History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

The Daily Practice of Painting: Writings 1962-1993

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A Rare Look
artistic insights
A must have.
A genius.
Class Act

The Daily Practice of Painting: Writings 1962-1993
Gerhard Richter
Manufacturer: The MIT Press
ProductGroup: Book
Binding: Paperback

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ASIN: 026268084X

Book Description

Gerhard Richter, born in Dresden in 1932, is one of the foremost painters of his generation. A great deal has been written about the bewildering heterogeneity of his work over the past 30 years. His seemingly willful and defiant movement between abstract and figurative modes of representation and his seemingly inconsistent methods of applying paint to canvas are consistent, if nothing else, with Richter himself -- the master of the paradoxical statement. Although he has emphasized that he is first a painter and has never been a theorist, he has, throughout his career issued provocative, contentious, and memorable statements.

Over seven years in preparation, this book makes available a selection of Richter's texts from all periods of his career, many translated for the first time. There are public statements about specific exhibitions, private reflections drawn from personal correspondence, answers to questions posed by critics, and excerpts from journals discussing the intentions, subjects, methods, and sources of his works from various periods. The writings are accompanied by 87 biographical illustrations of paintings from the artist's personal collection.

Published in association with the Anthony d'Offay Gallery, London

Customer Reviews:

A Rare Look.......2006-11-02

Richter has chronicled his intellectual life as a painter through journal entries, letters and other assorted communications. It is very informative to see his progression from rejecting analysis of his works to embracing it, then back again. The thing that impressed me most about Richter was his professional and businesslike approach to his work. I took this book with me on train rides and short trips where I could injest it in small doses. I would suggest other readers do the same.

artistic insights.......2005-10-09

i got this book during his retrospective a couple of years ago, and i still go back to refer to its brilliant insights. i appreciate how richter, in his journal writings, or interviews found in this book offers ideas as to the how, why, and what of his art. it really helps make sense of his art, and thus further assists in ones appreciation of his art (and art and contemporary art in general). among several great ideas and quotes ('ever since i have been able to think, i have known that every rule and every opinion- insofar as either is ideologically motivated- is false, a hinderance, a menace, or a crime.'), there are great black and white photos of the artist, and his studio. speaking as an avid fan of richter's i cannot say how much this would appeal to a nonfan, but i assume that it would still be great to such a person who does care about art and artists in today's world ('It would be interesting to find out the total sum expended for these [art and cultural] purposes over the past ten years. Whatever it might turn out to be, it would strikingly confirm our natural lack of compassion for the poor.')

A must have........2004-10-20

buy this book.

I think Richter is a great painter. He is also very articulate and can expree his views in writing which not every painter can do well. His opinions are interesting and insightful.

It is better to buy books that deal directly with a painter's thoughts and emotions as opposed to some critic's. You won't be disappointed.

A genius........2002-11-14

I really enjoyed this book. I bought it at the Ricther exhibit I just saw at the SFMOMA a few weeks ago. I wasn't familiar with his work until then. I was awed at the different themes and usage of what would seem to be everyday normal moments caught with an unearthly feel. He's even using music and video installations now. This book does uses his collected notes, interviews and letters as an insight into the thinking behind the artist. Richter's philosophy of not subscribing to any ideaology is very evident here. He seems especially disdainfull of Communism as it does not afford the freedom for individual creation. He's been grasping to make sense of his art all his life and its what has been driving him. You can see it in his paintings. The work itself becomes a question. Why this subject. What is relevant? What is the importance. Why this style of painting? What is the meaning of the photograph it's based on? The book is chock full of interesting ideas on art, art history and the current state of society and the culture. Even if you don't agree with it all - it's still a very interesting read. I do recommend that you first familiarize yourself with Richter's various works first. You'll enjoy the book all the more.

Class Act.......2002-03-03

Ironically, this book - that decries idealogies - could be a Bible, speaking almost always on deeply conceptual issues not only of artmaking but of living. Fortunately, for those with a pulse, there is sufficient comic relief in the form of absurdities, parodies and self-aggrandizement.

It is tempting to skip the early writing and go straight to the wisdom through maturity (the notes are chronologically arranged.) That would be unfortunate for there are tremendous nuggets scattered among the contradictions in the earlier pages.

If you're familiar with his work, much will be self-evident; but I found surprisingly astute reflections from the "young" Richter (ie:'66): "I like continual uncertainty". On the issue of changing style/form every 3-4 years, Richter claims that "historically speaking, changeable artists are a growing phenomenon". Even back in '77, he says "Painting has a brilliant future. Hasn't it?" Strong words, and brave for the time. If only the irascible Kuspit had read this before he slammed Richter (as "profoundly nihilistic") and believed such statements as "I want pictorial content without sentiment, but I want it as human as possible" or "the pleasure of painting proves the necessity of it".

