Merce Cunningham: Fifty Years

Amazon.com

Unlike so many biographies of dance maestros, Merce Cunningham: Fifty Years offers no litany of substance or psychological abuse. The volume, assembled by the archivist of Merce Cunningham's world-renowned U.S. company, records and analyzes Cunningham's work process and documents the provenance of his modern dance classics. Heavily spiced with biographical detail, Merce Cunningham packages the choreographer's life story in a lovely design that respects his whole body and conveys a rare sense of movement in its mass of still photos.

Book Description

Merce Cunningham celebrates the career of one of the most important artists of the twentieth century, from his first innovative and explosive solo dances to the present. This unique book incorporates images of performances by many world-renowned photographers, including Imogen Cunningham, Barbara Morgan, Annie Leibovitz, Peter Hujar, and Arnold Eagle.

Customer Reviews:

Merce Cunningham:Fifty Years.......2000-08-02

An excellent resource. Insightful. Beautiful pictures. Highly recommend for folks in dance education, collaborative artists, school teachers, dancers, and children.

History: Fiction or Science? (Chronology, No. 1)

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Calculations are only as good as your numbers
Pants on fire?
Accepted History & Chronology Must Be Changed.
Very Interesting
History as Science Fiction

History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
ProductGroup: Book
Binding: Paperback

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ASIN: 2913621058

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

Writing Dancing in the Age of Postmodernism

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Writing Dancing in the Age of Postmodernism
Sally Banes
Manufacturer: Wesleyan
ProductGroup: Book
Binding: Paperback

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ASIN: 0819562688

Book Description

Drawing of the postmodern perspective and concerns that informed her groundbreaking Terpsichore in Sneakers, Sally Banes's Writing Dancing documents the background and developments of avant-garde and popular dance, analyzing individual artists, performances, and entire dance movements. With a sure grasp of shifting cultural dynamics, Banes shows how postmodern dance is integrally connected to other oppositional, often marginalized strands of dance culture, and considers how certain kinds of dance move from the margins to the mainstream.

Banes begins by considering the act of dance criticism itself, exploring its modes, methods, and underlying assumptions, and examining the work of other critics. She traces the development of contemporary dance from the early work of such influential figures as Merce Cunningham and George Balanchine to such contemporary choreographers as Molissa Fenley, Karole Armitage, and Michael Clark. She analyzes the contributions of the Judson Dance Theatre and the Workers' Dance League, the emergence of Latin postmodern dance in New York, and the impact of black jazz in Russia. In addition, Banes explores such untraditional performance modes as breakdancing and the "drunk dancing" of Fred Astaire.

No Fixed Points: Dance in the Twentieth Century

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Superb
Fantastic Dance History Book

No Fixed Points: Dance in the Twentieth Century
Nancy Reynolds , and Malcolm McCormick
Manufacturer: Yale University Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0300093667

Book Description

This book chronicles one hundred years of dramatic developments in ballet, modern, and experimental dance for stage and screen in Europe and North America. The volume is magisterial in scope, encompassing the history of theatrical dance from 1900 through 2000. Beginning with turn-of-the-century dancer-choreographers like Loie Fuller, Isadora Duncan, Michel Fokine, and a bit later Vaslav Nijinsky, and proceeding through the profusion of dance styles performed today, the book provides an unparalleled view of dance in performance as it changed and grew in the twentieth century. Nancy Reynolds and Malcolm McCormick set dance in broader cultural and historical contexts, examine specific dance works, and explore the contributions of outstanding choreographers, performers, visual artists, impresarios, composers, critics, and other figures. They discuss the breakaway barefoot dance of the early 1900s and demonstrate its links with later forms and styles. With unusual detail, fascinating illustrations, and wide-ranging insights, this book is an indispensable guide to the transformations in the dance scene of the twentieth century.

