Book Description
ANDY WARHOL "GIANT" SIZE is a spectacular visual biography of the life and career of Andy Warhol.Weighing in at 15 pounds, this enormous book is packed with 2,000 images and documents, many rare or previously unpublished.Taking its inspiration from Warhol's over-the-top nature, ANDY WARHOL "GIANT" SIZE depicts the major events, people, works and moments in the artist's life told in chronological order by subject.As Warhol almost never threw anything away (from restaurant receipts to postcards), the featured material in the book has been painstakingly compiled.As the publisher of The Andy Warhol Catalogue Raisonn+, Phaidon was granted unprecedented access to an array of public and private image and memorabilia archives and collections, including the Andy Warhol Foundation in New York and the Andy Warhol Museum in Pittsburgh as well as the holdings of many Warhol collaborators, friends, and photographers of the period.The large-format of ANDY WARHOL "GIANT" SIZE enables the reader to explore in detail hundreds of fascinating photographs, letters, personal correspondence, art works, film stills, tickets, receipts, celebrity head shots, notes, press clippings and ephemera all featured in this one of a kind publication. The book also features illuminating texts by insiders Bruno Bischofberger, Ronnie Cutrone, David Dalton, Kenneth Goldsmith, Ivan Karp and Peggy Phelan.What is unique about ANDY WARHOL "GIANT" SIZE is that it provides fascinating insight into the public and private life of Warhol and in many cases also reveals the stories behind his art works.The book provides amazing comparisons between his work and his life that have never been demonstrated visually in such a way before.For example, it not only features Warhol's famous "Mao" series, but also includes ephemera from a 1982 trip to China (his passport, boarding pass, a souvenir from his hotel, etc.) alongside a photo of Warhol standing in front of the Forbidden City in Beijing with an official Mao portrait in the background. This important new publication includes a staggering quantity and array of colorful material including: Warhol's birth certificate, citing Andrew Warhola' was born on 8/6/28 in Pittsburgh; childhood photographs of his family; the magazine tear sheet showing the first article he illustrated for Glamour when he arrived in New York in 1949;numerous photos of Warhol with his mother; artworks for gold shoes he created in the 1950s; a letter from the MOMA dated 1959 in which the Director of the Museum's Collections rejects a work of art Warhol offered them as a gift; photographs of Warhol posing with Edie Sedgwick in a New York fashion shoot; personal letters from Mick Jagger and Liz Taylor; pictures of Warhol in the office working on Interview; pictures of Warhol private views; a series of shots of Warhol in drag; the program from his Memorial Mass on 4/1/87 and his gravestone.ANDY WARHOL "GIANT" SIZE is the only publication available that features Warhol's entire life, work and words in one book.The visual biography offers a behind-the-scenes look at the New York art scene of the 1950s to the 1980s, and provides a new perspective on an artist who continues to be endlessly fascinating to those inside and outside of the art world.
Customer Reviews:
Very Impressive. Great coffee table book!.......2007-07-03
While I admit I have not read this book cover to cover yet, it is a great book to own if you are a fan of pop culture, POP art, or any of the characters from the Factory. There is a lot of biographical text, but far more pictures and insight into the art, so it is really quite fascinating. I am a huge fan of pop culture during the sixties and of Andy Warhol and Edie Sedgwick. My husband is not. He loves this book, too, though as it quite nice for the coffee table, and a conversation piece. It provides exposure to the world of Andy Warhol and the Factory without the overt homoerotic tone that some of the other books have. I would definitely recommend this book.
Good for Killing Alot of Space.......2007-06-26
The main attraction of "Giant Size" is just that it is physically giant sized. I have the book set on one of my display cases and is just way to cumbersome to read. It's chronological layout of Warhol's life and work seem very accurate even though I have not been able to read this book rather a good skimming. Interesting documents of his life are displayed throughout including photos of his childhood.
I recommend this book for anyone who needs an enormous coffee table book, or is a fan of Modern Art or just loves Andrew Warhola.
very very Important.......2007-03-09
Wahol.......
This book is the whole of him
Awesome pictorial of Warhol.......2007-03-06
In a word Awesome.
Its a huge, heavy and visually spectacular overview of Andy Warhols career. The perfect Coffee Table book. First rate photographs and reproductions of Andy's work. One of the best available.
awsome purchase.......2007-02-23
This book is worth every penny, the photography is incredible, It's perfect!!!!!!!!!!
Book Description
The private Andy Warhol talks: about love, sex, food, beauty, fame, work, money, success; about New York and America; and about himself--his childhood in McKeesport, Pennsylvania, good times and bad times in the Big Apple, the explosion of his career in the sixties, and life among celebrities.
