Average customer rating:
- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
- History as Science Fiction
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History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
ProductGroup: Book
Binding: Paperback
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Similar Items:
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History: Fiction or Science? Chronology 2 (Chronology)
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History: Fiction or Science? Astronomical methods as applied to chronology. Ptolemy's Almagest. Chronology III
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Discovering the Mysteries of Ancient America: Lost History And Legends, Unearthed And Explored
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They Cast No Shadows: A Collection of Essays on the Illuminati, Revisionist History, and Suppressed Technologies
ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Book Description
46 outstanding studies, including sketches for David, Sistine Ceiling, Last Judgment, and more. Nudes, figure studies, children, animals, mythical and religious works, more. New volume in Dover Art Library affords insight into mastery of proportion, anatomy, perspective, shading, contrast. Essential for artists, museum-goers.
Customer Reviews:
okay, not great.......2007-01-04
The images are not the highest quality, but if your goal is to get a taste, maybe to have something to copy to learn the style, this book will do fine, and it is not terribly expensive.
useless.......2006-03-17
What is the point of buying having the book when you can't even see it. The print quality of this book is so poor. The images are either too dark or just can't see at all.
Inexpensive renderings of classic drawings........2001-08-13
A good buy for any student of art or anatomy.
Extraordinary Studies of the Great Master.......2000-10-22
In this thin but great book, you'll find 46 works of the great master - Michelangelo. Concentrating in Life drawings you'll see studies of the great marble - "David", for "The Battle of cascina",for various figures of the Sistine Chaplle Ceiling,and many more astonishing studies, all vivid in his great manner. Black & white. A real "Must Buy", especially in this price. Michelangelo. The Master.
definately worth the [price].......2000-09-11
this is a collection of 46 figure drawings michelangelo did. michelangelo was a master painter and sculptor, he rendered figures more beautifully than any other artist ever has. most of the drawings in this book are studies he did for his paintings and sculptures. and he was a master draftsman. the book is in a workbook style binding so it takes up little space, but it is a hardy book. it is well worth the...price.
Average customer rating:
- The Holy Sinner
- A Brillant Concise Biography
- Caravaggio is Caravaggio
- you'll love it.
- Interesting Account of Caravaggio and his works
|
Caravaggio: A Passionate Life
Desmond Seward
Manufacturer: William Morrow & Company
ProductGroup: Book
Binding: Hardcover
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M : The Man Who Became Caravaggio
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The Lost Painting: The Quest for a Caravaggio Masterpiece
ASIN: 0688150322 |
Amazon.com
Historian Desmond Seward has written an indispensable book on Caravaggio--equally balanced and historically double-checked. But even with all its references, dates, names, quotes, and careful scholarship, this biography reads like a novel that is impossible to put down. Caravaggio, of course, with his "wild, wild spirit" and "very strange temper," according to contemporary accounts, is a natural subject for a galloping narrative. Caravaggio's religious and social status as a Knight of Malta, his protection by a famous cardinal, his street fighting, his fine silk clothes worn until they rotted away, his prostitute models and lowlife friends, his repeated failure to win a commission for St. Peter's, and his bitterness at the rise of mediocre rivals are just some of the ingredients of this good read.
What Seward does, to riveting perfection, is convey 16th-century life to the reader. He takes Caravaggio's renowned naturalism and shows us where it came from. He transports readers to Rome in the 1590s, where they explore the old stones of the ancient empire, step over the human excrement in the streets, and witness the pageantry of luxurious horse-drawn carriages promenading through the mud. Readers lurk with Seward in the darkness, light lamps and candles, and feel the damp as the Tiber rises, leaving behind more than a thousand corpses when it finally recedes after a terrible flood. They stand in the crowd and watch as the heads and bodies of decapitated criminals are quartered and hoisted on spears and ramparts for display. Gradually readers get the feeling that Caravaggio's predilection for severed heads was less the product of a tormented imagination than it was simply all in a day's observation for an unwavering realist. --Peggy Moorman
Book Description
Michael Angelo da Caravaggio (1571-1610) had an amazingly colorful and adventurous career, full of dramatic contrasts. He was a religious artist who used prostitutes and castrati as his models; a mystic with a police record; the favorite of Cardinals and the Pope's portrait painter, who committed a murder; an outlaw from the Roman hills, lionized at Naples; a Knight of Malta imprisoned in a Maltese dungeon; hunted by hired assassins in a vendetta with an unknown enemy; horribly disfigured by sword cuts in a Neapolitan brothel. Ironically, he died on a lonely Tuscan beach after receiving a pardon that would have allowed him to become an even greater painter.
