Book Description
Carter Wiseman presents an original, readable, and literate overview of the major figures, influential movements, and landmark buildings that have defined American architecture over the past hundred years. In a survey that is "as good . . . as anyone is likely to write . . . accurate in its facts, wise and fair in its judgments"(New York Times), he focuses to a large extent on architecture's makers--the commanding figures who by force of personality and sheer artistic ability indelibly influenced its progress: Louis Sullivan, Frank Lloyd Wright, Philip Johnson, I. M. Pei, Robert Venturi, Louis Kahn, Frank Gehry. The triumph of modernism; the growth of architectural preservation; the eclipse of the practical arts by money, theory, and abstraction; and the uncertain future of architecture in a country that celebrates both individualism and community are just some of the issues addressed in this highly praised work. Originally published in hardcover under the title Shaping a Nation.
Customer Reviews:
For students of architecture and highly recommended.......2001-02-15
Twentieth-Century American Architecture: The Buildings And Their Makers surveys the major figures, influential movements, and landmark buildings that have identified and defined the American architecture over the past century. Carter Wiseman's informative text is enhanced with photographs as he focuses on the architects whose personalities and abilities indelibly influenced architectural progress. These figures range from Louis Sullivan Frank Lloyd Wright, and Philip Johnson, to I.M. Pei, Robert Venturi, and Louis Kahan. Twentieth-Century American Architecture is an impressive, authoritative, narrative history that is "must" reading for students of architecture, and highly recommended, accessible reading for the non-specialist general reader with an interest in the development of American architectural trends and the men behind them.
Book Description
Jackson Pollock, Georgia O'Keeffe, Andy Warhol, Julian Schnabel, and Laurie Anderson are just some of the major American artists of the twentieth century. From the 1893 Chicago World's Fair to the 2000 Whitney Biennial, a rapid succession of art movements and different styles reflected the extreme changes in American culture and society, as well as America's position within the international art world. This exciting new look at twentieth century American art explores the relationships between American art, museums, and audiences in the century that came to be called the 'American century'. Extending beyond New York, it covers the emergence of Feminist art in Los Angeles in the 1970s; the Black art movement; the expansion of galleries and art schools; and the highly political public controversies surrounding arts funding. All the key movements are fully discussed, including early American Modernism, the New Negro movement, Regionalism, Abstract Expressionism, Pop Art, and Neo-Expressionism.
Customer Reviews:
Art history novice.......2007-08-16
Fantastic survey of everything a reasonably well educated American should know about American art history. Well written and superbly chosen examples of every major art movement of the 20th century
Book Description
What do we feel when we look at a great work of art/ What does a poet feel/ Heart to Heart offers an original way to approach poetry and art—with new works by distinguished American poets, specially commissioned for this book by editor Jan Greenberg. Prompted by paintings, sculpture, prints, and photographs by American artists working in the 20th century, these poems lend a new meaning to “art appreciation” and make each page of Heart to Heart an exciting discovery.
Join such poets as Jane Yolen, Nancy Willard, X. J. Kennedy, Naomi Shihab Nye, David Mura, and Angela Johnson as they reveal a personal, heartfelt response to works by Thomas Hart Benton, Romare Bearden, Jacob Lawrence, Grandma Moses, Faith Ringgold, Man Ray, Georgia O'Keeffe, and many others. Whether the poems are playful, challenging, tender, mocking, humorous, sad, or sensual, each work of art, seen through the eyes of a poet, allows readers to look at the world with new insight.
Customer Reviews:
Amazing!.......2006-04-22
An amazing work of art! The poets are well matched with the art they chose and the poems are good enough to give you chills. A must for any serious collector of contemporary poetry.
Getting to the Heart of Art.......2003-03-28
This is a great book for artists and non artists alike. It is a useful tool for any age group in understanding visual imagery. The poetry is done in response to art that ranges in style and media, giving the reader/viewer a wide exposure to the arts.
The poerty is crisp, interesting and meaningful to contemporary culture without being trite or overly stylized.
This book is a great educational resource, coffee table book, or good cure for the common boredom!
Book Description
The architecture of great homes became a fascinating and significant art form in twentieth-century America with such icons of modernism as Frank Lloyd Wright's Fallingwater, Philip Johnson's Glass House, and Frank Gehry's personal residence. This lavishly illustrated
volume, the newest title in the Universe architecture series, is a condensed and updated edition of the bestselling book of the same name. Twenty-five of America's finest masterpieces of modern residential architecture are presented with rich color photographs, accompanied by text that explores each house in depth and discusses its place in the progression of American architecture. Compact and very reasonably priced, this book is ideal for students and all enthusiasts of twentieth-century design.
