History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

Florence Broadhurst: Her Secret & Extraordinary Lives

Average customer rating:

Fascinating designer!
The Queen of Wallpaper!
beautiful collection of designs

Florence Broadhurst: Her Secret & Extraordinary Lives
Helen O'Neill
Manufacturer: Chronicle Books
ProductGroup: Book
Binding: Hardcover

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ASIN: 0811859371

Book Description

In a volume as captivating as its subject, Florence Broadhurst paints an unforgettable portrait of a woman ahead of her time. To this day, mystery shrouds her myriad personae starlet, couturier, painter as well as her unsolved murder. One thing, however, is certain: Broadhurst's place in the history of interior d cor. Recognized worldwide for her groundbreaking wallpaper patterns, this enigmatic Australian left behind a trove of exquisite work, brilliantly displayed here in the first-ever authorized biography of the design icon. Broadhurst's wallpapers out of circulation for nearly 20 years are just now being restored and sold globally to much fanfare. This amazing package showcases more than 100 never-before-published patterns and popular prints such as those owned by Marc Jacobs, Stella McCartney, and Carly Simon alongside a fascinating murder mystery.

Customer Reviews:

Fascinating designer!.......2007-09-01

I had heard of Florence Broadhurst but didn't know a lot about her. I read this book cover to cover (granted, it is not that thick) without putting it down, it was so interesting! I never realised the amount of scandal involved in one of Australia's greatest designers of the time. I found her life fascinating and her wallpaper designs so beautiful. I did feel that the book could have shown more designs but it was excellent as an introduction to Florence Broadhurst and her more popular wallpapers.

The Queen of Wallpaper!.......2007-06-27

This book is perfect for the design fanatic- especially prints and home decor. The cover is made of a sweet fabric and seems precious. The inside features amazing color images of Florence Broadhurst's one of a kind work. There are many great wallpapers and prints that span the art deco style to modern geometrics. As a painter I found the patterns fascinating. Makes for a great gift.

beautiful collection of designs.......2007-05-06

All in all I really enjoyed the book. I thought that the title built up the story to be more than it was, I could have used a lot more text (Keep all the photos though). There wasn't as much detail into Florences life as I would have liked. But the book introduced me to another great designer and all her (or someone elses) great work. A wonderful reference for designers

Average customer rating:

Private?
The Private Lives of the Impressionists
An enjoyable read....
Sue Roe makes public the private lives of such artists as Manet, Monet, Renoir, Degas, Pissaro and their friends
Enjoyable, Historical Read, Learn about great painters!

The Private Lives of the Impressionists
Sue Roe
Manufacturer: HarperCollins
ProductGroup: Book
Binding: Hardcover

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ASIN: 0060545585
Release Date: 2006-10-31

Book Description

Manet, Monet, Pissarro, Cézanne, Renoir, Degas, Sisley, Berthe Morisot and Mary Cassatt. Though they were often ridiculed or ignored by their contemporaries, today astonishing sums are paid for the works of these artists, whose paintings are celebrated for their ability to capture the moment, not only in the fleeting lights of a landscape but in scenes of daily life. Their dazzling pictures are familiar—but how well does the world know the Impressionists as people? The Private Lives of the Impressionists tells their story. It is the first book to offer an intimate and lively biography of the world's most popular group of artists.

In a vivid and moving narrative, biographer Sue Roe shows the Impressionists in the studios of Paris, rural lanes of Montmartre and rowdy riverside bars as Paris underwent Baron Haussmann's spectacular transformation. For more than twenty years they lived and worked together as a group, struggling to rebuild their lives after the Franco-Prussian War and supporting one another through shocked public reactions to unfamiliar canvases depicting laundresses, dancers, spring blossoms and boating scenes.

This intimate, colorful, superbly researched account takes us into their homes and studios, and describes their unconventional, volatile and precarious lives, as well as the stories behind the paintings.

Customer Reviews:

Private?.......2007-09-29

The title of the book is misleading. Most, like me, would believe that it is about the various affaires des coeurs of the Impressionist painters. But it is far from that. It is an insightful look into the struggles of the impressionist painters during the years of 1860-86; this was before they became famous.

The book covers the lives (intimate or otherwise) of the better-known impressionists such as Monet, Manet, Renoir, Degas, Sisley, Cézanne, and Pissarro and the not-so-well-known painters who were in their company Berthe Morisot, Frédéric Bazille, Mary Cassatt and Gustave Caillebotte. The author describes how these painters tried to break the rigid moulds of the Académie des Beaux-Arts, which controlled the technique and subjects of mainstream painting in France.

The author described many of the better-known and the not-so-well-known paintings in such an anecdotal form that the reader is forced to have a look at those paintings somehow (in a coffee table book or online). She brings alive the characters who had posed for the paintings that give a greater depth to the work.

The author has researched this period well and one not only gets an insight of the lives of these painters but also of the world around them. The reader can literally visualize the gradual realization of Haussman's vision of Paris, or the soirées and evenings spent in cafés. The Franco-Prussian War (1870-71) and the siege of Paris are also described in detail - it led to tremendous upheaval in the French society as also the lives of the painters - a large amount of their output was lost during this war and the sense of loss is transferred to the reader.

The author manages to intertwine the lives of the painters - the individuality of each painter is maintained even though all are presented as a collective. Despite the fact that so many characters are being biographed, the author doesn't leave the reader of being overwhelmed with the plurality of characters.