Based on the latest research, but largely written as an adventure story, the book concentrates on the man and his personality, without neglecting the artist. It vividly re-creates his life in early Baroque Italy and as a "monk of war" on Malta.
Customer Reviews:
The Holy Sinner.......2006-06-07
I am fascinated by the combination in one person, of great creativity, in the service of religious ideals, with uncontrolled sexuality, violence and criminality, and depression. The relationship between these two extremes may be the modern temperament writ large. Thus, in the company of many people, I have long been interested in the art and character of the great Italian baroque artist, Michelangelo de Caravaggio (1571 -- 1610). Desmond Seward's short and readable biography, "Caravaggio: A Passionate Life" (1998) offers a good overview of a remarkable artist and deeply flawed and troubled person. Seward is an English historian who has written on the medieval and renaissance periods. He is a member of the Knights of Malta, as was Caravaggio for a brief time; and Seward's religious perspective undoubtedly has much to do with how he sees the artist. I was not convinced by parts of Seward's understanding of his subject. But he presents his materials well with room for his readers to disagree.
Caravaggio was born in the small Italian village for which he is named, and his father died a victim of the plague early in life. From 1588 -1592 he served an apprenticeship as a painter in Milan but fled to Rome, most likely as a result of killing a policeman. In Rome, Caravaggio ultimately received recognition for his extraordinary paintings but was forced to flee the city in 1606 after killing a man named Tommasoni in a duel. (He had earlier accumulated a long police record in Rome.) He received a dispensation to join the Knights of Malta but was expelled and forced to flee after another duel in which he severely wounded a superior in the Order. Caravaggio had strong defenders in Rome, greatly aware of his extraordinary gifts, and received a papal pardon. But, knowing that he had been pardoned, in 1610 Caravaggio died a miserable death en route to Rome after drinking contaminated water. During his years in Rome and thereafter, Caravaggio was an astonishing painter, creating many masterworks, mostly on religious themes. Many of his works have been lost, but some have resurfaced in recent years.
Seward gives a brief treatment of the little that is known about Caravaggio's life and makes an effort to separate knowledge from speculation in the original source material. He does a good job in putting the artist's life in the context of the Italy of his day, with its many states, cultures of endemic and pervasive violence, and susceptibility to natural disasters, such as floods, and plagues. He also discusses effectively the counter-reformation in the Catholic Church; and he places Caravaggio's paintings squarely within the goals and religious outlook of the attempt to revitalize Catholicism from the challenges of Protestantism. For all the violence and difficulties in his life, Seward stresses, Caragaggio never had doctrinal difficulties that might have interested the Inquisition.
Seward also discusses Caravaggio's major paintings (the book includes good color reproductions of 16 of them) emphasizing their naturalism -- Caragaggio's attempt to paint people and things as they were -- and, increasingly, their mysticism and religiosity. He is good at pointing out the violence in many of the paintings -- especially the scenes of beheadings -- and their use of light and of dark shadings. Seward is far less convincing on issues of sexuality. He is dismissive on issues of eroticism in Caravaggio's art, and on the artist's likely bisexual or homosexual orientation. The historical record may be sparse, but many viewers have found compelling evidence of eroticism in the paintings -- including the paintings reproduced in his book. Seward properly emphasizes, I think, the religious, mystical nature that finds expression in Caravaggio's art, but he downplays the violent, demonic, and sexual nature of the artist. Thus, while he properly subtitles his book "A Passionate Life", he gives the reader less than the whole of it.
