Book Description
Video Shooter is a guide to both the mechanics of the video camera and the craft of shooting. Written by a veteran in the industry and utilizing an engaging, conversational style (including illustrative anecdotes from the author's many years of experience), the book takes the reader beyond "button pushing" to teach the complete range of skills required to capture compelling images. Topics include equipment selection, camera setup and operation, shooting techniques, and working with lighting and audio. Although the techniques illustrated in Video Shooter are appropriate for users of a wide range of camera models, the book focuses on the most popular 3-CCD DV and HDV cameras. A chapter on issues and techniques relating to DVD output makes the book especially suitable for industrial, educational, and government video producers. The book also features a companion DVD with tutorials, footage demonstrating storytelling techniques, and technical matter such as a comparison of various filters.
Written by a veteran in the industry, Video Shooter is a guide to both the mechanics of the video camera and the craft of shooting.
Customer Reviews:
Listen to the wisdom of great experience.......2007-08-13
Video production is a complex and expensive process. Barry's book takes the mystery out of the craft and SAVES YOU MONEY by telling you just what you need...and what you don't. I loved his wonderful, meaningful stories and personal shooting experiences mixed within his narrative of the craft and its myriad toys, gadgets and gear, all laid out clearly for the reader's benefit. Those willing to take the plunge into this artform will find this book an indispensable companion. A gifted shooter giving us all the clues we need to tell real and compelling stories of our own, available at a glance...awesome. It's like having a DP angel on your shoulder. You will find other reference books out there, but none are so beautifully laid out, comprehensive or complete as this one. Buy it. Read it. You'll be glad you did.
A Must Have Item.......2007-08-12
For a video shooter this is a "must have book". Impaired vision is corrected with appropriate eye glasses, impaired video-knowledge with Video Shooter...
Fast shipping, affordable price. Thank you.
Lots of Real-World Insights.......2007-06-26
Although I'll never reach the level of shooter that Barry is, this is a great book for learning about the issues a real-world shooter faces. Lots of examples and stories, photos, and musings on equipment. This is probably the best of the many books I have on learning to shoot.
Excellent intermediate info -- glad I read it as a beginner.......2007-06-23
I'm a neophyte to videography, and although this book went a tad over my head at times, and was certainly more than I needed as an amateur who wants to make quality videos for personal use, I greatly appreciated the comprehensive introduction to this complex art form. Because of this book, I've jumped into my new hobby with more respect and appreciation for what's involved in a quality production. I did pick up some great tips that even a beginner can use, and probably more useful, I understand the point of hiring a professional. Now that I'm a MUCH more savvy consumer of video services I will know how to judge the quality of their work.
A book about hardware.......2007-06-16
The subtitle of this book is Storytelling with DV, HD, and HDV Cameras. What I saw, when I read that, was the word Storytelling. I thought it would be a book about how to tell a story with images and sound to get across a "message". I should have read further along the sentence. This book is not about storytelling. It's about DV, HD, and HDV Cameras and their supporting equipment. The book is aimed at amateur videographers who have aspirations of turning professional and think that professional equipment will make that happen. And who have a 5 or 6 figure bank account. There are equipment recommendations on all sorts of things that make a professional shoot. All of the equipment ranges from slightly expensive to horrifically expensive. Of course this tight focus on the latest equipment means that the book will soon be out of date. If you need some equipment, have a healthy bank account, and want to buy now, this book is a good choice. If you want to learn how to tell a story with video, keep looking.
Book Description
Over 100 storyboards with simple descriptions.
Customer Reviews:
Handy overview.......2007-09-22
I bought this book to review my shots--and to give my fellow producer/director a quick education in terms and shot design.
The book is very good, giving 2 page briefs on various types of shots, including a list of films to look for them in, and a storyboard to show how the shot proceeds. the list of places where the particular shot has been used is especially nice, as it lets you go to the library of films and see how a shot works.
It is in a fairly large and somewhat awkward format being wider than it is high--it's better to keep this one in the office or at home to scan when thinking than to take out in the field--a field book would be nice, as it could be used to explain shots to the actors/subjects (I'm shooting a documentary and jargon is Greek to most people.)