Customer Reviews:
Ghostwritten by Bob Colacello and Pat Hackett.......2007-07-03
According to page 208 of the Warhol Biography 'Holy Terror; Andy Warhol Close Up' by Bob Colacello (1990), Warhol delegated the actual writing of the book to Colacello and Pat Hackett. Colacello wrote the first draft and Hackett wrote the version that was published. Warhol's contribution was to set up the deal, offer a few suggestions and one-liners, and read the finished pages before they were sent off to the publisher.
If a silkscreen created by Warhol's assistants (carefully aping his art style) but signed by Warhol is still "authentic," does that mean an autobiography written by Warhol's assistants (carefully aping his speaking style) but credited to Warhol on the cover is still an "authentic" autobiography?
Colacello's biography also reveals that some of the text in the book was borrowed from press clippings written about Warhol. Page 207: "It was Andy's idea to cull phrases from the Factory clippings scrapbook to describe what he saw in his mirror: 'The affectless gaze... the wasted pallor... the childlike, gum-chewing naivete... the slightly sinister aura... the long bony arms, so white they looked bleached...'"
Like nearly all of Warhol's art, his Philosophy was our idea of Warhol, rearranged and reflected back at us. When explaining why he covered the original Factory with silver, Warhol offered a list of reasons ending with "...most of all, silver represents narcissism. Silver is the color of a mirror."
straight from the master.......2007-04-07
I used to think that Andy Warhol was not a real artist, only a great self promoter. This book, written in his own words, proved my prejudice to be completely wrong and uncalled for. Much of what we encounter today in popular culture was forecasted in this book by Warhol. If only the best economists could even be 10 percent as right about their forecasts!
Andy Would Be Pleased.......2007-02-21
I had a great buying experience. The book was in mint condition and came within a reasonable time.
Loved this quirky read!.......2006-12-07
I was hanging out at a Borders one afternoon when i got hold of this book and I read all 200 something pages in a few intense hours! I'm sure the borders staff didnt appreciate me reading this gem for free but I honestly couldn't peel myself from it. What a character this Warhol guy was. Check this one out!!!
Of course it's brilliant, and it's b.s., which is why it's brilliant..........2006-09-19
Seriously, at a certain point when I was around 18 or 19, this was my Bible, or my Little Red Book - I and a handful of friends (Warhol died at about the same time) took every syllable here very, very seriously.
This is kinda funny to me now, but it's a great book still, a truly unique cultural artifact. Warhol - as always maintains the trademark deadpan aloofness here, which had a few odd purposes beyond simply looking cool: there were rare instances when he'd drop his guard and a hint of social relevance would enter the frame, which did run contrary to most of what Warhol did, here especially. Doing so would turn art into something didactic, and - as a joke doesn't work if you have to explain the punch line, art flops if you have to lead your viewers, or readers, by the hand into your meaning. Thus Warhol's stylish glibness and affected cool served a brilliant purpose - it made demands of everyone who came into contact with it.
Here we have Warhol's epigrams - spread out like some artboy approximation of 'Quotations From Chairman Mao Tse-Tung,' all about equally quotable, useless, devoid of literary merit, yet (unlike the leaden and ideologically bankrupt Chairman) also stylish and memorable, even at their most zoned out.
The other great method behind Warhol's facades is here as well - the same impulse that turned canned soup into the artworks of a once very, very poor 2nd-generation immigrant's child (if you were going hungry, Campell's soup would in fact become, and possibly remain, a beautiful thing, and we all know that beautiful things are and always will be one of the most fitting of subjects for art). These cryptic sayings and jottings all seem constructed to get us all to see the small stuff for what it is, and learn to appreciate it for that.
Warhol was like Elvis - all things to all people. And about as maddening, contradictory and semiotically intriguing as Elvis. This slim little book is one of his strangest and most magnificent achievements.
-David Alston
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- Andy Warhol: 365 Takes: The Andy Warhol Museum Collection
- Shows the Andy Warhol Museum collection
- AN ANDY A DAY ... MOST ARTFUL, INDEED!
