Barcelona and Modernity: Picasso, Gaudi, Miro, Dali

Book Description

During the years after the September Revolution of 1868, Barcelona experienced tremendous industrial growth and emerged as the most politically and culturally progressive city in Spain. Barcelona and Modernity examines this remarkable seventy-one-year period, when Barcelona also reigned as one of the most dynamic centers of modernist art and architecture in Europe. Focusing on the Catalan Renaixença, Modernisme, Noucentisme, avant-garde movements of the early 20th century, and artistic reactions to the Spanish Civil War, essays by an extraordinary international team of scholars offer new insights into the work of such Catalan artists as Antoni Gaudí, Pablo Picasso, Joan Miró, and Salvador Dalí, among others, by setting them in context with the art of their teachers, colleagues, and rivals.

With approximately 350 works in a variety of media—painting, sculpture, photography, furniture, decorative arts, and architectural design—this intriguing book also explores how Catalan artists derived inspiration from local traditions while contributing their own innovations to international modernism. Broader in scope than any previous treatment of the subject, this book is sure to alter popular perceptions of Catalonia and become a fundamental text for years to come.

Customer Reviews:

Beautiful, but confused.......2007-04-28

The catalogue for an exhibition held at the Cleveland Museum of Art in 2006 and at the Met in NY in 2007, this book is beautifully illustrated and very well written. It is a treasure trove of information on the history of Barcelona and enables the reader to discover some great and overlooked artists like the painters Ramon Casas (a sort of Spanish Manet) and Santiago Rusiñol, or the architect and designer Josep Puig i Cadafalch and many others, responsible for the intellectual growth of this city between 1868 (the September Revolution) and 1939 (the power seizure by Franco), which is the period the exhibition covers. Obviously, the most famous personalities are not forgotten (Picasso, Miro, Dali and Gaudi whose names appear on the front cover).

Now, the organization of the book is somewhat confusing. Divided into 9 chapters, from the Rebirth ("Renaixença")in the late 1860's to Modernism (seen through painting, sculpture, graphic arts, society, architecture and design)and "Noucentisme" (the classical renewal) up to the Avant-Gardes and the Civil War in the late 1930's, it follows a more or less chronological logic. However, the checklist of the artists, at the end of the book, is very confusing: it is very difficult to know the location of the paintings or works of art illustrated and you constantly have to refer to that list to have the dimensions of the works. Instead of a list by artists, I think a list by works displayed in the exhibition and illustrated in the book would have been more suitable.

On the whole, a scholarly publication, but a little difficult to follow.

Cezanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde (Metropolitan Museum of Art Publications)

Average customer rating:

Great Footnotes
The quintessential art dealer
A real keepsake!
worth every penny
At Last, a Tribute to an Art Dealer!

Cezanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde (Metropolitan Museum of Art Publications)

Manufacturer: Metropolitan Museum of Art
ProductGroup: Book
Binding: Hardcover

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Americans in Paris 1860-1900 (National Gallery Company)
Picasso and American Art
Glitter and Doom: German Portraits from the 1920s (Metropolitan Museum of Art Publications)
Barcelona and Modernity: Picasso, Gaudi, Miro, Dali
Louis Comfort Tiffany and Laurelton Hall: An Artist's Country Estate (Metropolitan Museum of Art Publications)

ASIN: 0300117795

Book Description

Ambroise Vollard (1867–1939) played a key role in the transformation of the art world in the late 19th century. A pioneering Parisian dealer, Vollard introduced many of the era’s leading artists to the public. This beautifully illustrated catalogue, accompanying the first comprehensive exhibition devoted to Vollard’s extraordinary achievement, presents 130 important paintings, sculpture, and works on paper that he promoted, exhibited, and sold.
Vollard’s groundbreaking exhibition in 1895 of Cézanne’s work definitively established the artist’s reputation, and Vollard subsequently organized major exhibitions of the Nabis, Gauguin, and Van Gogh; promoted the work of artists ranging from Degas to Rouault to the Fauves; and gave many young artists, including Picasso and Matisse, their first solo shows. In addition, Vollard published print albums and livres d’artiste that are among the most celebrated of the early 20th century. This important volume features twenty-two essays that examine Vollard’s career and expertise in the art market, his relationships with individual artists and collectors, and a wealth of previously unpublished material from the newly available archive of Vollard’s documents and from the archives of the artists he represented.

