History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

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Fantastic
A beautiful book!
Another life for Botticelli

Botticelli: Life and Work
Ronald Lightbown
Manufacturer: Abbeville Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0896599310

Customer Reviews:

Fantastic.......2006-02-27

This book is worth the money if only for the reproductions. Lots of large plates with a lot of close ups as well. If you only want one book on Botticelli this would be a good one.

A beautiful book!.......2005-08-14

This is fascinating book about the life of Botticelli and techniques he used. The reproductions are wonderful, including some close-ups of characters from selected paintings. I recently returned from Italy, and having viewed many of these paintings at the Uffizi Gallery in Florence makes the reading and the beautiful color plates throughout the book all the more enjoyable. I would highly recommend this book to fans of Renaissance art.

Another life for Botticelli.......2003-11-03

In the life of Sandro Botticelli, Lightbown does not remark the big season of secret science that linked several artists in and around Florence.
This science that today we can call "esoterism" come from the recent middle age and increased in Florence his importance.
The Great Lorenzo dei Medici was one of the most important men of this matter.

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Monet
Excellent!

Claude Monet: Life and Art
Paul Hayes Tucker
Manufacturer: Yale University Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0300072864

Book Description

This lavishly illustrated book presents the first complete overview of the life, art, and times of the quintessential Impressionist. Tucker, one of our foremost authorities on Monet, offers a striking new view of the artist, showing him to be a far more complicated figure than previously acknowledged, fiercely competitive and ambitious, as well as sensitive and inventive.

Customer Reviews:

Monet.......2000-09-17

i thought that this was a great book. it was wonderfully written, giving you a new understanding of the life of a great artist. not only was the book well writen but it was also full of hundreds of great recreations of monets best work.

Excellent!.......1999-02-24

This book gives a very good over view of his life and work. What he went through to get to where he became well known. This books is well illustrated with work that is not well known and several of his more well known work.

Jean-Honore Fragonard: Life and Work : Complete Catalogue of the Oil Paintings

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Jean-Honore Fragonard: Life and Work : Complete Catalogue of the Oil Paintings
Jean-Pierre Cuzin
Manufacturer: Harry N Abrams
ProductGroup: Book
Binding: Hardcover

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To Paint Her Life: Charlotte Salomon in the Nazi Era

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One of the most powerful and moving biographies

To Paint Her Life: Charlotte Salomon in the Nazi Era
Mary Lowenthal Felstiner
Manufacturer: University of California Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0520210662

Book Description

Charlotte Salomon was a German-Jewish artist who created a stunning visual diary of her life as a young artist in Nazi Berlin and as a refugee in France; she died in Auschwitz at age twenty-six.To Paint Her Life tells the story of Salomon's extraordinary life and death.

Customer Reviews:

One of the most powerful and moving biographies.......2001-04-27

You may have read many memoirs, and biographies about people affected by the Holocaust. However, do not think this is similar to other stories, or be put off by a topic that is upsetting. The journey through this book will be more than rewarding. Mary Felstiner has a deep, historical knowledge of Charlotte Salomon that she relays in a moving, and powerful style. You feel that you intimately know the people she writes about. Salomon's story is not one that is widely known, but it should be. She painted her life story during the Nazi years in the form of an operetta. Her paintings recently on display in the US tell a painful, vivid story of her, her parents, and her lover. This book is about what happened to Charlotte Salomon and her family during the Nazi years, but will also be of great interest to people interested in art, and in the human condition. I cannot recommend it highly enough.

Matisse the Master: A Life of Henri Matisse: The Conquest of Colour: 1909-1954

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More than history of art
Art is the Air That I Breathe
Matisse - He Shocked the World Yet He Pleases The Eye of the Individual!
See New Dimensions of Matisse's Work
Inspirational

Matisse the Master: A Life of Henri Matisse: The Conquest of Colour: 1909-1954
Hilary Spurling
Manufacturer: Knopf
ProductGroup: Book
Binding: Hardcover

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ASIN: 0679434291
Release Date: 2005-09-06

Book Description

“If my story were ever to be written down truthfully from start to finish, it would amaze everyone,” wrote Henri Matisse. It is hard to believe today that Matisse, whose exhibitions draw huge crowds worldwide, was once almost universally reviled and ridiculed. His response was neither to protest nor to retreat; he simply pushed on from one innovation to the next, and left the world to draw its own conclusions. Unfortunately, these were generally false and often damaging. Throughout his life and afterward people fantasized about his models and circulated baseless fabrications about his private life.