Not what I expected.......2007-08-24
But then if I'd really paid attention to the title of the book I'm sure I'd have figured it out.
While I applaud Jeremys' interests in movies and his desire to make them and share his 'experience' with us this book does not actually teach you anything about how to set up these shots. All it does is point out shots that you will probably already know. One thing that really does grate is that instead of consulting an experienced DP to find out the names of these shots he has come up with his own, which he feels are more descriptive.
I'd say that if you have a very short history of watching films then perhaps there is something you can learn from this book. However, if you have any experience whatsoever with a camera this book will prove to be a waste of time and (sadly) money.
The illustrations are good. Of a storyboard level and at least give you an idea of how to represent an idea but sadly the book was let down by the fact it didn't really deliver anything useful.
The definitive shot guide..........2007-06-18
This book explains the language of film in a simple, visual style. In clearly grouped sections, it shows a large, clear visualization of the movement with a description of how it is achieved, and the name the industry recognizes for that move.
It covers all the basics, plus many unusual, technical or simply rarely used angles and moves, making it the definitive work for the indie filmmaker and above.
An awesome reference book.......2007-05-14
I've seen this book by Jeremy Vineyard tagged as simplistic and cursory. If you're a super-hip film school graduate who's been involved in the industry, this book may not be worth your time.
However, if you're an amateur, like myself, this book makes a great reference. I recently shot a short film and used this book extensively while storyboarding.
Easy enough for children and a good reference for the amateur filmmaker. I've definitely gotten my money's worth on this one.
Brilliant, a must have for film-makers.......2007-01-16
Just buy it! Explains every standard shot, with examples.
Average customer rating:
- Amazing reference! May leave you a soulless husk if you read it all the way through...
- The Best Book On The Subject. PERIOD.
- The Best Technical Book on Moviemaking
- Beginner to Pro
- Must Have Manual
|
The Camera Assistant's Manual, Fourth Edition
David E. Elkins s.o.c.
Manufacturer: Focal Press
ProductGroup: Book
Binding: Paperback
 General
| Photography
| Arts & Photography
| Subjects
| Books
Reference
| Photography
| Arts & Photography
| Subjects
| Books
General
| How-to
| Photography
| Arts & Photography
| Subjects
| Books
General
| Arts & Photography
| Subjects
| Books
General
| Performing Arts
| Arts & Photography
| Subjects
| Books
Cinematography
| Movies
| Entertainment
| Subjects
| Books
Direction & Production
| Movies
| Entertainment
| Subjects
| Books
General
| Movies
| Entertainment
| Subjects
| Books
General
| Television
| Entertainment
| Subjects
| Books
All Amazon Upgrade
| Amazon Upgrade
| Stores
| Books
Arts & Photography
| Amazon Upgrade
| Stores
| Books
Entertainment
| Amazon Upgrade
| Stores
| Books
All Titles
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Arts & Photography
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Entertainment
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Similar Items:
-
Set Lighting Technician's Handbook
-
American Cinematographer Manual, Ninth Edition 2 Vol Set
-
Camera Assistant, The: A Complete Professional Handbook
-
Grip Book
-
Motion Picture and Video Lighting, Second Edition
ASIN: 0240805585 |
Book Description
Every film or video shoot calls for at least two camera assistants. Camera assistants (or first and second ACs, as they're known) have the important job of maintaining the camera, readying it for use, troubleshooting (such as knowing what to do when a camera drops into the ocean), and preparing it for transport. The Camera Assistant's Manual teaches the complete workflow in easy-to-understand terms and does not assume prior knowledge. It is a must-have on the set for camera assistants and is loaded with reference material such as camera illustrations, forms, charts, checklists, and equations. Invaluable career advice rounds out the book.
