Average customer rating:
- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
- History as Science Fiction
|
History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
ProductGroup: Book
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Similar Items:
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History: Fiction or Science? Chronology 2 (Chronology)
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History: Fiction or Science? Astronomical methods as applied to chronology. Ptolemy's Almagest. Chronology III
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Discovering the Mysteries of Ancient America: Lost History And Legends, Unearthed And Explored
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They Cast No Shadows: A Collection of Essays on the Illuminati, Revisionist History, and Suppressed Technologies
ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Book Description
Famed interior designer Vicente Wolf is known for a modern and elegant design sensibility that is guided by integrity and simplicity. He is also a photographer of note, capturing images of his own design work and of his travels. Crossing Boundaries is a fascinating combination of the two, a spirited approach that pairs travel and design based on visits to Ethiopia, Myanmar, Syria, Madagascar, and Borneo.
Wolf is an adventurous voyager, and he is captivated by how people express themselves: in the colors and patterns of clothing, the forms and features of architecture, and so on. These influences are incorporated into his own designs, sometimes directly-a collection of brightly colored woven caps that add personality to a Wyoming log cabin-and sometimes indirectly-a composition of gray-blues and gray-greens drawn from succulent plants in a dry riverbed.
Customer Reviews:
I regret buying it!!!.......2007-08-10
I regret that i have bought this book! It does not show anything special and the objetcive of the author of showing misery people and then show glamorous spaces is a shame!!!!
crossing boundries: A Global Vision of Design.......2007-07-31
This book with it's exciting interior pictures captures interior design at it's best. Mr Wolf's incorpration of ethnic items makes these interiors personal and interesting. His use of color and his inclusion of Benjamin Moore color numbers is a nice feature. I very much like this book and his style. I am an interior designer also and I'm not easily impressed by most other designers work.
great experience.......2007-06-27
mr wolf in his travels search for inspirations in the most unusual places: ethiopia, burma, syria - most of times acquiring local handcrafted items which he will use in his decorations. Although his palette is a bit neutral, with pastel colors most of times, his interiors are extremely beautiful, with subdued elegance and charm. Interesting is how he manages to mix the objects from his travels, with modern furniture, mirrors in abondance and white walls.
Fully Flavored and a Visual Indulgence.......2007-06-26
This book takes us to various locations throughout the world where color, shape, texture, and design from various enthic cultures are integrated in modern design. The chapters are divided geographically and the first part of each chapter reveals the colors, flavors, textures, and ambience of that ethnic area's particular characteristics. Then in the second part of the chapter, the author integrates those influences into the modern westernized home showing exactly how and what he chose to influence his designs. He takes us on a journey throughout the world and we get an inside peak into how he thinks and rationalizes his ideas while mixing with the local culture. This book has loads of eye candy photos. I gave it a FIVE star rating because of the beautiful layout and richness of the photos and for the intimate writing that Vincent Wolf gives from his experience. However, personally I give it a four because, for my own personal preferences, I would have loved to see more of these ethnic influences and colors embellished more in the modern designs he created. I think he toned it down too much in the final results of his designs - but thats just my opinion. The rooms and spacial relationships of the rooms feel very real instead of "propped" like so many design books. This book makes an excellent resource book or a wonderful coffee table book for everyone's enjoyment.
Educatuinal and totally beautiful!.......2007-05-28
This book is not only a joy to look at it is a valuable tool in learning the design secrets of a master.
Average customer rating:
- Beautiful people in a beautiful book
- A STUNNING PHOTO JOURNAL OF AFRICA
|
Africa
Leni Riefenstahl
Manufacturer: Taschen
ProductGroup: Book
Binding: Hardcover
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Similar Items:
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Don McCullin in Africa
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Vanishing Africa: A Photographer's Journey
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African Elegance
ASIN: 3822816167 |
Book Description
If Leni Riefenstahl had done nothing but visit Africa and bring back her photographs, her place in history would be secure." -Kevin Brownlow, from the introduction
When she was in her early sixties, Leni Riefenstahl began traveling frequently to the African continent, where she has worked on various film and photography projects over the last half century. Her favorite destination was in Sudan, where she lived with and photographed the Nuba tribespeople, learning their language and becoming their friend. The Nuba were a loving and peaceful people who welcomed Riefenstahl as one of their own. Her images of the Nuba, as well as of the Dinka, Shilluk, Masai, and other tribes, are gathered in this monumental book. Riefenstahl remembers her experiences in Africa as the happiest moments in her life. Her beautiful, skilled photographs represent a landmark in the extraordinary career of the 20th century's most unforgettable artistic pioneer.
