover copy is over 800 pages and must weigh over 5 lbs), ever since I saw the movie "Pollock" with Ed Harris and decided to read the book it was based on. This is a thorough biography of Jackson Pollock. It starts with his grandparents to give you a good idea of how Jackson came to be. I am not an artsy person (at least, I don't pay much attention to artwork) and don't know much about artists (aside from the music appreciation class I took in college, which I enjoyed), so this was an eye-opener for me. The only Pollock painting I had ever seen before reading this book was the one briefly shown an episode of "Sex and the City." I very much enjoyed this book. It clearly showed the connection between Pollock's art and his life. His childhood deeply affected him and the trauma he still felt (along with repressed homosexuality) came out in his art--when he would let it. Although I didn't enjoy the overview of Jungian psychology, it was necessary to know the basics to understand how Pollock's interaction with a Jungian psychologist helped his art, if not his emotional trauma. The book is competently written, which is good considering its length and complexity. A few things I found somewhat irritating and distracting from the main focus of the book was the embellished or fictionalized accounts of Pollock and what he may have been thinking or thought. How do they (writers) know? They should have stuck to the research, and not included how they imagined something happened or how Pollock thought--that takes away from the seriousness of the book. The end of the book, when Pollock is driving drunk and crashes the car, is a good example of that. It reads like a novel: "For an instant, everything was silent--except the air rushing by. Escape velocity: he had finally reached it." Although I like the imagery, I am not sure if an extensively researched biography is the place for it. Also, that sentence (and ones preceding and following it) seem to imply that Jackson knew what he was doing and killed himself. This could be true, since Pollock had a fascination for driving fast (and drunk) and not caring about the consequences, but whether it was accident or he meant to die is unknown, and the writers shouldn't imply one over the other. The other thing that bugged me was the extent of the information. That is, not only do we get mini-biographies of people who influenced Pollock, but we get mini-biographies of the people who influenced the people who influenced Pollock! It got to be a little crazy, trying to digest (and remember) all this information. Overall, though, I enjoyed the book. It was an intellectually stimulating and sad story of misunderstood artist. I wish I had read this book before seeing the Pollock painting (one of his big "drip" ones)at Ontario Museum of Arts (I think that is what it was) in Toronto. I would have appreciated it more.
I love this book........2003-08-12
This is one of the most interesting biographies I've read in a long time. I think Pollock is mostly misunderstood. He was a very good painter, but he's a simple guy, looking to be famous to make a few bucks, have a few kids, and remain relatively on the level, but Lee Krasner knew better. Pollock hated "phonies" and felt he had became one after the Look article, etc.. Here you'll find all those wonderful Pollock stories in fine detail. Like him pissing into peggy Guggenhiem's fireplace during a cocktail party. This book will give you the history of that period like no other, and a feel for what it's like to be an ambitious artist in the New York art world. Great supporting cast in Lee Krasner, Clement Greenberg, Peggy Guggenhiem, and all those painters!
Commits almost all of the sins of the biographer's craft.......2002-07-20
The Naifeh/White Smith biography of Jackson Pollock is extensively researched, and it's also (for what it's worth) fairly readable. But it's a pretty bad biography. The writers feel free to let their imaginations run riot, and indulge in weak psychobiographic speculation with little proof or justification, and they seem intent on "reading" Pollock's life as if it were a coherent and pre-written text (the most offensive example of this is at the end, when they seem to suggest Jackson's death, and his attendent criminally negligent killing of Edith Metzger, were somehow part of his artist's journey). I think a major artist like Pollock deserves a better and more responsible biography.
Who cares how many pages it is?.......2002-01-23
I read this book when it first was published.
This book made me want to see the new movie!
I balked at it's cost but it is the best biography I have ever read.
It is well researched and written.
Things from the book at linger in my memory after all this time?
His hell raising at the Canal Bar,dealing with Peggy Guggenheim, his death and the strange notion that he claimed he would supposedly "know" when a woman had her period.
Read this book, I'm going to again!