· New companion website with extensive forms, charts, and illustrations to print out and use
· Completely updated with information on digital video and high definition cameras that are changing the camera assistant's job
· Career tips and complete job descriptions help camera assistants get and succeed at jobs
· Companion website: www.cameraassistantmanual.com
· Author's site: www.davidelkins.com
Customer Reviews:
Amazing reference! May leave you a soulless husk if you read it all the way through..........2007-01-09
I bought this book when I was hired to AC for a project on equipment I had never worked with before. For one of those, "Holly crap! I agreed to do a job I only know how to do part of!" moments, this book is great. Every question I could think of was answered thoroughly and I mean THOROUGHLY. If you want to learn exactly what the responsibilities of an Assistant Camera Person are and how best to execute them read this book! If you are a working AC and want an easy to read, text-book style reference this is it.
The Best Book On The Subject. PERIOD........2005-12-03
Nothing comes close to David Elkins' book. It's that simple. This is the best, most complete book on the job of the camera assistant. PERIOD. If you are new to the job of the camera assistant, this book is an absolute must have. If you are a seasoned "vet" who has years of experience working on motion picture sets, again, this book is an absolute must have. Elkins' total description of every aspect of the AC's job is so consise, it's like a classroom in a book. Loaded with every conceivable diagram and chart, and covering every motion picture camera currently being used, this book goes well beyond your typical "job description" type tome.
The bonus materials alone make this book invaluable. Along with the companion website, the reader has vast amounts of precious material available for when the job calls for it...label templates, charts, manufacturer links and contacts, the list goes on and on and on. The best part is the writing style is clear and informative, almost like Elkins himself is teaching you as you go.
Look no further than this book. It's all here.
The Best Technical Book on Moviemaking.......2005-11-29
David Elkins's The Camera Assistant's Manual, Fourth Edition is the best technical book around, and one of the best books on movies, period.
Dave manages to cover every aspect of an assistant's job, no matter how obscure or infrequently encountered. But the completeness is only one aspect which recommends it to any aspiring or working cinematographer.
Written in a clear, conversational manner, Dave manages to demystify both the jargon and the sometimes strange job of an assistant. His accounts of procedure for both first and second assistants clarify what we in the business call "industry standard": the accepted, professional way of conducting yourself and doing a job. Outside of a job on a
Hollywood set, it is nearly impossible to learn these classic, time-saving routines. And unless you've been a pro in the business, you're not going to know about such things as the relative merits of Magliner and Rubbermaid carts for hauling equipment.
The book covers the general characteristics of film, cameras, and lenses in such a way as to give a general technical education. Dave also gives a valuable overview of the camera department and its place in film production overall.
What many readers will find most useful are the sections on troubleshooting, the diagrams and threading patterns of every currently used camera, and the wealth of forms and lists to organize the on-set work.
I've tried to give a good idea of what the book covers, but it contains much, much more. I've been using The Camera Assistant's Manual since the first edition. This is the biggest and the best version. I only wish that, when I started as a camera assistant, I had had access to such a clear, helpful book.
Beginner to Pro.......2005-10-17
The 4th Edition of the Camera Assistant's Manual by focal press author David Elkins is a must have for the beginner as well as the seasoned pro. From how to set up a darkroom, to threading diagrams on all "in use" cameras, to lifelong useful tables and charts, this edition has it all.
Must Have Manual.......2005-09-27
The Camera Assistant's Manual is a must have reference book for both beginners and experienced professionals in the camera department. If you are a beginner, this manual will teach you all of the basics as well as the advanced details of camera assisting. Although not a substitute for actual experience, author David Elkins also coaches you on how to act efficiently and professionally on a set. This can save you countless embarrassing blunders on your "first barbeque." But before learning all of the AC's duties, the reader is introduced to the basics of cinematography and a complete overview of the camera department. This is extremely helpful - allowing the beginner to understand the "big picture" first. If you are an experienced professional, Elkins gives you hundreds of tips and suggestions that will add to your knowledge base and help your job go smoothly. This 4th edition contains the most complete and up to date camera diagrams, tables, and formulas of any single reference source. Imagine your relief when you have to load and thread a new camera for the first time. The Camera Assistant's Manual is worth it's weight in gold.
