Book Description
From 828, when Venetian merchants carried home from Alexandria the stolen relics of St. Mark, to the fall of the Venetian Republic to Napoleon in 1797, the visual arts in Venice were dramatically influenced by Islamic art. Because of its strategic location on the Mediterranean, Venice had long imported objects from the Near East through channels of trade, and it flourished during this particular period as a commercial, political, and diplomatic hub. This monumental book examines Venice's rise as the "bazaar of Europe" and how and why the city absorbed artistic and cultural ideas that originated in the Islamic world.
Venice and the Islamic World, 828–1797 features a wide range of fascinating images and objects, including paintings and drawings by familiar Venetian artists such as Bellini, Carpaccio, and Tiepolo; beautiful Persian and Ottoman miniatures; and inlaid metalwork, ceramics, lacquer ware, gilded and enameled glass, textiles, and carpets made in the Serene Republic and the Mamluk, Ottoman, and Safavid Empires. Together these exquisite objects illuminate the ways Islamic art inspired Venetian artists, while also highlighting Venice's own views toward its neighboring region. Fascinating essays by distinguished scholars and conservators offer new historical and technical insights into this unique artistic relationship between East and West.
Customer Reviews:
Dissapointing.......2007-10-06
What a dissapointment of a book when the subject has such visual and aesthetic potential. My gripe is mainly with the imagery - paintings are almost invariably reproduced in a size between postage stamp and post-card, when what one would like are full-page reproductions, with details to illustrate the costume and artifacts of the islamic world which began to turn up in Venesian art in this period. Buy it if you want an informative text, but definately not if you want a visual feast.
The Silk Road Adorned.......2007-05-13
For centuries The Most Serene Republic of Venice was the the western terminus of the fabled Silk Road. The city's warehouses were the repository of every luxury that Persia, India, China, Siam, the Levant, Byzantium, and the Ottomans had to offer. This book is a wonderful companion to the Met's glittering exhibition of art, illuminated manuscripts and decorative objects, which give a sense of Venice's singular place in the history of the Mediterranean. Viva San Marco!
Venice and Islam.......2007-05-13
This book is excelent. This book is the catalog of the exhibiton that
is on tne Metropolitan Museum of New York.
A scholarly catalogue.......2007-04-19
This book is the catalogue for a traveling exhibition held at the Institut du Monde Arabe in Paris in 2006 and at the Met in New York in 2007. It is a very complete study of the influence of the islamic world on the Republic of Venice, encompassing all forms of art, painting, architecture, ceramics, textiles, engravings, books, and even religious artefacts (mosque lamps for example). All these works of art are the results of intense cultural and economic exchange between both worlds and the catalogue emphasizes this very well. A scholarly publication well served by wonderful illustrations. A very detailed checklist of all the works in the exhibition (medium, dimensions, location) makes this book a definite reference on the subject.
Book Description
The French government's 2004 decision to ban Islamic headscarves and other religious signs from public schools puzzled many observers, both because it seemed to infringe needlessly on religious freedom, and because it was hailed by many in France as an answer to a surprisingly wide range of social ills, from violence against females in poor suburbs to anti-Semitism. Why the French Don't Like Headscarves explains why headscarves on schoolgirls caused such a furor, and why the furor yielded this law. Making sense of the dramatic debate from his perspective as an American anthropologist in France at the time, John Bowen writes about everyday life and public events while also presenting interviews with officials and intellectuals, and analyzing French television programs and other media.
Bowen argues that the focus on headscarves came from a century-old sensitivity to the public presence of religion in schools, feared links between public expressions of Islamic identity and radical Islam, and a media-driven frenzy that built support for a headscarf ban during 2003-2004. Although the defense of laïcité (secularity) was cited as the law's major justification, politicians, intellectuals, and the media linked the scarves to more concrete social anxieties--about "communalism," political Islam, and violence toward women.
Written in engaging, jargon-free prose, Why the French Don't Like Headscarves is the first comprehensive and objective analysis of this subject, in any language, and it speaks to tensions between assimilation and diversity that extend well beyond France's borders.
Customer Reviews:
An Anthropology of Public Reasoning.......2007-02-25
Three years after the facts, is it still worthwhile to revisit the French government's decision to ban Islamic headscarves and other religious signs from public schools? Should we not rather just let go, have time heal whatever wounds may have been caused, and move on to something else? If John Bower chose to dedicate a book to that decision and to the deliberations that led to it, it is not just because the law seems strange to outsiders and cannot be easily interpreted starting from a liberal viewpoint. It is, above all, because he felt that "its passage was one of those key moments in a country's life at which certain anxieties and assumptions come to the surface, when people take stock of who they are and of what kind of social life they wish to have."