Customer Reviews:
Thirty-three American residential masterpieces.......2000-08-28
This book successfully captures the vast architectural contributions achieved in the Twentieth Century in American residential design by spotlighting 33 masterpieces located across the country.
The book begins with stunning photographs and drawings of remarkable homes built early in the century, including the Greene and Greene Gamble House in Pasadena, Ca., Rudolph Schindler's Lovell Beach House in Newport Beach, Ca., and Richard Neutra's Lovell Heath House in Los Angeles, Ca. Then, homes are featured that embody "the triumph of the modern American house," including Frank Lloyd Wright's Fallingwater in Bear Run, Pa. The final and largest section of the book highlights "blueprints for modern living," such as Philip Johnson's Glass House in New Canaan, Ct., Louis Kahn's Korman House in Fort Washington, Pa., and Frank Gehry's house in Santa Monica, Ca.
The book lets the images of the homes, exterior and interior, speak for themselves through extra-large photographs. The accompanying commentary focuses well on the architects' contributions to architecture.
I very highly recommend this book. It is the best compilation of American residential masterpieces of the Twentieth Century that I've seen, and even more importantly, the authors have put the differing styles in perspective with the evolution of American architecture.
Average customer rating:
|
Native American Art in the Twentieth Century: Makers, Meanings, Histories
W. Rushing
Manufacturer: Routledge
ProductGroup: Book
Binding: Paperback
 History
| Subjects
| Books
| Africa
| Americas
| Ancient
| Arctic & Antarctica
| Asia
| Audiobooks
| Australia & Oceania
| Europe
| Gay & Lesbian
| Historical Study
| Large Print
| Middle East
| Military
| Military Science
| Russia
| United States
| World
General
| History & Criticism
| Arts & Photography
| Subjects
| Books
Native American
| Regional
| History & Criticism
| Arts & Photography
| Subjects
| Books
Schools, Periods & Styles
| Arts & Photography
| Subjects
| Books
| Abstract Expressionism
| Ancient & Classical
| Art Deco
| Art Nouveau
| Baroque
| Byzantine
| Constructivism
| Contemporary Art
| Cubism
| Dadaism
| Expressionism
| Fauvism
| Folk Art
| Futurism
| German Expressionism
| Gothic
| Impressionism
| Mannerism
| Medieval
| Modern
| Neoclassical
| Pop
| Post-Impressionism
| Pre-Raphaelite
| Prehistoric & Primitive
| Realism
| Renaissance
| Rococo
| Romanesque
| Romantic
| Surrealism
General
| Arts & Photography
| Subjects
| Books
Ethnic Studies
| Special Groups
| Social Sciences
| Nonfiction
| Subjects
| Books
All Titles
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Arts & Photography
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Nonfiction
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Similar Items:
-
Native North American Art (Oxford History of Art)
-
North American Indian Art (World of Art)
-
Reservation X
-
American Indian Art Magazine
-
Collecting Authentic Indian Arts And Crafts: Traditional Work of the Southwest
ASIN: 0415137489 |
Book Description
Contemporary Native American and First Nation art has won increasing international recognition in recent years as galleries and museums have begun to make room for Native artists. Provocative and illuminating, i Native American Art in the Twentieth Century /i features the writings of practicing artists, critics, curators and scholars that engage a wide range of critical issues in Native art from the 1890s to the present. br br Demonstrating its vitality and diversity, the contributors examine pottery, painting, sculpture, printmaking, photography and performance art by some of the most celebrated Native American and Canadian artists of our time. From the Pueblo pottery revival to the invention and marketing of modern Inuit art, contributors offer new interpretive strategies based on Native culture and knowledge, stressing the significance of tradition, mythology and ceremony in the production of Native art. Tracing the continued resistance of Native artists to dominant orthodoxies of the art market and arthistory, i Native American Art in the Twentieth Century /i is a testament to Native art's place in modern art history. br br Contributors: Sara Bates, Bruce Bernstein, Colleen Cutschall, Margaret Dubin, Joe Feddersen, Lucy R. Lippard, Gerald R. McMaster, David W. Penny, Ruth B. Phillips, Kristin K. Potter, Lisa A. Roberts, W. Jackson Rushing III, Charlotte Townsend-Gault, Joseph Traugott, Kay Walking Stick and Elizabeth Woody.
Book Description
Images from the World Between is an engaging survey of circus imagery in twentieth-century American art. In her introductory essay, curator Donna Gustafson chronicles the history of the American circus, showing how and why it came to be an important subject for American art. Through a discussion of a wide range of paintings, sculptures, prints, and photographs, Gustafson examines how the circus has been represented both as a microcosm of society and as an alternative reality. Some artists have been drawn to the abstract beauty of the circus ring, tent, and performances. Others have immortalized individual performers such as trapeze artist Alfredo Codona, animal trainer Clyde Beatty, and aerialist Lillian Lietzel for their physical prowess, grace, and courage. Still others have focused on the darker aspects of circus life, such as the danger inherent in many of the performances and the appeal of the grotesque.