Book Description
Video Production: Disciplines and Techniques introduces students to the operations underlying multiple-camera video production. This textbook deals with a range of issues from how crew members interact with equipment to the manner in which crews interact with each other. More than just telling students "what to do," this textbook shows how to do a job and why.
Customer Reviews:
Good Video Production Textbook.......2006-11-05
I continue to look for a book that conveys the myriad practical details needed to put together a successful video program. I'll have to admit this is one of the best textbooks I've seen on the subject; but I continue to search for a more practical guide to the art/science of live video production.
Very Good.......2002-05-03
This is one of the best books that I've every used. I had it for 5 years and I use it all the time. it's great for beginnners, and professionals. I own my own video productions company.
I'd recomend it to anyone and everyone!
Book Description
Culled from Tony Barr's 40 years' experience as a performer, director and acting teacher in Hollywood, this highly praised handbook provides readers with the practical knowledge they need when performing in front of the camera. This updated edition includes plenty of new exercises for honing on-camera skills; additional chapters on imagination and movement; and fresh material on character development, monologues, visual focus, playing comedy and working with directors. Inside tips on the studio system and acting guilds make it particularly helpful for people new to the business, and numerous anecdotes from actors such as Morgan Freeman and Anthony Hopkins and examples from current movies illustrate its many lessons. It is perfect for acting classes, workshops, all actors who work in front of the camera -- and all those who want to.
Customer Reviews:
No. 1 hand book for Actors.......2007-09-25
I recom'nd this book for all young actors & actresses to read. This is really good hand book for these people
Great general book on acting, with emphasis on TV/Film.......2006-07-12
I obtained this book to read while taking an "Audition For Camera" class at my acting school. I'm a relative novice, but had read some books on general acting before, such as Uta Hagen's "A Challenge For The Actor," and really wanted a book that talked about specific aspects of acting in front of a camera.
This book, Tony Barr's "Acting For The Camera," is a little different from what I was initially hoping it would be, in that it basically is a book about general acting, with more than the entire first half of the book devoted to that. I remember often thinking "when are we going to get to the part about camera work?"
Mr. Barr's general thoughts on acting are actually quite good, though, which encouraged me to read through the whole of the first section, and I would say that there are many excellent insights there. It's also a relatively quick read, as opposed to Uta Hagen's book, for example, and many things are presented in ways I hadn't read in other books before.
When I finally got to the "camera" section of the book, I sort of realized that the reason he probably spent so much time with the "general acting" stuff is because ... well, the most important part of "acting for the camera" is the ACTING, not the CAMERA! Of course there are many specifics that he addresses, but all the specifics and terminology etc. aren't going to help you if you can't act.
Plus, the section on "exercises" at the end of the book was helpful to read, even though I haven't tried any of them myself yet ... they seem like well-thought out exercises to improve ones' camera work.
The groundwork and advice on acting that he gives, though, is excellent all-around and seems appropriate to apply to ANY type of acting, not just camera acting.
So, all in all, I'd say that the book would more accurately be titled "ACTING, with a special section on Acting For The Camera!" That isn't quite as marketable though, I suppose!!
Very good introductory text.......2005-08-27
I very much agree with philosophy of this text. I think it did a good job of gathering the most important points of acting for film.
It's a short, easy, read, but I think it teaches all the right things.
A good reference.......2004-07-05
Overall, this is a good purchase. I got this a while ago because of my interest in branching out in my acting. I will admit that the first few chapters were slow, and I stopped reading for a while. However, after the first 1/4 I really got into it. There are excellent tips in there on how to go from theatre acting to film acting. There were also some good ideas on acting in general--from reacting to stimuli during a scene or dealing with unruly directors. It also had a few addresses for unions, which is always nice to have. There were also definitions of jobs related to film and the equipment used in film. The last chapter of the book is a compilation of exercises to practice in front of a camera. These are exercises that you will need about 2 or 3 other people for, and you will either have to improvise a scene, write a scene, or find a scene to perform while doing the exercises.