Customer Reviews:

Superb.......2006-01-02

Dance, in whatever form, is a human activity that is usually done vertically, albeit with occasional (and deliberate) falls to the floor that are recovered with skill and grace. And to appreciate dance fully one must do so vertically, and revile in the accompanying overdoses of perspiration that are liquid proof of its exertions. But one can also appreciate dance from a more intellectual viewpoint, from the comfort of the armchair: as a researcher or as a spectator, as a reader or as a viewer. This book, thick and massive, and packed full of fascinating insights and information, will definitely be of utility to those of the former class. It is a book that must be read cover to cover, as its literary patterns conform to an organized choreography.

Anyone who is heavily involved in dance, either as a professional dancer, a historian, or as a choreographer will have some preconceptions of the history of dance. The content of this book will no doubt challenge some of these preconceptions. In many instances it offers viewpoints, along with references that seem to be contrary to accepted wisdom. For example, it has been asserted in many works that modern dance in America began as a rebellion against ballet, against its rigidity and insistence on structure. Certainly there is anecdotal evidence for this belief, but the authors paint a picture that is somewhat more complicated. Ballet, they say, at least high quality ballet, was not available at the time, and dance in general was viewed as `virtual prostitution'.

Readers will also get introduced to a lot of figures in dance that may be unknown to them, such as Maud Allan, Loie Fuller, Leonid Massine, Nikolai Semenoff, Hans von Manen, and Jiri Kylian. But the usual suspects, such as Isadora Duncan, Serge Diaghilev, Anna Pavlova, Mary Wigman, Ruth St. Denis, George Balanchine, Martha Graham, Doris Humphrey, Vaslav Nijinsky, Charles Weidman, Ted Shawn, Twyla Tharp, Robert Joffrey, Merce Cunningham, and Mikhail Baryshnikov are all discussed in great detail. In addition, it is not just a book on the history of twentieth-century dance in America and Europe, for the authors also discuss this history in Japan and Russia. The book is also full of exquisite photos.

It is clear from the reading of the book that the choreographers of the twentieth century had very strong personalities and had their own idiosyncratic views of the nature and philosophy of dance. St. Denis for example held that "dance begins in consciousness, not in the body"; Maud Allan that "there should be nothing to mar the rhythmic sense of continuous harmonious expression"; Isadora Duncan spoke of her ability to "evoke movement out of the well-springs of experience"; and Rudolf Laban spoke of dance being a projection of the deeper levels of the human psyche and that dance "contains the gift of ethical understanding". All revolution and change is brought about by driven individuals who hold to their own vision of what should be.

It is also clear that the dance profession survived in many instances on shoestring budgets, with the lack of financial backing due to societal attitudes and prejudices, along with rapidly changing tastes throughout the twentieth century. The diversity of dance styles exploded in the twentieth century, and for dance historians this was both a blessing and a curse. Naturally it gave them much work, but it also required them to attempt a classification of dance movements, the latter of which is often held to be an anathema especially by the practitioners of modern dance. But Rudolf Laban, and other inventors of dance notation, gave all dance, indeed all movement, systemization and codification. The study of dance, and its creation, is made easier by these notational schemes.

In the field of geometric topology in mathematics, one learns of transformations that do not have fixed points, i.e. when these transformations act on objects they move every point. The title of this book was inspired by a quotation of Albert Einstein that "there are no fixed points in space." When the book is completed, one is astonished by the incredible amount of change that occurred in dance in the twentieth century. If the developments in dance in this time period are represented by a transformation, one can easily believe that it is very complicated, that it has no fixed points. But what can one say about the twenty-first century? The authors allude to future developments in dance at various places in the book. Can we expect more change that defies current categorization and systemization? As the twentieth century progressed, one observes the importance of technology, with this technology being exploited fully by choreographers, both in lighting, presentation, and staging. In the twenty-first century, we will observe continued use of technology, but this technology will also be responsible for creating new dance forms and patterns. Instead of being used by the choreographer the technology will become the choreographer. And this technology will also perform the dances. When a book like this is written at the end of the twenty-first century, the list of choreographers and dancers it contains will include many that are not human.

