Average customer rating:
- Emperor's New Clothes
- On reproductions
- Great book!
- Collectable
- If you have any sort of an interest in art...
|
Vitamin D: New Perspectives in Drawing (Themes)
Emma Dexter
Manufacturer: Phaidon Press
ProductGroup: Book
Binding: Hardcover
 History
| Subjects
| Books
| Africa
| Americas
| Ancient
| Arctic & Antarctica
| Asia
| Audiobooks
| Australia & Oceania
| Europe
| Gay & Lesbian
| Historical Study
| Large Print
| Middle East
| Military
| Military Science
| Russia
| United States
| World
General
| History & Criticism
| Arts & Photography
| Subjects
| Books
Schools, Periods & Styles
| Arts & Photography
| Subjects
| Books
| Abstract Expressionism
| Ancient & Classical
| Art Deco
| Art Nouveau
| Baroque
| Byzantine
| Constructivism
| Contemporary Art
| Cubism
| Dadaism
| Expressionism
| Fauvism
| Folk Art
| Futurism
| German Expressionism
| Gothic
| Impressionism
| Mannerism
| Medieval
| Modern
| Neoclassical
| Pop
| Post-Impressionism
| Pre-Raphaelite
| Prehistoric & Primitive
| Realism
| Renaissance
| Rococo
| Romanesque
| Romantic
| Surrealism
General
| Instructional & How-To
| Arts & Photography
| Subjects
| Books
Drawing
| Instructional & How-To
| Arts & Photography
| Subjects
| Books
General
| Drawing
| Arts & Photography
| Subjects
| Books
General
| Arts & Photography
| Subjects
| Books
All Titles
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Arts & Photography
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Similar Items:
-
Vitamin P: New Perspectives in Painting
-
Drawing Now: Eight Propositions
-
Vitamin Ph: New Perspectives in Photography
-
Art: 21 - Art in the 21st Century (Seasons One & Two)
-
Art: 21: Art in the Twenty-First Century
ASIN: 0714845450 |
Book Description
Drawing has recently experienced a renewal of importance in the art world; in fact, it has rarely been as widely represented in the biennials, art fairs, and exhibitions as it is now. Similar in concept, scope and structure to Phaidon's successful volume Vitamin P, Vitamin D presents, in A to Z order, the work of 109 artists who have emerged internationally since 1990 using the medium of drawing. Whether representational or abstract, small or large in scale, using only one line or rich in colors and pattern, drawings have a highly descriptive and meticulously detailed quality that is being explored by an increasing number of contemporary artists. Extending beyond the traditional image associated with this medium, Vitamin D hopes to illustrate the complexity, variety, and relevance of the practice of drawing today.
Customer Reviews:
Emperor's New Clothes.......2007-09-25
Anyone who would call this art is either lacking an objective sensibility or has some measure of vested interest in the sales of this book. The "drawings" (lol) in this book are fine examples of why mainstream Americans no longer care about the fine arts.
One reviewer actually used the word "refreshing" in describing the contents. Are you kidding me? Refreshing, perhaps, if I had only been exposed to blank pages my entire life.
This is not art. This is the Emperor's New Clothes.
On reproductions.......2007-06-07
Vitamin D is an outstanding publication of drawings from contemporary artists which shows great depth in both subjectivity and theme, the one overwhelming issue seems to be the quality of the reproductions within. Context gives us the reason for this.. in that these are works by CONTEMPORARY artists and as such have not been digitized as throughly as say the often if not OVER reproduced imagery of Leonardo or Michelangelo, so yes some of the reproductions are less stunning however they are more than adequate and what is more important, they are reproduced well enough to spark interest in seeing the original. Artwork can never truly be reproduced, you must experience the original to truly appreciate the pieces. However Vitamin D does what it was designed to, as did it's predecessor Vitamin P, giving a contemporary overview of works and the artists who create them which have yet to be studied. These books are history in the making and that alone gives them more merit than most art publications. This series is more than worth owning and will prove to be volumes you will return to again and again.
Great book!.......2007-04-03
If you are interested in a wide range of edgy drawings..this book is terrific. It is inspiring, informative and current...not a "how-to" but a survey of all the wonderful and strange drawings being done today.
Collectable.......2007-02-04
Vitamin D, is complete inside and out. The binding is terrific, the type, the torn paper edges, the layout, everything that went into designing this book was well thought out. Its not only fabulous, but a pleasure to look through. The artists chosen are all exceptionally talented, and each with a unique edge. Nevertheless, all work presented will be a definite point of reference for many many years to come, including the work by my own mentor,and teacher.
If you have any sort of an interest in art..........2006-11-12
Then you will absolutely fall in love with this book. This book is full of images from a wide range of media and artists. The short bios on the artists are short but informative and don't take up much space (more room for pictures). If you're something of an artist yourself then you can certainly pull lots of ideas from this book. I definitely am glad I bought this book.