This is a very good book that gives you the basics. It can be used as an introduction or as a refresher, and it is generally an enjoyable read--Tony Barr writes with humor but also gets the point across. After the first few chapters, I devoured this book. This is definitely a good book to have for reference, one that I will have around for a while...
Another Must ahve for Serious actors!.......2004-02-12
My acting teacher says that, basically, their are two types of acting. Acting for the stage (theatre, plays)and acting for the camera (movies, tv). I want to do the later one, acting in movies. We do some stage excersises in class, but they dont interest me. I want to be in front of the camera so I can use some method and other technics, that my teacher says dont work in stage acting. I know i will reach my goal and get more and more film work. If you think the stage isn't for you, either, than read this book. You learn alot.
Average customer rating:
- An outstanding guide to the Arriflex camera system
|
Arriflex 35 Book, Third Edition
ASC, Jon Fauer
Manufacturer: Focal Press
ProductGroup: Book
Binding: Paperback
General
| Photography
| Arts & Photography
| Subjects
| Books
General
| How-to
| Photography
| Arts & Photography
| Subjects
| Books
Equipment
| Photography
| Arts & Photography
| Subjects
| Books
General
| Performing Arts
| Arts & Photography
| Subjects
| Books
Cinematography
| Movies
| Entertainment
| Subjects
| Books
Direction & Production
| Movies
| Entertainment
| Subjects
| Books
Direction & Production
| Television
| Entertainment
| Subjects
| Books
All Amazon Upgrade
| Amazon Upgrade
| Stores
| Books
Arts & Photography
| Amazon Upgrade
| Stores
| Books
Entertainment
| Amazon Upgrade
| Stores
| Books
All Titles
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Similar Items:
-
Camera Assistant, The: A Complete Professional Handbook
-
In the Blink of an Eye Revised 2nd Edition
ASIN: 0240803701 |
Book Description
A comprehensive guide to a highly popular movie camera, the Arriflex 35 Book details the simplicity and complete interchangeability of the ARRI 35mm system, the wide range of lenses, accessories and after-market products available, and how they may all be used and serviced. The new edition has been completely revised to include a wide range of updates, retrofits and especially camera accessories. The book features exploded view drawings and photographs of every camera and accessory, with technical specs. It discusses every aspect of prep, use and maintenance.
Divided into six sections each covering a different camera or accessory system, the Arriflex 35 Book is exhaustive in the information it provides the camera operator: checking mirror shutter timing, timing Arriglow, removing ground glasses, setting eyepiece diopters, threading and servicing magazines, lubrication, and checking flange focal depths are just a few examples. The Arriflex 35 Book also includes an appendix listing frequently needed reference information such as camera and magazine weights, magazine tensions, flange focal distances, fuse numbers, and a directory of Arriflex dealers and after-market product manufacturers worldwide.
Completely revised to include all updates, retrofits and accessories
Covers every aspect of prep, use, and maintenance
Features nearly 360 exploded view drawings and photos of every component and accessory
Customer Reviews:
An outstanding guide to the Arriflex camera system.......2000-07-07
If you browse through Jon Fauer's latest book, THE ARRIFLEX 35 BOOK, the following statement from page 28 might catch your eye. "This funny looking tool (ARRI K.4.30689.0), which looks like a scissors mated with a platypus, can be..." One might wonder, what kind of technical manual this is? But as you read on, the validity of the text quickly becomes obvious and statements such as the above, elevate Jon Fauer's book above so many dry, and difficult to comprehend technical books. From the first page to the last, 358 pages bristle with the most thorough and detailed information. THE ARRIFLEX 35 BOOK is comprehensive, providing the reader with the know how required to use, maintain and care for the Arri family of cameras, one the world's most popular professional motion picture systems.
The informative, logically presented text, peppered with Jon's wry humor, is amply illustrated with hundreds of clear and precise drawings and photographs that leave nothing to the imagination. All available accessories, even home made ones, are discussed in this detailed and illustrated text. Even so, the book is not restricted to technical information alone. Useful information, such as shipping weights, Arriflex worldwide suppliers, and sales agents are listed with included addresses and phone numbers.