Customer Reviews:

Great Footnotes.......2007-05-13

Lot's of footnotes and academic prose.
Good if you want a bibliography item on your art history/museum paper.
Otherwise, an achievement in taking an interesting subject and turning it into a boring one. A reasonable number of color plates but unremarkable as they (mostly) have the same values--that is, tonally, they look too similar.
DS

The quintessential art dealer.......2007-04-02

A great exhibition, a great dealer and a great book. Very well documented, even though Vollard seems to have been very secretive. He certainly was at the right place, at the right time as the book very well shows . He no doubt was an opportunist, but with an eye and a love of art unmatched by his peers. He also invented the art market of his time and certainly deserved such a beautiful tribute.

A real keepsake!.......2007-01-15

My daughter was an Art History Minor and had expressed interest in this book. I bought it for her as a holiday gift and she treasures it. Amazon got it to me in time for me to enjoy leafing through it as well. It is extraordinary both in picture and text. It is truly a keepsake.

worth every penny.......2007-01-11

This book is jammed with fascinating information,gorgeous reproductions and is extremely well priced.Anyone interested in 20th cent.art will welcome this book!

At Last, a Tribute to an Art Dealer!.......2006-10-17

The Metropolitan Museum of Art has produced yet another fine curatorial statement with their exhibition 'Cezanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde' and fortunately the accompanying catalogue is as bold and beautiful as the exhibition itself. The concept of discussing artists of international stature from the stance of the man who gave their careers the jumpstart needed is unique and valuable and is a tribute to the work that art dealers around the world perform in assisting artists in their career paths.

Ambroise Vollard (1867-1939), a Parisian art dealer, played a significant role in molding the art movements of the late 19th and early 20th century. The stimulus, according to the curators and essayists of this lavishly illustrated book, was the 1895 exhibition of Cezanne's art, an exhibition which triggered the movements of modern art as followed by such artists as Gauguin, Van Gogh, Degas, Rouault, Matisse and Picasso. Some credit Vollard with the development of the Fauvist school simply by his intelligent, sensitive, provocative exhibitions of the right artists given space beside each other that created comparisons and links.

The concept of art dealer as innovator is a fresh one and one handled with sufficient intelligent documentation by the various writers contributing to this catalogue to lend credibility to the premise. But over and above the curatorial concept is the pleasure of the exceptional illustrations of works by familiar artists not usually seen in books of this sort. The writing and design make this catalogue/book a collector's item that will enhance not only art school libraries but also the personal libraries of all art lovers. A very fine addition to the information about the artists included in this exhibition and catalogue. Grady Harp, October 06

Average customer rating:

A catalogue better than the exhibition it illustrates
Picasso & American Art - great show, great catalog!

Picasso and American Art
Michael FitzGerald
Manufacturer: Yale University Press
ProductGroup: Book
Binding: Hardcover

Cubism | Schools, Periods & Styles | Arts & Photography | Subjects | Books

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Cezanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde (Metropolitan Museum of Art Publications)
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Glitter and Doom: German Portraits from the 1920s (Metropolitan Museum of Art Publications)

ASIN: 0300114524

Book Description

Many American artists throughout the 20th century designated Pablo Picasso as the central figure of the modern movement and defined their own artistic achievements through their absorption, critique, or rejection of his example. Picasso and American Art is a groundbreaking publication juxtaposing works by Picasso with the paintings, sculptures, and drawings created in response by an extremely diverse group of his contemporaries and successors, including Max Weber, Stuart Davis, Arshile Gorky, John Graham, Willem de Kooning, Jackson Pollock, David Smith, Roy Lichtenstein, and Jasper Johns.
Based on extensive research, Michael FitzGerald’s text provides valuable new information on the fundamental role that Picasso played in the development of modern American art--both through his friendships with individual artists and through the dissemination of his evolving work. This book also documents, for the first time, the accessibility of Picasso’s work in the United States between 1911 and 1957 in exhibitions, collections, and publications through a comprehensive chronology.
This unique book is essential for anyone interested in either Picasso or American art of the 20th century.