Use of exact addresses and trivial but minute details such as a `thirteen-minute stop for hot chocolate' (238) which Eugène Manet made on way to Paris from Nice. Though the use of French words was rather limited despite the fact that the setting and the painters were French. Most words can be understood from the context - However, some words (cocottes, arrière pensée) do require a bit of looking up to understand the true import of the sentence.

The Private Lives of the Impressionists.......2007-08-05

This book gives insight to the artists and their methods and environment equally interesting reading.

An enjoyable read...........2007-08-01

This is well-researched, extremely readable looks at the interactions and development of the Impressionists. Roe is knowledgeable and handles her subject well.
I found it hard to put down.

Sue Roe makes public the private lives of such artists as Manet, Monet, Renoir, Degas, Pissaro and their friends.......2007-05-30

Paris began the nineteenth century as an ancient city of winding streets, dark alleys and dankly dangerous ill lit streets. Due to the architectural genius of Baron Haussman, Prefect of the Seine,it was transformed into the City of Light. The Eiffel Tower! The well lighted boulevards, the enchanting and cool parks, the height of fashion and the charm of beautifully sculpted public buildings made it the apex of urban beauty (although appalling poverty did still exist). Even the Franco-Prussian war of 1870-71 when Paris was briefly occupied by Prussian soldiers did not dispel the charm of this world capital.
In mid nineteenth century Paris art seemed locked in a Procrustean bed of classicicism and stody history painting. The French Academy would only show painting approved by its ultra-conservative directors.
Each year bold new artists were seeking to make impressionism the wave of the future. Each year their art was rejected at Academy shows. Each year masterpieces were created as they launched their own art shows to intially hostile and then adoring crowds flocking to see them. Who were these artist beginning the most popular movement in art history?
Among their number were:
Eduard Manet the oldest of the impressionists whose bold colors and views of sea and the life of evereyday Parisians was a bold step in the art world. His painting "A Modern Olympia" picturing a nude prostitute as well as other controversial works such as "Le Dejeuner
sur l'herbe" of 1863 portraying a nude women sitting with two fully clothed male friends was a cause celebre bringing attention to the new trend of budding artists seekiing to portray light, color and air as they caught the "impression" of the evanescent passing scene.
Claude Monet (1840-1926) noted for his water lilies, boating scenes and haystacks at his home in Giverny had to struggle against his family, saw children die and faced years of poverty would, nevertheless, triumph becoming rich and famous. His 1872 painting "Impression: Dawn" gave the word impressionism to the movement he and his friends were launching.
Auguste Renoir (1841-1917) was famed for his portraits, love of abundance feminine nudes and boating and fruit scenes.Like many of the impressionist
his family opposed his painting and his choice of a simple girl as a bride.
Camille Pissaro (1840-1903) was born to a Spanish Jewish family in the West Indies. Pissaro served as a mentor to many of the impressionists.
Edgar Degas (1832-1883) died young of syphillis. The French artist Berthe Morisot married his brother Gustave. She may have been in love with Edgar.
His art is noted for brilliant persective, color and beauty.
Several other leading impressionists are discussed such as the American Philadelphian Mary Cassat: Paul Cezzane (who grew up as a friend of the famed novelist Emile Zola) are profiled.
The group eventually broke up showing ther art in shows with one another but by then the art world had been revolutionized by their genius.
Sue Roe has penned a fascinating study of the impressionists. She shows the mileu of Paris and France at the time they lived; how they interacted; how they loved, supported one another and at times feuded with not only the critics but themselves.
Anyone who strolls through an art gallery wanting to know more about the lives of the artists would enjoy this delightful book.

Enjoyable, Historical Read, Learn about great painters!.......2007-05-27

I was surprised at how much I enjoyed this book. If you are new to learning about impressionism or art history, I think you need another book of pure pictures to follow this up.

I learned so much more about Monet, Manet, Cezanne, Rembrant, Mary Cassat, Degas, Pissaro, and others that I can not accurately name. Of particular interest to me was Berthe Morisot, who, as a woman, was in on the impressionist movement from the beginning. However, she's not so well known, and I wonder if her name is included now in art history classes.

The impressionist painters even struggled with the word impressionst! They struggled with each other and disagreed, made up, then disagreed again. They agreed, then disagreed about when and how to display their work, if they should or should not submit to the Salon, and the list goes on.

The impressionts struggled to live on income soley from their art, and really who doesn't? I was struck with how insistant some were that they paint to live. They had little shame about begging and barrowing from rich patrons. Some of the artists portrayed were really above trying to suppliment an income with teaching. In reading this book I had the sense that they found teaching and work other than painting just plain common and not for them. As a working mother and writer, I found this postion quite privlidged. And some of them, like Degas, were wealthy growing up, and they felt they belong to the "gentleman's class"

If you want to know more about how the impressionists knew each other, realted to one another, hated one another, loved one another and so on, then this is the book for you. It is very much about their relationships. If, on the other hand, you want to know more about their paintings, then you need another book that illustrates thier art, as this one offers little in that way.

All in all, I enjoyed knowing more about these amazing people, their ideas, politics, relationships, and what they wanted from the world. This book will deliver all that and more to you.

Monet and the Impressionists for Kids: Their Lives and Ideas, 21 Activities (For Kids series)

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A superb art activity book about the Impressionists for kids
monet and the impressionists for kids
As entertaining as it is educational.