Additional information, shooting tips, and other equipment used in cinematography are discussed. Jon's enormous research compiles the knowledge of some of the top people in the industry. When added to his own vast experience, this book, "platypus" and all, is clearly the best, most important and necessary text to anyone who owns, maintains or works with Arriflex cameras. It is simply a must read for students and professionals alike.
Good work Jon! Thanks very much!
Andrew Laszlo A.S.C.
Product Description
Stop-motion animation has long been perceived as a technical practice rather than a creative, demanding art. Though stop-motion requires considerable technical knowledge, it also involves aesthetics and artistry that go beyond the technician’s realm. Just as important as puppet mechanics are lighting, filters, lenses, camera angle and placement, and dramatic pose and movement. This manual is a complete guide to the aesthetics of stop-motion animation. Information is organized in an intuitive, easy-to-use structure, following the order an animator uses in setting up and then executing a scene. The first half concentrates on the aesthetics of lighting and cameras, a primary concern in any shot, with details of camera placement, various lenses and myriad lighting techniques. The second half deals with the process of performance art, an oft-overlooked aspect of stop-motion animation. Included is a commentary on body language, facial expression, gesture, movement and emotion—key concepts that are exemplified through the acting process. The work also offers an introduction to narrative form and a glossary of related terms.
Customer Reviews:
Stop-Motion Filming and Performance.......2007-07-03
Like its two previous manuals, Stop-Motion Armature Machining and Stop-Motion Puppet Sculpting and Fabrication, the publisher chose to print Stop-Motion Filming and Performance on substandard paper stock, with low-quality images. This hurts the overall look of the manual, belies the content of the manual, and results in a product that is overpriced for what one gets visually.
The author had requested color photographs for the lighting portion of the manual, and was initially told by the publisher that up to 8 color images would be printed. Eventually, color photos were not used, which further impeded the manual's discussion on color lighting.
The most important aspects of filmmaking (be it live-action or animation) are the story and performances. As such, the author spent a great deal of time discussing story development and animation performance. The author would especially welcome comments from consumers of the manual on those aspects of the manual as well, and to provide more objective and fair criticism.
DO NOT BUY THIS BOOK.......2007-04-06
I am a film student at the University of Miami. I was trying a first time stop/motion experiment and bought this awful book. The section on lighting techniques are all introductory and in no way specific to stop/motion animation. The very few pictures in the book are in b/w and extremely muddy. It is way too general, a complete waste of time, and a rip off for 50 bucks.
Book Description
Authored by a pioneer and leading authority in broadcast and video technology, this comprehensive examination of video camera technology and applications covers the fundamentals and latest advances in cameras ranging from consumer camcorders to state-of-the-art professional broadcast models. Focusing on the latest digital technology used in today's cameras, the book is the first to cover camera technology as it applies to a broad range of fields including broadcasting, computers, and telecommunications. You'll find the book easy-to-understand and packed with practical knowledge that you can use right away to select appropriate cameras for specific applications, apply cutting-edge camera technology in computer system development, and strengthen your knowledge of digital video camera design.
Customer Reviews:
Excellent Resource.......2007-05-18
Unlike many training books The Bare Bones Camera Course for Film and Video does not attempt to suggest what camera you should buy, nor does it tell you how to shoot Aunt Alice's 80th birthday party. This book, in its 89 pages, is a beautiful example of a subject that has been pared down to the essential information needed to learn it----and the subject is how to operate your video camera to get the best images you can.
The book's table of contents lists eight sections:
· Basics (such as camera functions, lenses, depth of field)
· Composition
· Basic Sequence
· Screen Direction
· Camera Moves
· Montages
· Lighting
· Doing It (how to plan for a shoot)
Each section is covered concisely, and there are over 200 simple, but effective, black and white line art illustrations to accompany the topic being discussed. This book is perfect for the person who wants to concentrate on improving their video camera operating skills.