Customer Reviews:

A catalogue better than the exhibition it illustrates.......2007-04-03

The exhibition "Picasso and American Art" was very much criticized because of its tendency to mixing everything that counts in modern American art (or rather, in New York art) and linking it somewhat arbitrarily to Picasso, which, in a way, is stating the obvious.

Now what remains of it is this beautiful book, very well documented and which shows us some works of rarely seen artists alongside others, much more famous ones. The text is lively and informative.

Picasso & American Art - great show, great catalog!.......2007-02-08

The exhibition was a great survey of the influence that Picasso (and cubist art in general) had on American painters in the early/mid 20th century. A wealth of good reproductions, reproducing many unseen masterpieces.

Myth and Metamorphosis: Picasso's Classical Prints of the 1930s

Average customer rating:

Excellent academic text on Picasso's Prints of 1930s

Myth and Metamorphosis: Picasso's Classical Prints of the 1930s
Lisa Florman
Manufacturer: The MIT Press
ProductGroup: Book
Binding: Hardcover

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Picasso's Vollard Suite (Painters & Sculptors)
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The Burial of the Count of Orgaz & Other Poems
Picasso: The Man and His Work - Part 1 (1881-1937)

ASIN: 0262062135

Book Description

Previous studies of Picasso's involvement with the classical have tended to concentrate on the period immediately following the First World War, and to attribute that involvement to both the rise of political conservatism in France and the domesticating influence of the artist's marriage to Olga Koklova. Focusing instead on the later, classicizing prints of the 1930s, this book offers a radically different view of Picasso and the "classical" -- a view that aligns his work much more closely with Surrealist, and specifically Bataillean, revisions of antiquity.

The book's argument is built around detailed analyses of several separate print series: Picasso's illustrations for Ovid's Metamorphoses, the etchings of the Vollard Suite, and The Minotauromachy. Common to all of them, the book shows, is a strong engagement not only with the classical, but with the viewer. In the latter, Picasso's prints are clearly at odds with the understanding of the relationship between classical art and its audience that prevailed throughout most of the nineteenth and twentieth centuries -- an understanding that held the work's purported autonomy to mirror the viewer's own. By exposing that autonomy as a fantasy, Picasso opens the "classical" work and its viewer alike to the entanglements of desire and the dissolution of boundaries it inevitably brings.

Much of the argument turns on close readings of key Surrealist texts by Georges Bataille, Michel Leiris, and Roger Caillois. Even more important, however, are the prints' numerous references, heretofore unnoticed, to specific works by, among others, Rubens, Rembrandt, and Goya. These references effectively create an alternative "classical" tradition out of which Picasso's etchings can be seen to have emerged.

Customer Reviews:

Excellent academic text on Picasso's Prints of 1930s.......2007-03-24

Academic but laid out so well that it is a pleasant and informative read for non-academics. Well researched and illustrated, in easy-to-follow chapters. The notes and references are excellent too, but it is the layout that is exceptional.