Book Description
"What is abstract art good for? What's the use--for us as individuals, or for any society--of pictures of nothing, of paintings and sculptures or prints or drawings that do not seem to show anything except themselves?" In this invigorating account of abstract art since Jackson Pollock, eminent art historian Kirk Varnedoe, the former chief curator of painting and sculpture at the Museum of Modern Art, asks these and other questions as he frankly confronts the uncertainties we may have about the nonrepresentational art produced in the last five decades. He makes a compelling argument for its history and value, much as E. H. Gombrich tackled representation fifty years ago in Art and Illusion, another landmark A. W. Mellon Lectures volume. Realizing that these lectures might be his final work, Varnedoe conceived of them as a statement of his faith in modern art and as the culminating example of his lucidly pragmatic and philosophical approach to art history. He delivered the lectures, edited and reproduced here with their illustrations, to overflowing crowds at the National Gallery of Art in Washington in the spring of 2003, just months before his death.
With brilliance, passion, and humor, Varnedoe addresses the skeptical attitudes and misunderstandings that we often bring to our experience of abstract art. Resisting grand generalizations, he makes a deliberate and scholarly case for abstraction--showing us that more than just pure looking is necessary to understand the self-made symbolic language of abstract art. Proceeding decade by decade, he brings alive the history and biography that inform the art while also challenging the received wisdom about distinctions between abstraction and representation, modernism and postmodernism, and minimalism and pop. The result is a fascinating and ultimately moving tour through a half century of abstract art, concluding with an unforgettable description of one of Varnedoe's favorite works.
Customer Reviews:
Pictures of Nothing.......2007-10-13
This is a very good collection of lectures given about abstract art. It gives some valuable clues as to the genealogy of modern art.
overrated and wordy.......2007-09-19
a disappointing book - pretentious and unenlightening - get hilton kramer's "the trium of modernism" instead!
They really need a Zero Star category for books like this one.......2007-07-24
I watched the excellent series on art on DVD called "Power of Art" by Simon Schama. The last episode of the series is on Mark Rothko, an abstract painter. It made me want to learn more about abstract art, so I bought this book. Annnt! Thanks for playing. This book is a dog. It didnt help me understand abstract art one bit . In fact, it goes on and on about pieces of "art," but does not explain them beyond being smears or smudges or works of technique. The basis of abstract art is not explained at all.
BTW, it appears from this book that these guys were often making paintings just as rude jabs at one another's work.
I found the book a total waste.
Review by P Hutchings, Melbourne, Australia.......2007-06-13
Kirk Varnedoe's Pictures of Nothing is a masterpiece of empirical art chronology/criticism. It is gritty and on the ground. This is a relief after Danto's warmed-over Hegel and Clement Greenberg's star-spangled marx with a small M. If one might venture any hypothesis about the artists about whom Varnedoe wrote it would have to face, square on, any counter-instances. No Zeitgeist, just Popperian falsifiablility. Good. It is of course a pity for those of us who were not in New York at the right time. But, that's life.
Patrick Hutchings
Department of Philopsophy
University of Melbourne
Australia
Abstraction clarified.......2007-02-07
A brilliant and thorough explication of contemporary abstract art. The lectures were not intended for
arts professionals but are a literate and enjoyable guide to the visual arts since Jackson Pollock.
Book Description
Abraham Lincoln now occupies an unparalleled place in American history, but when he was first elected president, a skeptical writer asked, “Who will write this ignorant man’s state papers?” Literary ability was, indeed, the last thing the public expected from the folksy, self-educated “rail-splitter,” but the forceful qualities of Lincoln’s writing eventually surprised his supporters and confounded his many critics. Since his assassination in 1865, no American’s words have become more familiar or more admired, and their enduring power has established him as one of our greatest writers. Now, in a groundbreaking study, the distinguished Lincoln scholar Douglas L. Wilson demonstrates that exploring Lincoln’s presidential writing provides a window onto his presidency and a key to his accomplishments.
Lincoln’s Sword tells the story of how Lincoln developed his writing skills, how they served him for a time as a hidden presidential asset, how it gradually became clear that he possessed a formidable literary talent, and it reveals how writing came to play an increasingly important role in his presidency. “By the time he came to write the Gettysburg Address,” Wilson says, “Lincoln was attempting to help put the horrific carnage of the Civil War in a positive light, and at the same time to do it in a way that would have constructive implications for the future. By the time he came to write the Second Inaugural Address, fifteen months later, he was quite consciously in the business of interpreting the war and its deeper meaning, not just for his contemporaries but for what he elsewhere called the ‘vast future.’ ”
Illustrated with reproductions of Lincoln’s original manuscripts, Lincoln’s Sword affords an unprecedented look at a distinctively American writer.
Customer Reviews:
Words that moved a nation.......2007-08-05
Author Douglas L. Wilson once again hits the bull's-eye, this time with a painstaking study of Lincoln's rhetoric (the President's personal "sword"). This book should appeal not only to persons interested in the Great Emancipator, but to those interested in the craft of writing. Wilson takes us step-by-step through the process Lincoln used to hone some of his most famous statements, a journey revealing principles of clear writing. Wilson shows that Lincoln's clarity of expression wasn't effortless, but resulted from hard work.