- Warhol Lives
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Andy Warhol 365 Takes: The Andy Warhol Museum Collection
Staff of Andy Warhol Museum
Manufacturer: Harry N. Abrams
ProductGroup: Book
Binding: Hardcover
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Andy Warhol Portraits
ASIN: 0810943298 |
Amazon.com
If you're a fan, your bookshelf is crying out for Andy Warhol: 365 Takes. And if you're not, this artfully designed volume may very well turn you into one. Read it straight through or dip in anywhere. Either way, you get an illustrated tour of Warhol's friends, lovers, personal history and obsessions (shoes, religion, jewels, mortality), as well as his art. Organized in a vaguely thematic way that blithely ignores chronology, this compact volume serves up a four-decade feast of creativity in bite-size nuggets: a very Warholian approach. Facing pages juxtapose a Warhol image with a well-chosen morsel of text. Drawn from diverse sources, including The Andy Warhol Diaries, the texts illuminate the images with useful tidbits of insider information. Reproductions of Warhol's work reveal his extraordinary range and inventiveness, from the delicate, lyrical drawing for a jazz record cover from the 1950s to rueful self-portrait photos in drag from the early 1980s. Of course, much of the famous work is here as wellthe Death and Disaster Series, the Brillo boxes, the Three Marilyns, the celebrity portraits of the 1070s, the collaborations with the Velvet Underground. One of the most intriguing aspects of the book is the way it uses Warhol's vast personal collection of ephemera to show how a newspaper headline, shop window or movie star magazine could inform the look of his art. This great compendium of Warholiana is marred only by the occasionally smug, fanzine tone of remarks by The Andy Warhol Museum staff. There's no need to overstate the case for Warhol; his outsized reputation is secure. --Cathy Curtis
Book Description
Andy Warhol was one of the most compelling figures of the 20th-century art world whose body of work transformed the landscape of contemporary art. He was also a notorious collector who saved practically everything that came his way. In 1994, seven years after the artist's death, The Andy Warhol Museum in Pittsburgh became the repository not only for a substantial body of his artwork and films, but also for the Time Capsules into which he obsessively deposited a lifetime's worth of ephemera and personal memorabilia.
For this book-created in the same format as Abrams' best-selling Earth From Above: 365 Days-the museum has gathered highlights of its collection. Illustrated with almost 400 objects, from paintings to party invitations, the volume also features lively commentaries by the museum's staff as well as quotes from Warhol's own irreverent writings. Timed to coincide with the celebration of the museum's 10-year anniversary, this book will serve as both an introduction to and a handbook for the most extensive collection anywhere of this iconic artist's work.
Customer Reviews:
Andy Warhol: 365 Takes: The Andy Warhol Museum Collection.......2007-01-10
Huge book - don't let appearance on the internet fool you, it's a brick (about 3inches thick!) and packed full of information; Andy's life, his work, his love his passion it's amazing.
The book takes you on a journey through early years to his death and how his art transformed throughout his career. It shows Andy's sketches and un-released art and art from his private collection.
Fascinating and a brilliant coffee table book.
Stunning 5 stars
Shows the Andy Warhol Museum collection.......2004-12-05
This is a thoughtful book which does not leave much out until you get to the index on pages 740-742. The pages are long horizontally, usually presenting text and a large number running from 1 on the page after page 5 to 365 on the page two pages before page 736. The index lists the big numbers only, the "Take" number. Are punching bags in the index? No. Is Jean-Michel Basquiat in the index? Yes, for six Takes under "Basquiat, Jean-Michel" and for three of the same Takes under "Jean-Michel Basquiat" (portraits, only one of which includes "and urine on canvas"). Is The Last Supper in the index? Yes, for three Takes. Do any of the Takes listed for Jean-Michel Basquiat coincide with Takes listed for The Last Supper? No, neither three or six, none! Which Take has ten punching bags? Take 255!!! How many times is Take 255 in the index? Just once, for "Ten Punching Bags (Last Supper)." Obviously, to use the index you need to know precisely what you are looking for.
In my previous review of a DVD on Andy Warhol as a great artist of the 20th century, I believe I understated how many times the word "JUDGE" appears on the ten punching bags. In the view shown in the photo in Take 255, I can count 5 times on the first, 6 times on the second, then 3, 5, 4, 4, 1, 1, 3, and 4 times, respectively, on the third to the tenth bag. Most of the bags look black and white, but the eighth bag has a blue crown or dark halo which might obscure a second "JUDGE" or "JESUS," a blue shape like a torso with head, the words "LEAD" and "ASBESTOS" and possibly BS, with a copyright insignia after the "JUDGE" at the bottom of the eighth punching bag. The bags are hanging so close together that a physics student is bound to wonder how many bags would start swinging if viewers had the opportunity to give a bag on one end a good punch into the rest of the line. The head of Christ appears to be largest on the first, fifth, and sixth punching bags, with the second and eighth having the smallest heads, to produce a standing wave effect even when the 14 inch diameter by 42 inch long bags are hanging stationary from chains to big beams in the ceiling. The Andy Warhol Museum, Pittsburgh used to be a big warehouse, and Ten Punching Bags (Last Supper) might still be hanging there, because Entry 255 is not listed in the Photograph Credits, unless the bags are included in the bragging rights claimed by "Except where otherwise noted, ownership of all material is The Andy Warhol Museum, Pittsburgh." (p. 742). I hope they never catch me walking into that place with my practice gloves on.