The best beginners book out there.......2006-05-11
This is one of the simplest, and best books I've ever seen for beginner filmmakers. It is able to very clearly explain complicated concepts, without writing any more than necessary. It's a very slender book, and a very quick read, and well worth your time.
The best basic camera and cinematography explanations I have found........2006-03-05
This book is the easiest book on the subject to understand. Allmost anyone could understand this book. It gives you the same information as some of those long 300 page books that try to sound scholarly but just end up sounding pretensious. This book is the complete basics, so for anyone who is looking for more in depth stuff this isnt the right book for you.
Short & Sweet.......2002-01-16
Tom Schroeppel is an experienced film editor. Originally written for film cameras, the 2002 edition has been updated to apply also to video cameras. It's amazing how, in this short book, he is able to explain in simple language and illustrations almost everything you need to know in order to make a film or video. If you read your video camera's manual and this one book you will have all the tools you need to make excellent videos. I bought this book in the USC bookstore - it's used in a film class.
Great book.......2000-11-26
I recently picked up this book at a college bookstore, and I read it in about two hours. This is a fabulous book to get all the basic information needed to start making movies. It's littered with helpful diagrams and good examples. Buy it now!
Book Description
Video Camera Techniques is an ideal starter guide for anyone owning a camcorder, newcomers to the field of broadcast or corporate video-making, or students who all wish to make videos to professional standards.
Written in Gerald Millserson's easy to understand style, this step by step guide will help you to master the operation of your camera and quickly develop your own style and imaginative skills.
This new edition now covers the latest types of video camera and gives guidance on camera handling and picture making form basics to advanced techniques.
Gerald Millerson's books on video and television have long been acknowledged as among the best ever published. For more in-depth coverage of all aspects of video production his highly acclaimed Video Production Handbook is the definitive work on the subject. He is the author of two other titles in the Media Manuals series - Lighting for Video and Effective TV Production. His other books published by Focal Press are The Technique of TV Production (now in its 12th edition), The Techniques of Lighting for TV and Film and TV Scenic Design Handbook.
Learn all you need to know to produce videos of a professional standard
Keep you up to date with the latest technologies
Comprehensive step-by-step guide to provide you with the knowledge and the confidence of working with any kind of camera
Books:
- White Night (The Dresden Files, Book 9)
- Wide Open: Inspiration & Techniques for Art Journaling on the Edge (Book & Card Kit)
- A Hope in the Unseen: An American Odyssey from the Inner City to the Ivy League
- Adobe Photoshop Lightroom Workflow: The Digital Photographer's Guide (Tim Grey Guides)
- Adobe Premiere Pro 2.0 Studio Techniques
- Adrift: Seventy-six Days Lost at Sea
- An Acrobat of the Heart: A Physical Approach to Acting Inspired by the Work of Jerzy Grotowski
- Art Deco Interiors: Decoration and Design Classics of the 1920s and 1930s
- Artful Applique: The Easy Way (That Patchwork Place)
- Ask And It Is Given Cards: A 60-Card Deck plus Dear Friends card
Books Index
Books Home
Recommended Books
- Animal Farm
- Service of All the Dead
- Goodbye, Columbus : And Five Short Stories
- History: Fiction or Science
- History: Fiction or Science
- Organic Chemistry 1 as a Second Language: Translating the Basic Concepts
- Roman Auxiliary Cavalryman: AD 14-193
- Embedded Image Processing on the TMS320C6000 DSP: Examples in Code Composer Studio and MATLAB
- History: Fiction or Science
- The Savvy Consumer: How to Avoid Scams and Ripoffs That Cost You Time and Money
DV Filmmaking: From Start to Finish (O'Reilly Digital Studio)
Lighting for Digital Video & Television, Second Edition
Digital Video Production Cookbook: 100 Professional Techniques for Independent and Amateur Filmmakers (Cookbooks (O'Reilly))
Producing Great Sound for Digital Video
Digital Video Hacks: Tips & Tools for Shooting, Editing, and Sharing (O'Reilly's Hacks Series)