Book Description
No modern artist is more controversial than Jackson Pollock, whose life is the subject of a new feature film starring Ed Harris. With an intense, troubled personality that many see reflected in his radical "drip" paintings, Pollock was the first American painter to be hailed internationally as an innovator. Even before his death in a drunken car crash in 1956, he was mythologized as Abstract Expressionism's quintessential bad boy. But he was also respected for his sincerity, loved for his sweet nature, and envied for his brilliance. Today Pollock's legend looms larger than ever, inspiring poets, playwrights, composers, and choreographers, as well as visual artists. The film Pollock starring Ed Harris as Jackson Pollock, Marcia Gay Harden, Val Kilmer, and Jennifer Connelly is set to be released late Fall 2000. His art, never popular in the conventional sense, has a growing cadre of dedicated enthusiasts. Why is Pollock such an enduring touchstone of American culture? This collection of writings, interviews, creative responses, and personal revelations - many never before published or long out of print - examines the multiple dimensions of his impact and influence, and proves that the real Pollock is even more fascinating than the myth. The book includes never before published art, photos, letters and interviews from the Pollock-Krasner House archives, new contributions by actor/director Ed Harris and musician Patti Smith, and interviews with Patsy Southgate and Willem de Kooning, as well as Clement Greenberg, Peggy Guggenheim, Hans Namuth, Frank O'Hara, Jeffrey Potter, Norman Rockwell, and Barney Rossett.
Customer Reviews:
Great source of material.......2002-07-27
This is a great collection of information on Pollock. One of the greatest things to note is the inclusion of material from after his death in 1956, his influence on society. This includes editorial cartoons, poems written about and inspired by Pollock and his work, as well as scripts from plays based on his life. I would have to say that if you were looking for a good introduction to the man, the artist, and the influence he had/has on contemporary society, then pick this collection up.
Average customer rating:
- Pollock Unveiled
- Overarching new vision of Pollock for today
- Dazzling unveiling
- A looking and reading pleasure
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Jackson Pollock: Veiling the Image
Donald Wigal
Manufacturer: Parkstone Press
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Binding: Hardcover
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ASIN: 1859959555 |
Book Description
Born in 1912, in a small town in Wyoming, Jackson Pollock embodied the American dream as the country found itself confronted with the realities of a modern era replacing the fading nineteenth century. Pollock left home in search of fame and fortune in New York City. Thanks to the Federal Art Project, he quickly won acclaim, and after the Second World War became the biggest art celebrity in America. For De Kooning, Pollock was the "icebreaker." For Max Ernst and Masson, Pollock was a fellow member of the European surrealist movement. And for Motherwell, Pollock was a legitimate candidate for the status of the Master of the American School. During the many upheavals in his life in New York in the 1950s and 60s, Pollock lost his bearings--success had simply come too fast and too easily. It was during this period that he turned to alcohol and disintegrated his marriage to Lee Krasner. His life ended, like that of 50's film icon James Dean, behind the wheel of his Oldsmobile, after a night of drinking. This book throws light on a new era in art and on the personality of Pollock, the undisputed master of Abstract American Expressionism.
Customer Reviews:
Pollock Unveiled.......2006-08-12
I must confess to having litle appreciation of the work of Jackson Pollock before reading Donald Wigal's "Pollock: Veiling the Image." This was surely due in large part to my bias in favor of representational art--a bias that endures. But this book has brought me to a genuine appreciation of a major artist. A light went on when I read: "Several artists stress the theme about Abstract Expressionism in theory, but some acted it out less convincingly in their work. Likewise, other artists observe the effect paint has when dripped on to a surface, but none before Pollock developed it into the brilliant visual polyphony he made happen" (94). That phrase, "brilliant visual polyphony," was the light switch. I suddenly realized the kinship between abstract impressionism and music. I would never have demanded that a concerto have an identifiable subject. Thanks to Donald Wigal and to the marvelous reproductions in this book, I now recognize that Pollock is at his best when he is least representational, and that Pollock at his best is brilliant.