* Interview by Kevin Brownlow * Extensive bibliography and biography section
Customer Reviews:
Beautiful people in a beautiful book.......2006-03-16
When I first saw this book the first thing that came into my mind was that I need it badly. I was simply astonished by the amazing pictures Leni Riefenstahl composed. If someone wants to see the beginning of our civilization and feel it up, close and personal, then this book is a must. Other than having a picture about how man survives in harmony with Mother Nature, one can see how beautiful the human body is in itself.
A STUNNING PHOTO JOURNAL OF AFRICA.......2005-11-17
Leni Riefenstahl's book Africa is simply a huge compilation, a massive photo journal; page after page after page of full sized photographs depicting both the people / their culture and the land of Africa. (Other than the photos, the book is quite spare of words, chapter titles, that's it.) Riefenstahl's work is very strong but not particularly arty or glossy. True to her filmmaker's voice however, every picture tells a story. (*An important side note, it's ALL photographs. There is very little text to critique.)
I would highly recommend this book to anyone who loves similar photography as what you would see in National Geographic or Angela Fisher's books such as Africa Adorned and African Cermonies.
Book Description
Peter Beard: Scrapbooks From Africa and Beyond is a colorful and definitive portrait of a man of all seasons, a man in love with people and places, a passionate man, an obsessed man constantly passing from one dimension to another. The book and film follow the inner drama of one of the great creative spirits. Like the colorful marginalia of the notebooks he's kept since his youth, it is collage drawn from life itself. Scrapbooks From Africa and Beyond reveals a mixture of seriousness and wit, and rests upon Peter Beard's skills as a storyteller. A person cannot experience the intensity of life such as Beard hassuffer such scrapes and bruises associated with the adventurer's lifewithout being lively company. A series of incisive and never before published interviews by British journalist Edward Behr form the backbone of Scrapbooks From Africa and Beyond that takes viewers to three continents. Beard lives in the present and here we are offered a rare experience to observe how he captures the essence of each moment. Marked by a sense of intimacy and sincerity, Scrapbooks From Africa and Beyond shows Beard at work shooting nudes and fashion, with his family and friends, the native Kenyans he lived near and works with or just one-on-one, in candid and revealing scenes that underscore his life's work. In Scrapbooks From Africa and Beyond, Beard's adventures and the substance of his work are united as one. The iconic photographs of his legendary past are revisited and for the first time we read and hear the stories about the making of Beard's first book End of the Game, his appearance in the underground classic, "Hallelujah the Hills," his fortuitous meeting with British painter, Francis Bacon, and his youthful acquaintance with Karen Blixen. Beard's epic notebooks, bound with ink, blood, photographs and the detritus of life on the road are matched here by his recollections of the remnants of Kenya's colonial past.
Scrapbooks From Africa and Beyond establishes the context in which Peter Beard came to Kenya and made his home there. On Lake Rudolph, the world's largest desert lake, Beard tells us of the months he spent there studying crocodiles as a young man. At Hog Ranch, in the suburbs of Nairobi, viewers see how Beard lives with his pictures, paintings, friends and animals. In the United States, Beard walks the streets of Manhattan in a blazer, sari and sandals, hardly recognizing his city, telling us why he desired another place. On the beaches of Montauk, he reminiscences about the decadent 1970s, Warhol, the Factory and Pop Art. The photographs shown and described in Scrapbooks From Africa and Beyond record Beard's milieu, the eras he survived, as well as the bygone past which drew him to the "dark continent" in the first place. Film narrated by award-winning actress, Charlotte Rampling, with rare footage of Francis Bacon, Jonas Mekas, Andy Warhol, Jacqueline Kennedy Onassis, John F. Kennedy, Jr. and Mick Jagger among numerous others. "The merit of Scrapbooks From Africa and Beyond is to show the real Peter Beard. The legend is almost perfect"- Libération
Average customer rating:
|
Leroy Neiman on Safari
Leroy Neiman
Manufacturer: Harry N Abrams
ProductGroup: Book
Binding: Hardcover
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ASIN: 0810963329 |
Book Description
Ninety renowned masterpieces of African art that inspired artists at the Walt Disney studios.