The book accompanies an exhibition organized by the American Federation of Arts. Among the artists discussed are Diane Arbus, George Bellows, Rhona Bitner, Alexander Calder, John Stuart Curry, Charles Demeuth, Walt Kuhn, Yasuo Kuniyoshi, Lisette Model, and Bruce Nauman. In addition to Gustafson’s, the book contains essays by Karal Ann Marling on the postwar revival of interest in circus motifs and on the clown in popular culture, by Ellen Handy on the circus in twentieth-century photography, by Lee Siegel on the circus in twentieth-century literature, and by Eugene R. Gaddis on A. Everett "Chick" Austin’s collection and exhibition of paintings with circus themes. As director of the Wadsworth Atheneum and the Ringling Museum of Art, and as a performing magician, Austin united the worlds of art and the circus.
Book Description
Americans began the twentieth century standing in Europe's sartorial shadow, yet ended by outfitting the world in blue jeans, T-shirts and sneakers. How did this come about? What changes in American culture were reflected in fashion? What role did popular culture play? This important overview of American fashion in the twentieth century considers how Americans went from imitating British and French fashion to developing their own sense of style. It examines such influences on dress as class, jazz and hip hop, war, the space race, movies, television and sports. Further, the book shows how gender, psychology, advertising, public policy, shifting family values, the American design movement and expertise in mass production profoundly influenced an American style that has been exported across the globe.
Average customer rating:
|
American Images: The Sbc Collection of Twentieth-Century American Art
Betsy Fahlman ,
Matthew Baigell ,
Susan C. Larsen ,
William C. Agee ,
Dore Ashton ,
Peter Plagens ,
Irving Sandler ,
John R. Clarke ,
Leslie King-Hammond ,
Jacinto Quirarte , and
John Beardsley
Manufacturer: Harry N Abrams
ProductGroup: Book
Binding: Hardcover
Schools, Periods & Styles
| Arts & Photography
| Subjects
| Books
| Abstract Expressionism
| Ancient & Classical
| Art Deco
| Art Nouveau
| Baroque
| Byzantine
| Constructivism
| Contemporary Art
| Cubism
| Dadaism
| Expressionism
| Fauvism
| Folk Art
| Futurism
| German Expressionism
| Gothic
| Impressionism
| Mannerism
| Medieval
| Modern
| Neoclassical
| Pop
| Post-Impressionism
| Pre-Raphaelite
| Prehistoric & Primitive
| Realism
| Renaissance
| Rococo
| Romanesque
| Romantic
| Surrealism
Exhibition Catalogs
| Museums
| Museums & Collections
| Arts & Photography
| Subjects
| Books
| General
| Guggenheim Museum
| Los Angeles County Museum of Art
| Metropolitan Museum of Art
| Museum of Contemporary Art
| Museum of Modern Art
| National Gallery Of Art
| Tate Gallery
| Whitney Museum of American Art
Permanent Collection Catalogs
| Museums
| Museums & Collections
| Arts & Photography
| Subjects
| Books
Private
| Museums & Collections
| Arts & Photography
| Subjects
| Books
General
| Graphic Arts
| Graphic Design
| Design & Decorative Arts
| Arts & Photography
| Subjects
| Books
Printmaking
| Graphic Design
| Design & Decorative Arts
| Arts & Photography
| Subjects
| Books
General
| Arts & Photography
| Subjects
| Books
Catalogs
| Catalogs & Directories
| Reference
| Subjects
| Books
New York
| State & Local
| United States
| Americas
| History
| Subjects
| Books
Look Inside Reference Books
| Trip
| Specialty Stores
| Books
ASIN: 0810919699 |
Book Description
From the U.S. Navy's 1934 confiscation of a painting of sailors on shore leave to contemporary culture wars over funding for the arts, conflicts surrounding homosexuality and creative freedom have shaped the history of modern art in America. Richard Meyer's Outlaw Representation tells the charged story of this strife through pioneering analysis of the works of gay artists and the circumstances under which these works have been attacked, suppressed, or censored outright. Focusing on the careers of Paul Cadmus, Andy Warhol, Robert Mapplethorpe, David Wojnarowicz, Gran Fury, and Holly Hughes, Outlaw Representation explores how gay artists responded to the threat of censorship by producing their own "outlaw representations" of homosexuality. Instead of acquiescing to attacks on their work as indecent or obscene, these artists used the outlaw status of homosexuality to propose new forms of social, sexual, and creative life. Richly illustrated, Outlaw Representation includes close to 200 striking images, ranging from the art of celebrated figures such as Andy Warhol and Robert Mapplethorpe to physique-magazine photographs and gay liberation posters. Throughout, images that once provoked censorship now elicit close visual analysis and careful historical investigation. Engagingly written and sweepingly researched, Outlaw Representation promises to be a landmark in the study of twentieth-century American art, politics, and sexuality.