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The Ultimate Wiener Dog Art
Great book
Picasso and Lump
An Artist and His Four Legged Soulmate
Not what I expected

Picasso & Lump: A Dachshund's Odyssey
David Douglas Duncan , and Paloma Picasso Thevenet
Manufacturer: Bulfinch
ProductGroup: Book
Binding: Hardcover

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A Dachshund's Wish
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Peekaboo, Stretch!: A Lift-the-Flap Book (Stretch)
Dachshunds Short and Long

ASIN: 0821258109

Book Description

One spring morning in 1957, veteran photojournalist David Douglas Duncan paid a visit to his friend and frequent photographic subject Pablo Picasso, at the artists villa near Cannes. Traveling with Duncan was his pet dachshund, Lump. The photographers nomadic lifestyle and his other doga giant Afghan houndhad never suited the jealous and temperamental Lump. So when they arrived at Picassos Villa La Californie that spring day, Lump decided that he had found his paradise on earth, and that he would take up permanent residence with Picasso. Lump was soon immortalized in a Picasso portrait painted on a plate, but this was just the beginning. In a suite of 45 paintings reinterpreting Velsquezs masterpiece Las Meninas, Picasso replaced the impressive hound in the foreground with jaunty renderings of Lump. Fifteen of the paintings are reproduced here, bringing full circle the odyssey of a fortunate dachshund who found his way from reluctant road warrior to furry and elongated icon of modern art.

Customer Reviews:

The Ultimate Wiener Dog Art.......2007-09-02

This book is an unmitigated delight. The photographs are enchanting and the story they tell completely wonderful. I was sad to learn that Picasso "dumped" Lump when his back was injured, but he gave him to David Douglas Duncan (who originally brought him) and I must think that Lump lived out his days in great happiness. In any event, this is a real charmer and a great one to keep on the coffee table to look through again and again.

Great book.......2007-08-14

Art is one of my passions, and until getting this book Picasso was just an inivative man to me with a weird style I didn't appreciate. This book changed my mind, especially after reading this part of the book,"Picasso's welcome of Lump into his family happened so fast Jacqueline was stunned--speechless. There had always been dogs around Picasso's studios and seen in some of his paintings but never in his arms--where Lump was now at home." It was really a touching book.

You must own this if you are a dachshund lover. And you really must own it if you are an art lover.

Picasso and Lump.......2007-07-13

An enjoyable photographic essay featuring one of my favorite artists and my favorite type of dog, a dachshund.

An Artist and His Four Legged Soulmate.......2007-05-15

This wonderful book was a big hit with me for two reasons. I've had dachshunds all of my life, with two in residence now, and I majored in art history in college. The minute the book arrived I read it cover to cover. Lump's antics tickled me to death and I laughed out loud causing my own dachshunds to stare and look at me in the way that only dachsies can do. I've even begun calling my most mischievious one "Lumpita" ! After reading the book I went back and examined every detail in each picture, fascinated with the very intimate look into the private life of the artist. The story of Picasso and Lump exposes a vulnerable side of an artistic genius. You don't have to love dachshunds to love this book!

Not what I expected.......2007-05-13

I didn't realize when I ordered this book that it was primarily a photographic essay. The pictures are delightful but, as a dachshund "owner," I had hoped for more of a written history of the adventures of Lump. 'Owner' in quotes since anyone who has lived with a dachsie knows who owns whom.

Picasso's Weeping Woman: The Life and Art of Dora Maar

Average customer rating:

More than just an inspiration for the art of another
Beautiful and insightful book.
Historical collections
Dora mysterious, dramatic, definitely not only weeping
Insightful

Picasso's Weeping Woman: The Life and Art of Dora Maar
Mary Ann Caws
Manufacturer: Bulfinch Press
ProductGroup: Book
Binding: Hardcover

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Picasso and Dora: A Memoir
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ASIN: 0821226932

Book Description

The love story unfolds through Maars striking photographs of Picasso and their brilliant friends, most of them artists and writers; in his famous weeping woman portraits of her; and in Mary Ann Caws revealing text. The book is an enthralling revelation of the lives of a wholly exceptional circle of friends.