Fantastic Dance History Book.......2005-10-04

"No Fixed Points" is by far the finest dance history book on the market. Ms. Reynolds is brilliant in her observations, thoroughly researched, technically accurate on every point, insightful, succint, and (when necessary) hysterical. Don't let the size intimidate you, it is a page turner, and at times, a true scorcher. Ms. Reynolds literally choreographs the full spectrum of what was 20th century dance: no stone was left unturned. Most remarkable, though, was her ability to just suck you in where you never wanted to leave. The only negative is that the reader can only envision the events, rather than experience then, BUT, through Ms. Reynolds superb ability, the 2nd hand / vicarious experience(s) are amazingly satisfying.

Average customer rating:

The Best Book Ever Written
This is the greatest book ever

Dancing Through History
Joan Cass
Manufacturer: Benjamin Cummings
ProductGroup: Book
Binding: Paperback

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ASIN: 0132043890

Book Description

B> Setting dance within a cultural context that is both understandable and interesting, this insightful reference captures the true art form of dance and traces the activity of dance as it existed down through the ages and all over the world. Beginning with the origins of dance and moving on to what takes place on Western dance stages today, this volume offers a sweeping overview of primitive, ethnic, and folk dance forms ... examines the major branches of Western dance art including ballet from its inception in 16th century Europe, modern dance, jazz, avant-garde, and the international eclectic contemporary scene ... tracks the repertory, technical training of performers, and creative theory of the many traditions that unify this art form ... includes discussions of significant dancers, their contributions, and the performers that inspired them; the background of period styles; pertinent ideas of major choreographers; capsule biographies of outstanding dance artists; effects of music and design on choreography; national characteristics of dance; the psychology of performers; and coverage on such concepts as Classic, Romantic, and Avant-garde to clarify trends and invoke thought on the Dance Art and society ... and makes many comparisons to current day events. Suitable for anyone involved or interested in dance history.

Customer Reviews:

The Best Book Ever Written.......2001-04-09

This book has brought me back from the cusp of darkness to a state of enlightened euphoria in which I shall remain forever. If you do not own this book, you will be condemned to a firey hell.

This is the greatest book ever.......2001-04-09

This book has brought me back from the cusp of darkness to a state of enlightened euphoria in which I shall remain forever. If you do not own this book, you will be condemned to a firey hell.

Average customer rating:

Choose this as a reliable text or source book.
A good overview

Ballet and Modern Dance (World of Art)
Susan Au
Manufacturer: Thames & Hudson
ProductGroup: Book
Binding: Paperback

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ASIN: 0500203520

Book Description

Whether as performers or as spectators, more people enjoy dance today than ever before. Its extraordinary range extends from classical ballet and baroque court spectacles to avant-garde modern dance, tap, and ethnic dancing. Anyone with an interest in dance has felt the need for a guide to the art's rich history and complex present state. Susan Au's lucid text covers the entire spectrum of dance, vividly describing the great performers and performances of the past as well as exploring in detail the dance world of today. A generous selection of illustrations completes the picture, taking the reader from the palaces of the Medici to the lofts of Manhattan, from the dancing of Louis XIV to the experimental choreography of Twyla Tharp and Pina Bausch. A completely new final chapter documents the work of the chief dancers and choreographers from the 1980s to the present, covering offshoots of modern dance such as Tanztheater and Butoh, and recent developments such as performance art and site-specific choreography. The author discusses the upsurge in the popularity of dances of the past, among them ballroom dancing and the Argentine tango, and notes the revival of tap dancing as well as the successful adaptation of Irish stepdancing to the theater. In addition, she records the uses dance and dancers have made of recent technological advances, including cinedance and videodance, CD-ROMs, and the Internet. 145 illustrations and photographs, 25 in color.