As Seward points out, in many respects Caravaggio, with his great talent and equally great human flaws, is the prototype of the modern antihero. Undoubtedly, this combination accounts for much of the fascination the artist and his works continue to exert. Seward's book sets the stage for considering the tortured relationship between Caravaggio's life and his art; but in the end he fails to do his subject complete justice.
Robin Friedman
A Brillant Concise Biography.......2004-10-02
It is no secret among my friends that Michelangelo Merisi da Carvaggio is among my favorite painters. Because Caravaggio's paintings have a narrative quality, an almost universal appeal and real drama, they have long spoken to me. When the National Gallery of Ireland loaned its newly discovered Caravaggio - one of the best and notably, one that hasn't suffered at the hands of overzealous restorers of past centuries - to our own National Gallery of Art, I flew to Washington to see it. Even hanging in the gallery of Baroque masterpieces, it stood out as a sublime work of art. Like his paintings, Caravaggio's life was a study in contrasts. While he painted soaring religious masterpieces, he lived his life in the gutter, fighting, killing, gambling and whoring. So, enjoying his work as much as I do, it is with pleasure that I share a elegantly crafted, well-written little monograph titled "Caravaggio: A Passionate Life." The author, Desmond Seward, is not an art historian but a historian of the Middle Ages and because of the number of art historians with an agenda; this is almost certainly a good thing...instead of being filled with jargon or far fetched theories, he has provided readers with a consise, well-written monograph on a epoch creating artist!
Caravaggio is Caravaggio.......2002-10-14
Any biography of Caravaggio is bound to be immensely interesting because he was far from ordinary, someone who will never fail to shock and amuse modern readers. While several reviews I have read complain about the brevity of the book, I found its length appropriate-it did the artist justice without bogging the reader down with too much analysis and irrelevant details. It assumes some familiarity with Italy and European history, but it has several chapters devoted solely to discussing the time period, while always making a connection to Caravaggio's life. I found it particularly nice that nearly all of Caravaggio's paintings were discussed and analyzed within the biography. The book has several copies of paintings inserted in its middle, but lacks the majority. Therefore, I found it incredibly helpful to have my Caravaggio anthology nearby so that I could follow the author's discussions. Undoubtedly, anyone that is not a Caravaggio fan would find these sections tremendously boring, but I loved the opportunity to pore over his paintings with a new understanding of their significance and context.
you'll love it........2000-03-18
This may be the best of the new Caravaggio books. As a painter and a student of art history, I found this book by Seward to be absolutely absorbing. Seward not only gives insight about Caravaggio's life, but also delves into the events that may have inspired his paintings. Please read this exciting book!
Interesting Account of Caravaggio and his works.......1999-11-25
Firstly an admission, I had no prior knowledge of Caravaggio or his paintings. My main area of interest is military history but after seeing the beautiful cover on this book I picked it up and browsed through the wonderful colour plates. I had to have the book to read and after ordering it from Amazon.com and sat and waited. It was worth the wait! I enjoyed the story of this most interesting man, yes its a bit short (200 odd pages) but to a person like me who had no prior knowledge or interest in this subject it filled a gap in my education. This was an interesting book to read and I just loved the colour plates of the artists work (16 colour pictures). The book has sparked an interest to learn more of this man, his times and his art. For that alone the book was worth it and the author has done his job. I would recommend this book for those who want to learn a little bit more about this man and his art.
Amazon.com
Seventeenth-century painter Nicolas Poussin once said that Caravaggio came into the world to destroy painting. Helen Langdon's marvelous biography suggests that rather than destroying painting, the Milanese artist gave it a new lease on life. Upon his arrival in Rome, Caravaggio ended a tradition of Italian Renaissance painting with his radically new naturalistic style, which continues to dazzle and influence viewers today. Beautifully poised between biographical scholarship and artistic appreciation, Langdon's book provides the reader with a complex, fascinating portrait of Caravaggio, still the rebel and outsider of the popular imagination, but also immersed in the Roman world of art, politics, and patronage. Some of the finest sections of the book vividly evoke the streets and brothels of early 17th-century Rome, which provided Caravaggio with the inspiration for many of his early works. By contrast, the later sections--which deal with Caravaggio's exile and commissions in Naples, Malta, and Sicily--seem rather brief and truncated, giving the final third of the book a rather unbalanced feel. This is, however, partly due to the elusiveness of Caravaggio himself--with little direct contemporary documentation on the painter, he often slips into the shadows, evading the scrutiny of even the most persistent biographer.