AN ANDY A DAY ... MOST ARTFUL, INDEED!.......2004-11-03
Think of this as an Andy a day keeping the aggravation away. Compiled by the staff of the Andy Warhol Museum (located in Pittsburgh, PA, and this year celebrating its tenth anniversary), this is a monumental, if scattered, collection of everything Warhol, deliberately non-traditional and open-ended. Fashion sketches from the `50s, Polaroids, the Brillo boxes, stills from his movies and television appearances, silkscreens and pencil drawings, the Death and Disaster Series, the Three Marilyns, the collaborations with the Velvet Underground ... it's all here, and it's all interlaced with quotes from Warhol, and "experts" on Warhol. The experts, today, sound like bozos, but there is humor and humanity in all of Warhol's comments. 365 Takes is a big book, perhaps too big, since Warhol is best savored in smaller doses. Still, the book certainly whets one's appetite for more concentrated, linear works of this great artist. Warhol's take on the middle of the twentieth century is astoundingly accurate and informed. Certainly very much the artist as an outsider observing the current culture, his views are surprisingly kind and simple. Let's face it: We all love gossip, dirty pictures and celebrities. Maybe we couldn't admit it back then, but it was true. And, of course, we all love Campbell's Soup.
Warhol Lives.......2004-10-30
Even at list price, this book is a great bargain.
The binding of this book is itself a work of art. It's also just one clear demonstration of how much care this staff puts into what they do.If you are an artist, you'll want to get the staff of the Andy Warhol Museum to come work at your museum.
The web site of the museum is another sign of how special this staff is. They even include a step by step opportunity for you to learn how Warhol made his silkscreens by making one yourself. As a Web application and as a learning experience, it's a standout and you can email the result to friends.
In this book, they had the wisdom not to try to present the definitive Warhol. That's why it is 365 takes and not 1 take.
Wouldn't you have liked to have lived your life so richly that 365 takes were needed to give a sense of who you are.
Granted, each of these takes (images on one page and text on the facing page) can't go very deep. However, they aren't fragments, each tries to be complete in itself. Chronology and flow are eschewed. The staff isn't trying to sell you on how Warhol was or how he got to be as he is, they are simply sharing with you these views, via his work, so you can perhaps develop a sense for yourself of what Warhol is about.
What really sinks in after just one pass thru these 365 takes, is that Warhol was about a lot. He had incredible coverage.
Because this book is so beautiful, the trashiness I'd come to associate with the Warhol scene isn't that apparent. The differences (from conventional lives) are. The productivity is. The fascinations are. The richness of experience is. The lack of judgmentalism is.
Seeing the web site and this book makes me wish a lot to visit Pittsburgh and see the Andy Warhol Museum first hand. And if this staff indeed somehow were all at another museum, I'd certainly want to go there. This museum staff is outstanding and one way you can tell how outstanding they are is to get this remarkably inexpensive high-quality book.
Average customer rating:
- Essential Warholia
- probably the best Screen Tests reference-not that I'd know
- the best film document for warhol
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Andy Warhol Screen Tests: The Films of Andy Warhol Catalogue Raisonne, Volume One (Andy Warhol Catalogue Raisonnee)
Callie Angell
Manufacturer: "Harry N. Abrams, Inc."
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ASIN: 0810955393 |
Book Description
Published in association with the Whitney Museum of American Art
In the mid-1960s, at the height of his creative powers, Andy Warhol produced hundreds of three-minute cinematic portraits, called "Screen Tests." Although rarely screened now, these short films captured a virtual who's who of the avant-garde, including such cultural icons as Edie Sedgwick, Bob Dylan, Salvador Dali, and Susan Sontag. At last, in the initial volume of the authorized catalogue raisonné of Warhol's films, Warhol authority Callie Angell examines all 189 people captured by Warhol's lens. Stills from many of the films appear here for the first time. Drawing on 13 years of original research into the Screen Test subjects and their relationships to Warhol, Angell provides an unprecedented look at the pop art master's working method, and a unique record of his colorful social and professional life.