Customer Reviews:

Choose this as a reliable text or source book........2001-06-21

Susan Au's history of ballet & modern dance is intelligent and authoritative. Where other narrative treatments often choose details seemingly randomly, Susan Au builds the narrative from the details she proffers. Nor does she lapse into odd anecdotes often found in other narrative treatments. This book corrects some errors that have been perpetuated in earlier encyclopedic volumes. I wish she had included a short section on antiquity, as I believe that some of the inspiration for and concepts in "classical" ballet and in early modern dance derive from the rediscovery of antiquity -- but this is just quibbling. If you are going to teach 19th and 20th century Western dance history, this is a reliable way to go.

A good overview.......2000-11-14

I use this book in my ballet history course and it's a very good book for that purpose, that is, for a basic overview on the history of dance. You won't find many details on special subjects, such as specific ballets, but it's great if you want to understand the developement of ballet through the ages and know something about the people who put their marks on the ballet. Lot's of colour photgraphs. Au's use of words is sometimes a bit complicated, at least for someone who doesn't have English for a first language. But a great book.

The Ballet Book: Learning and Appreciating the Secrets of Dance

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fascinating and beautiful
Behind-the-Scenes and upfront at ABT
decor
SO FAR I LOVE THE BOOK, I CAN'T WAIT TO FINISH IT
I Love This Book!!!!!

The Ballet Book: Learning and Appreciating the Secrets of Dance
American Ballet Theatre , and Nancy Ellison
Manufacturer: Universe Publishing
ProductGroup: Book
Binding: Hardcover

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ASIN: 078930869X
Release Date: 2003-07-04

Book Description

The definitive book for learning and appreciating ballet, The Ballet Book goes behind the scenes to the classes, rehearsals, and performances that have shaped this prestigious ballet company. Readers will learn from the best as American Ballet Theatre dancers show how to stretch, stand, dance, and perform like professional ballerinas. Featuring photographs of dancers at their most dramatic--and most intimate--this fully illustrated book shares ballet's best-kept secrets and, by demonstrating how to watch and appreciate as well as to dance ballet, is indispensable for every dancer and lover of dance. The book offers a thorough explanation of each step in a dancer's routine: from preparing the shoes and stretching to classwork and rehearsals to the finale--the performance itself. Both a how-to and a privileged glimpse at the hours of practice and fierce determination that go into making the finest dancers, the book features ballet's brightest stars, including Nina Ananiashvili, popularly known as Nina Ballerina, and Ethan Stiefel, who has become a celebrity both onstage and off.

Customer Reviews:

fascinating and beautiful.......2006-05-08

This book is nothing but spectacular photography and interesting behind-the-scenes looks at one of the most beautiful arts in the world. I love ballet and I can't get enough of it. This book is one of my favorite things ever and it's a great addition to any book collection. Stories, costumes, and props for various major ballets from Nutcrakcer to Sleeping Beauty were a pleasant surprise that added to the quality of this book.

Behind-the-Scenes and upfront at ABT.......2005-08-15

A comprehensive overview of the workings of a major ballet company,in this case American Ballet Theatre, with detailed insights from administrators, students, staff, and principal dancers. Not only are various levels of experience explored (from corps to principals) but also some of the training involved and differences between styles of performance: Virtuoso/bravura, Lyrical/Adagio, Allegro. In short, what makes a dancer great or a performance work. There are also explanations of rehearsal scheduling, tech/dress rehearsals, and why time is money too.

The section on the details of partnering--especially lifts and preventing mistakes in timing or perception--was interesting because this is an area not usually covered in simple manuals of positions. Also the sections on what aspects of technique matter--e.g. purity of line, consistancy of positioning--besides the pyrotechniques of 32 fouettes or soaring ballon may help others see it's not all tricks. And finally someone shows proper hands and says no to 'droopy wrists'!

There are a wealth of photographs: Both corps demonstrating positions and rehearsing; Irina Kolpakova, Kevin McKenzie, Kirk Peterson, Guillaum Graffin teaching; Lar Lubovich choreographing; and the principals in performance of the major repertoire. Enjoy the pictures of current and up-and-coming soloist/corps members--some of whom are now principals. There are also one or two photos of principals prepping in their dressing rooms and/or the wings. The contrast between the dancers and the backstage gaffer/fly/grip staff and big$-donors observing rehearsals is also amusing.