Book Description

Sebastian Kruger is considered the finest caricature painter in the world. His parody images of the famous and infamous have appeared on countless magazine covers and in galleries and museums around the world. In his latest calendar, he riffs on Andy Warhol, John Wayne, Sylvester Stallone, and more, capturing the essence of his subjects with humor and a surprising pathos.

Customer Reviews:

The Greatest Portrait Artist of All Time!.......2006-09-05

This book is filled with some of the greatest portrait art I have ever seen! Kruger uses a wide variety of styles. Some images seem to be caricature in nature, while others are more realistic, and still others are totally unique in style and hard to catagorize. The common thread of all the images in this book is that they portray the character of the subject with unmatched accuracy and ability. The images in this book can best be described by one word, 'WOW'! The high quality of this book's printing also does great justice to these astounding images. All in all I give this book 'two thumbs up' 'way up'! Highly recommended for those interested in art that is innovative and masterful.

the best of his generation........2001-12-26

sebastian kruger is the best caricaturist of his generation. i would put him up there with levine and hirshfeld. but unlike those two kruger doesn't have a style. his consistency lies in his constant exploration of other styles. He approaches each celebrity with a fresh eye. No two pictures in this book look the same, but all are done with impeccable skill. This book is wonderful at showing some of his more popular subjects. The reproductions are great except for two blurry images. I would definitely recommend this book to anyone interested in celebrities, caricatures, acrylics, airbrushes, and people with big noses.

Great textural works!.......2000-08-21

No need to say that it is again the collection of Mr Kruger's brilliant caricutures of stars from which you can find out those great brush strokes stand out.

Fascinating creativity.......2000-06-18

Outstanding illustrations of celebrities in verious fields, such as movie stars, singers... Great reference and resource for character design.

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Contemporary art in Europe,
S. G. W Benjamin
Manufacturer: Harper & Brothers
ProductGroup: Book
Binding: Unknown Binding

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ASIN: B00085BQ1O

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Contemporary Painting in Germany
Beate Stark
Manufacturer: Craftsman House (AU)
ProductGroup: Book
Binding: Hardcover

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German and American Art from Beuys and Warhol: The Froehlich Foundation

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German and American Art from Beuys and Warhol: The Froehlich Foundation

Manufacturer: Tate Gallery Pubn
ProductGroup: Book
Binding: Paperback

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Lienhard von Monkiewitsch: Color and Space

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Lienhard von Monkiewitsch: Color and Space
Elke Bippus , Ulrike Lehmann , Heino Moller , Michael Stoeber , Michael Vitt , and Lienhard von Monkiewitsch
Manufacturer: Kerber
ProductGroup: Book
Binding: Hardcover

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ASIN: 3938025549
Release Date: 2007-03-01

Book Description

This substantial monograph on the respected German Concrete artist features a selection of floor and skirting-board paintings from the late 60s and 70s, large-scale and multi-media architectural paintings, furniture, abstract geometric oils and acrylics and sculptural wall-works. A serious study of post-Constructivist color and space. In a 1992 text, von Monkiewitsch wrote, "Since 1968, a single theme has characterized my work: space. Whereas I used to use interior spaces or structures to suggest space with the aid of perspective, since 1985 I have attempted to do so using surface and color."

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Picture-gallery, New Masters
Hans Joachim Neidthardt
Manufacturer: Seeman Henschel
ProductGroup: Book
Binding: Hardcover

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Sven Drühl: Artistic Research
Reinhard Spieler
Manufacturer: Kerber
ProductGroup: Book
Binding: Hardcover

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ASIN: 3938025557
Release Date: 2007-03-01

Book Description

Conceptual paintings that remix or reinterpret historical and contemporary landscapes, quoting from Caspar David Friedrich, Claude Monet and Eberhard Havekost, among others. Druhl, who works in the tradition of Serial and Appropriation art, sometimes fuses separate painting fragments, creating quotation collages. This monograph spans from 2001 until 2005.

Verrufene Malerei ; Berlin Dada: Erinnerungen eines Zeitgenossen und 14 Essais zur Kunst (Walter Mehring Werke)

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Verrufene Malerei ; Berlin Dada: Erinnerungen eines Zeitgenossen und 14 Essais zur Kunst (Walter Mehring Werke)
Walter Mehring
Manufacturer: Claassen
ProductGroup: Book
Binding: Hardcover

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ASIN: 3546464540

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