Customer Reviews:
Essential Warholia.......2007-05-13
Wow, it's hard to top Billy Name himself writing a review of this, but this book is a real gas and an essential catalog of Warhol's screen tests. You get stills from each of the tests, with a brief bio of each of the subjects. Always interesting and informative, full of surprises and humor, and exhaustively detailed. There were even a few color tests done, and you get stills from each of them too. Some of these people are true shadows and we know little, and some are truly beautiful (Amy Taubin!). I am really looking forward to Volume Two and the "features." Warhol being the most important artist of the second half of the 20th Century, it is even possible that these films may be his most important art works. Mailer said that we wouldn't recognize their value for fifty years, but we've now passed the forty year mark and my impression is that most people would still want to ignore these -- but time will tell.
probably the best Screen Tests reference-not that I'd know.......2006-11-13
Bought it as an anniversary gift. Before wrapping it I paged through and quickly became engrossed. I'm not sure I would have been as interested if I hadn't previously seen many of the screen tests. Author accepts Screen Tests as canonical films whose production details are of tremendous significance. Brief bios and gossipy tidbits cater to shallower retro-interest in the usual superstars, although numerous people cast in the Screen Tests were rich patrons and art industry knobs. Like much of Warhol's oeuvre, the Screen Tests merit sustained viewing only if you're willing to invest a lot in the experience. Vol 1 provides innarestin' background for people so inclined. Might buy Vol 2, if it isn't bloated with stuff on the Warhol-Morrissey productions.
the best film document for warhol .......2006-03-30
callie angell's expert volume 1 of the warhol film catalog raisonne (screentests) is a must for all libraries as the most authentic referrence manual for this ouvre. all information is from direct viewing of the films and interviews with actual participants. it is therefore the primary source for this series of warhol film art. the publication is beautiful and the illustrations, actual stills from the acutal films, are exciting. the text and essays are chock full of technical info on the making of the series, social notes included. a must have for all serious warhol souces. abrams and the whitney museum of american art did a fine job; it's a historical documentary publication in the art world.
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Shoes, Shoes, Shoes
Andy Warhol
Manufacturer: Bulfinch
ProductGroup: Book
Binding: Hardcover
Warhol, Andy
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ASIN: 0821223194 |
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Pre-Pop Warhol
Jesse Kornbluth
Manufacturer: Random House
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ASIN: 0394570154
Release Date: 1988-11-29 |
Average customer rating:
- excellent Buyers guide
- only for true lovers
- ANDY WARHOL PRINTS: A CATALOGUE RAISONNE' 1962-1987
- Triumph of Quantity
- i love it..
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Andy Warhol Prints: A Catalogue Raisonné 1962-1987
Arthur Danto ,
Donna De Salvo , and
Andy Warhol
Manufacturer: D.A.P/Ronald Feldman Fine Arts/Andy Warhol Foundation for the Visual Arts
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ASIN: 1891024639
Release Date: 2003-04-02 |
Book Description
In the forty years since he first appeared on the New York art scene, Andy Warhol has become synonymous with Pop Art--and with the wry definition of fame as something that never lasts more than 15 minutes. But Warhol spent his career working so prodigiously as to assure long lasting renown. In the printmaking field alone, his output was prolific, and his appropriation of silkscreen as a fine art medium forever altered the way prints look. This thoroughly revised and expanded fourth edition of Andy Warhol Prints: A Catalogue Raisonne: 1962-1987 traces Warhol's complete graphic oeuvre from his first unique works on paper in 1962 through his final published portfolio in 1987. More than 1,700 works are illustrated, an increase of 500 from the previous edition of the catalogue raisonn , and complete documentation is provided for each. New additions include a section focusing on Warhol's popular portraits, with documentation of prints that were related to paintings commissioned during the 1970s and 1980s and a new supplement featuring prints and illustrated books from the 1950s, including the beloved 25 Cats Named Sam and One Blue Pussy. There is also an eight-page essay by Donna De Salvo addressing Warhol's self-published books and portfolios from the same era. An extensive chronology of printmaking activity, a complete exhibition history, a selected bibliography, and a greatly expanded appendix to published prints, complete the book. Andy Warhol Prints: A Catalogue Raisonne: 1962-1987, in its fourth edition, will continue to be the critical reference tool for scholars, collectors, auction houses, libraries, curators, and art dealers.