First-rate work.......2007-06-02
Bold in concept and careful in execution, this work is a gem. Lincoln's constant revising, his sense of what was appropriate in given situations, and his surging command of the language over decades impress the reader. Wilson's understanding of the context of Lincoln's deployment of language is impressive. Cautiously revisionist.
A Scholarly Analysis readable by Anyone.......2007-05-30
Lincoln's Sword illuminates the power and clarity of Lincoln's words. Even if the reader is not a Lincoln devotee or scholar, this book's treatment of Lincoln's speeches are clear, concise and pleasureable. This is a book that anyone would enjoy reading.
insightful.......2007-05-07
well worth the read to gain insight into an often little understood man. the depth of the writing gives testimony to the depth of the man. read it and learn - not just about lincoln - but also how to use communications to move people towards your goals.
A wonderful read, and contains important material on what Lincoln actually wrote and said and why........2007-02-09
Lincoln has become one of those tests where someone can tell you their thoughts about him and you can often tell where they are on any number of issues. The problem is that much of what people think they know about Lincoln is only a bumper sticker or sound byte version of what went on. We try to judge Lincoln (and most of our great historical figures) by our lights rather than seeing him in the context of his own time. Of course, it takes some work to learn what happened and why rather than wringing our hands over, say, the suspension of habeas corpus.
This excellent book can be a great contribution to your education about the real Abraham Lincoln and how he conducted himself as President. He came into office with the elite dismissing him as crude and hopelessly unsophisticated. This book shows us how carefully he worked on his public speeches and the letters and articles that were published during his time in office.
Sometimes we forget that by the time Lincoln took office on March 4, 1861 that the movement for secession was well underway and the firing on Fort Sumter was on April 12, 1861, just a few weeks later. His second inaugural address was given on March 4, 1865, Lee's Surrender at Appomattox was on April 9th, and Lincoln was shot by Booth on April 14th. He died the next day. So, his entire service as President was bounded by that terrible war.
Douglas Wilson takes several of the addresses and letters central to Lincoln's Presidency and shows us what the extant drafts reveal to us about Lincoln's purposes, approach, and the political realities he faced. He also brings in testimony by those who were involved with those documents, worked with Lincoln, and contemporaries who wrote about them. It is all quite fascinating, especially because it is focused on what was happening and what was thought at the time rather than imposing anachronistic views from our day on those events. However, Wilson does spend some time examining what some contemporary critics have said about these documents and events. For example, he uses a few apt quotes from Garry Wills' wonderful book (one you may want to read) on the Gettysburg address because they are among the best things said about it in our time.
While other documents are considered in passing, the central documents examined in this book are: Lincoln's farewell from Springfield for Washington, his First Inaugural, the July 4, 1861 address, the Emancipation Proclamation (and its antecedents), a letter to Greeley, the Corning letter, the Gettysburg Address, and the Second Inaugural.
I would suggest that you get a copy of Lincoln's addresses or get them from the Web and read the documents along with the book (most are not provided in the book because of their length and their wide availability). I recommend the two volume set of Lincoln's "Speeches and Writings" from the Library of America (only the second volume is needed for this book). Reading what Lincoln actually wrote and said is quite edifying because one learns first hand what he said and did rather than being the prisoner of what others selectively provide you to promote their own agenda.
This is a great read, is very informative, and I strongly recommend it to you as part of your self education on what American History really is.
Average customer rating:
|
Twentieth-Century Russian and East European Painting: The Thyssen-Bornemisza Collection
Johne E. Bowlt , and
Nicoletta Misler
Manufacturer: Philip Wilson Publishers
ProductGroup: Book
Binding: Hardcover
General
| Architecture
| Professional & Technical
| Subjects
| Books
General
| History & Criticism
| Arts & Photography
| Subjects
| Books
Criticism
| History & Criticism
| Arts & Photography
| Subjects
| Books
Schools, Periods & Styles
| Arts & Photography
| Subjects
| Books
| Abstract Expressionism
| Ancient & Classical
| Art Deco
| Art Nouveau
| Baroque
| Byzantine
| Constructivism
| Contemporary Art
| Cubism
| Dadaism
| Expressionism
| Fauvism
| Folk Art
| Futurism
| German Expressionism
| Gothic
| Impressionism
| Mannerism
| Medieval
| Modern
| Neoclassical
| Pop
| Post-Impressionism
| Pre-Raphaelite
| Prehistoric & Primitive
| Realism
| Renaissance
| Rococo
| Romanesque
| Romantic
| Surrealism
General
| Museums & Collections
| Arts & Photography
| Subjects
| Books
Permanent Collection Catalogs
| Museums
| Museums & Collections
| Arts & Photography
| Subjects
| Books
General
| Instructional & How-To
| Arts & Photography
| Subjects
| Books
Drawing
| Instructional & How-To
| Arts & Photography
| Subjects
| Books
General
| Drawing
| Arts & Photography
| Subjects
| Books
General
| Painting
| Arts & Photography
| Subjects
| Books
General
| Arts & Photography
| Subjects
| Books
Russia
| History
| Subjects
| Books
ASIN: 0302006192 |
Book Description
At the heart of this pioneering study - the result of exhaustive comparative research in Russian, European and American collections - is an illustrated catalogue which provides detailed descriptions of each work in the context of the artist's career and the broader artistic developments of the age. The condition, provenance, and previous location of the works are also detailed.