Customer Reviews:

More than just an inspiration for the art of another .......2006-05-01

Dora Maar was according to most observers the woman in Picasso's life , closest to being at his own level of artistic perception and understanding. As this volume makes clear she was an outstanding photographer . The story of her relationship with Picasso, the part she played as inspiration and model for his work, her special role in regard to Guernica, her being the weeping woman of the famous painting, his abandoning her when he sensed ( or so he claimed) her impending madness, her passionate clinging to his memory, her breakdown, her turning to a reclusive life and one of deep religious devotion- are all presented in this excellent and clearly written volume.
There are also representations of much of her work, and of Picasso's in which she is subject.
Maar was clearly a considerable personality and artist in her own right, and not simply the inspiration for another.

Beautiful and insightful book........2003-04-11

This is a wonderful book, full of beautiful b/w images of dora, her photography/art and Picasso's work of her and more! It is really worth getting for your book collection, especially at this price, and it gives you an insight to Dora's life, I think she is fascinating woman living in a time when most photographer's were men. She is truely a pioneer and deserves more credit than being known as Picasso's muse. Very inspiring book.

Historical collections.......2003-03-05

Of some of Dora's photographs, and self portraits are a must have for any Dora fan. It shows her in her later years, it shows her paintings, it goes into detail about her love affair with Picasso as well. This is easily my favorite Dora book.

Dora mysterious, dramatic, definitely not only weeping.......2001-11-09

I would recommend this book to everybody. I am so delighted I purchased this book. It includes everything you need to know about Dora - her personal life before, during and after Picasso. I have always been interested in Picasso and by studying his life, I noticed all the fascinating women in his life. In my opinion, Dora was the one who made a big difference and who had a huge influence on him. Although it was Francoise Gilot, another woman in Picasso's life who gave him two children. Dora's own career and life as an artist (photographer, model, painter) is described in this book from the time she moved to Paris and tried to establish herself as a photographer.

You will not only find Picasso's portraits and drawings of Dora but Dora's own work (a lot of black & white photos taken by her that remind me of Man Ray's work). She truly was a talented artist. This is not often mentioned. Most of the people saw her mainly as Picasso's model and Muse. Dora was a very complex person full of emotions. She could be very dramatic in the way she looked and dressed. This all is revealed in this book. As I said, it has it all: Dora as a private person (Theodora M.) and Dora as an artist, the famous and remarkable Dora Maar. Trust me, with this book, you will get all the information you need. I consider this book a piece of art.

Insightful.......2001-01-08

Picasso's Weeping Woman: The Life and Art of Dora Maar

I am grateful for this book. It is insightful but not definitive. It is not an in depth biography of Dora Maar. A better perception of the psyche of Dora Maar is contained in James Lord's personal memoir "Picasso and Dora". And a better understanding of the cruelty of Picasso is presented in Arianna S. Huffington's "Picasso: Creator and Destroyer". Both I think are necessary to truly appreciate this book as I do.

Since Dora Maar's death in 1997, little has yet been published of her work. She is primarily known as one of the mistresses of Picasso but there was a world of complexity to this woman. She was deeply involved with the surrealists before she ever met Picasso. She knew them all, Breton, Tanguy, Man Ray, Hugnet, Crevel. She was a noted photographer, an exhibited painter, a poet and Picasso's muse and inspiration for seven stormy years culminating in a breakdown that left her a changed woman, a recluse and a religious devotee.

Mary Ann Caws book presents a dazzling panorama of works by both Dora Maar and Picasso including some wonderful comparative paintings of both artists. Dora Maar assisted and photographically chronicled Picasso as he created his masterpiece Guernica. That chronicle is beautifully presented in Caws book.

This book is an easy read with gorgeous reproductions of photographs, painting, sculpture, and poetry throughout not only from Dora Maar but also from Paul Eluard, André du Bouchet and others. It is a great visual companion piece to books on Picasso's works, photography and surrealism. It will occupy that regrettably tiny portion of my bookshelf devoted to Dora Maar. Thank you Mary Ann Caws for this delightful book

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The ultimate Picasso artwork reference.

the best picasso book ever!!

nothing much to say but incredible

Plastic surgeons probably shouldnýt use these for murals.

the ultimate picasso book for art enthusiasts.