All in all, a lovely overview of ABT busy at work bringing insight and enjoyment to us fans, however knowledgeable we are--or not. A good purchase, especially for the details provided and knowing comments of the dancers and teacher/coaches.

decor.......2005-07-27

A beautiful book with photos and some text.
There is no real explanation of how to do anything ballet.
That is OK. Just understand that this is basically a book for decoration, not instruction.

SO FAR I LOVE THE BOOK, I CAN'T WAIT TO FINISH IT.......2003-12-04

I love everything about the text, photos. I use do ballet, but I didn't know anything about it when I took ballet. So this book is showing and telling about it. Its defintly a keepsake for me and my kids, grandkids, and so on. Thank you.

I Love This Book!!!!!.......2003-10-02

I just got this book a week ago and I love it! I am a 12 year old ballet dancer looking for new ways to improve myself in technique and choreography and this was definently the book to do that! The Ballet Book is now my favorite book and I read it when I have free time(when I am not dancing). The pictures were beautiful and had everything I needed to know right there! Thank you for this wonderful book!!!!!!!!

William Forsythe: Improvisation Technologies

Average customer rating:

the notebook i wish i'd had for the class...
Watching Impro

William Forsythe: Improvisation Technologies
William Forsythe , and Roslyn Sulcas
Manufacturer: Hatje Cantz Publishers
ProductGroup: Book
Binding: CD-ROM

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ASIN: 3775708502

Customer Reviews:

the notebook i wish i'd had for the class..........2001-12-29

i had the esteemed privilege of working with bill forsythe in a week long intensive class while he was visiting ucla during the spring of 2001. he spoke about most of the processes you will find on this cd-rom; however, the cd-rom is MUCH easier to follow than some of the class discussions we had... bill is a genius and sometimes left everyone in the room with blank looks on their faces, because he would jump into an idea without remembering that we didn't necessarily know the train of thought that got him to the idea he was currently discussing... that is definitely not a problem on the cd-rom -- it is exceedingly clear, and the concepts are demonstrated in actual choreographic examples. the disc is well organized, and very inciteful. if the ideas themselves aren't interesting enough, there's the fabulous design and layout of the whole package that will keep you fiddling for a long time. this is a must for anyone interested in bill forsythe, choreographic processes, dance for visual media, design for movement arts, and movement improvisation. check out bill's solo which is included on the disc as well!!

Watching Impro.......2000-11-24

The CD Rom format for this resource, allows for a visual insight into Forsythe's improvisation techniques. Planned initially as a training tool for new members of his company, the CD Rom offers much more for the analytical eye.

The format is very slick and the interface provides for easy navigation aroung an aesthetically pleasing environment. For those studying Forsythe's work, the resource is a must, as not only does Forsythe explain characteristic techniques such as room writing, but several performances by Forsythe as well as by other dancers, demonstrate each of the processes.

Book Description

Borrowing from contemporary semiotics and post-structuralist criticism, Foster outlines four models for representation in dance which are illustrated through an analysis of the works of contemporary choreographers and through historical examples beginning with court ballets of the Renaissance.

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Martha Graham, a dancers life
Elegant Trio of Words, Pictures and Feelings
The Life of a Dancer
Gorgeous pictures; no depth
EXCELLENT!

Martha Graham: A Dancer's Life
Russell Freedman
Manufacturer: Clarion Books
ProductGroup: Book
Binding: Hardcover

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ASIN: 0395746558

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Martha Graham (1894-1991) referred to her dancers as "acrobats of God," but in truth it was she who seemed divinely inspired. Graham was a dancer, choreographer, and teacher for more than 70 years, and during that time she changed the landscape of dance forever. An unlikely candidate for a dance diva, she was shorter and more muscular than the principal ballet dancers of her time and she didn't start dancing until age 22--a flower long past her bloom in the eyes of most choreographers. Nonetheless, Graham managed to turn the dance world on its tutu with her innovative approach to movement and teaching and her clear understanding that feelings are not always graceful, but always intense.