The catalogue is introduced by three essays: The Russian Avant-Garde, the Hungarian Avant-Garde, and the history of the collecting of Russian Avant-Garde art. The volume concludes with artists' biographies, bibliographical information, a glossary and index.
A catalogue of 59 works, written by two of the most eminent scholars in the field.
Book Description
For everyone who craves a simpler lifestyle, not only in how they live but also where they live, The Simple Home features 21 houses and presents six different approaches to creating a home that realizes its full potential both simply and elegantly.
We are living in complex times, in a commodified, virtual, and overstimulated culture. One response to high levels of complexity and overstimulation is to look for yet another gadget or closet organizer to simplify our lives. But the answer lies somewhere else. The road to a simpler more satisfying life begins with a clear-eyed examination of the choices we are making for our time--and that includes choices about where we want to live.
The Simple Home presents six paths to simplicity, each illustrated by human-scaled, unadorned homes with straightforward floor plans and forms. These are open, light-filled homes (with rooms or spaces that are often multipurpose) that express their beauty in their utility and practicality. Simple homes are low maintenance and often green, designed for homeowners who wish to embody a different set of values in their housing choices than the run-of-the-mill starter castles littering the landscape.
The 6 Paths to Simplicity:
1. Simple is Enough
2. Simple is Thrifty
3. Simple is Flexible
4. Simple is Timeless
5. Simple is Sustainable
6. Simple is Refined
Customer Reviews:
Houses that live large for their owners.......2007-08-17
Wonderful case studies about 20 homes with good explanations about material choices, site considerations, and the people who own them. It's a Taunton Press book, so the photos are great, of course. I especially like the floor plan illustrations that support the photos and give a sense of flow through the houses.
Eye-opening book.......2007-08-04
This book is amazing! The pictures are great, and so well coordinated with the text that the reader can truly "see" each house. For anyone dreaming of a second home, or a more efficient first home, this is an ideal volume.
Defines the concept of a 'simple home' .......2007-07-08
Sarah Nettleton's THE SIMPLE HOME: THE LUXURY OF ENOUGH defines the concept of a 'simple home' and offers interior design tips to achieving satisfaction from a basic home design. This involves eliminating non-essentials and practicing restraint: six avenues to achieving a 'greener' lifestyle from this approach blends full-page color photos with comments on designs which refine and simplify the home - perfect for new students of interior design and homeowners contemplating reconstruction.
Great Book!.......2007-05-14
Wonderful pictures! This book has so many great stories of the home and how people really make their houses simple and comfortable.
Hmmm?.......2007-05-12
My copy came with many scratches on the dust cover and a broken binding when I opened the book. As far as the contents...I was expecting more of a layman friendly simple life-style type approach. Instead I felt like I was buying a book a self-contractor could use. My perusal indicated more about architecture as opposed to simplifying home content. Not a happy camper with this book. I returned it.
Book Description
Atomic Ranch is an in-depth exploration of post-World War II residential architecture in America. Mid-century ranches (1946-1970) range from the decidedly modern gable-roofed Joseph Eichler tracts in the San Francisco Bay area and butterfly wing houses in Palm Springs, Florida, to the unassuming brick or stucco L-shaped ranches and split-levels so common throughout the United States.
Customer Reviews:
Midcentury Modern Lover's Porn.......2007-05-05
Page after page of delicious midcentury modern yumminess. Unlike many architecture and design books, this one is actually well written.
Atomic Dressing.......2007-03-21
Eye candy of the past that we loved, environments we create from what we thought were futuristic but now an echo in the past. Great assortment of houses on display to tickle your midcentury fantasies that we can't afford now.
Mid Century Gem.......2007-03-05
I love this book! Every page is graced with mid century ranch homes lovingly photographed and described. If you have any interest at all in architecture, add this book to your collection.
Wonderful book on Ranch Homes.......2007-02-20
As a subscriber of the "Atomic Ranch" magazine, published by the same authors of this book, I had high expectations on its content, which were more than fulfilled, as i simply loved the book. It highlighted many homes that have been previously published on the magazine pages, but it had many others that I have not seen before in print, probably from the earlier issues I missed. The photos are superb, the book format is so elegant and perfect for Coffee Table display and the content is just wonderful. From Amazon, I have also purchased the Alan Hess book on Ranch Homes and the one from Katherine Samon on decorating Ranch homes, but "Atomic Ranch" is by far, my favorite of those three.
Mid century modern for the real world!.......2007-01-26
I have purchased many books on mid century modern style to get ideas for my remodeling project and while they were full of excellant examples of the style the biggest part of them only showed examples of high dollar showcase homes. (example: Frank lloyd Wright's creations) While they are beautiful they are far beyond my means and impractical for my life style. Atomic ranch fills the gap of real world affordable design and livablity that I was seeking. I have gotten many great ideas from Atomic ranch that I will likely use in my own home remodel. The book is excellant to browse, to read, or to use as an example when conveying your ideas to contractors or builders. Atomic ranch is a joy to any fan of serious modern, mid century, googie, or boom generation cold war living and style!! I can't recommend it more. Nuff said.