Monet and the Impressionists for Kids: Their Lives and Ideas, 21 Activities (For Kids series)
Carol Sabbeth
Manufacturer: Chicago Review Press
ProductGroup: Book
Binding: Paperback

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ASIN: 1556523971

Book Description

A lifelong love of art is one of the greatest gifts an adult can bestow on a child-and no period of art is better loved or more available to children than Impressionism. Monet and the Impressionists for Kids invites children to delight in Cassatt's mothers and children, Renoir's dancing couples, and Gaugin's island scenes; 21 activities explore Monet's quick shimmering brush strokes, Cezanne's brilliant rectangles of color, Seurat's pointillism, and Degas's sculpture-like circles of dancers. Kids will learn how the artists' friendships sustained them through repeated rejection by the Parisian art world, and how they lived, painted, and thrilled to the vibrant life of Paris at the approach of the 20th century. A resource section guides readers to important museums and Web sites around the world.

Customer Reviews:

A superb art activity book about the Impressionists for kids.......2003-03-13

The invention of photograph had a profound impact on painting. At the start of the 19th-century the goal of painting was realism, but with a camera that became a moot point. Eventually the art world decided the only rational thing to do was to go in the opposite direction and to find an alternative to reality. The Impressionists represent the first successful movement by paintings to capture the public imagination with "non-realistic" art. "Monet and the Impressionists for Kids" not only introduces young readers to Impressionism but also follows up with 21 activities that will allow them to try their hand at painting. These activities are what makes Carol Sabbeth's book stand out from others on the Impressionists in general and Claude Monet in particular, because it is pretty much impossible to be exposed to these paintings and not want to try to do it yourself.

The book is divided into two halves. Part I: The Impressionists introduces readers to "A New Way of Looking at the World" and then devotes sections to the life and art of Claude Monet, Pierre Auguste Renoir, Edgar Degas, and Mary Cassatt. Monet is clearly the star of the book (he certainly defines Impressionism for me), and there are five activities devoted to his section. Part II: The Post-Impressionists looks at the painters Paul Cezanne, Paul Gauguin, and Georges Surat, with a final section devoted to "Lasting Impressions."

Sabbeth provides a concise biography for each of the artists, with reproductions of their most famous and important works, along with an Art Detective section that tells you how to spot their work in terms of distinguishing characteristics. Most of the activities are specifically tied to the paintings. Off of Monet's "Regattas at Argenteuil" we learn about Painting Reflections; from the cloisonnism of Gauguin we experiment by making a Cup of Gauguin. These activities explore the uniqueness of these painters, from Cezanneýs brilliant rectangles of color to the sculpture-like circles of dancers by Degas. Some of these activities are truly creative, such as constructing your own little Monet haystack to appreciate the colors and light at different times of day. I especially liked the one for Seurat Sugar Cookies, where you make your cookies sugar-sprinkled masterpieces using the artist's pointillist technique.

I totally agree with the premise of this book, that there is no art form more appealing to children than Impressionism. If you are not a "real" Art Teacher (a distinct possibility in the wonderful new world of educational budget cuts) you will find "Monet and the Impressionists for Kids" both informative and instructional. Not only can you introduce children to the ballet dancers of Degas and the island scenes of Gauguin, but you can also find several activities for your students to do in class or at home. This is a very enjoyable and practical look at the great Impressionist painters. This book is for ages 9 and up, which is great because I qualify as being up.

monet and the impressionists for kids.......2003-03-03

This is a wonderful book with great ideas to do with kids so that they can get an understanding of the arts through hands on experiences.

As entertaining as it is educational........2002-03-29

Monet And The Impressionists For Kids is a book filled with 21 fun and educational activities to teach young people more about the classical painter Claude Monet and others in the grand and beautiful tradition of Impressionist art. Gorgeously illustrated in full color, Monet And The Impressionists For Kids features such activities as using colored construction paper to paint reflections, or painting the shimmering sky with watercolors. A wonderful biography and history, as well as a highly educational rainy-day fun book, Monet And The Impressionists For Kids is as entertaining as it is educational and highly recommended for home schooling and classroom curriculum supplementation.

The Lives of the Artists (Oxford World's Classics)

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Outstanding!!!!
A must for any art historian
Works and lives of great masters by their contemporary
Mainly a Scholar's Tool
Magnanimous Homage to Giants of Italian Art!

The Lives of the Artists (Oxford World's Classics)
Giorgio Vasari
Manufacturer: Oxford University Press, USA
ProductGroup: Book
Binding: Paperback

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ASIN: 019283410X

Book Description

These biographies of the great quattrocento artists have long been considered among the most important of contemporary sources on Italian Renaissance art. Vasari, who invented the term "Renaissance," was the first to outline the influential theory of Renaissance art that traces a progression
through Giotto, Brunelleschi, and finally the titanic figures of Michaelangelo, Da Vinci, and Raphael. This new translation, specially commissioned for the World's Classics series, contains thirty-six of the most important lives and is fully annotated.

Customer Reviews:

Outstanding!!!!.......2007-10-11

My daughter took Art History and loved this book. She kept it and insisted I buy her a copy so her teacher could have the new ones.

A must for any art historian.......2007-03-08

This book was a text for a grad school seminar I had. After nearly 500 years, Vasari remains the best "eyewitness" to the lives and works of his contemporary artists. Although he does take some liberties, such as trying to fit many artists into the traditional hero mold of child prodigy/discovered by master/quickly surpasses master, he also gives us a glimpse into the glorious time that shaped so many artistic geniuses.

Works and lives of great masters by their contemporary.......2006-08-06

"Do you admire a beautiful tower resounding with sacred sound?
By my design this tower also reached for the stars.
But I am Giotto, why cite such deeds?
My name alone is worth a lengthy ode."
[From the Live of Giotto di Bondone]
Classic masterpiece containing selection of lives of famous Italian masters of art, written by their (almost) conterporary. This work is tedious and difficult to read at times (Vasari is describing at length all importatnt works of old masters). But still, this account is valuable for particular details about techniques used by old masters or condidtions under which their masterpieces were created... Kind regards, Mario.