To be true, the French are adept at staging such debates about themselves. The nation that invented the salons philosophiques and the art of conversation has a passion for probing into its own identity and entertains the belief that all social ills may be amenable to abstract reasoning and enlightened lawmaking. This is not only a matter of belief, but of social organization: the author finds that "French politicians, writers about public affairs, television 'talking heads', and philosophers are much more likely to read one another's work, be related to one another, or indeed be the same person than is the case in most other countries." These literati tend to base their opinion about social trends on anecdotes and media commentary, not hard data or sociological evidence. In a strange twist of cartesian thinking, they believe that if a theory is refuted by facts, then you have to change the facts, not the theory.
The theory here is that schools are a sanctuary of republican values, a sacred institution whose mission is to create a universal social morality in the minds of French pupils and to mold them into autonomous, rational and public-minded citizen. Philosophically, this conception is rooted in a certain brand of political philosophy originating with Jean-Jacques Rousseau, one that emphasizes general interests and shared values over individual interests and pluralism. Historically, it is associated with the figure of the hussard noir de la Republique, the schoolteacher in rural districts who was the designated agent to turn "peasants into Frenchmen" and have the Catholic church abdicate its control over the minds of primary school pupils. The reality is that state schools in contemporary France have to integrate an increasingly diverse population, notably the children of immigrants from North Africa, and that they cannot really cope with all the social requests that are imposed upon them.
It is in this context that wearing headscarves in state schools came to be seen as a threat to the central values of the Republic and a challenge to three hard-won battles: the fight to keep religion from controlling young minds, the struggle to forge a common French identity, and the promotion of gender equality in public and private life. The law banning headscarves in schools can therefore be seen as a product of a historical trajectory as well as a political response to the perceived threats of Islamism, communalism and sexism. Explaining that law, as the author does, "requires unpacking a great deal about France, including France's very particular history of religion and the state, the great hopes placed in the public schools, ideas about citizens and integration (and the challenges posed by Muslims and by Islam to those ideas), the continued weight of the colonial past, the role of television in shaping opinion, and the tendency to think that passing a law will resolve a social problem." That the author does so without losing a sense of sympathy and understanding for the young girls most directly affected by this measure is a testimony to his humanity and to his skills as a storyteller.
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Peerless Images: Persian Painting and Its Sources
ASIN: 0874747066 |
Book Description
This magnificent book is the key to understanding one of the world's most important architectural traditions, one that spawned major masterpieces throughout the near east, and particularly in Persia, India, Turkey, North Africa, Southern Russia, and Spain. As human representation is forbidden in Islamic religious monuments, design and ornamentation reach unparalleled heights of expression through mosaics, stucco, brickwood, and ceramic. Brilliant colors are used everywhere to enhance design.
This monumental study is a close collaboration between Dominique Clevenot, a distinguished scholar of art, and Gerald de George, a renowned photographer. Together, they visited and photographed hundreds of monuments, selecting their most noteworthy features. Unlike other books, which divide the subject geographically or chronically, the authors have approached this complicated topic from four different and interconnected angles: the history of Islamic architecture, materials and techniques, ornamental design, and the aesthetics of ornamentation.
Each of these topics is presented through a number of outstanding examples and comparable monuments from all over the Islamic world. Travelers overwhelmed by the Taj Mahal or the Alhambra will gain greater understanding. Architects and designers will find endless inspiration and ideas. Historians will be illuminated. Anyone interested in the vast world of Islam will find new knowledge in this magnificent full-color publication.
Customer Reviews:
Discovery.......2007-09-28
This is a thorough and scholarly exploration of a fascinating subject - the world of Islamic Design. The work covers all the main areas of the field, from al Andalus to India. The text is clearly written, yet scholarly in its approach, while still being accessible to the amateur. The excellent photographs serve to illustrate this magnificint work well.
Terrific Photography; Turgid Prose.......2007-03-28
The 325 photographs in this book--all in color--merit every superlative reviewers have given them. And the subject is indeed presented in a unique way. However, the text is so grandiloquent that I, a seasoned English teacher who is also well read in the field of Islamic architecture, had to spend far too much time trying to decipher it. So why did I pay $40 for a used copy of this book? Quite simply because none of the many other books I examined taught me nearly as much about the decoration and design of Islamic architecture. So illuminating are the photographs, in fact, that one can learn much even without plodding through the prose.