Book Description
Since it was first published in 1992, this book has become one of the leading anthologies of art theoretical texts in the English-speaking world. This expanded edition includes the fruits of recent research, involving a considerable amount of newly-translated material from the entire period, together with additional texts from the last decades of the twentieth century.The features that made the first edition so successful have been retained:- The volume provides comprehensive representation of the theories which underpinned developments in the visual arts during the twentieth century.- As well as writings by artists, the anthology includes texts by critics, philosophers, politicians, and literary figures.- The content is clearly structured into eight broadly chronological sections, starting with the legacy of symbolism and concluding with contemporary debates about the postmodern.- The editors provide individual introductions to each of the 371 anthologized texts.Material new to this expanded edition includes texts on African art, on the Bauhaus and on the re-emergent avant-gardes of the period after the Second World War. Post-modernist debates are amplified by texts on gender, on installation and performance art, and on the increasing globalization of culture.
Customer Reviews:
just O.K........2007-07-10
my college library had the "feminist art theory" volume from this same series, and i LOVED that book to death.
since i liked that book so much, i thought it would be a good investment to cash in a recent gift certificate on this hefty volume.
i wish that i had gone for the feminist art volume-- it's much more relevant for anyone who is interested in art as political expression... that topic is really not addressed in this anthology.
it's probably still good as a reference if you're going to be writing a lot of papers for standard survey courses covering this time period, though.
A valuable reference book.......2005-08-11
Had I read the reviews about this book, I wouldn't have bought it.
I had to though, for my "Art: Language and Theory" class, in my second year of Graphic Design major. I was shocked with it at first, it's almost 1300 pages, with not a single image in it! It looked extremely dull. But the thing is, I found it extremely useful, and enjoyable to read at times too. It covers art theories in the 20th century, and has texts written by artists, philosophers, polticians and much more.
I now refer to it with every paper I write, every presentation I make and so on. There are also letters and notes in the book by artists such as Cezanne and Matisse, which are delightful to read. I use a dictionary sometimes, but not always, though I agree, the language is hard to comprehend at first glance.
I don't think any art student or teacher could do without this book, I used it as a beginners guide while studying art, and I won't stop using it. Don't be put off when you first get this book, you'll learn to value and appreciate it with little time.
Good Overview.......2003-12-28
I used this book for a graduate theory class and ended up reading pretty much all of it. The book provides an excellent overview of the major movements during the past 100 years but also misses out on a lot of the most current trends. I believe there were less than 3 articles dated after 1999. The writings seem to be obscure at times, with the editors trying to draw distant similarites between varying fields. Most of the passages used overly pretentious language, so keep a dictionary nearby. This book is not a beginner guide and it helps to have some knowledge of art history as well as a little world history. A better or easier read would have to be "Theories and Documents of Contemporary Art"...
Book Description
In this lavishly illustrated book, Hollywood's hottest new interior designer shows readers how mixing and matching designs from different eras and adding an element of the unexpected can redefine any room–residential or commercial.
With a painter's eye for colour, unwavering esteem for the historic, and a finely tuned sense of detail, Kelly Wearstler, one of Hollywood's most talked about young interior designers, has led her Los Angeles–based interior design firm, kwid (Kelly Wearstler Interior Design), to national prominence with an array of noted residential and commercial projects. Now, she shares her famous design philosophies and secrets, and inspires readers to create unexpected style in their own homes. Through full–colour photographs and sketches and informative text, Kelly explains the elements of unexpected style: inspiration, shapes and forms, graphics, texture and colour, masculine vs. feminine, and unusual details. Kelly takes readers through the creative process and shows how a Franco–Chinese piece of vintage wallpaper led her to a shopping spree in Paris and inspired the layered, classic look of the hotel Maison 140 in Beverly Hills. She explains the need for "icebreakers" in a room and how unexpected designs and details can lighten a room's load.
This is the perfect book for anyone looking for new and creative ways to decorate their homes. Whether it's shopping for a bedside table, putting reflective paint on the underside of a dining room table, or finishing a ceiling with high–gloss paint, she inspires readers to add an element of the unexpected to their homes. Others will enjoy living vicariously through Kelly's shopping sprees throughout the US, Asia, and Europe and appreciate discovering how each item found is a starting off point for a fresh and fun room design.
Customer Reviews:
Excellent & Inspiring.......2007-10-05
Kelly Wearstler's creative expressions inspire in her book, Modern Glamour. I found the book to be beautifully presented and packed with ideas I'd love to incorporate into my own work & home.
Eye candy.......2007-08-06
I was pleasantly surprised as to what an interesting read this book is - having bought a copy of this after her second book "Domicillium Decoratus", I wasn't expecting a lot of text. It's not revolutionary, but still an interesting insight to her processes. For those who are fans of Wearstler's style there are lots of photos of completed projects, some I'd previously not seen before - like her old LA apartment, and others of her buying up antiques and art in exotic locations. As a designer, I think this is a good book to add to your reference library. Kelly is a master at combining styles and colours that are seemingly disparate, so it's a great source of inspiration - or even just a bit of eye candy.