Mainly a Scholar's Tool.......2005-05-10

Vasari's classic text is well written (translated, I guess I should say) but extremely tiresome. For nearly every artist he simply lists their works, and rarely with more analysis than by describing them as "life-like" or "beautiful." For example, here is what he says about Titian's Assumption of the Virgin in Santa Maria Gloriosa dei Frari, Venice, one of his most famous and celebrated paintings: "He did a panel for the main altar containing Our Lady ascending into heaven, with the twelve apostles standing below her and watching her ascent, but since this work was painted on canvas and perhaps poorly cared for, little of it can be seen." That's it. The only exception to his utter factual tediousness is Michelangelo's Life, where, although he goes into almost no description of the works themselves besides his characteristic fulsomeness, he does provide some interesting anecdotes. If you are looking to understand and analyze Renaissance art than this book will not help you. If you are looking to engage in scholarly debate over the origins and documentations of the discussed works then you should probably read the original, unedited version in Italian anyway.

Magnanimous Homage to Giants of Italian Art!.......2005-02-15

Vasari's LIVES has lived for over 450 years, and it's easy to see why! From Cimabue to Titian, he covers (in this edition)over 40 artists during about a 250 year period! A great artist himself, Vasari spares no superlatives in describing the work and lives of these individuals.They are just about all "most excellent", and produced titanic painting, sculpture, and architecture. He claims (erroneouly, according to the editors) that one murdered his rival, and definitely was not a nice guy. But the rest are generally given the royal treatment. Oddly,Botticelli seems a tad slighted. The Big Three, Leonardo,Raphael, and Michaelangelo are practically bathed in the light of the devine!.Many anecdotes are mentioned, which give real life and sometimes fun to these Olympians. Plus, discussions of the progress and styles/ techniques which come full flower with these Big Three.

Great Artists: The Lives of 50 Painters Explored Through Their Work

Average customer rating:

Not for elementary children
Not What I Expected
I hoped for more
Great Artists: Lives of 50 painters
A gorgeous and informative book!

Great Artists: The Lives of 50 Painters Explored Through Their Work
Robert Cumming
Manufacturer: DK ADULT
ProductGroup: Book
Binding: Hardcover

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ASIN: 078942391X

Amazon.com

A benchmark for intelligent, engaging nonfiction, this superbly designed book is written and illustrated with a lushness that takes the breath away. Robert Cumming is chairman of Christie's education department: he knows his art history. But he also knows how to seduce you with the sheer beauty of the material, and the well-placed pointer to telling details. Fifty double-page spreads cover artists from da Vinci and Rubens to Monet, Picasso, and Pollock. Each spread is a concentrated master-class on the life, the style, and the influence. Check out the luminous full-color reproductions of "Bacchus" and "The Conversion of St. Paul," then read the opening sentence above them--"One of the few great artists to have a criminal record, Caravaggio was violent, loutish, and frequently under arrest"--and see if you can resist the temptation to read on. Great Artists is a dream of a book that adults and their older children will fight over. (Ages 12 to adult) --Richard Farr

Customer Reviews:

Not for elementary children.......2007-10-05

Take the Young Adult age recommendation seriously. I purchased an updated copy of this book at an elementary school book fair. I'm not squeamish about nudity in art, but the text includes lots of words like "erotic", "homoerotic", "prostitute", "ravished", and "rape". Be aware that this could create a lot of questions that you may not be ready to answer, and your child may not be ready to hear. On the other hand, I quite enjoyed it and would recommend the book for older teens, college students, and adults.

Not What I Expected.......2006-08-12

I bought this book to help in our artist appreciation with my primary children in our home school. I don't have a problem with nudity in art work, and am willing to discuss and explain the reasons for nudity to my children. However, the book is overwhelmingly filled with nudity. At least twenty pages have rather large pictures of nudes and many are in seductive poses. I do not feel comfortable allowing my children to freely browse through this book and felt that the authors could have chosen different pieces of work that could have equally displayed the works of the artists.

I hoped for more.......2005-10-23

I was hoping for a book which helped the reader SEE the actual paintings of the masters. The particular brushstroke that made the painting interesting. The unusual shade or hue of color that made the flower come out of the painting. That sort of book. It is not. Still it has good illustrations and good information about the artists it covers.

Great Artists: Lives of 50 painters.......2005-07-26

This art book is a great bargain for the quality of the reproductions is very good. The writing is excellent.

A gorgeous and informative book!.......1999-03-30

This oversized book has dovoted 2 pages to each important artist from the 1400's to Jackson Pollock. As with all D-K books, the reproductions are wonderful and the information is fascinating. The arthor gives a mixture of facts about the artist's life, painting of the period, key works of the painter, and other events happening in the world at the time. I love this book!

Double Lives, Second Chances: The Cinema of Krzystzof Kieslowski

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Double Lives, Second Chances.
Blue White Red

Double Lives, Second Chances: The Cinema of Krzystzof Kieslowski
Annette Insdorf
Manufacturer: Miramax Books
ProductGroup: Book
Binding: Hardcover

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ASIN: 0786865628

Book Description

Krzysztof Kieslowski, who died in 1996, perfected his art in movies lled with mesmerizing images of beauty and danger. His best-known lms, Blue; White; Red; The Double Life of Veronique; and The Decalogue, remain watershed events in lmmaking history. Author Annette Insdorf, Kieslowskis close friend and translator, offers a revealing portrait of his life and monumental body of work. From the gold-bathed images of The Double Life of Veronique to the emotionally dark, visually haunting Blue, Kieslowskis lms explore personal and social issues with inimitable brilliance. This paperback edition includes an updated introduction with information on the much anticipated release of Heaven (March 2002)which Kieslowski wrote and planned to lm, before he died unexpectedly in March 1996.