Langdon's achievement here is to produce a compelling portrait of the artist that throws new light on his paintings. Here is a painter who was proud, difficult, and arrogant, yet highly intellectual in his appreciation of the changing face of both Catholicism and scientific enquiry. Written with great historical clarity, and supplemented by 42 magnificent color illustrations, Helen Langdon's Caravaggio is a worthy contribution to scholarly study of this artist. --Jerry Brotton
Book Description
A powerful and illuminating biography-the first in English in two generations-of one of the most popular painters of all time.
Of all the great Italian painters, the seventeenth-century master Caravaggio speaks most clearly and powerfully to our time. His early paintings of cardsharps, musicians, and street vendors convey his fascination with the Roman demimonde; his stark and brilliant religious paintings convey the world of the poor and the outcast and the religious experience of the individual with a directness our age can recognize.
Caravaggio lived hard and died young, having fled Rome for Sicily, apparently after murdering another man in a dispute; his life is one of the most colorful of any artist's. In this vivid and beautifully written biography, Helen Langdon tells the story of the great painter's life and times in a way that leaves the reader with a renewed appreciation of his art.
Caravaggio painted a fairly small number of works, many of them for settings in Rome, Naples, and Sicily, where they remain today; and he painted directly from human models. So the story of his life and times reveals Italian society of the period-involving powerful patrons, sybaritic cardinals, and saints, as well as street boys, prostitutes, and rivalrous painters.
Langdon has spent a lifetime studying Caravaggio; this biography, the first in English in two generations, shows us Caravaggio's genius with the striking clarity of his own paintings.
Customer Reviews:
One of the Best .......2007-02-23
This is one of the best Caravaggio books ever written. It is a shame it is no longer in print. The combination of Roman history, church history and art history along with the extensive use of art plates, provide the backdrop for a thorough look into the life of one of the greatest artists of all times.
Helen Langdon gave me the opportunity to understand not only who Caravaggio was, but how he progressed in his development as an artist. This is a thoughtful and thorough presentation. There are many excellent books available on various aspects of Caravaggio's life and paintings; this is the most complete. It is worth the effort to try to locate a used copy of the book.
As clear a portrait as we can hope for, currently..........2002-01-26
Langdon's research payed off in this beautiful look at one of the Late Renaissance's most powerful (and mysterious, and notorious) painters. Sadly, most of what we know of Michelangelo Caravaggio's life is through second-hand sources -- police records and such -- but Langdon seems to have pored through every bit of esoterica related to the painter's relation to his time, his culture, and his peers. What we get for her troubles is a portrait of a man whose devotion to religion was so strong that he would do anything -- including lying about his lineage -- to maintain a secure place as a "defender of the faith."
Sadly, the one-star review on this page has a point: many of Langdon's statements are qualified with "perhaps", "almost certainly," etc. This, however, is one of the prices we pay for any attempt to pin down an elusive person who lived on the fringes of a society which passed four hundred years ago. I much preferred this reading to, for example, Desmond Seward's CARAVAGGIO of the same year, in which the author ranted against any recent interpretations of homoeroticism in Caravaggio's sensual paintings, and even against the concept of Caravaggio -- a notoriously violent and tumultuous figure in the history of painting -- having actually earned his lifetime reputation as a criminal!
Beautifully illustrated, well documented, and written with both a sensitivity towards the subject and a refusal to let that sensitivity obscure "the dirt". ..this is a significant addition to the study of one of painting's more fascinating figures. I highly recommend it.
Hedging as a Writing Stype.......2000-04-30
Ms.Langdon has impressive credentials but the book is exasperating for anyone who is interested in Caravaggio the man. There is hardly a comment she makes that isn't qualified. The text drips with phrases like quite possible, perhaps, it may be that, could it be that, etc. When so little can be known for certain about a figure in history, why not just write a novel--historical fiction is a more honest genre and less frustrating for the reader.