Customer Reviews:
excellent Buyers guide.......2007-04-30
With a lot of so-called bargains on ebay, this really helps to verify if it is an athentic Warhol print. Good are the infos on Warhol's "after" prints like Sunday B. Morning.
only for true lovers.......2007-03-23
This is more of an encyclopedic collection. Get it only if you are a student (or more than just a fan). To be sure, there are many, many beautiful images (as was much of Warhol's work esp in the 80s) but most of the images are 2-inch or 4-inch squares. This is not a coffeetable book designed for delightful perusing and seeing large images.
ANDY WARHOL PRINTS: A CATALOGUE RAISONNE' 1962-1987.......2005-12-19
UNLIKELY IMPORTANT IS THE POMP AND DUSTY RESOLVE FROM ONE REVIEWER. THIS IS WITHOUT EQUAL A HAND BOOK FOR THE SILKSCREEN PRINTER. A VIRTUAL BLUE PRINT OF COLOR AND COMPOSITION LAYERED IN COMPLEX RICHNESS .
FOR THIS REVIEWER, PROCESS,PROCESS,PROCESS IS WARHOLS GIFT TO ART HISTORY {EVEN IF HIS ART IS MISTAKENLY THOUGHT OF AS VAPID . }
MASTERED BY SUCH PRINTERS AS ALEXZANDER HEINRICI AND RUPERT JASEN SMITH, SILKSCREEN PRINTING IS IN FACT A VERY COMPLEX ARTFORM.THESE PRINTS WHERE NOT MADE WITH THE AID OF COMPUTERS, SUCH AS TODAYS "ARTISTS" EMPLOY.RATHER THIS BODY OF WORKS ARE PAINSTAKENLY PRODUCED BY HAND EITHER BY WARHOL OR BY ARTISAIN PRINTERS.
COMPLEX PHOTOGRAPHIC MEANS ARE EMPLOYED FOR WARHOLS STENCIL MAKING. AS IMPORTANT TO ART HISTORY AS SENEFELDERS LITHOGRAPHIC PRESS INVENTION, SO WILL SILKSCREEN TECHNIQUES ANDY WARHOL PIONEERED. PERHAPS WARHOLS WORK WILL NOT BE CONSIDERED IMPORTANT TO ART HISTORYS FUTURE PERVEYORS.IT WILL IN FACT BE TESTIMATE THAT A PRINTMAKING MEDIUM WAS MASTERED AND BARRIERS PUT DIRECTLY IN WARHOLS PATH BY BROW BEATEN ART CRITICS WAS CRUSHED,BECAUSE WARHOL GOT HIS REAR END OFF THE COUCH AND DID SOMETHING. I RATE THIS BOOK AS A 10 AND IS A MUST FOR STUDENTS OF PRINTMAKING AND MODERN ART.
SINCERELY PETRA
Triumph of Quantity.......2005-08-28
All the prints, those published and unpublished by Warhol. A lot of color and the layout is good. There's a good essay (by Donna De Salvo) to introduce what Warhol's printmaking was about.
As much as it may impress, seeing all these prints, unfortunately, conveys a Warhol on autopilot.The "machine" he spoke of wishing to be. Apart from a few famous themes Warhol's prints may represent a triumph of quantity over quality. Prints of many different contents but of the same mechanism, silkscreening, begin to look alike. The selection of images, initially striking in the few deservedly famous subjects (e.g. Marilyn, Jackie, the electric chair, flowers, self-portraits, the soup can, Mao), seems mostly mundane, perhaps tacky. No artist has perhaps created so much forgettable work. But the diversity holds the promise of leading you (and me) beyond any initial limiting set of favorites. Warhol attacked from many directions.
After all, how much I'd like to have Marilyns or his flowers on my walls, to begin with. You have plenty to pick from in this book: even finding ten great images may be worthwhile. And, over time, as you change, your favorite Warhol prints may change.
At the back of the book are a chronology and exhibition history which focus on the prints. At almost 400 large pages using excellent paper, this good value is made to stay. Nevertheless, one is left wondering whether the drive to create or the drive for wealth was stronger.
i love it.........2003-11-10
its a really great display of andy warhol's work.. theres alot of unprinted art work in the book as well.. its great i really enjoyed it. when i picked it up at the book store i sat down and flipped through it, and i liked it so much i flipped though it two more times after that. i love warhol's work, and i've seen some great books but this one is by far the most amazing. if your a die hard andy warhol fan, i totally reccomend this book.