Fifty years after his death, Matisse the Master (the second half of the biography that began with the acclaimed The Unknown Matisse) shows us the painter as he saw himself. With unprecedented and unrestricted access to his voluminous family correspondence, and other new material in private archives, Hilary Spurling documents a lifetime of desperation and self-doubt exacerbated by Matisse’s attempts to counteract the violence and disruption of the twentieth century in paintings that now seem effortlessly serene, radiant, and stable.
Here for the first time is the truth about Matisse’s models, especially two Russians: his pupil Olga Meerson and the extraordinary Lydia Delectorskaya, who became his studio manager, secretary, and companion in the last two decades of his life.
But every woman who played an important part in Matisse’s life was remarkable in her own right, not least his beloved daughter Marguerite, whose honesty and courage surmounted all ordeals, including interrogation and torture by the Gestapo in the Second World War.

If you have ever wondered how anyone with such a tame public image as Matisse could have painted such rich, powerful, mysteriously moving pictures, let alone produced the radical cut-paper and stained-glass inventions of his last years, here is the answer. They were made by the real Matisse, whose true story has been written down at last from start to finish by his first biographer, Hilary Spurling.

Customer Reviews:

More than history of art.......2007-01-19

Superb! Not only one of the best biographies I've read, it get's into the mind of the artist. This is not an easy thing to do. I read it as I would a novel, it was very hard to put down.

Art is the Air That I Breathe.......2006-11-21

"Artists are like plants whose growth in the thickets of the jungle depends on the air they breathe, and the mud or stones among which they grow by chance and without choice." Matisse's words coupled with his life as proof of what van Gogh said about the love of art making one lose real love make the reader feel the pain, the joy and the rich colours of his life all that much more. He made us understand.

Hilary Spurling's masterpiece (savoured by me for endless months, days and hours) has been an extraordinary experience I never wanted to end - both volumes. And now her biography is all locked in my mind - hopefully, to be recalled again and again in painting after painting and life experience after love experience - thanks to all the years of her hard work and research.

I am now filled with the colours of the Master - just as he'd installed 'The Tree of Life' in "a change of key that brought an extraordinary clarity, serenity and stillness to the music of the chapel." If the student of art, the student of life might only read pp. 455-456, he/she would be amazed at one whose talents were mocked ("any child could paint better than Matisse." ... "...his inventions seemed not simply monstrous but blasphemous as well.") and would ache to have had the chance to be a simple fly on the wall in those last years of his life when the many energies swirled about his taxi beds and many wond'rous studios ever-changing, metamorphosing, revealing and displaying, nurturing, teaching... revolutionary!

Let us not forgot his bedrocks - the women who made all his successes possible are miraculous and astonishing... Lydia, Matisse's remarkable genius manager (we should all be so lucky to know such a dynamo); Amelie, his extraordinary wife and her 'nine lives'; of course, Marguerite, his daughter, whose amazing vitality and strength of character resounds on almost every page of his life story; she was one (by her great courage) who humbled him more than anyone else could; and the countless models and interns...

As a side note... I remember in January 2006 when Hilary Spurling "scooped one of Britain's most prestigious literary awards," Whitbread Book of the Year prize, just as the big scandal exploded about Oprah's book club "author" protégé/scam artist James Frey was exposed. I thought to myself, "There is still a god!" What kind of mindless person would turn to Oprah for advice on what to read in the first place?! What does she know about literature?

I am humbled at Hilary Spurling's great accomplishment and would love to meet her one day so I could sing her the song I wrote about Matisse and the story of his blue butterfly. [...]

"The blue of that butterfly and Cezanne
made you more of a spiritual man."

Matisse - He Shocked the World Yet He Pleases The Eye of the Individual!.......2006-06-08

Such a wonderful book to read! After seeing his works of art at the museums in New York (MET - MOMA); in Maryland (BMA); and in California (San Francisco), it is a joy to the human spirit to read this biography. This book offers the reader all the underlying events contributing to each of his major works of art. It allows us to better appreciate his extreme and intense efforts to create; it allows us to recognize his unquestionable courage to be himself while many of the art world turned away from him; and one will learn of his life long love of the natural world (birds and plants) and his view of the importance of the spirit of man. Further, this book allows the reader to see his social frustration; one can learn of his powerful drive (so red hot) to create, and one will see in words how he commanded everyone around him to assist him in his zeal to achieve his personal best in art. As the book denotes towards the end even Picasso, the great competitor, stated in a discussion of one of Matisse's later works (the Chapel in Nice): 'Only Matisse could do this!' Read to learn, read to know, and read to be more deeply passionate in love with Matisse as I am!