Light inside the Shadows.......2000-01-02
I found this book to be very entertaining as well as educational. The author did a great job of recreating the setting of Carravaggio's life; the important characters and atmosphere of all the places the artist lived in his nomadic life. Also, I look at Carravaggio's paintings in a new light and am even more impressed and moved by them than previously. Carravaggio's was a tragic life. The author captures the sense of impending doom that hanged over the artist's head like an executioner's sword. The author did a great job of bringing the artist to life with what little is actually known about him, through records, accounts, and most of all his paintings. Through it all there is the sense of an awesome talent and fragile ego, that both humbles and angers all who knew him. I came away realzing that Carravaggio was a man of his times as well as an artist of all time.
Book Description
Dear Diary, You will never in a million years guess where I’m going....Italy! In Europe!! Across the ocean!!! I even have a passport. It’s really cool, except I’m squinting my eyes in the photo, so I look like a dork. At least that’s what my brother said. I call him Matt the Brat. You would too. Trust me....
When Melanie Martin heads to Italy on a family vacation with her art-obsessed mom, her grumpy dad, and her little brother, she has no idea what she’s in for. As she discovers Michelangelo, Italian ice cream, and poetry, she also realizes how much her family means to her. Maybe she won’t trade them in after all.
Customer Reviews:
Melanie Martin Series; a great set of books!.......2007-02-12
My 10 year old daughter loves all four of the Melanie Martin books. She cannot put them down. Not only is she entertained, but also has learned a few things about other countries. As a teacher, I highly recommend the Melanie Martin books. I sure hope Mrs. Weston keeps adding more to this series.
Melissa Lombardo
Kid's reveiw.......2007-02-08
The Diary Of Melanie Martin is a book about a young girl called Melanie. She flies to Italy with her family on an airplane when she had never been out of the U.S.A. She loved the thought going to a foreign country, but things didn't turn out how she expected... I liked this book and all the characters in it. My favorite part of the book was when Melanie just went back home to the U.S.A. She had realized a lot about her family and learned some important values. Melanie inspired me to be nicer to my sibling, as she did in the book. I definitely recommend this book to anybody who has a sibling, or who has never been out of his or her country. In this book, she gives the lesson about trying new things and taking risks. I am sure that anybody who reads this book will learn some useful information about life! Enjoy!
Great!!!!!!.......2006-10-09
I read melanie martin, and it was sensational!!!!!!!!!!!!!!I wanted to learn about Italy, and she helped me learn about it. Read this book, and you'll wanna read the other three book too.
The Diary of Melanie Martin.......2006-05-11
A must read with the monalisa, sistin chapel, and boots the cat. Also it has ton of poetry. The book makes your mouth water for more.
Melanie on her own Roman Holiday.......2005-03-15
Having traveled to Italy with my family when I was twelve, The Diary of Melanie Martin called back dozens of similar memories of all the museums which were endured with the promise of gelato and of the delicious food which Weston describes to mouth-watering perfection. Reading this book, I kept on wishing it had been around for my family vacation so that my brother and I could have played "Point out the Naked People" during our museum tours; now I can only wholeheartedly recommend it to every member of a family planning a trip to Italy or just looking for a funny and truthfully-written book too perfetto to be missed.
Product Description
According to a vague tradition, the Simoni drew their blood from the high and puissant Counts of Canossa. Michelangelo himself believed in this pedigree, for which there is, however, no foundation in fact, and no heraldic corroboration. According to his friend and biographer Condivi, the sculptorÂ’s first Florentine ancestor was a Messer Simone dei Conti di Canossa, who came in 1250 as Podesta to Florence.
Customer Reviews:
Outstanding biograpphy !.......2004-11-02
Miguel Angel is to say in Carlyle words , the Hero made Artist .
If we had more individualities with his courage , the symphony of the civilization would be more glorious .