A beautiful book.......2007-02-12
Kelly Wearstler's top projects (including her old apartment and her current office) are photographed beautifully and can really provide inspiration if you enjoy her graphic, bold and irreverent style. There's a bit of Dorothy Draper in her aesthetic, in that she too takes classic influences and twists them in a way that is thoroughly modern and completely beautiful. A lovely book.
Are Kelly and Jonathan The Same Person?.......2006-09-27
Is Kelly Wearstler Jonathan Adler in drag? Or vice versa? Both are wildly talented people, who just happen to use the same things in their work, same colors, etc. Jonathan is an artist, who adoringly references and copycats retro pottery, and makes it unqiuely his own. Kelly is a cool chick, good dresser, has tons of style and can make a pretty room out of old glam junk and ideas. I love them both, and their books are worth having. I wish Kelly had more personal rooms. Too many hotel rooms which are very stagey. In the book she says she didn't like doing set design, yet that's what she does - designs sets for cool people like her to inhabit. Hollywood Regency is the word bandied about to describe both Jonathan & Kelly, he sometimes getting the East coast moniker of Palm Beach Style too (and she the West coast of Palm Springs). I say if you shop on eBay you will see all this great junk (just search Hollywood Regency) that I call eBay Regency. Both books give you a few ideas of how to put it together. Jonathan is more playful, Kelly more serious, but both make wonderful, zany, colorful, retro inspired modern human rooms. I think they bring back the words INTERIOR DECORATOR, so refreshing after everyone and his mother is a DESIGNER (used to be everyone's mother was a station wagon driving decorator with a business on the side). I wonder if these two have ever met, and if so do they like one another, or are they really the same person?
By the way get his book too, if you don't already have it JONATHAN ADLER PRESCRIPTION FOR ANTI DEPRESSIVE LIVING - they have it here at Amazon.
Fifteen Minutes of Drama........2006-08-11
This designer clearly aims for exclamations of surprises from viewers. She has an admirable eye for color. But for real class and style, refer to and study truly great and original minds like the late David Hicks, Madeleine Castaing, Jacques Garcia, and the highly intellectual Jacques Grange. Then re-interpret to suit your life and add your own sense drama for a real originality.
Average customer rating:
|
Barcelona and Modernity: Picasso, Gaudi, Miro, Dali
William H. Robinson ,
Jordi Falgas , and
Carmen Bellon Lord
Manufacturer: Yale University Press
ProductGroup: Book
Binding: Hardcover
General
| History & Criticism
| Arts & Photography
| Subjects
| Books
European
| Regional
| History & Criticism
| Arts & Photography
| Subjects
| Books
Modern
| Schools, Periods & Styles
| Arts & Photography
| Subjects
| Books
Miro, Joan
| ( M-O )
| Artists, A-Z
| Arts & Photography
| Subjects
| Books
General
| Museums & Collections
| Arts & Photography
| Subjects
| Books
General
| Arts & Photography
| Subjects
| Books
Spain
| Europe
| History
| Subjects
| Books
All Deals
| Blowout Books
| Stores
| Books
Arts & Photography
| Blowout Books
| Stores
| Books
Similar Items:
-
Venice and the Islamic World, 828-1797
-
Cezanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde (Metropolitan Museum of Art Publications)
-
Picasso and American Art
-
Louis Comfort Tiffany and Laurelton Hall: An Artist's Country Estate (Metropolitan Museum of Art Publications)
-
Glitter and Doom: German Portraits from the 1920s (Metropolitan Museum of Art Publications)
ASIN: 0300121067 |
Book Description
During the years after the September Revolution of 1868, Barcelona experienced tremendous industrial growth and emerged as the most politically and culturally progressive city in Spain. Barcelona and Modernity examines this remarkable seventy-one-year period, when Barcelona also reigned as one of the most dynamic centers of modernist art and architecture in Europe. Focusing on the Catalan Renaixença, Modernisme, Noucentisme, avant-garde movements of the early 20th century, and artistic reactions to the Spanish Civil War, essays by an extraordinary international team of scholars offer new insights into the work of such Catalan artists as Antoni Gaudí, Pablo Picasso, Joan Miró, and Salvador Dalí, among others, by setting them in context with the art of their teachers, colleagues, and rivals.
With approximately 350 works in a variety of media—painting, sculpture, photography, furniture, decorative arts, and architectural design—this intriguing book also explores how Catalan artists derived inspiration from local traditions while contributing their own innovations to international modernism. Broader in scope than any previous treatment of the subject, this book is sure to alter popular perceptions of Catalonia and become a fundamental text for years to come.