See New Dimensions of Matisse's Work.......2005-12-27

Those of us who live today are spoiled in one sense that we don't realize: We can see Matisse's work on display and appreciate its evolution. That wasn't possible until just the last few decades. Until then, many of his most powerful works were locked up in the Soviet system and not on display or were in the hands of reclusive collectors.

That's an important point to remember when you wonder why Picasso has gotten so much more attention than Matisse, you could always see Picasso's work and Picasso courted attention.

Matisse, by comparison, found that it took all of his energies just to create art. There was very little time left over for his family and the rest of the world. He also wasn't inclined to seek out those who could explain and defend his work. As a result, he was widely misunderstood and underappreciated during his lifetime. This book corrects many of those problems.

Of particularly interest is the finding that although Matisse spent his life painting voluptuous nudes, he didn't indulge in having sexual relations with his models. Rather he used the sexual tension the models created in him to help inspire a better work. The models did become, ultimately, the undoing of his marriage . . . but not for the reasons you expect.

As fascinating as he is as an artist, he even more interesting as a creative person and head of a family. Matisse saw his family's role as being there to serve art. Although in a crisis, he would show up to encourage and aid family members and friends . . . usually he was off painting or sculpting by himself in sunnier climes. The rest of the time, they were doing administrative tasks, critiquing the works, staying out of his way and helping him enjoy a tranquil existence.

Anyone who wants a deeper appreciation of Matisse's work will learn from this volume. Although the book would have been better with more color plates, the pages are generously illustrated with black and white reproductions to give you a sense of his focus and development.

For artists, the book's many insights into the pros and cons of relationships with collectors and dealers will make the volume a "must have" item.

I didn't know the background of many of his best works, such as Jazz. It was a pleasure to better understand why he did them.

In particular, you will come away with a new appreciation for Matisse's use of color to capture emotion. Think of The Red Studio and the Conversation.

I seldom savor biographies as much as I did this one. I plan to go back now and read the first volume in the series, The Unknown Matisse.

Ms. Spurling's extensive use of Matisse's letters (and especially reproducing the funny little cartoons he liked to put in them) made the book a special joy.

Nice work, Ms. Spurling!

Inspirational.......2005-12-11

Being a artist sometimes one needs to see new the world around them. The pressures of family life and the ability to do what you do sometimes empties the soul. What I find the most interesting is the perspective given to the self appraisal and the internal struggle Matisse went through in his personal and business dealing. Anyone interested in the business aspect of the art world from the artist perspective will find this book helpful in both personal and professional dealings.

Vija Celmins & Eliot Weinberger: The Stars

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Vija Celmins & Eliot Weinberger: The Stars
Eliot Weinberger , and Vija Celmins
Manufacturer: The Museum of Modern Art, New York
ProductGroup: Book
Binding: Paperback

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ASIN: 0870707043
Release Date: 2005-10-15

Book Description

New York artist Vija Celmins has made many images of the night sky--paintings, drawings, and prints of gorgeous richness. In The Stars she and her collaborator, the essayist and translator Eliot Weinberger, devote an artist's book to the theme. Celmins created three celestial prints for the project, which she also designed. One print, inspired by the worn binding of an early 20th-century Japanese book, becomes the volume's mottled deep-blue cover; the second and third prints are images of the night sky, one of them negative--dark stars on a pale ground. For the text, Weinberger assembled a catalogue of descriptions of the stars drawn from around the world, and from an array of historical, literary, and anthropological sources. This mythopoetic charting of the night sky evokes the vastness of the human imagination's response to a space itself vast and unknowable. Appearing in English and also in Arabic, Chinese, Hindi, Japanese, and Maori, the text supplements Celmins's images visually as well as verbally. The Stars was originally a limited-edition livre d'artiste published this year by the Library Council of The Museum of Modern Art.

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Life with the painters of La Ruche
Marevna Vorobev
Manufacturer: Constable
ProductGroup: Book
Binding: Unknown Binding

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ASIN: 0094587604

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An Incredible Biography
A Beautiful and Engaging Tribute to a Brilliant Artist

Georgia O'Keeffe: A Life
Roxana Robinson
Manufacturer: HarperCollins Publishers
ProductGroup: Book
Binding: Hardcover

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ASIN: 0060159650

Book Description

Georgia O'Keeffe is arguably the 20th century's leading woman artist. Coming of age along with American modernism, her life was rich in intense relationships -- with family, friends, and especially noted photographer Alfred Stieglitz. Her struggle between the rigorous demands of love and work resulted in extraordinary accomplishments. Her often-eroticized flowers, bones, stones, skulls, and pelvises became extremely well known to a broad American public. The New York Times Book Review named this richly detailed and moving biography a Notable Book of the Year.