For those unable to find a copy to preview, what follows is a more specific summary of its contents.
SECTION 1--which focuses on the variations in Islamic architecture in one part of the world--devotes 8 to 10 pages of text and photographs to each of the following: the Dome of the Rock, the Alhambra, the Taj Mahal and Persia's Shah Mosque. Eight pages of smaller photographs of other significant monuments from the Arab lands, Turkey, India, Iran and Central Asia follow.
SECTION 2 focuses on the use of brick, stucco, mosaics and ceramics in design. Additional photographs illustrate the use of bronze, wood and painted wood.
SECTION 3 focuses on the decorative use of mathematically defined forms (e.g. stars/hexagons), vegetation, calligraphy and even occasionally the human figure.
SECTION 4 focuses on how the elements in Sections 2 and 3 combine to create surfaces that resemble textiles. Specifically discussed are a) the division of flat surfaces into panels and bands, b) the multi-layering of textures and c) the use of repetition to create geometric designs. The use of ornamentation to disguise supporting forms and embellish supported ones is also well covered.
The APPENDIX has been detailed in Library Journal's review.
A must companion.......2001-02-16
If you are someone who is involved in arhitect or interior decoration, this book is a must to guide you in creating something splendor from the Islamic culture, and it's a good refrence on a cofee table top.
Four different approaches to Islam architecture.......2001-02-15
Islam expanded quickly within a few centuries, embracing a wide area and altering the political and cultural heritage of the entire region. Splendors of Islam examines the visual effects of Islam, considering the structures in contrast with other architectural traditions and examining the role given to various decorative choices and styles. Four different approaches to Islam architecture provide an exceptionally well-rounded view, with color photo examples packing an oversized coverage.
Book Description
The Mediterranean trade in luxury goods from the East made a strong and lasting impression on Italian artistic taste and production during the early Renaissance. This opulently illustrated book describes and illustrates the fascinating ways that imported art objects inspired improvements and new variety in Italian decorative arts. From Italian textiles featuring Islamic and Asian motifs to ceramics and glassware that reflected Syrian techniques and ornamental concepts, this book gives an extraordinary view of the influence of imported Oriental goods in Italy over three crucial centuries of artistic development.
Rosamond Mack traces Italy's emerging decorative arts tradition as she discusses textiles, ceramics, glass, bookbinding, and metalwork; she also considers how Italian painting reflects trans-Mediterranean trade and travel. Painters represented carpets and ceramics from the East in their works, as well as textiles with bands of writing replicating or suggesting Arabic script, negotiating cultural differences in their borrowings. These paintings show how Islamic motifs were absorbed into Christian contexts.
Beginning in the 1300s and 1400s, the works of Italian craftsmen inspired by luxury goods from Islamic and Asian countries gradually began to compete with those brought to Europe in huge quantities on Italian merchant ships. Yet even after their own versions surpassed the quality of some of the imported goods, Italians continued to collect, imitate, and adapt objects from the Ottoman empire and China. As Mack discusses these important influences, she provides useful summaries of the history of Renaissance decorative arts and presents a balanced and carefully researched view of the controversial topic of East-West artistic exchange.
This uniquely comprehensive study offers an intriguing look at the effects of exchange in Renaissance material culture, shedding new light on the development of the Italian Renaissance as a whole. No other source provides so rich and inclusive a synthesis of the period's decorative arts.
Customer Reviews:
Perfect Condition and Great Price.......2007-01-10
It came brand new, in perfect condition and it was a nice discount!
INFLUENCE OF ISLAMIC CIVILIZATION IN THE ITALIAN RENAISSANCE.......2006-02-25
To whom visit Italy, Venice is different of other important art centers , like Rome or Firenze . The Oriental influence in the
architecture remains as first impression.Screnning windows in the lunette above Porta Sant'Alippio , ,the grills on Saint Mark, the facades of the Doge's Palace.But,also, in the painting , and general decorative arts the islamic and oriental influence is visible. Venise was the gateway of the Orient.As
written in the Introduction of this excellent book , it was not necessary to travel to the bazaars of Damascus to acquire merchandise,because it could be found in Venice . The book is a complete study of this commerce ,between 14th and 17 th centuries ,and its influence in the life of Venice - including
the new class of designers , imitating silks , ceramics , glasses , and other kind of products.This book describes a very
interesting connection , not quite found in other works - the
influence of Islamic civilization in the Italian Renaisance.