Customer Reviews:
Beautiful, but confused.......2007-04-28
The catalogue for an exhibition held at the Cleveland Museum of Art in 2006 and at the Met in NY in 2007, this book is beautifully illustrated and very well written. It is a treasure trove of information on the history of Barcelona and enables the reader to discover some great and overlooked artists like the painters Ramon Casas (a sort of Spanish Manet) and Santiago Rusiñol, or the architect and designer Josep Puig i Cadafalch and many others, responsible for the intellectual growth of this city between 1868 (the September Revolution) and 1939 (the power seizure by Franco), which is the period the exhibition covers. Obviously, the most famous personalities are not forgotten (Picasso, Miro, Dali and Gaudi whose names appear on the front cover).
Now, the organization of the book is somewhat confusing. Divided into 9 chapters, from the Rebirth ("Renaixença")in the late 1860's to Modernism (seen through painting, sculpture, graphic arts, society, architecture and design)and "Noucentisme" (the classical renewal) up to the Avant-Gardes and the Civil War in the late 1930's, it follows a more or less chronological logic. However, the checklist of the artists, at the end of the book, is very confusing: it is very difficult to know the location of the paintings or works of art illustrated and you constantly have to refer to that list to have the dimensions of the works. Instead of a list by artists, I think a list by works displayed in the exhibition and illustrated in the book would have been more suitable.
On the whole, a scholarly publication, but a little difficult to follow.
Book Description
In this compulsively readable, fascinating, and provocative guide to classical music, Norman Lebrecht, one of the world’s most widely read cultural commentators tells the story of the rise of the classical recording industry from Caruso’s first notes to the heyday of Bernstein, Glenn Gould, Callas, and von Karajan.
Lebrecht compellingly demonstrates that classical recording has reached its end point–but this is not simply an expos? of decline and fall. It is, for the first time, the full story of a minor art form, analyzing the cultural revolution wrought by Schnabel, Toscanini, Callas, Rattle, the Three Tenors, and Charlotte Church
. It is the story of how stars were made and broken by the record business; how a war criminal conspired with
a concentration-camp victim to create a record empire; and how advancing technology, boardroom wars, public credulity and unscrupulous exploitation shaped the musical backdrop to our modern lives. The book ends with a suitable shrine to classical recording: the author’s critical selection of the 100 most important recordings–and the 20 most appalling.
Filled with memorable incidents and unforgettable personalities–from Goddard Lieberson, legendary head of CBS Masterworks who signed his letters as God; to Georg Solti, who turned the Chicago Symphony into “ the loudest symphony on earth”–this is at once the captivating story of the life and death of classical recording and an opinioned, insider’s guide to appreciating the genre, now and for years to come.
Customer Reviews:
The crisis of classical music?.......2007-08-17
In the last times several books and articles have cast doubts about the future of classical music. Evidences like the ageing of audiences attending concerts or the lack of renewal of repertoires support that thesis. In this context, the writer and critic Norman Lebrecht has published a new book on the subject. To support his thesis, the first part of the book is devoted to the history of the record industry, its rise and its fall, how were founded the companies that lead the sector for half a century; the impact of new technologies (stereophonic sound, digital recording) and formats (LP, CD) in its evolution; and, finally, the present situation where big companies face a shrinking production and a fierce competition from small independent publishers besides the internet and downloads.
Any selection is obviously subjective and the criteria applied can be questioned. Nevertheless it is worth to know the circumstances and fact that were around the making of these records, some of them unanimously considered as absolute references.
What is left after reading the book is a certain air of pessimism. However its reading is worthwhile as it offers a vivid description of the recording industry, well documented with bibliographic references, and what is more important, with the author's personal experiences.
Always entertaining and informative.......2007-07-04
Lebrecht has been placing lilies on the grave of classical music for some time now. A more accurate title would be "The Life and Death of Classical Recording," as classical music itself is alive and well. It is an observable fact that the traditional CD is probably on its way out as a "pop" music vehicle; it would be unrealistic to expect classical recording to be unaffected by the ongoing shift to MP3 and other computer formats. Like the "Death" card of the Tarot deck, signifying not death so much as change, the industry is not dying but evolving in unexpected directions. What must be upsetting for those involved is the unpredictability of change - who, in 1975, would have predicted the prevalence of hip-hop today? The same forces are reflected in classical music, on a smaller scale.
The relative popularity of classical music in the 20th century's midpoint was an anomaly. Through the Baroque, Classical, and Romantic eras, composers were dependent on patronage (Schubert may have been the first serious composer to support himself, primarily through the popularity of his songs for the Biedermeier set, rather than his "serious" music). The typical 19th century European peasant, like his modern American counterpart, may have gone his entire life without hearing a Beethoven piano sonata. The majority, then as now, had their "popular" music.
Lebrecht manages to unearth endless troves of fascinating minutiae. For instance, he relates how Phillips, the inventors of the cassette, partnered with Sony to develop the compact disc. The Dutch wanted the new format to be the same size as the cassette, however, the favorite piece of the Sony chairman's wife was Beethoven's 9th Symphony, too long to fit onto a disk of that size. To accommodate it, the disk's diameter was increased to allow 80 minutes of music, with the center hole corresponding to the size of the smallest Dutch coin.