Customer Reviews:

Double Lives, Second Chances........2005-02-02

Kieslowski changed my life. I watched RED first, then WHITE and Finally BLUE. I've never watched anything that moved me so. So much better than anything that comes out of Hollywood( except for the occasional Shawshank). Ann Insdorf does a great job narrating the DVD--in the 'extras' section of the trilogy. Based on her performance, I bought 'Double Lives'. I enjoyed her personal observations of the master at work. I loved her book. My only complaint is I wanted more analysis of the Trilogy(and the Decalogue). But she gives a fantastic job on the Trilogy DVD set. She's a true scholar of the sage.

Blue White Red.......1999-11-30

I have been an enormous follower and keeper of Kieslowki's work since a fateful afternoon when I stumbled upon a showing of "Blue" several years ago. This of course came to a bittersweet juncture when K died in 1997. Regardless, this book accurately captures the the development of this extraordinary director... and writer. Insdorff presented some interesting insights in her writing amidst some oversights: the car in Blue was a Puegeott, not BMW, and no mentioning of "Blue's" Julie's accident interruption in court in "White". Although Kieslowki's beginnings and earlier works like his string of documentaries and "Decalogue" are crutcial to his foundation as an outstandingly brilliant director as showcased in the Three Colors trilogy, I wished more expoundment was made on the his final three works which is truly poetry in images.

Average customer rating:

The most content in the fewest words
So Much that is Wright
Very interesting biography on Frank LLoyd Wright
Excellent intro to Frank Lloyd Wright
A Genius, or A Con Man?

Frank Lloyd Wright (Penguin Lives)
Ada Louise Huxtable
Manufacturer: Viking Adult
ProductGroup: Book
Binding: Hardcover

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ASIN: 0670033421
Release Date: 2004-11-04

Book Description

From the way we build to the way we live, Frank Lloyd Wright's influence on American architecture is visible all around us. Now, Ada Louise Huxtable, the Pulitzer Prize- winning architecture writer for The Wall Street Journal—and chief architecture critic for The New York Times for nearly twenty years—offers an outstanding look at the architect and the man. She explores the sources of his tumultuous and troubled life and his long career as master builder as well as his search for lasting, true love. Along the way, Huxtable introduces readers to Wright's masterpieces: Taliesin, rebuilt after tragedy and murder; the Imperial Hotel, one of the few structures left standing after Japan's catastrophic 1923 earthquake; and tranquil Fallingwater, to which millions have traveled to experience its quiet grace. Through the journey, Huxtable takes us not only into the mind of the man who drew the blueprints, but also into the very heart of the medium, which he changed forever. A story of great triumph and heartbreak, Frank Lloyd Wright is, like Wright's own creations, an expertly wrought tribute to a man whose genius lives on in the very landscape of American architecture.

Customer Reviews:

The most content in the fewest words.......2007-06-14

Books about Mr. Wright, especially those that delve into his personal life, tend to grow like kudzu. Their authors start out intending to present a coherent, concise picture of the man, but they find themselves overwhelmed by the sheer volume of information, controversy, and innuendo that swirls about him even today. Too many authors abandon any pretense of order and just splash it all down on paper, leaving the reader to hack through the resulting jungle alone.

Ms. Huxtable's admirable book is the first Wright biography I've seen that resists the temptatation to make the reader do all the work. She tells more about Mr. Wright and about his important buildings in fewer words than any other author. Of course there are errors here and there--most of the principals are long dead, and who can reconstruct a conversation that took place eighty years ago with any accuracy? All Wright biographers, except the syncophants associated with the Taliesin Fellowship, disagree on various points. One must also remember that the Fellowship's mythmaking apparatus started up shortly after the Fellowship began, and went into overdrive after Mr. Wright's passing in 1959, making it difficult to separate fact from fiction. Having to see through this smothering blanket of hagiography makes Ms. Huxtable's accomplishment all the more remarkable.

Even those who think they know all about Frank Lloyd Wright may learn a thing or two from this book, and it would be hard to imagine a better introductory book for those who know they do not.

So Much that is Wright.......2005-12-20

There is so much that is right about this handy and elegant little biographical volume that anyone who wants to know about Frank Lloyd Wright would find themselves in good company with the brilliant Ms Huxtable.

She knows architecture (her skyscraper book is a classic) and her appreciation of Wright comes through. So does her awareness that the same genius that made such serene spaces also led a wildly tempestuous life.

Having read this book, the reader wanting more that is Wright would want to read Brendan Gill's "Many Masks" and Meryle Secrest's bio of the great architect, too.

Very interesting biography on Frank LLoyd Wright.......2005-12-03

Heather Carolyn Riehl holds a Bachelor of Science degree in Textile Design from Syracuse University in Syracuse, New York and is currently seeking her Master's degree from Edinboro University in Edinboro, Pennsylvania.

Frank Lloyd Wright, a biography by award winning architectural critic Ada Louise Huxtable is a very insightful novel about a man who made such an impact on the art of architecture during his lifetime. Huxtable focuses both on the life of Frank Lloyd Wright both personally and professionally. Although it seems at times to steer more towards a personal biography, it is essential to understand Wright's background and beliefs to truly appreciate him as the artist that he was.