The Ultimate Picasso
Brigitte Leal , Christine Piot , and Marie-Laure Bernadac
Manufacturer: Harry N. Abrams
ProductGroup: Book
Binding: Paperback

Picasso, Pablo | ( P-R ) | Artists, A-Z | Arts & Photography | Subjects | Books
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Life with Picasso

Dali Dali

ASIN: 0810991144

Amazon.com

If you had to choose just one book about Pablo Picasso, the most protean artist of the 20th century, what would you look for? Copious, good-quality reproductions. An authoritative account of the way his approach to painting was influenced by his personality, the women in his life, and his awareness of art made by others. An in-depth treatment of key works like Les Demoiselles d'Avignon (which Picasso memorably called his "first exorcism painting") and signature themes, like the half-man, half-animal Minotaur. Then there's the question of tone. Some books cast Picasso as a demigod or a destroyer. Others, like art historian John Richardson's A Life of Picasso, offer a more balanced, psychologically penetrating portrait of the artist.

Hefty, elegant, and inclusive, The Ultimate Picasso hits most, though not all, of these marks. It offers more than 1,200 reproductions (nearly 800 in color) spanning the artist's entire career. Smoothly translated from the French, the book weaves biographical detail and discussions of the art into a concise narrative. ("Olga became pregnant in the summer of 1920, and in Picasso's work forms blossomed and flesh took on the massive quality of stone.") The three authors are all experts--Léal and Bernadac are (respectively) present and former curators of the Musée Picasso in Paris, and Piot coauthored the catalogue raisonné of Picasso's sculpture. They clearly explain visual sources, duly acknowledge leading art historians' interpretations, and choose good quotes from contemporaries. Yet the text can be surprisingly skimpy. The 16-page section on Guernica, for example, has barely two pages of discussion about the painting and its genesis. The authors keep an extremely tight focus on their subject, with only as much mention of Picasso's contemporaries or the outside world as is absolutely necessary.

The major flaws, however, are the authors' hyperbolic view of their subject ("Picasso did not paint nature, but the suffering of the men and women of his time, creating from it beauty and truth") and the lack of any psychological insight about the repeated devastation Picasso wreaks on the female form. In this old-fashioned portrait of the male artist as genius, human failings do not exist, unless they belong to somebody else. --Cathy Curtis

Book Description

Of all the books on the man many consider the greatest genius of 20th-century art, the sumptuous hardcover volume published by Abrams in 2000 stands out as truly the "ultimate" Picasso. This new paperback edition includes everything in the previous book, in a smaller, reader-friendly format. It covers in one volume all the periods of Picasso's long, incredibly versatile career, with exquisite reproductions of nearly every significant work he ever created and texts by leading authorities on particular periods of Picasso's artistic evolution.

Brigitte Léal covers Picasso's formative years from 1881 through 1916, a period that includes his invention of Cubism with Georges Braque. Christine Piot explores the astonishingly fertile period from 1917 through 1952. Marie-Laure Bernadac discusses the unabashed vigor of Picasso's later years, from 1953 until his death in 1973. More than 1,200 magnificent reproductions, almost 800 in full color, illustrate Picasso's breathtaking range of artistic expression, including paintings, drawings, lithographs, ceramics, and sculpture. Picasso once boasted that a book would have to be written every day to keep up with his creative output. Perhaps. But for art lovers and students seeking just one book, The Ultimate Picasso is unsurpassed.

