History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

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This is a visually awesome book!

Dance, Art & Ritual Africa
Michelle Huet
Manufacturer: Pantheon
ProductGroup: Book
Binding: Hardcover

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ASIN: 0394502728
Release Date: 1978-11-12

Customer Reviews:

This is a visually awesome book! .......2005-09-08

I really love this book, it's packed full of wonderful field photographs taken by Michel Huet and lots of information as well. I highly reccomend this book!
RAND
From the inside cover of the book:
Hundreds of books have been published about African art, but until this unusual volume, no one has ever captured African art alive, as it is lived and celebrated in the everyday life of sub-Saharan Africa. For the last thirty years, Michel Huet has traveled throughout the continent, photographing the extraordinary masks and costumes that are so central a part of African tradition, in the very rituals, dances, and ceremonies for which they were invented.The core of this book is the conjunction between art, the dance, and the ritual. There are hundreds of photographs of dances and ceremonies, many of which were never photographed before: war dances, funeral dances, ceremonies linked to harvesting and planting, initiation rites, and the everyday expressions of pleasure and joy that are so central to all African cultures. Huet shows us the traditional forms that have survived throughout the centuries, as well as what in many cases are the last examples of a life soon to be overwhelmed by modernization.For the arts of Africa are as much an endangered species as the wildlife and natural reserves. Many of the photographs in the book could no longer be taken; and in a few years, this beautiful book will be seen primarily as a historical record. As a portrait of a culture, it has no equals and should last for years to come as a major anthropological and artistic document.In addition to the 261 photographs, the book has a meticulous text, prepared by two of the leading French experts in this field. Jean Laude, the author of numerous books and articles on sub-Saharan African art, has written the introductory text. A more specific series of explanatory notes on the exact meaning of the dances, their costumes, and their relationship to each culture has been prepared by Jean-Louis Paudrat, who teaches at the University of Paris, specializing in the anthropology of art.

Dancing Wisdom: Embodied Knowledge in Haitian Vodou, Cuban Yoruba, and Bahian Candomble

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Dancing Wisdom: Embodied Knowledge in Haitian Vodou, Cuban Yoruba, and Bahian Candomble
Yvonne Daniel
Manufacturer: University of Illinois Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0252072073

Face to Face: Making Dance and Theatre in Community

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Face to Face: Making Dance and Theatre in Community
Judi Fisher , and Beth Shelton
Manufacturer: Spinifex Press
ProductGroup: Book
Binding: Paperback

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ASIN: 1876756268

Book Description

Six years ago the Preston Creative Living Centre, a small community agency in the diverse northern suburbs of Melbourne, embarked upon a risky but exciting venture. It marshalled resources for people to engage in artistic and community processes together and became a performance venue for a series of vital and engaging performances. Over this time the space has become alive, filled with people and activity. This book is about the partnerships between organisations, artists, and communities for community artmaking. It is the story of one organization’s experience with community performance-making, from the philosophy that informs choices, to the nitty-gritty of work.

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Dances of Africa
Michel Huet
Manufacturer: Harry N. Abrams
ProductGroup: Book
Binding: Hardcover

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ASIN: 0810932288

Average customer rating:

Misleading title, know what you are getting
Worth it all the way!
Like having a coffee with your pal Jeffrey...
A MUST READ for anyone interested in animation writing!
a letdown - really mostly for TV series writing

How to Write for Animation
Jeffrey Scott
Manufacturer: Overlook Hardcover
ProductGroup: Book
Binding: Hardcover

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ASIN: 1585672408

Book Description

The world of animation has expanded far beyond the children's fare generations of Americans have grown up watching. Hit television series like South Park, The Simpsons, and King of the Hill have blurred the boundary between sitcom and cartoon and have aimed straight for adult audiences with a powerful admixture of social commentary and outright hilarity.

In movie theaters, with films like Toy Story and Shrek, digital technology has enabled animators to produce films both of stunningly realistic quality and the imagination and fantasy that the genre has always supplied. In the meantime, with recent hits like Tarzan and the forthcoming Atlantis: The Lost Empire, classic animation has never been more popular. It all adds up to an expanding market for writers who have an eye toward the future and an eagerness to work in a medium where the only limit is the depth of their imagination.