It occurs to me that there is a polyphonic quality to Wigal's text that mirrors the subject: There is, within a clear organization, a polyphonic overlay of cultural history, biographical fact, psychological observations, and critical insights, that is ingeniously suited to the complexity of the subject. Here art criticism reaches a high artistic level in its own right, and I find myself personally enriched.
If "Jackson Pollock: Veiling the Image" can do for others what it has done for me, it should be a valuable and enduring contribution to art criticism.
Joseph H. Wessling
Overarching new vision of Pollock for today.......2006-07-02
Wigal's "Veiling the Image" is a new vision of Pollock -- something completely grand & overarching as nothing else I've read & reinvigorates things for today's minds. It's complex, incredibly interesting, imaginative & makes one desire to re-engage with it's sense of contemporary relevancy & beauty. The text is fascinating & compelling -- actually awesome & totally readable. It examines Harris's film & moves forward to 2005 including interviews about my own yet to be released www.Pollocksquared.com indie feature.
Wigal's incredibly researched all of this not only philosophically but poured it all out in more fresh ways than one can imagine with wonderful fresh vignettes not only about Pollock in great detail but his milieux including Ruth Kligman, DeKooning, Agnes Martin, Frank O'Hara, Larry Rivers, includes references to many artists & critics of today including fractal scientist Richard Taylor. It even explores the market as related to Pollock's prices. The perfect unified one in all book for any Pollock lover or for people who never got it before -- because they will now. Does what other books can't. It looks like publisher Parkstone spared no expense in every aspect of quality control with this wonderful & beautiful production. It makes sense for today's modern audience.
For myself as an artist the vast number of large Pollock reproductions & their clarity of color & sharpness surpass by far the best I've seen of any Pollock's before. They're in a class by themselves. Many images were also completely new to me & very appreciated. Wigal's made it all happen, every aspect, coming totally alive in fresh imaginative ways in dimensions I've never remotely seen explored before.
I'll be exploring it for a long while.
Bill Rabinovitch
rabinart@aol.com
www.Pollocksquared.com
Dazzling unveiling.......2006-06-22
The author does with words what Pollock did with paint. Don Wigal hurls and drips facts around simple organizational concepts. Comments about an actress' Brooklyn accent sit within a larger skein of Pollock the rebel cowboy. Besides being enjoyable, these slipping-in-from-the-side factoids, they present a continually changing perspective on Pollock. These fresh viewpoints make it easier to understand Pollock as a real person.
It would have been better if the illustrations of Pollock's work were more related to the text. They are very well done, however. You can see the texture of the paint.
Wigal places Pollock, his genius and his personal failings, in the fabric of both his own time and larger questions of science, philosophy, and history. The book sent my head spinning after several pages; it is best read a bit at a time, then savored.
A looking and reading pleasure.......2006-06-06
What a delight this book is. Pollock's paintings are presented in their historical and cultural context. The text drew me more and more into Pollock's world, making me eager to look, really look, more and more at the spectacular paintings. In the reading and the looking I felt like I was traveling the path of this unique American artist in his process of self-discovery and artistic expression. This book is a real pleasure! I'm going back to read and look again!
Average customer rating:
|
Jackson Pollock: Meaning and Significance (Icon Editions)
Claude Cernuschi
Manufacturer: Icon (Harpe)
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Binding: Paperback
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Book Description
Deborah Solomon interviewed the people who knew Abstract-Expressionist painter Jackson Pollock (1912-1956) for this insightful portrait.
Customer Reviews:
A most critical and detail-filled look.......2002-01-09
Jackson Pollock is the fascinating and well crafted biography of a truly remarkable and influential American painter who held himself to the most demanding standards. Biographer Deborah Solomon interviewed more than two hundred people to reconstruct Pollock's brilliant yet contrary and sometimes self-destructive life. A most critical and detail-filled look at a very complicated artist and a highly recommended addition to personal, academic, and community library art history and biography collections.
Manages to make Pollock Dull.......2001-08-18
I checked this book out at the local library along with a text on how to transfer course units from a business major into psychology. This book made the reference text read like a novel. Truly dreadful. Avoid this even if it's free.
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