Average customer rating:
- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
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History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
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Similar Items:
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History: Fiction or Science? Chronology 2 (Chronology)
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History: Fiction or Science? Astronomical methods as applied to chronology. Ptolemy's Almagest. Chronology III
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Discovering the Mysteries of Ancient America: Lost History And Legends, Unearthed And Explored
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They Cast No Shadows: A Collection of Essays on the Illuminati, Revisionist History, and Suppressed Technologies
ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Average customer rating:
|
Albrecht Durer: His Life, His World, And His Art
Peter Moser
Manufacturer: Babenberg
ProductGroup: Book
Binding: Hardcover
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Durer, Albrecht
| ( D-F )
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ASIN: 3933469163 |
Book Description
This classic text presents the life, times, and works of Albrecht Dürer. Through the skill and immense knowledge of Erwin Panofsky, the reader is dazzled not only by Dürer the artist but also Dürer in a wide array of other roles, including mathematician and scientific thinker. Originally published in 1943 in two volumes, The Life and Art of Albrecht Dürer met with such wide popular and scholarly acclaim that it led to three editions and then, in 1955, to the first one-volume edition. Without sacrifice of text or illustrations, the book was reduced to this single volume by the omission of the Handlist and Concordance. The new introduction by Jeffrey Chipps Smith reflects upon Panofsky the man, the tumultuous circumstances surrounding the creation of his masterful monograph, its innovative contents, and its early critical reception. Erwin Panofsky was one of the most important art historians of the twentieth century. Panofsky taught for many years at Hamburg University but was forced by the Nazis to leave Germany. He joined the faculty at the Institute for Advanced Study in 1935, where he spent the remainder of his career and wrote The Life and Art of Albrecht Dürer. He developed an iconographic approach to art and interpreted works through an analysis of symbolism, history, and social factors.
This book, one of his most important, is a comprehensive study of painter and printmaker Albrecht Dürer (1471-1528), the greatest exponent of northern European Renaissance art. Although an important painter, Dürer was most renowned for his graphic works. Artists across Europe admired and copied his innovative and powerful prints, ranging from religious and mythological scenes to maps and exotic animals. The book covers Dürer's entire career in exacting detail. With multiple indexes and more than three hundred illustrations, it has served as an indispensable reference, remaining crucial to an understanding of the work of the great artist and printmaker. Subsequent Dürer studies have necessarily made reference to Panofsky's masterpiece. Panofsky's work continues to be admired for the author's immense erudition, subtlety of appreciation, technical knowledge, and profound analyses.
Customer Reviews:
Looking for good reproductions? Don't get this one........2007-10-04
I was immensely disappointed when I received this book. I was aware that it was an art critic book, and not all focused on the actual works of Dürer, but still: The reproductions are poor excuses for illustrations. I don't think I've ever seen worse. This is a book for people who are interested in Panofsky's theories, not mainly interested in making up their own minds.
An essential classic in Durer studies.......2003-06-05
While Panofsky may seem indigestible to some - this is not a book for the "general reader" - this book remains essential material for anyone researching any aspect of Durer's career. It is written in more accessible prose than some of Panofsky's other works, since he concentrates more on straight monographic information than on deep interpretation.
The book takes us through Durer's career in chronological order. It is easy to look up specific works and their contexts (there are handy indices as well). It's comprehensiveness makes it a really useful book to have on hand. All Durer studies after this one necessarily make reference to what Panofsky said.
As a monograph this is, hence, extremely succesful. It is also a product of its time and of Panofsky's method. Newer studies, such as Joseph Koerner's "The Moment of self-portraiture in german renaissance art", probe deeper into some of the themes about which the reader may be left wondering upon reading Panofsky.
Durer is arguably THE most important artist of the German Renaissance; Panosfky the most important art historian of our time. Read the book!
Unen-Durer-able.......2002-10-21
Erwin Panofsky was one of the founders of modern art criticism and a very learned man who wrote many books on such abtruse subjects as the difference between iconography and iconology with all the seriousness of a central European academic.
This lavishly illustrated work on the great German Renaissance painter and print-maker, Albrecht Durer (1471 - 1528), starts with a reasonably good introduction, mentioning the differing historical views on Durer, such as the belief common among 19th-century German Romanticists that he was a meek and pious soul wholly devoted to the interpretation of Christian subjects and contented with a quiet and dependent life.
This picture of a pedantic, conservative craftsman is countered by a suggestion that there might have been a Faustian element in Durer's nature, typified by a restless craving for a perfection never to be attained and an acute awareness of irresolvable artistic problems.
Unfortunately, this lively opening is not lived up to. Panofsky's treatment of the biographical details of Durer's life - including the revelationn that he was unhappily married - leads to a long, shapeless, rambling account, governed more by the intricate chronology of Durer's artistic production than any profound sense of the man himself.
There is no denying Panofsky's erudition. He definitely has all the colors on his mental palette. But like a bad painter he mixes all the hues together in a messy attempt to show off how vast and detailed his knowledge is. An intrinsically fascinating subject is thus rendered increasingly murky and morass-like by Panofsky's inability to make clear points or structure the rich detail of his knowledge. This work is the classic example of a book written by an academic with his nose too deeply buried in his subject. A strong editor would have been a godsend.