Amazon.com
Though he is chiefly viewed as a monumental pop-art icon, Andy Warhol was truly a man of many talents. But his component parts don't necessarily match up. He made paintings, prints, sculptures, installations, performances; he produced one of the greatest rock bands of all time, the Velvet Underground; he directed films and wrote a novel as well as a philosophical text. But over and above this massive pile of work is a man who was unpredictable, enigmatic, and impenetrable: ultimately, he would have others think, almost inhuman.
Drawings are the key to many artists' souls. They are personal, immediate, and limiting. Never more so than in the case of Andy Warhol has a book of drawings so brought an artist's humanity forward. He reveals his particular brand of filial affection in an early work titled The Broad Gave Me My Face but I Can Pick My Own Nose--a rebellious youth indeed. His male nudes from the 1950s are passionate and erotic: here is an artist in love with his subject. Warhol was a prolific drawer, and draw he could. Don't forget: he was a very successful commercial artist, an adman, long before his high-art career took off.
Among these 248 color plates rest some wonderful little drawings that stand entirely on their own merit, not their creator's fame. The catalog Andy Warhol: Drawings, 1942-1987 offers rare insight into one of the century's strangest and most interesting artists. --Loren E. Baldwin
Book Description
This book offers representative examples of drawings from 1942 to 1987 in all categories and media. Filled with well-known iconic images, humorous portraits, and still lifes, The Warhol Drawings portrays Warhols trademark genius for transforming the ordinary into the extraordinary.
Customer Reviews:
Imagery + Surrealism = Pop Realism.......1999-10-19
After reading this book, I reckon that Andy Warhol was a man of unpredictable genius. Imbedded in his images is the poetic appeal and the simultaneous pop and avante-garde timelessness of his art. He made the serious and the comic blend well. He balanced the beau monde and the classless. His colour choices evoked and exposed the hidden images within his works, and they simply slither in mind once you stare at them. Unlike some new generation artists or wannabees who only splash their canvasses with colours, sometimes of uncompromising combinations, every artwork of Warhol is alive, moving and his concept comprehensive. Here is a pop artist who is wildly prolific! As a freelance writer and editor doing articles on design and who works within the pop culture, I'd say his works are more than simply decoratives. They speak with you and are nothing less than enthralling. I feel terrific owning a copy! This is a treasureable read.
Customer Reviews:
Directed at the expert, fine for the fan, too!.......2002-12-04
I would like to add to the reviews below that this book is a pleasure to hold and to view because it is so well made. If there is any 'art' book that should be made for posterity it is the catalog raisonne of an artist. In this instance, the publisher has done the artist's audience a real service for, the book is beautifully printed and bound in Italy by Amilcare Pizzi; Italy seeming to have usurped Switzerland's place as the world's premier art book printer. The pages are thick and glossy and the reproduction is top notch.
For those of you who are unaware of what a catalog raisonne is, it is meant to be a compilation and historical record of an artist's work that documents execution date, medium, size of image or plate, size of edition if a print, whether signed or unsigned, etc. This information is used by artists, historians, collectors and dealers to attribute a piece of art and place it in the artist's oevre, and of course to aid in placing relative value on it. Here too, the archivists, publisher, and editor have done a fine job of documenting the relevant facts. This is especially important in the case of Warhol who was a serial printer, sometimes to the point of intentional promiscuity. So, the fact that wherever possible relevant information is provided speaks volumes about the prodigious effort that must have gone into this undertaking. I rate this book four stars because I fear that since this is the third edition, there will be yet another edition published that renders this one obsolete. I understand this is precisely because Warhol was an inprecise documentarian, when he chose to do so at all, but I don't relish having to purchase another high dollar, though valuable book that is only slightly different from the one I already own. For people who don't give a darn, the book rates a five.
Andy Warhol Prints.......2001-11-03
This 3rd edition of Andy Warhol Prints gives much information to someone who is interested in the various published and unpublished works which Warhol created. In addition to providing color photographs of the prints, the book gives details about the edition size and characteristics of each individual portfolio. This book will be quite useful for the Warhol fan, art students, as well as collectors of Warhol's work. It is the most definitive book of his prints available.
Definitive Guide to Warhol.......2000-05-23
Prints, proofs, paintings -- everything is here, plus essays that explicate and set context.
The best catalog of Andy's Prints.......1998-06-15
This gem of a book gets into all the details of Warhol's print making. See source images as well as artist's and printer's proofs. A must for any collector wanting to explore Warhol's work as well as a real eye opener as to how busy this man really kept himself.