Customer Reviews:

An Incredible Biography.......2001-07-23

"A Life" is the best book on painter Georgia O'Keeffe available. Every moment in Georgia's life is written about with painstaking detail. Nothing is missed. From her relationship with Alfred Steiglitz and his entourage from "291" to her intimate relationship with sculptor Juan Hamilton. I can't say enough how amazing this book is and how enjoyable it is to read.

A Beautiful and Engaging Tribute to a Brilliant Artist.......2000-04-15

Georgia O'Keeffe's life was one lived with courage and beauty and Robinson does her justice by writing this beautiful and engaging biography. The author delves into O'Keeffe's life and the passion of her work by describing her family history, her evolution as an artist, and perhaps more important to O'Keeffe, her evolution toward becoming her true self. The extra and vital layer that adds even more depth to this biography is Robinson's description of the art scene and the philosophies of art circulating in early 20th century New York.

This book would be of interest not only to those who enjoy O'Keeffe's work but also to those who are trying to become themselves, those who are interested in the history of art in America, or those who like to read for the sake of feeling beautiful words flowing through their mind.

This book was difficult for me to put down and I didn't want it to end. Roxana Robinson's work is a gem.

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Certainly Original

A Struggle to get Through

Fictitious? It Doesn't Matter...

simply amazing!!! a true reading experience never to forget.

A mess

The Secret Life of Salvador Dali
Salvador Dali
Manufacturer: Dover Publications
ProductGroup: Book
Binding: Paperback

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50 Secrets of Magic Craftsmanship

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ASIN: 0486274543

Book Description

This startling early autobiography takes Dalí through his late 30s and "communicates the snobbishness, self-adoration, comedy, seriousness, fanaticism, in short the concept of life and the total picture of himself (Dalí) sets out to portray" — Books. Superbly illustrated with over 80 photographs and scores of Dalí drawings and sketches.

Customer Reviews:

Certainly Original.......2007-08-21

So original and bizarre, the first half of the book should be made into a movie.

A Struggle to get Through.......2007-07-31

the book had a little of everything. Salvador Dali can be an interesting writer, and some sections of the book demonstrate this. The early chapters of the book covering his childhood are difficult to trudge through between irrational events and memories and ones that seem plausible. It is not a very good autobiography for recording ones milestones, but I suppose it recorded things that appealed and became ingrained in Dali to become motifs in his art, such as crutches for instance. As the book progressed Dali's philosophy became a little more clear and the book a little more interesting, especially as he and his wife Gala visited America and the world was prepping for World War II. All in all, I would rather have read a straight forward Dali biography than his convoluted auto-biography. You have to be a very tolerant reader to put up episodes that are difficult to visualizse or understand and to keep asking yourself, "Is this true or is Dali dreaming it up?"

Fictitious? It Doesn't Matter... .......2006-05-21

I know Dali well enough to know that this book is largely embellishments and his imagination running wild. But it just doesn't matter because this book, like his art, is brilliant. The purpose of reading an autobiography is to learn about he author, and we do plenty of learning in this case. The parts about his childhood and his early love life are the best. The portions about his opportunistic wife are the dullest.

simply amazing!!! a true reading experience never to forget........2005-08-03

considering my obsession with dali, you readers may find that my comment will be somewhat biased...yes, this book is quite strange and exaggerated, but how and what would you expect dali ,this eccentric artist to write? when you read this book, you get the feel of dali...whether his narcissim or egotism, you do not have to take him too seriously...he loved to shock and contradict in his life time , and naturally that was his goal with this book...its quite amusing really! a book that in my opinion must be read by dali lovers or haters.

A mess.......2004-06-27

This is not Dali revealing honestly about himself, his work, his life: This is 400 pages of Dali promoting Dali, being Daliesc: which means shocking people. This book covers a time period from his birth to the outbreak of World War II, at which time he was mostly known for being a shocking surrealist, not necessarily as a great painter yet. The book is used more to promote himself to the public at that time in his style of the time (shocking, unexpected, deviant) rather than reveal the secrets of his work and style. Heavy heavy influence of Freud and psychoanalysis; the text becomes so introverted and self-analytical that it is almost unreadable much of the time. There is a 4 page discussion of a piece of mucus on a bathroom wall; one page about the painting The Persistence of Memory. Somewhere along the first or second chapter you learn something about how his style developed, in the rest of the book you learn that he has a huge ego and a nasty cruel streak, to the point where you really start to dislike him as a human. I have been to the Dali museum in Tampa, seen his works in other museums: He is a genius of a painter. This book is a waste of time unless you are truly truly die-hard. The reviewer who thought it was a comedy and laughed at every page has serious issues.

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