Huxtable takes us all the way through Wright's life, from birth to death. She briefly touches on the impact that Wright's architecture had following his death as well as some unfortunate family matters concerning the placement of his remains.

Frank Lloyd Wright is depicted in this biography as somewhat of a rebel. He lived by his own rules and detested establishment. It may be fair to say that Wright was somewhat of an egotist, but had he not possessed the confidence that he did, it may not have been possible for him to think outside of the box as often as he did. It was his ambition to create his own style that made him stand out from the rest, and no one was able to get in his way from doing so.

Huxtable explains how Frank Lloyd Wright was influenced by Japanese art and the philosophies of Viollet-le-duc. Sculpture reproductions of the Winged Victory and Venus de Milo were often used in his interiors. Wright was a very intellectual, knowledgeable man although he had no formal training in architecture.

Being involved with several different women, marrying three of them in his lifetime, it would appear that women were very important in Wright's life. Conceiving six children in his first marriage and two in his third, one might see Wright as a veritable family man although this assumption could not be further from the truth. No matter what was happening in Wright's family life, his architecture always took precedence.

Huxtable examines several of Wright's architectural triumphs, including his many prairie homes which lead to a domestic revolution in the Midwest, Fallingwater which was built for the Kaufmann family in Pennsylvania, the Guggenheim Museum in New York City, and his two Taliesin estates, one of which endured a murder rampage and three tragic fires.

Frank Lloyd Wright comes across in this biography as a beatnik architect, if there ever was such a thing. Being educated on the subject of architecture, unexplained references to such people as Mies Van Der Rohe, Le Corbusier, and Frank Gehry; I was able to understand the passages, where as a reader completely uneducated on the topic may be confused by some topics in this novel. Subsequently, I would recommend this novel to anyone interested in art or architecture as it is a very interesting look into the life of this magnificent architect.

Excellent intro to Frank Lloyd Wright.......2005-11-03

A briskly written, concise biography of Frank Lloyd Wright that manages to be very even-handed about both his enormous talent and his nearly-as-enormous ego. It's not a thorough study of his life and work (I particularly thought it was skimpy on Wright's later projects; for that reason, I'd probably give it only 4.5 stars if Amazon allowed half-star rating increments), but it is an excellent, quick-read introduction to an incredible architect.

A Genius, or A Con Man?.......2005-05-31

This was written not as a biography but as a project for the Penguin Lives Series by Ms. Huxtable who previously had published THE UNREAL AMERICA: ARCHITECTURE AND ILLUSION. Being an architecture critic, you'd think she would have concentrated on his varied styles and master creations. But she dishes the dirt about his personal life and that of this parents.

He was born on June 8, 1867, in Wisconsin and named Frank Lincoln (after Abraham) Wright, later changed to Frank Lloyd Wright which was a maternal family name brought over to America from Wales in 1844. He has been dead since April, 1959, and the Archives have been opened for perusual by 'scholars' so that his real life is becoming known for scandals instead of innovation.

I was expecting a treatise about the complicated and varied buildings he designed. Chicago is full of them, (as is California) a whole neighborhood in Oak Park on the North Side. The week I stayed with my son when he was a student at the University of Chicago, we passed one near the campus and Jeff wanted me to go inside. I didn't see anything unusual about it, but was assured that the interior held a host of beauty, and unique corners, mantles, etc. He was never able to entice me to stop and go inside. After all, there is so much to see in the Windy City and one week left me craving for more.

Ms. Huxtable claims that his surface life was a creative act and manipulated facts -- no truth whatsoever. Instead of praising his talent and achievements with his architectural wonders, she dealt on his 'painful search for love (some of her "illusion"); he married more than once and suffered the destructive impulses, revenge, destruction and emotional ambivalence of his second wife. The man had no peace. Even with his trouble-filled personal life, he lived to be an old man.

Why bring a big name master builder down to ordinary terms in which she wants to prove that his whole life (as presented) was a lie. This writer believes in airing a celebrity's dirty linen. It was his second wife whose crazy antics ruined his finances and almost his professional life. In 1927, he had opened an office in Los Angeles and started designing his unconventional houses. He was not only an innovator, but a hands-on builder as he dictated every detail.

Russian immigrant Ayn Rand wrote THE FOUNTAINHEAD, which became a movie starring Gary Cooper, about an architect modeled on Frank Lloyd Wright. He appeared to be an architectural Don Quixote. Wesley Peters, who married Stalin's daughter, figured in on his 'afterlife' in Arizona at Taliesin West where Wright's third wife formed a commune after his death.

Others in this series include: ROBERT E. LEE by Roy Blount, Jr., CRAZY HORSE by Larry McMurtry, JOSEPH SMITH by Robert V. Remini, ELVIS PRESLEY by Bobbie Ann Mason, and ROSA PARKS by Douglas Brinkley.

Caravaggio: Painter of Miracles (Eminent Lives)

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H&J Bailey
The Sinner-Saint
A brief life with no new insights
A good book.....
Great overview for the non Art professional

Caravaggio: Painter of Miracles (Eminent Lives)
Francine Prose
Manufacturer: Eminent Lives
ProductGroup: Book
Binding: Hardcover

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ASIN: 0060575603
Release Date: 2005-10-04

Book Description

Francine Prose's life of Caravaggio evokes the genius of this great artist through a brilliant reading of his paintings. Caravaggio defied the aesthetic conventions of his time; his use of ordinary people, realistically portrayed—street boys, prostitutes, the poor, the aged—was a profound and revolutionary innovation that left its mark on generations of artists. His insistence on painting from nature, on rendering the emotional truth of experience, whether religious or secular, makes him an artist who speaks across the centuries to our own time.