With step-by-step instructions, award-winning animation writer Jeffrey Scott details every stop on the road from inspiration to production, with sections on premises, outlines, storyboards, treatments, description, and dialogue, and much more:

* The job market and salaries for animation writing
* Writing animation for the internet
* Creating an animated TV series
* How to rewrite and polish scripts
* How to get hired to write for your favorite animated TV show.

With the insights of a seasoned veteran he also gives foolproof advice on how to sell the finished product-breaking in, getting an agent, negotiating the treacherous Hollywood pitch meeting. How to Write for Animation is the ultimate guide for anyone with ambitions of writing for the most rapidly developing medium in all of entertainment.

Customer Reviews:

Misleading title, know what you are getting .......2007-10-08

I'm not saying it's a bad book. On the contrary. It's very good.
But you have to know what you are buying.
It's a book for writing Scripts for ANIMATED SERIES FOR KIDS.
The case study with which you will go through this hands on course is
THE MUTANT NINJA TURTULES.
This will be great for some but not for all.

Worth it all the way!.......2007-03-08

I'm in the process of writing a proposal for a new animated series and though familiar with writing in general have no experience in animation. Scott's book is a clear, step-by-step primer and is a terrific source of info for the beginner. Every writer approaches his work differently, of course but I find Scott's one-block-at-a-time method of putting together a solid animated story to be highly efficient while leaving room for a good deal of creativity and fun at the same time.
When I feel my energy and ambition start to flag a bit, opening up Scott's book and reading a couple of pages is a great way to get the fires burning again. He writes in a clear, friendly style that neither condescends nor misses any of the major questions a newbie might have.
"How To Write For Animation" is obviously the product of a highly experienced pro - which is much to the benefit his readers.
Highly recommended.

Like having a coffee with your pal Jeffrey..........2007-01-21

I didn't know who he was before buying the book but you bet I learned who he is and what he's done. Great person to read and learn from. The book was very inspiring but specially was technically estimulating to the level that for the first time in my life I think I can give it a shot and write something. He explained writing the script not as an art but a science. Most of the times when he mentioned that writing is also an art he refered to this a "something that takes years to develop" so instead of making me feel bad about this, he went ahead and taught me the basics, the basic structure, the basic approach and it was killer to have some actual samples of his work the reinforcing his words. The books is technical so dont expect an "about my life" book which is great... it's clear that Jeffrey has forged his talent and reputation by his work and not by saying how great he is. The book starts technical and ends in a more conversational way when Jeffrey tells you his "points of view" on different media types including internet. One thing I would love to ask him is to release an updated edition or even a new book on writing for a) writing for the internet and b) full length picture writing. When he wrote this book, internet animation was booming, now it's here so, some advice from him on this regard would be useful.

A MUST READ for anyone interested in animation writing!.......2006-04-12

I am a published comic book writer developing an idea for an animated series and have been thoroughly impressed with `How to Write for Animation'. In it, Jeffrey Scott takes you through the entire process of animation writing, and provides examples for every step. He demonstrates how to write a premise, beat outline, outline, and script. He then tells you how to make contacts in the industry, including finding an agent. What I especially like about the book is the wealth of information Jeff shares on how to develop a series idea, including writing a bible and pilot script and how to pitch the idea to Hollywood.

A previous reviewer misstates Jeff as saying that writing a feature is impossible. This is not the case. What Jeff did write was that `to the best of my knowledge, at the time of this writing, no spec animated screenplay has ever been sold or produced'. He goes on to write, `Someone IS going to sell an animated spec one day and it might as well be you.' (Emphasis added). This book will equip you to do just that.

For those of you wanting to take the next step in your animation writing career, I highly recommend Jeffrey Scott's Cartoon Writing Apprenticeship Program offered through his website (www.jeffreyscott.tv). In this program, you learn directly from the master and I can tell you from personal experience that Jeff does an incredible job of teaching you how to improve and polish your writing.

The book and the apprenticeship program are incredible resources to help you succeed as an animation writer.

a letdown - really mostly for TV series writing.......2006-04-05

I was disappointed in this book since it focussed almost exclusively on creating TV series scripts, and drew virtually all examples from one of Scott's Teenage Mutant Ninja Turtles scripts. When it comes to features, there's only a small chapter and Scott basically says 'Forget about it - no film scripts have ever been bought from outside a studio - they're only developed in-house by execs.' There's also only one paragraph devoted to creating 'direct-to-video' projects, and no mention whatsoever of strategies for writing for independent films or any less 'orthodox' ways to get your work seen and developed.