Customer Reviews:

The ultimate Picasso artwork reference........2006-07-13

I took this book out of our university library to have on hand while reading Françoise Gilot's "Living with Picasso", in order to see representations of the artwork to which she refers throughout the book. "The Ultimate Picasso" proved invaluable. Not only does it contain Picasso's complete major works, they are also presented in chronological order which made look-up easy despite Gilot's often describing an artwork and the process used to create it but not always giving its title (she always gives dates). I ordered "The Ultimate Picasso" before the library due date because I couldn't bear to not have the book in my house!
The photos of the artwork are brilliant and crisp, and the accompanying text is informative.
You will not be disappointed by this book.

the best picasso book ever!!.......2005-03-06

this book rocks so much it breaks the very laws that govern physics!! so much information, so many beautiful pictures, so dense. it seems to capture the very spirit of pablo picasso. it was give to me as a valentine's day gift, and it is one of my most prized books. this is a MUST purchase for any picasso fan.

nothing much to say but incredible.......2004-11-13

To see tons of Picasso works in one book is nothing short of breathtaking. This is easily the best Picasso book that focuses on his paintings. What's incredible is to see the prolific amount of work he was capable of, and just what a inventive genius he was. Without a doubt the greatest Artist of the 20th century. Not all the works make sense, or are even recognizable as anything, but that was Picasso; his art was how he viewed the world, and how his own heart felt inside:confused, and out of place. His Cubism is nearly mathmatical, and very intriguing. IF you're interested in Picasso as more than that weird guy who made all those paintings i just don't get, come and check out this book to see all of what he was made of. You'll be amazed and inspired.

Plastic surgeons probably shouldnýt use these for murals........2002-09-28

The Ultimate Picasso could easily defeat The Fabulous Braque and The Superlative Cézanne in an arena style cubist grand melee. It would be no contest, really. The Ultimate Picasso would open up with his patented synthetic slammer sending Cézanne right back through the analytical period. Braque would try to stun him with some multi-viewed complex patterns, but nothing can neutralize The Ultimate Picasso.
Braque might try a new tactic then: swinging wildly with his blinding colors. The Ultimate Picasso would roll towards the canvas, ducking under the swing that hits the helpless Cézanne full on. Then BAM! Right out of nowhere, The Ultimate Picasso lays the smackdown on both of them with his ball-buster blue period. Down for the count: The Ultimate Picasso is once again champion of the art world.

the ultimate picasso book for art enthusiasts........2001-08-14

The greatest part of this huge and informative art book is the literally hundreds of pictures that it contains. A very colorful book, which is a must for anyone interested in this highly acclaimed artist, whose Cubist style signified a new era for the art world. Picasso is one of the best artists, in my opinion, and this book gives an in-depth account of his life and his extraordinary career on canvas.

Average customer rating:

Another equisite title to accompany a Fondation Beyeler exhibition!

Expressive!
Paul Gauguin , Markus Bruderlin , Donald Kuspit , Francis Bacon , Georg Baselitz , Max Beckmann , Francesco Clemente , Ernst Ludwig Kirchner , Edvard Munch , Pablo Picasso , Egon Schiele , and Vincent van Gogh
Manufacturer: Hatje Cantz Publishers
ProductGroup: Book
Binding: Hardcover

General | Museums & Collections | Arts & Photography | Subjects | Books

General | Arts & Photography | Subjects | Books
ASIN: 3775713034
Release Date: 2003-07-02

Book Description

The quality of expressiveness--an outcry of the human soul against the mechanization of life--runs like a red scar through the entire history of modern art and up to the present day. If expressionism is associated first and foremost with the German contribution to Modernism, evoking the artists associated with Die Brcke (Kirchner, Heckel and Nolde) and Der Blaue Reiter (Marc and Kandinsky), but also the Austrian Schiele and Kokoshka, and the Parisian fauves, it nevertheless goes further. Beginning with the fathers of expressionism, Gauguin, van Gogh and Munch, the most important inspirations for a movement laden with emotions and endowed with the furor of rebellion, the red scar bleeds through the expressive tendencies of the interwar artists (Beckmann, Soutine and Picasso) and the postwar artists (Dubuffet, de Kooning and Bacon), and all the way to neo-expressionism (Baselitz, Lpertz, Lassnig) and 80s neo-fauvism (Clemente, Basquiat and Disler), ending with Louise Bourgeois and Bruce Nauman. In accompanying essays, philosopher and art historian Donald Kuspit sets out to trace the meaning of the term "expressive"; curator Markus Brderlin explores expressionism by looking backwards from neo-expressionism; and numerous short texts round off the exploration by focusing on individual works of art.