The list of the "100 best" and "20 worst" recordings don't exactly complement each other. The "100" are sometimes, but not always, the "best;" Lebrecht chose many recordings primarily for their significance, be it artistic, historical, or political. The "20" were not chosen for their lack of significance; in most cases, they represent bad ideas or poor execution by people who should have known better.
Deserves to be placed aside next to the Penguin Guide...........2007-06-21
A fascinating and absorbing read, Lebrecht's expose into the demise of classical music is as revealing as it is heartbreaking. Ten years ago, I was fortunate enough to work at one of the top classical radio stations in the US--(KDFC Classical 102.1 FM in San Francisco)there, I acquired a passion for classical music, reading Grammaphone and the Penguin Guide to Classial Compact Disc's with a fervor as children do with comic books. In short, it was an education in many ways--music as an art form, the aquisition of a refined taste, and a practical education into a highly unpredicatable business.
Lebrecht's book sheds light on all the vanities, egos, and personalities in the industry--past and present. Here is Karajan--masestro grandioso--feared but respected, whose net worth at his death was estimated at over $500 million with most of it derived from reissues of his earlier and better performances. Here is Bernstein, who, considered a somewhat of a second-tier conductor, plagued with insecurities and pretentious self-doubt, would often exasperate orchestras without punctuality or form (often forcing entire orchestras to wait an hour or more before he took to the podium) with his disdain for the inviolate nature of some works that are an inherent part of a country's national identity. Although venerated as a national treasure, Lebrecht paints another dimension to Bernstein; he recalls how the conductor completely botched a recording session with BBC Orchestra to produce one of the "worst classical recordings of all time"--Elgar's Enigma Variations in 1982. A very sloppy and unprofessional approach to a job overall and a personal insult to the dead composer's memory and the English.
What is interesting about this book is how Lebrecht puts it all together; the rivalries between the major labels: Decca, DG, Phillips, EMI and their producers scrambling to be the first to sign an exclusive contract with the industry's power players--Bernstein, Solti, Rattle, among others; how "crossover" discs and performances(a Bono and Pavarotti duo easily comes to mind)ultimately spelled doom for serious classical music fan; how the major labels used sexy CD cover art of young and talented artists like Vanessa Mae, Anne Sophie Mutter and Charlotte Church to increase sales of an already declining market, and the unexpected rise of Klaus Heymann and NAXOS. Here is the budget CD tycoon who taught all the "majors" a valuable lesson by hiring lesser known and Eastern European orchestras looking for work and produced several Grammaphone award-winning discs with Vivaldi's Four Seasons taking away honors as one of the best-selling classical recordings ever produced topping sales of 1.16 million besting even the venerated Arthur Fiedler of the Boston Pops!
If you ever wanted to know the in and outs of a business as fascinating as the classical music industry, this is a must read.
Glad to finally meet Chopin.......2007-06-16
This book is an informative and enjoyable read but I'm most grateful for the Masterpieces List. I bought #15- Chopin Waltzes played by Dinu Lipatti and discovered the Chopin who all the shouting was about. Lipatti's Chopin is sparkling, witty and entirely lacks the dirge-like sound that the other artists in my small collection have. Wow! I can hardly wait to sample others from Lebrecht's list.
A most interesting, if rather depressing, book.......2007-06-15
Norman Lebrecht can always be counted on to stir things up, and this book is no exception. The first half is a brief history of the classical recording industry, which Lebrecht believes to be dead. The second half is an annotated list of recordings, 100 of the most significant of the century, and 20 that should never have been made. The tone is breezy, gossipy, and opinionated; the anecdotes are fascinating, and Lebrecht pulls no punches. One wishes he had checked facts a bit closer, however. For example: Gould's "first on a major label" Goldbergs were preceded by Landowska's on RCA; Rautavaara is by no means a minimalist composer; the Beaux Arts Trio recorded Beethoven's Triple Concerto with Haitink and the LPO, not Masur and the Leipzig Gewandhaus. But these are minor quibbles in what is a very recommendable read.
Books:
- 101 Best-Loved Poems (Dover Large Print Classics)
- Acting Teachers of America: A Vital Tradition
- Adobe InDesign CS2 Classroom in a Book
- Adobe InDesign CS2 Classroom in a Book
- Adobe InDesign f/x and Design: A Straight-Shooting Lesson Plan for Professional Publishers to Hit the Ground Running with Adobe's Hot New Page-Layout Program
- Adobe Photoshop CS2 Classroom in a Book
- Alan Simpson's Window Vista Bible
- America on Film: Representing Race, Class, Gender, and Sexuality at the Movies
- And Tango Makes Three
- Andy Warhol: Giant Size
Books Index
Books Home
Recommended Books
- A Masterpiece for Bess
- Star Soldiers
- JLA/Avengers: The Collector's Edition
- Lt. Leary, Commanding
- How Would You Move Mount Fuji
- Principles of Colloid and Surface Chemistry
- Maritime History: The Eighteenth Century and the Classic Age of Sail
- Early Italian Painting 1290-1470: The Thyssen-Bornemisza Collection
- Gardens of the Gods: Myth, Magic and Meaning in Horticulture
- Trade Policy Review: Hong Kong/china 2002