Given all the other glowing reviews I read, I expected more.

World Encyclopedia of Contemporary Theatre: Africa (World Encyclopedia of Contemporary Theatre)

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World Encyclopedia of Contemporary Theatre: Africa (World Encyclopedia of Contemporary Theatre)
Don Rubin
Manufacturer: Routledge
ProductGroup: Book
Binding: Paperback

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ASIN: 0415227461

Book Description

This lavishly illustrated book examines theatrical developments since 1945 in more than 40 African countries. The authoritative entries on each country have been written by the leading scholars, critics and theatre practitioners working within the area discussed. Preceding the entries are specialist introductory essays on Anglophone Africa, Francophone Africa, History and Culture, Cosmology, Music, Dance, Theatre for Young Audiences and Puppetry, and general essays on African theatre written by Nobel Prize Laureate Wole Soyinka and the outstanding Congolese playwright, Sony Labou Tansi, before his untimely death in 1995.

The countries covered are: Angola * Benin * Burkina * Faso * Burundi * Cameroon * Chad * Congo * Cote d'Ivoire * Ethiopia * Ghana * Guinea * Guinea Bissau * Kenya * Liberia * Madagascar * Mali * Mauritius * Mozambique * Namibia * Niger * Nigeria * Rwanda * Senegal * Seychelles Islands * Sierra Leone * South Africa * Tanzania * Togo * Uganda * Zaire * Zambia * Zimbabwe

African Drama and Performance (Research in African Literatures; African Expressive Cultures)

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African Drama and Performance (Research in African Literatures; African Expressive Cultures)

Manufacturer: Indiana University Press
ProductGroup: Book
Binding: Paperback

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African Dance: An Artistic, Historical and Philosophical Inquiry

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African Dance: An Artistic, Historical and Philosophical Inquiry

Manufacturer: Africa World Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0865431973

Book Description

This is a collection of essays written by scholars and professionals on the field of Dance and African American Studies covering four major areas of the disciplines. It provides historical, philosophical and aesthetic information on the subject matter drawing from the African continent and the African Diaspora.

Appropriating Blackness: Performance and the Politics of Authenticity

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Smart, Readable and Extremely Important

Appropriating Blackness: Performance and the Politics of Authenticity
E. Patrick Johnson
Manufacturer: Duke University Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0822331918

Book Description

Performance artist and scholar E. Patrick Johnson’s provocative study examines how blackness is appropriated and performedâtoward widely divergent endsâboth within and outside African American culture. Appropriating Blackness develops from the contention that blackness in the United States is necessarily a politicized identityâavowed and disavowed, attractive and repellent, fixed and malleable. Drawing on performance theory, queer studies, literary analysis, film criticism, and ethnographic fieldwork, Johnson describes how diverse constituencies persistently try to prescribe the boundaries of "authentic" blackness and how performance highlights the futility of such enterprises.

Johnson looks at various sites of performed blackness, including Marlon Riggs’s influential documentary Black Is . . . Black Ain’t and comedic routines by Eddie Murphy, David Alan Grier, and Damon Wayans. He analyzes nationalist writings by Amiri Baraka and Eldridge Cleaver, the vernacular of black gay culture, an oral history of his grandmother’s experience as a domestic worker in the South, gospel music as performed by a white Australian choir, and pedagogy in a performance studies classroom. By exploring the divergent aims and effects of these performancesâranging from resisting racism, sexism, and homophobia to excluding sexual dissidents from the black communityâJohnson deftly analyzes the multiple significations of blackness and their myriad political implications. His reflexive account considers his own complicity, as ethnographer and teacher, in authenticating narratives of blackness.

Customer Reviews:

Smart, Readable and Extremely Important.......2004-06-24

APPROPRIATING BLACKNESS demonstrates a mastery of the field of performance studies and of the shifts and turns it has taken in its evolution. This fact makes Johnson's own observations about "performance" as trope all the more convincing and authoritative. This is the through-line that unites these essays into what a strong, rich, and important book to scholars working in performance studies, cultural studies, gender studies, American studies, and African American studies to name but a few areas. This broad appeal and significance represents Johnson's real success as an inter-disciplinarian where so many authors published today with such aspirations fall short. This is a very timely and impressively readable book presented with the air and authority of a scholar's expertise, but written in a style that is extremely approachable by general readers.

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