Customer Reviews:

Another equisite title to accompany a Fondation Beyeler exhibition!.......2005-08-16

The color reproductions are excellent, detailed text is easily read without flipping back and forth between pages, the scholarship is fine, and the book makes an excellent addition to current thoughts on expressionism. Plus, Amazon.com's discounts on fine art books are truly important in helping one build a great art library!

Picasso in his Posters: Image and Work; 4 volume set

Average customer rating:

Picasso in his Posters: Image and Work; 4 volume set
Luis Carlos Rodrigo , and Pablo Picasso
Manufacturer: Arte Ediciones
ProductGroup: Book
Binding: Hardcover

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Average customer rating:

Great Intro to ART
A work of art that's fun to read
Fun book
this book inspired my 2 year old to paint
Great story of friendship, art, and puns, too!

When Pigasso Met Mootisse
Nina Laden
Manufacturer: Chronicle Books
ProductGroup: Book
Binding: Hardcover

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ASIN: 0811811212

Book Description

When Pigasso met Mootisse, what begins as a neighborly overture escalates into a mess. Before you can say paint-by-numbers, the two artists become fierce rivals, calling each other names and ultimately building a fence between them. But when the two painters paint opposite sides of the fence that divides them, they unknowingly create a modern art masterpiece, and learn it is their friendship that is the true work of art.
Nina Laden's wacky illustrations complement this funny story that non only introduces children to two of the world's most extraordinary modern artists, but teaches a very important lesson&dash;how to creatively resolve a conflictâin a most unusual way.

Customer Reviews:

Great Intro to ART.......2007-09-28

What a fantastic book to introduce some masters to your child. Wonderful, bright pictures and an adorable story!

A work of art that's fun to read.......2007-08-13

Such a humorous and educational way to learn about the two masters of 20th century modernism. My son has this book and I've given it to other kids and everyone loves it, and they amazingly retain and remember the facts about the real artists as well. Excellent way to expose your child to the arts in a way that's fun and memorable.

Fun book.......2007-01-05

Whether your kid knows who Picasso is or not, this is a fun play on Famous Artists and their feuding ways. My Kindergartener loves this book.

this book inspired my 2 year old to paint.......2006-12-13

This book is my daughter's favorite. We have read it every day for the past 9 or so months and she has most of the punch lines memorized, (e.g., "mootisse was not like the other bulls" "it was a modern art mess" "the silence was broken" "i'm tired of this crowded cow town"). After reading it the first time, she said she wanted to draw with paint. And she did. Now we do watercolors all the time and she knows that Picasso and Matisse were great artists. This book provided a fun and funny way for her to learn about two art masters and their styles while also teaching a lesson about conflict resolution.

We have taken this book on flights across the country and overseas. The illustrations and the story engage my daughter to no end. The description of this book is for 4-8 year olds but unlike Roberto: The Insect Architect by Nina Laden (also a funny, well-illustrated book), I find Pigasso/Mootisse to be appropriate for a younger {pre}reader as well. I'm back to buy more copies as gifts for all the kids that I know.

Great story of friendship, art, and puns, too!.......2005-12-30

This terrific book recounts the rivalry and eventual friendship of Picasso and Matisse, er, ah, excuse me...I meant, Pigasso and Mootisse. The protagonists in this story live across the street from each other and first hurl insults like,"You paint like a wild beast", (that's called "fauvism" for all you art lovers or snobs out there!) while Mootisse retorts, "You are pig-headed". Throughout, the paint and puns fly.
Beautiful visuals and a great afterward that tell the "real" story of Picasso and Matisse complete this utterly charming book. A good intro to art world for the little ones, as well as a lesson on the power of friendship and tolerance.

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