Russell Freedman, who won the Newbery Medal in 1988 for Lincoln: A Photobiography and Newbery Honors for The Wright Brothers: How They Invented the Airplane (1992) and Eleanor Roosevelt: A Life of Discovery (1994), has once again crafted a beautiful, intriguing biography. He traces Graham's remarkable life from a childhood filled with imaginative play, to her decision to attend dance school instead of college, through her departure from the Broadway Follies to pursue her own dance style, and onward through her late life, when she continued teaching and creating distinctive performance pieces. The fascinating biography is complemented by exquisite black-and-white photographs that reveal Graham's sense of beauty and her remarkable ability to translate pure, raw emotions into expressive movement. Freedman's lovely tribute makes us fully believe Graham when she says, "I did not choose to be a dancer, I was chosen." (Young Adult/Adult) --Brangien Davis

Book Description

Martha Graham, the American dancer, teacher, and choreographer, revolutionized the world of modern dance. She possessed a great gift for revealing emotion through dance, expressing beliefs and telling stories in an utterly new way. Newbery Medalist Russell Freedman documents Martha Graham's life from her birth in 1894 to her final dance performance at the age of seventy-five and continued career as a choreographer until her death in 1991. Graham's own recollections as well as those of her dancers, students, friends, and lovers reveal Graham's unwavering dedication, her extraordinary sense of artistry, and the fierce intensity that left an impression on all who saw her perform. Original research based on interviews and a remarkable collection of photographs not widely reproduced give this biography a rare and unparalleled depth. Includes notes,a bibliography, and an index.

Customer Reviews:

Martha Graham, a dancers life.......2005-04-25

It's a great book, I read it for my book report book, and i just absolutely loved it! It's great for kids over 9+. It teaches you the whole life story, and some people she worked with, including Liza Minnely, and Madonna. And her whole family, to her dad, mom, sisters, to her nanny, look inside this book for another persons life, that you just get lost in, when i read it, i thought i was there.
Hope Ya Read It!!!!!
Thanks.

Elegant Trio of Words, Pictures and Feelings.......2003-07-21

This book is a beautiful, concise study of her life. Studying Martha Graham's life is an awakening experience. Reading Graham's memoir "Blood Memory" simultaneously provides a beautiful counterpoint, knowing the subject will not observe herself in the same way as her biographer.

I dance away from this book with a definite appreciation for Graham's brilliance in creativity and willingness to navigate the many rough patches she encountered AND give such a gift to humanity at the same time.

The numbers of influential people she touched is amazing and enlightening.

I suggest this book for any creative thinker: there are applications for all of us.

The Life of a Dancer.......2003-03-18

Martha Graham: A Dancers Life by Russell Freedman, the full-length biography of Martha Graham, takes a deep look into Martha and the peole around her. She was a dancer, teacher, and choreographer who changed the world. Her life began in Pittsburg where she was born in 1894. The book also tells about the lives of her dancers, students, close friends, and lovers. The biography goes into great detail up until the day she died in 1991.
I liked this book because of all the details it gives about her life and the way it tells about all the heroic things she did. I would recommend this book to dancers and people who enjoy the things Martha did in her 97 years of life.

Gorgeous pictures; no depth.......2002-12-30

I bought this book after reading an interesting article about Martha Graham in the New Yorker about a year ago. I was attracted to the book by the beautiful photography, in evidence on the cover (and throughout the book, as I soon learned). However, I was interested in reading about Martha's "demons" and character flaws, as well as her relationships and focus on archetypal figures in dance. Unfortunately, this book is a pretty happy-go-lucky, bland account of her life. In fact, it's so bland that I would have given it three stars if the pictures in it were not so beautiful and well-suited to the descriptions given in the text.

EXCELLENT!.......2001-06-18

This is a wonderful book and story. Being a dancer myself, I am very inspired. You'll enjoy Martha's "positive" attitude and wit throughout this story of the growth of a piece of history. Please, read this book, I recommend it!

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