If we persisted in search of the affinities of such artist we would find them in Beethoven . If not go and listen the last quartets of Beethoven (Op. 130 and 132, for instance) and proceed to watch the last works of Miguelangelo . You will not find another music more appropriate which illuminates with so fevered state, intriguing pathos and dark clouds mood . He, as the legitimate son of the ancient Greeks lived in the right time and in the right place Florence to show the world the Renaissance not only was the most important artistic movement of the mankind story but it was more than necessary a figure of his stature appeared in the middle of this land .
He belonged to the lineage of the deep characters , violents , greatful , that strengthens and fight passionately.
Miguel Angel was the timeless inspiration to many other thinkers , writers and artists such as William Blake, Goethe, Beethoven , Liszt, Mendelssohn, Lord Byron , Carlyle and Fürtwangler, among others and even his legacy seems to have not any kind of restrictions.
The author makes a careful study and explores dilatory every stage of his complex life with magnificent illustrations and broad gusto that it represents an exquisite refinement exercise for the intellect and mind to read this fundamental biography
The description of the Sistine Chapel is simply a imagination triumph and the highest and supreme good taste .
Terrific recommendable.
Book Description
“This imaginative book takes the complex life of Michelangelo as a mythic model for gaining insight into your own creative life. By reading it you may find that you, too, can be extraordinary and creative.”
--THOMAS MOORE, author of Care of the Soul
“[A] life-changing book. With its real-life stories and accessible strategies, readers everywhere will have the chance to unlock their potential, overcome obstacles, and achieve real dreams.”
--LESLIE LEVINE, author of Wish It, Dream It, Do It
“This inspiring book demonstrates how ordinary mortals can emulate history’s greatest artist to reinvent their lives and create their own personal masterpieces. A must-read for anyone who has ever yearned to change his life but fears he has neither the tools nor the raw material.”
--LORRAINE GLENNON, coauthor of Those Who Can . . . Teach!
Whether you're trying to find your passion, make a dream come true, or face a major career change, there are lessons to be learned from the life of Michelangelo. The world's all-time master of sculpture, painting, and architecture, Michelangelo had the unique ability to "see" a masterpiece inside a block of stone--or hidden in the curves of a chapel ceiling. Then, with astonishing purpose and drive, he would bring his unique vision to life.
There's a masterpiece inside of you too. It's the life and career you've always wanted, buried beneath layers of doubt, fear, and untapped potential. All you have to do is "see" it--and release it--with The Michelangelo Method.
Created by two career and life coaches who have helped countless people change their lives--with a little help from the great artist himself--The Michelangelo Method is a remarkable step-by-step guide that will show you how to master the same creative strategies that inspired the statue of David and the paintings on the Sistine Chapel ceiling. Michelangelo approached every aspect of his life with passion, commitment, and courage. By applying these principles to your own life, you'll quickly learn how to:
- Open your eyes to the skills, strengths, and values you already possess
- Turn your secret passion into a lifelong commitment
- Take your career to new levels of personal achievement and joy
- Design and live a life that fits you
Filled with colorful real-life stories, insightful self-assessments, and an invaluable appendix of exciting career resources, The Michelangelo Method will help you to release your inner masterpiece--and live your life artfully, meaningfully, and joyfully.
Customer Reviews:
On a 1-10 Scale...I Give It an Amazing "100" !.......2007-02-01
This book was given to me as a gift and now I know why. I own thousands of books and this one really moved me. It stands out. It is a warm and friendly read, yet packed with tools, ideas and a clear life-changing approach to discovering and mastering a visionary full life. I felt like the authors were speaking directly to my soul and giving me the methods Michelangelo used so that I can now honor who I am on a very deep and meaningful level, no matter what life challenges may come my way. Thank you for unlocking the secrets, this book is a true gift to humanity.
Deeply Inspirational and Boldly Freeing.......2007-01-19
After reading The Michelangelo Method I thought, "If Michelangelo could chisel, create, and free "David," exemplifying beauty, art, and live human expression, out of cold, hard stone, then I could chisel away any obstacle, create and free myself for an extraordinary life. I only need to discover my passions, strengths, and values. This book offers a practical step by step guide, which provides all the resources needed to do this, thus, leading to an inspired and richly lived life!