Born in 1571 near Milan, Michelangelo Merisi (da Caravaggio) moved to Rome when he was twenty-one years old. He became a brilliant and successful artist, protected by the influential Cardinal del Monte and other patrons. But he was also a man of the streets who couldn't seem to free himself from its brawls and vendettas. In 1606 he fled Rome, apparently after killing another man in a dispute. He spent his last years in exile, in Naples, Malta, and Sicily, at once celebrated for his art and tormented by his enemies. Through it all, he produced masterpieces of astonishing complexity and power. Eventually he received a pardon from the Pope, only to die, in mysterious circumstances, on the way back to Rome in 1610.

Francine Prose presents the brief but tumultuous life of one of the greatest of all painters with passion and acute sensitivity.

Customer Reviews:

H&J Bailey.......2007-05-13

We purchased "Caravaggio: Painter of miracles" in preparation for a tour to ITALY dedicated to the works of Caravaggio that we found in Rome, Naples and Florence. It was an excellent preparation.
Excellent sketch of Caravaggio's life, and overview of his opus. The author's clear and aggressive prose fits Caravaggio to a T. The text was easily read and exciting in it's coverage of things Caravaggio.
I recommend the book to any person interested in Caravaggio and I intend to pursue other works by the author Francine Prose.

The Sinner-Saint.......2007-02-28

Francine Prose's "Caravaggio: Painter of Miracles" is part of a series of short biographies called "Eminent Lives" in which famous authors write about great historical figures. The aim of the series is not be produce scholarly or definitive works; instead it is to offer the reader a gateway into the works and importance of the subject to inspire further exploration and thought.

Francine Prose is best-known as a novelist. She offers in this book an elegant short guide to the great Italian painter Michelangelo Merisi da Caravaggio (1573 -- 1610). Caravaggio's story is one of the most romantic and tantalizing in art. He moved to Rome as a young man of 21 and established his reputation as a painter of importance, turning early in his career to paintings of religious themes. But Caravaggio's life was tumultuous, violent, and brutal. He was never without his dagger, even when he slept. He brawled and fought and consorted with the low life of Rome, and was forced to flee the city after killing a man in a dispute that involved a bet over a game of tennis. In exile, Caravaggio continued to live violently, to flee from place to place, and to paint masterpieces. Prose captures the tension between Caravaggio's tortured life and his artistry. She writes:

"The life of Caravaggio is the closes thing we have to the myth of the sinner-saint, the street tough, the martyr, the killer, the genius -- the myth that, in these jaded and secular times, we are almost ashamed to admit that we still long for, and need. .. Each time we see his paintings, we are reminded of why we still care so profoundly about this artist who continues to speak to us in his urgent, intimate language, audible centuries after the voices of his more civilized, presentable colleagues have fallen silent". (p. 13)

Prose did not get me very far into Caravaggio's life. She is much more successful in describing the paintings, which she does in good detail for a short book. The book includes 11 color plates of some of Caravaggio's masterpieces, from the beginning to the end of his career. Prose has helpful things to say in helping the reader to understand these works and the circumstances of their creation -- she helps the nonspecialist learn to look at and respond to a painting. I found her especially good in discussing Caravaggio's paintings of the "Calling of Saint Matthew" -- where she eloquently shows the artist depicting a conversion experience -- and its companion work, "The Martyrdom of Saint Matthew." Prose also discusses well many paintings that are not reproduced in the book. In order to get the most from these discussions, the reader will need to find these paintings in another source -- this book has as its goal, after all, encouraging further exploration of Caravaggio.

Prose finds Caravaggio's greatness lies in his honesty, directness, and naturalism. She stresses how is works communicate directly with the viewer. Prose also emphasizes how Caravaggio used common people and places and the tough street life with which he was familiar in his paintings, including the use of rough laborers, common dwellings, gypsies, and prostitutes. Caravaggio's work combined elements of violence and low life with deep spirituality as he explored the mysteries of faith, conversion experiences,loneliness, and martyrdom. Caravaggio's brilliance as a painter, and the highly modern tension his work suggests between the spiritual and the mundane, are reasons why many people will continue to be fascinated by his work.

Prose's book doesn't capture fully the reasons why Caravaggio's work continues to live and to move people. But her book will encourage reflection upon and further exploration of the work of this great and troubled artist.

Robin Friedman

A brief life with no new insights.......2006-12-08

Francine Prose writes well and with a light ironic touch but this slim volume adds little to what we already know about Caravaggio. At a little over 100 pages and with only a handful of color illustrations the book amounts to little more than an extended essay of Ms. Prose's reactions to Caravaggio's major works. There are very many better books showing the paintings and Prose doesn't go into the camera obscura technique that Caravaggio undoubtedly used, giving his paintings an almost photo-realistic representation of his subjects.

That Michelangelo Merisi da Caravaggio was a brawler with a passion for picking fights worthy of "Fight Club" who combined erratic behavior with some sublime paintings is hardly an insight. A much better treatment of the life and psychology of the artist appears in Peter Robb's 1998 "M: The Man who Became Caravaggio" which curiously is unreferenced by Prose.

Although Prose notes that Caravaggio broke away from the stylized poses and unearthly lighting of the mannerists, I don't think she clearly explains his genius.

A good book............2006-11-03

This was a good book because it made me curious about Caravaggio. I subsequently bought another book that was a much more thorough biography of Caravaggio.