Customer Reviews:
Comprehensive and a long read...........2006-12-29
Yes, I know it was narrowed down from 20,000 pages (what a job in itself) but its going to take me forever to finish this book. It's not a book you can breeze through. You're in for the long haul with this one. I'm not a fan of Warhol's work but I love the scene of the 60's, 70's & 80's and this book is definitely an insight to what was happening during those times in the theater & art world.
warhol's thoughts in the disco & business eras .......2006-05-30
the Andy Warhol Diaries. 900 pages. 1976-1987. the closest look ever at warhol's actual thought processes, opinions & speech pattern. Not the shy,. fumbling public affectation of decades of interviews. Actual day to day diary entries dictated by andy of the last 12 years of his life. backdrop: the 70s disco/studio 54 era; then the 80s art/business explosion & various losses in andy's personal life. Anyone who lived through these years, particularly in nyc and /or the nightlife and art worlds, will find so many events they recall in their memory. Warhol'd depictions of friends & various celebrities are candid, frank, brutal, humorous. This is the closest you will ever get to Andy's real feelings thoughts tone & expression. Its a bit of a committment- it must be read chronologically, it took me just over a month to read all 900 pages. but it was vastly rewarding & the insight into the real warhol is priceless; also if you were alive in this time you will reflect upon your own journey during 1976-1987. the portraits of just halston, bianca jagger & basquiat drawn alone are worth the 900 pages. rating: A
Just Read It Again!.......2006-04-07
I got this book as a gift, right after it was published in the late eighties. Since then, I've read & re-read it more times then I can count. It's just as much fun on the umpteeth read as it was on the first.
The entire Mick-Jerry-Bianca-Halston-Studio 54 entries are hilarious. It wouldn't bother me a bit if his diary was published in its entirety someday. I'd read all of the doggone 20,000 pages!
It was shocking when Andy died unexpectedly in 1987. Every time I read the book, it's like a clock ticking in my head as time, unbeknownst to him, runs out, and far too soon.
Hip NY in the 70's and early 80's.......2006-01-23
Andy Warhol knew everybody and left these brief diary entries over a period of years that coincided with the Studio 54 era of Jagger, Capote, Halston and countless other connected NY glitterati. The book is a fascinating look into Warhol's personal reflections on his friendships and the people involved in the scene at the time. It can be basically opened at random and read with enjoyment.
Pretty cool stuff if you are interested in that period of NY cafe society.
I've Been "Glued" for Weeks!.......2005-09-23
"Went home lonely and despondent because nobody loves me and it's Easter, and I cried." [4-17-81] When I reached that line in the diaries, I think I truly fell in love with Andy. He was a total observer of life and pierced a depth of feeling in his aloneness. He seemed to be a walking nerve and picked up every nuance of life and all the personalities surrounding him.
His observations about people were uncanny - and he was like a prophet in many ways, even at one point predicting his own death! He knew things about people that they probably didn't know about themselves.
For instance his glib comment after the death of Elvis Presley in 1977, "They're saying that the article Caroline Kennedy did on the Elvis funeral for Rolling Stone made fun of the local people, but I can understand that--Caroline's really intelligent and the people down there really were dumb. Elvis never knew there were more interesting people" [8-30-77] - honing in on exactly what killed Elvis!
Or when he mentioned Michael Jackson's penchant for young boys - and that was 1984!
His diaries are so revealing and so easy to read and he really makes us understand all the modes of the counterculture that revolved around his life - the music, the artists, the movie stars... and how self-absorbed they all were. And how caught up in drugs and drink some of them became.
Although Andy was obviously anorexic and somewhat alcoholic (he hated to drink yet it seemed he drank almost every day) he was constantly trying to improve himself and he wrestled with his physical self and all his insecurities every day of his life. Yet he was of strong mind and his beliefs were never swayed. And he wasn't afraid to make his feelings and opinions known. Yet his life was always overshadowed by his fear of death and disease. And he was insecure about his looks, yet managed to start a modeling career in his early '50s!
He was such a 'cat'! "There was a party at the Statue of Liberty, but I'd already read publicity of me going to it so I felt it was done already." [7-5-83] He invented his own language and way of communicating, which was very colourful and made every moment interesting. His diaries are a sensual feast; he lived life to its fullest and was able to describe all the flavors of the food and drink, the odors and scents of people and places, in such a way that the reader feels as though he/she is reliving it all.
What impressed me most about Andy was his great discipline and ability to admit to his own shortcomings. He got up every day and went to work like it was a nine-to-five job, went to church every Sunday, and stayed in tune with all that was going on in the world around him. If Andy were alive today, he'd love the Internet, e-mail and cell phones. For he was a man about the world, truly in love with life and all that it has to offer.
I just wished the diaries included an index.
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