Additionally, I learned about the insurmountable obstacles that Michelangelo had to overcome in order to be an extraordinary sculptor, painter, and architect. In realizing that obstacles are a natural part of life, I am now willing to accept them with grace. In discovering my individual strengths, values, and passions, I have the fortitude to chisel one day at a time, creating my own inner masterpiece! This book, a true work of art, provides what is needed to achieve this. Thank you, Ronald Paxton and Kenneth Schuman.
Reinvent your life or career; Schuman & Paxton show how.......2007-01-18
The Michelangelo Method is a straight-forward, clearly-explained, effective approach to greater happiness and fulfillment in personal and professional life. This captivating book offers compelling success stories, just enough no nonsense explanations of various aspects of the method, and concise exercises in the form of questions to ask oneself, in order to help release the inner you to be what you really want to be.
Thanks authors.......2007-01-15
I was intrigued by the cover and once I opened the book I read it through in one sitting. It is very inspiring, and I will go back to it again for the exercises and as well further inspiration.
I recommend it as a gift to someone feeling in a rut, looking for growth, or needing to accelerate or smooth a transition.
a classic inspirational good read
Michelangelo would have been proud.......2007-01-04
Finally a self-help/human potential book with some real intellectual grit. The authors do a superb job of both distilling Michelangelo's creative process and illuminating ways in which the mere mortals among us can aspire to emulate it. I was engaged throughout by the dynamic interplay among the concepts described, the case studies used to illuminate them and the practical exercises at the end of each chapter.
I was left with the three following thoughts. One, that Michelangelo had an uncanny gift for accessing his own inner reserves of creativity. Two, we all have such reserves even if not in such great abundance. Three, for anyone who finds the process of unleashing these untapped reserves more grueling and anxiety-provoking than the great artist himself did, this book offers useful insights and can serve as a practical guide.
Book Description
Michelangelo was, apart from being a sculptor, architect, and painter of genius, a poet and letter-writer of remarkable accomplishment. George Bull, a distinguished translator of many Italian classics, has brought his skill and experience to bear on translating this new selection of
Michelangelo's letters and poetry, as well as the Life, the biography written by Michelangelo's pupil Ascanio Condivi.
Average customer rating:
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Caravaggio (Life & Times) (Life&Times series)
Patrick Hunt
Manufacturer: Haus Pub.
ProductGroup: Book
Binding: Paperback
General
| History & Criticism
| Arts & Photography
| Subjects
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Baroque
| Schools, Periods & Styles
| Arts & Photography
| Subjects
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Rococo
| Schools, Periods & Styles
| Arts & Photography
| Subjects
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Caravaggio, Michelangelo
| ( A-C )
| Artists, A-Z
| Arts & Photography
| Subjects
| Books
General
| Painting
| Arts & Photography
| Subjects
| Books
General
| Arts & Photography
| Subjects
| Books
Artists, Architects & Photographers
| Arts & Literature
| Biographies & Memoirs
| Subjects
| Books
General
| Biographies & Memoirs
| Subjects
| Books
Memoirs
| Biographies & Memoirs
| Subjects
| Books
General
| Italy
| Europe
| History
| Subjects
| Books
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Caravaggio
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Ten Discoveries That Rewrote History
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Caravaggio (Icon Editions)
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Caravaggio: Colour Library
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M : The Man Who Became Caravaggio
ASIN: 190434173X
Release Date: 2004-03-01 |
Product Description
Nominated and Short-listed for the 2005 William Saroyan International Prize for Writing Born Michelangelo Merisi, as an adult he became known by the name of his birthplace, Caravaggio (1571-1610), he was the most revolutionary artist of the Italian Baroque. Consistently emphasizing the humanity of his religious subjects, he established a new way of painting. The intensity of his chiaroscuro style is matched only by the drama of his life. Outlaw, heretic, murderer, and sensualist were a few of the charges brought against him by his contemporaries. Patrick Hunt s wide-ranging professional and personal scholarship allows him to interpret Caravaggio s complicated religious and classical imagery while anchoring his art in his life.
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