Book Description
This richly illustrated book provides an unsurpassed overview of Islamic art and architecture during a time that witnessed the formation of a new artistic culture and its first, medieval, flowering in the vast area from the Atlantic to India. Inspired by Ettinghausen and Grabar's original text, this book has been completely rewritten and updated, and many new illustrations have been added.
Customer Reviews:
Islamic Art.......2007-08-27
This book contains the 'nut shell' of Islamic Art and Architecture. There are some plans, and many color photographs. Each project is accompanied by text explaining it and it's cultural significance. For someone who has an interest in the geometries and forms of Islamic Art this book was worth it.
Book Description
BL The most comprehensive study yet of the ancient art of Islamic calligraphy The Nasser D. Khalili Collection holds examples of Islamic calligraphy that span six centuries and demonstrate the continuity of this central art form into the modern era. The holdings - nearly 300 in total - include exceptional items that feature the work of many of the most famous master calligraphers, including Seyh Hamdullah and Hafiz Osman. The author discusses items from the Collection under nine headings that exemplify the variety of the artform and the discipline required to master it: mufradat (exercises from the calligraphic curriculum); muraqqa`at (collections of calligraphic samples); and hilyahs (treatments of the description of the Prophet) form the major sections, and there are studies of ijazahs (certificates of competence in the art), karalama (rough copy work), decoupage (cut work), kalib-making (stencilled reproductions), the miniature ghubar script, and leaf gilding.
Customer Reviews:
Synopsis.......2000-06-20
The power of the written word to convey emotional intensity in a pleasing visual form, particularly when dealing with sacred subject matter, has been a constant them in Islamic culture. The demanding discipline of Islamic calligraphy, transmitted from master to pupil throughout the ages, has been the source of one of the humanity's richest artistic traditions. The Nasser D Khalili Collection holds examples of the Islamic calligraphy that span six centuries and demonstrate the continuity of this central art form into the modern era. The holdings - nearly 300 in total - include exceptional items that feature the work of many of the most famous master calligraphers: Yaqut, Seyh Hamdullah, Hafiz Osman, Mahmud Calaluddin, Mehmed Rasim and Yusuf 'Hafiz al-Qur'an'. This book is intended for islamicists, collectors and curators of Islamic art, specialist art trade, some students, and general readers. With a contribution by: Zakariya, Mohamed;
Product Description
This book gauges America's progress in Iraq and Afghanistan from a unique perspective (that of East-Asian battlefield deception). As both countries were part of the Mongol Empire for over 200 years, they are a perfect breeding ground for every sort of ancient Chinese trick (any one of the famous 36 Strategems.) In combination, those stratagems can make a losing adversary think he is winning. They have done so to America before. To see past the militant Muslim's false face, one must look for the hidden intent behind his every initiative, whether martial or otherwise. Between September 2004 and September 2005, this book does just that for both theaters of war. For some readers, it will serve as an intelligence reference manual and be read a few paragraphs at a time. For others, it will provide an in-depth solution to the enemy's so-far-successful formula and be read cover to cover. Militant Tricks reveals enemy information that active-duty Americans seldom see--that which is contained in the regional media and literature. When properly interpretted by the author (a student of Eastern tactics and mindset), that information may shed enough light on ongoing events to still win both wars.
Customer Reviews:
A Field Guide To 4th Generation Warfare.......2007-06-30
Would you go hiking without a map? Would you work on your car without a manual? Then why would you even think about going to the Middle East without this book? Poole once again sets the standard in the industry for explaining the tactics, history, and mindset of the Islamic Extremist. From military commander to field grunt to civilian contractor, if you're headed to a desert combat zone do yourself a favor and BUY this book! I also suggest you read this book with a highlighter in hand...but you may just end up highlighting everything. This book undoubtedly has saved lives and will save more in the future!
Al Queda explained.......2007-05-25
Once again H. John Poole has pulled aside the Middle East veil of mystery to show us how the Muslim militants go about their business. Known as the "War on Terror" aka "4th Generation warfare", radical Muslim militants have worked out the ways to challenge the West collectively, on - and off the battlefield. Thus far, their efforts have cost the U.S.of A., not only lives, but billions of dollars, sowing anxiety and terror. How have they accomplished this with slender resources? Against the most technologically advanced armed forces in the world? Poole tells us how.
The book is divided into three parts:
The initial part updates the reader on the situation in Iraq and Afghanistan to the summer of 2005. How the Muslim militants have survived and continue to succeed against coalition armed forces without tactical victory, hi-tech resources or heavy arms; all the while they suffer heavy casualties and continue to burn through the resources - and resolve of the West - are addressed.