In 2005, the Walt Disney Company donated its Walt Disney-Tishman African Art Collection to the Smithsonian Institution's National Museum of African Art in Washington, D.C. Considered one of the world's finest collections of African art, the Disney-Tishman Collection contains iconic pieces dating from the fifteenth to twentieth centuries and showcases art that represents seventy-five peoples and twenty countries. This book explores the many ways that the collection reflects Africa's rich history and culture and focuses particularly on objects used in performance, rituals, and as emblems of power.
Figures carved in stone, wood, and ivory; stools, masks, crowns, jewelry, and hunting tools--each object is presented in vivid color plates and accompanied by texts providing information about the objects' history, uses, and materials. This beautiful book accompanies the first public presentation of the collection in the past twenty years, permitting a new generation to experience one of America's national treasures.
Customer Reviews:
A Masterpiece of African Art Books.......2007-05-20
Wow. What a triumph. I saw this show at the Smithsonian, and bought the book in the giftshop. Once I had time to read this book, I realized that I had only really understood about 10% of the show. So I went back to the exhibit and with this catalogue in hand, really gained a true insight into the show.
The writing is clear (at least for this layman) and the pictures are sharp and show great detail. I first picked up one of Kreamer's books after seeing a show on Art of the Sub-Saharian region at the High Museum in Atlanta some 20 years ago, and have made a point of seeing her shows and the accompanying books. Well worth your time!
Customer Reviews:
Indespensable.......2006-02-19
Quite frankly I think every student of Yoruba culture should own this book. While Gelede is the central object of study, the books touches on multiple aspects Yoruba and Orisa spirituality. The amount of information is so overwhelming that you will literally have to read it over and over again.
A very good book.......2000-12-06
I do recommend this nice book to all those engaged in the practice of the Yoruba cult. The author gives a good persp- ective of what is behind the cerimony. Mo juba Iyami Osoronga!
Worth reading for student & practitioners of Yoruba religion.......1998-06-22
This is a fairly good book on the subject of Yoruba masks and drumming. Contains good pictures of masks (Gelede) and is very informative with regards to ceremonies performed at the Gelede.
Is recommended reading for any of the followers of the Yoruba religion and to students as well.
I would have liked to have seen a more in depth review of the ceremonies and religious aspects of the Gelede, therefore I have not rated it a 5 Star.
Nonetheless, I would still read it all over again !
Book Description
Generously sized and beautifully illustrated, African Textiles is an authoritative survey of textile arts - unique and collectible rugs, tapestries, garments, and much more - from across the continent. Author John Gillow traveled extensively throughout Africa, uncovering the dazzling range of traditional hand-crafted textiles from each region. Five sections detail the textile history and traditions within Africa's major geographical areas, examining materials, dyes, decorations, patterns, and techniques. From the stripweave cloth of the Ashanti in the West to Ethiopian embroidery in the East, from Berber rugs in the North to the Madagascan silk of the South - and everything in between - the breadth of coverage in African Textiles is peerless. Robustly illustrated with over 500 color photographs and drawings, this is an exciting new sourcebook for those interested in textile design and the traditional arts of Africa.
Customer Reviews:
Astounding creativity captured in a book.......2006-05-08
John Gillow's African Textiles is an inspiring review of the diverse creativity of textiles in Africa. I read this book before I travelled in south and south-eastern Africa and it helped me identify what I was seeing and its quality. A fantastic and well written resourse.