Great overview for the non Art professional.......2006-06-10

A great little book that covers what is known about a true bad boy of art, a tormented genius that challenged the accepted art of his time and changed the direction of painting, not something lightly done in those times. For this he was applauded, sought out, paid very well; he respond with bad judgment and madness. This book hits all the highlights and story points a non-art professional would want with being bogged down in too much 'art philosophy' that books on artists sometime drop into making it hard for an amateur to wade through. This is an excellent intro to Caravaggio. You should read this and then follow it up with The Lost Painting: A Quest For A Caravaggio Masterpiece, the amazing and true story of how one of Caravaggio's lost paintings was found in the 1990s.

Lives of the Artists: Masterpieces, Messes (and What the Neighbors Thought)

Average customer rating:

Artists' Private Lives: An amusing book
A Nice Introduction
What a fun, fun, book.. is it really for children?
Art book without art
Excellent Way to Get More Acuainted with the Great Artists!

Lives of the Artists: Masterpieces, Messes (and What the Neighbors Thought)
Kathleen Krull
Manufacturer: Harcourt Children's Books
ProductGroup: Book
Binding: Hardcover

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ASIN: 0152001034

Book Description

In this entertaining, informative collection, readers discover the idiosyncrasies-sometimes humorous, sometimes tragic-of twenty famous artists, including Michelangelo, Cassatt, van Gogh, Kahlo, and Warhol. “Fresh, spirited, and unconventional.”--Kirkus Reviews

Customer Reviews:

Artists' Private Lives: An amusing book.......2007-04-14

Lives of the Artists is light reading with approx. 2 pages of facts per artist, so it is not an in-depth look at their private lives; however put it on your "Fun" reading list. It is a highly amusing book and a great source of dinner conversation. Also Check out Lives of the Musicians:Good Times, Bad Times (and What the Neigbors Thought)

A Nice Introduction.......2006-03-13

I found this book while looking for a way to get my children more interested in art and famous artists from various periods. This book was exactly what I needed. It tells a little about each artist without being boring giving them a glimpse at each one. After reading this book to my 3 year old and then letting the 11 and 15 year old look it over, I was asked about various artists in the book which led us on hunts at the library for more information.

So this book makes a good introduction if you're wanting to just give your kids an idea of all the artists that have come and gone. I do agree with another reviewer that it would have been nice if they had included at least one piece of their artwork in the pages. Of course, that just means we will have to find them on our own which for us homeschoolers is part of the "thrill of the hunt".

What a fun, fun, book.. is it really for children?.......2005-12-13

I found this book in the children's section of the library, but this is not a children's book; although children might enjoy it. This book is very reminiscent of the "Politically Incorrect Bedtime Stories" series. It's a wonderfully campy little book full of facts about just how bizarre artists are. It would make a great coffee table book. I just loved it! I can't wait to read the companion book about musicians.

Art book without art.......2005-01-23

I have mixed feelings about this book. I enjoyed it because it puts some of the humanity back into a subject many of whose personalities have been so lionized that they have become icons, non-people. However, I'm not certain to whom I might recommend it.

To begin with, the book has the direct, simple style of books written for children, grades 4-8. The language is a little too complex for those under age 8, the style a little too simple for those over age 13. Since I occasionally read children's books anyway, this did not stop me as an adult from reading the book and taking satisfaction from doing so. Nor would I have had any problem with recommending the volume for a school or public library, except....

I enjoyed the book primarily because I had already had a rather extensive exposure to art of all types through my mother, who was a working artist herself. Our house was littered with books about artists and their art works, and I started visiting museums in her company from the age of six. When Lives of the Artists: Masterpieces, Messes (and What the Neighbors Thought) discussed Rembrandt, I already possessed a pretty clear impression of his style and of some of his more famous works. The possibility that the he did not paint Man with a Golden Helmet surprised me, because I have a very clear picture of the work-one of my favorite Rembrandts-in my head. Someone who didn't would find it difficult to care; it would be just another bit of free-floating information.

In short, the book fails to fulfill a goal as a vehicle of teaching young people-or any people-about art because there are no illustrations of it. While there are entertaining anecdotes about a nice selection of famous people who perform a variety of styles of art, they might be anyone with eccentric behavior.

I'm not certain where the fault for this glaring defect lies. Perhaps it arises from an attempt to produce an interesting and attractive book that is still affordable, especially for children. Perhaps it was a matter of inability to procure a right to reproduce a work of art belonging to someone who has exclusive rights over it. Still, I find it difficult to believe that the museums of the world would be unwilling for their masterpieces to be represented in a book on famous art, especially for children, if only because it represents free publicity for their establishment. Certainly if any given museum is unwilling, there are other works of art from which to choose: therein lies a certain degree of leverage.

Whatever the reason for the lack of art in an art book, I can only suggest this book to schools that provide a thorough grounding in the subject. An art teacher might give lectures on periods of art, their characteristic works and personalities, and suggest that this book might be fun to read. For a young person who has been prepared, this might return "great" art once again to the realm of human endeavor.

Excellent Way to Get More Acuainted with the Great Artists!.......2004-05-04

It was interesting to read about the eccentric personality characteristics of the great artists and how they found their specialty areas of creativity. I especially enjoyed learning more about Cassatt and O'Keefe and how they encountered a lot of criticism during their time and how they were not afraid to be themselves and BE GREAT! I will share this book with my son when he is ready for it. Right now he is only nine, and too much into sports(ha.)

Ansel Adams should have been included.

Jeffrey McAndrew
author of "Our Brown Eyed Boy"

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