Definitive.......2000-02-18
This is surely the definitive book on German renaissance artist Albrecht Durer (still justly famous in this century for his engravings "Knight, Death and the Devil," which a baby-boomer friend had as a poster on his wall, and "The Four Horsemen of the Apocalypse"). The collection of reproductions of Durer's work, and that of contemporaries that influenced him, is extraordinary, taking up much of the volume's rather sizable girth. My only significant complaint is that I wish there had been at least a few color reproductions.
Book Description
This attractively designedand reasonably pricedintroduction to the Renaissance genius focuses on Dürer's studies of the natural world to show how the artist imbued the most ordinary of living things with reverence and emotion.
A master graphic artist, Albrecht Dürer was the most important artist of the Northern Renaissance. Although he was extremely influential as a printer, his drawings and paintings reveal a profound scientific curiosity about and sensitivity to the world around him. This collection of sketches and watercolors includes thirty-four animal and plant studies, including the masterpieces, "Hare" and "Large Patch of Grass." Victoria Salley's lively essay explores Dürer's interest in nature and the gorgeous reproductions which follow allow readers to appreciate the intricate beauty of Dürer's work as well as his keen powers of observationtraits which continue to inspire and instruct artists today.
Product Description
This Elibron Classics edition is a facsimile reprint of a 1870 edition by Macmillan and Co., London.
Book Description
This volume, one in a series of lavishly illustrated paperback books on major artists and their works, tells the story of Durer. From a look at the artist's life and times, to the historical and social context in which he worked, to an analysis of his masterpieces, this is a vital visual resource with more than 300 superb full-color illustrations. The fact-based text is aimed at the general reader, and makes the series perfect for art-history students and art lovers of all ages.
Customer Reviews:
Great Book.......2000-06-07
This Phaidon Durer book is probably, for the price, by far the best comprehensive introduction to the life and works of Durer. It is also one of the best books on Durer in absolute terms. The photographic reproductions vividly bring out the color and sharpness of the dozens of key Durer paintings illustrated in the volume. The photographs show that there is simply no substitute for an up-to-date book utilizing modern photographic reproduction/printing techniques to reproduce paintings. I have looked at several older books in librarys with color reproductions of Durer works, and this newer Phaidon book has much better quality color reproductions. It also has examples of key Durer drawings, such as "Praying Hands," and "Architect," as well as good-quality reproductions of the three classic Durer engravings ("Melancolia I," "Knight, Death and the Devil," and "St. Germone in his Study") and beautiful, crisp and brilliantly colored reproductions of several key Durer watercolors, including the classics "Hare" and "Great Turf," as well as key landscape watercolors. Of particular interest are the reproductions of the 3 classic self-portraits, of which the one Durer did at age 28 was so fascinating that it alone made me buy this book and is alone worth the price of the book. Another fascinating painting is the one that Durer made of Wolgemut, who was his mentor and who taught him how to paint. It is startlingly brilliantly colored, and has amazing color depth for a photographic reproduction of a painting. This book shows how Durer may well have been the greatest graphical artist of the Western World, and one gets a sense of his amazingly modern personality from the selections in this book and the quality of their detail. It is hard to believe that a man as modern-thinking and scientific as Durer lived 500 years ago.
You'll Adore Durer!.......2000-01-23
This book was a very pleasant addition to my art library. I never saw it in a bookstore, so I was hesitant to buy it when I saw how little it cost and how small it was. But, I didn't know anything about Durer and wanted to learn and I figured I'd take a chance on this book. Good decision! This book is well put together and a tremendous bargain to boot. The book starts off with about a 25 page, obviously brief, biography by Mr. Bailey of Durer. Then there are 48 full page color plates with descriptions and explanations of the paintings on the opposing pages. The reproductions are of good quality and the descriptions are well written and informative. Any of you out there who own a lot of art books know what 48 color plates usually does to the price of an art book, so "Durer" is really a steal. After you see this book you will realize what a great all-around artist Durer was. He wasn't only a painter of religious scenes but an equally talented landscape and portrait painter. (Some of the portraits are just fantastic!) He also did some beautiful nature studies. Included are 2 paintings he did of a hare and of the wings of a bird that will just knock your socks off (assuming you wear socks!). He worked well in all mediums. The watercolors are as beautiful as the oils. Phaidon has a whole series of these books in their "colour library" and this book makes me want to check out some of the other titles concerning other artists I haven't learned about yet. Definitely worth purchasing as an introduction to an extremely gifted artist!
Average customer rating:
- Probably the best Durer biography in English
|
Durer: His Art and Life
Fedja Anzelewsky
Manufacturer: Book Sales
ProductGroup: Book
Binding: Hardcover
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Durer, Albrecht
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ASIN: 1555211046 |
Customer Reviews:
Probably the best Durer biography in English.......2001-02-21
The large size of this book gives ample space to show many, many illustrations of Durer's art. These begin with his Portrait of Bernhard von Reesen, on the book's glossy dust jacket, in a size big enough to capture quite a lot of the impact of the original.
There are high quality reproductions of his engravings, iron etchings, woodcuts, drawings in silverpoint, charcoal, pen and wash and paintings in watercolor, gouache and oil.
Fedja Anzelewsky supplies concise captions, packed with detail. He also comments throughout the text on the circumstances surrounding Durer's artistic work. He gives solid information about Durer's life, from birth to death.
The result is a fine balance between a story of Durer's life and a story of his art.
Books:
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
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