The next part examines, through the lense of ancient oriental texts on the principles of warfare, the stratagems employed by the militants. These are the most illuminating chapters: now the daily events in Iraq and Afghanistan make sense if one understands the militants' operational philosophy. Poole's explanations of tactical actions clarifies how these militants are playing "the Game" against coalition forces. What makes no sense militarily in Western understanding of warfare are perfectly acceptable to furthering these militants' ends.
The final section's chapters provide approaches to dealing with "4th Generation Warfare" situations, which Western military forces are more and more wont to encounter. Many of Poole's recommendations reflect the U.S. Marines' experience with the Combined Action Program (CAP)used in Vietnam during the 1960s. Essentially, special Marine units operated with Vietnamese local forces at the village level to root out and undermine the Viet Cong insurgency. He contrasts this approach to the reliance on hi-tech and heavy fire power, the preferred operational mode of U.S. forces. Further, Poole (pp 278-294) describes the changes in tactical philosophy that must come about if U.S. ground forces are to prevail against their current enemy. This, to my mind, is the best part of the book.
Poole's views on training and tactics in the last chapter, come closer to dealing with military cultural reform than in his previous wotks. While he addresses these subjects in other books, these last pages in MILITANT TRICKS come the furthest to combining these previous discussions into a coherent whole which reflects the grunt's eye-level ground view.
Hopefully, the powers-that-be are reading his works - effecting the necessary changes.
A must read for depolying servicemembers.......2007-04-23
This book was kindly donated to my unit by the publishers when I was a Company Commander before I deployed. Everyone over here should read it. Regardless of how much money our government spends on high-tech equipment and contracts, until we gain a better understanding of our opponents sociological and theological motivations we will continue to waste a lot of our military resources. LTC Poole's emphasis on taking a humanistic approach and integrating our forces with the locals is sound, provided that the local forces are properly vetted and aren't infiltrated by insurgents.
Understanding OEF/OIF True Enemies.......2007-03-23
This is the best book I have read so far on where and who the real enemy is and who is behind and against the U.S. supporting democracy and the liberation of the people of Iraq.
Breaks down in detail who is Sunni and who is Shiite.
How they work and how they are fighting U.S. Forces together.
How the real enemy is Iran with many proxies to gain control of Iraq.
How the U.S. must change to deal with fighting in Irregular Warfare now and for decades to come.
How the enemy is capitalizing on U.S. democratically controlled Congress to gain victory.
Heading over to OIF II in a few months, active duty CDR O5 who will be working in support of the bravest of the brave (EOD Forces defeating IED's). This book was instrumental in developing a understanding of what is really going on.
I would recommend this book for all Officers and enlisted personnel heading to fight this fight from E1 up.
CDR Bill Noel (Navy EOD Officer)
Good explanation of a confusing subject.......2006-07-14
The book gives a good acccount of the various Islamic militant factions and their interactions. The opinions seemed a bit "armchair general" and opinionated at times, but they made several good points. I'd recommend the book although it had the following drawbacks for me:
-The insertion of outside material to back up the author's words made for a sometimes disjointed read
-The sprinkling of "God (Christian) & country", stereotyping, etc. seemed unnecessary
-20% of the material was a repetition/reiteration of a particular point (not sure if this was to beef up the number of pages or to compensate for a shakey arguement)
Book Description
The Palestinian folk arts have a rich and fascinating history. Silk thread and embroidery, together with an expanding repertoire of symbols, are known to have made their way from China to the Holy Land along the Silk and Spice Routes before being introduced to Europe by Christian saints, holy men and pilgrims. Mainly using cross-stitch, Palestinians have continued to embroider their traditional motifs, giving them their own appellations and developing their own terminology. As clothing was of prime importance, Palestinian women wanted something personal, distinctive and handmade. By adopting the traditional styles and motifs of her area, a woman expressed her wish to identify and be identified with her cultural roots. Samples of late-nineteenth to early-twentieth century Palestinian costumes are considered to be representative of folk art at its best.
Through the vicissitudes of war and occupation, Palestinian folk materials have been dispersed, though samples are to be found in published material, in museums outside Palestine and in small private collections. Leila El Khalidi's work in identifying and recording the history and motifs in Palestinian embroidery will be of interest both to craftspeople and to students of folk traditions and is an important step in preserving the Palestinian heritage. The book is illustrated with a detailed appendix showing the principal motifs and with photographs of traditional costumes.
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