African Textiles in an Amazing Source.......2004-06-22
This book is a wonderful source of material for anyone doing historical research on African and subgroup textiles. It has sections from Ghana, Niger, Nigeria, Eastern African, etc. It goes in a good depth on the process and cultural influence of each textile and their signifigance. The illustrations are also an amazing quality with good size picture. As a Theatre Studies major, I had to research material for Nigerian costuming and this book was a nice resource to get a feel of the fabric in this region. Although this book doesn't go too much in depth about the attire Africans wore, it does go about telling what fabrics are used. This is definitely a must buy.
Customer Reviews:
Disappointing design and layout.......2003-09-05
While the content of this book is, for the most part, informative and interesting (although limited in its geographical reach within Africa), the production side leaves a lot to be desired. The bold, heavy typeface is ugly and hard to read and rivers of white space running down the columns give the typesetting an unprofessional look - this is the kind of basic typesetting error one expects in a cheap flyer, not in a glossy coffee table book. There are several typing errors, which are annoying, and the book could also have done with a good edit. For example, the author declines to explain various weaving processes because they are apparently too technical, but stating this at least three times in one book suggests that either the author doesn't understand the processes himself, or he has a rather low opinion of his readers' capacity to understand them. Either way, a good edit could have ironed out the repetition of this problem, or found a way to explain these technical processes - for example, simple line illustrations could have been used to show graphically what the author was not able to put into words. While the photos are generally good and make one really want to see the textiles in the flesh, as it were, those that are meant to show more detail are often not sufficiently close up to really provide much more information. They come across as repetition or as gap-fillers rather than serving any more useful function. There are several examples in the section on raffia cloths of Zaire, and a glaring example on pages 68/69. A more successful example is on pages 76/77, where the detail does in fact show more detail.
Good Introductory Book on African textiles........2000-11-07
This is a very interesting and informative book on this subject. It makes one appreciate the workmanship and artistic style of these fabrics. This book, first, describes the main materials and techniques of African cloth production and decoration and, then, explores in detail a few of the more popular of the African textiles. These include Raffia cloths of Zaire, Kente(Royal Cloth of the Ashanti), Bogolan (Mud-Dyed Cloth of Mali),Aso Oke (Ceremonial Cloth of the Yoruba), and African Wax -Printed Cloths. Detailed descriptions and full-color photographs not onlly glorifies the art but makes one understand the real African textiles from the African influenced copies.
Excellent.......1999-01-01
Great photos, well researched, unstuffy, accessible, respectful and more or less contemporary. The notes on futhur reading could have been expanded and an index would have been helpful.
Average customer rating:
- Extremely beautiful, interesting book (and series).
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Inside Africa: North & East Africa
Frederic Couderc , and
Laurence Douguiuer
Manufacturer: Taschen
ProductGroup: Book
Binding: Hardcover
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ASIN: 3822848166 |
Book Description
Plunge into Africa: North and East
We've searched far and wide, through Africa's deserts and jungles, cities and wildlife reserves, islands and mountains, to uncover the continent's most inspirational dwellings; our goal was to find the kind of interiors that defy description, and we think the results will definitely leave you speechless. Nestled within these pages you'll find lush modern homes mingling with mud huts, funky artists' studios, elegant lodges, minimalist houses, ornate traditional homes, townships and much moreall lovingly built and decorated with sensitivity, creativity, craftsmanship, individuality, and sensuality. Inside Africa captures the beauty and diversity of African living.
Beautifully bound with an African tribal motif cloth cover
Highlights include:
Italian sisters Carla and Franka Sozzani's fairy-tale palace in the Medina of Marrakech
shoe designer Christian Louboutin's modest-yet-elegant Cairo home
a lodge in Tanzania whose interior columns are formed by the trees around which it was built
multi-level terracotta Troglodyte dwellings in Tunisia
opulent mosaics, breathtaking courtyards and rooftop lounges in Marrakech
Customer Reviews:
Extremely beautiful, interesting book (and series)........2007-06-04
This book and the companion North and East volume are extraordinarily beautiful and offer images of a rich array of African homes -- traditional, contemporary and intermingled. The photography is excellent and offers images of architecture, art, landscapes and lives. Highly recommended.
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