Customer Reviews:
A much-needed look at a much-neglected subject.......2004-08-19
This book does for twentieth-century American art what Vito Russo's "The Celluloid Closet" does for twentieth-century cinema. The illustrations and reproductions are brilliantly choreographed with the text.
A book for anyone interested in art, politics or freedom.......2004-04-23
This book is genius and amazing. Read it right now.
Brilliant, ground-breaking work.......2003-04-17
This is an amazing book, rich in detail and images, but also exploring with passion and intensity a border between queer studies, art history, and cultural studies. It demonstrates an astonishing command of the social and political history of the period it covers, along with theoretical depth and great sophistication in the reading and analysis of visual materials. I was mesmerized. Written beautifully, this book makes its erudition appear effortless, but in fact it is an extremely courageous and innovative text, bringing together disparate worlds of scholarship into a brilliant synthesis. It neither panders to popular tastes, nor remains trapped in disciplinary jargon; instead, it is an examination, full of intellectual integrity, of the intersection of the law and artistic production, showing how artists moved around and through what might have been devastating censorship by entrenched homophobia. It is to be expected that the book itself will encounter resistance, since it breaks new ground with such authority, unnerving those with vested interests in disciplinary boundaries or in policing representation.
Rather disappointing.......2003-04-08
I must say that the reader from Cambridge, whose review appears below, seems to me to have it right. Certainly, the book is well-illustrated, well-researched, and readable. But analytically, whether understood as art history or cultural criticism, this book offers very little. Meyer does us a service by collecting these images and placing them next to each other, but his observations about the consequences of censorship struck me as quite banal, and predictable to such a degree that you must wonder whether he has any interest in complicating (let alone challenging) the theoretical paradigms he draws on. It is hardly news that right-wing zealots intent on suppressing representations of gay sexuality often display a questionable fascination with the very images they claim to despise. It hardly requires any advanced art historical training to see that Mapplethorpe's "Brian Ridley and Lyle Heeter" photo plays on the conventional image of the Victorian heterosexual domestic couple. I had rather hoped, given the time and effort that Meyer put into this book, that he would have been able to present something more surprising and innovative than he delivers. For a good discussion of current perspectives on censorship in law and the humanities that goes far beyond Meyer's account, see the Getty publication, edited by Robert C. Post, titled "Censorship and Silencing: Practices of Cultural Representation."
A Well Written Research on an Interesting Topic.......2002-06-08
Richard Meyer has added a significant volume to the compendium of books on American art and its kinship to social mores. Using Censorship as a topic should arouse the interest of all who value freedom of expression and it is to that audience that I think this books plays to best. Yes, the art examined here is queer art, but it is art that is a significant part of the 20th Century, not just an isolated school. His chosen artists are Paul Cadmus, Robert Mapplethorpe, Andy Warhol and Gran Fury and in presenting these artists he is concomittanly investigating the influence of such highly important social issues as AIDS, consumerism, POP culture, the whole Jesse Helms/Jerry Farwell/Christian Coalition debacle in a way that makes the reader look into the motivational behavior of the past century that continues into this century. The book is well documented in images and footnotes, making it a must for school libraries and fellow scholars. Despite the confrontational topic of the book, Meyer writes so well that he maintains interest even when extending his examples a bit too far. He overall theme appears to be that there is some good to be found in censorship: media attention derived from such art brings heightened awareness and eventually more prestige and longevity to the art and involved artists. One major complaint about this book: the typeface point is so small that it makes reading the pages a visual strain. In an otherwise expensive layout, one wonders why the typeface couldn't have been changed to one more user friendly.
Book Description
The Shattered Gourd uses the lens of visual art to examine connections between the United States and the Yoruba region of western Nigeria.
In Yoruba legend, the sacred Calabash of Being contained the Water of Life; when the gourd was shattered, its fragments were scattered over the ground, death invaded the world, and imperfection crept into human affairs. In more modern times, the shattered gourd has symbolized the warfare and enslavement that culminated in the black diasporas.
The "re-membering" of the gourd is represented by the survival of people of African origin all over the Americas, and, in this volume, by their rediscovery of African art forms on the diaspora soil of the United States. Twentieth-century African American artists employing Yoruba images in their work have gone from protest art to the exploration and celebration of the self and the community. But because the social, economic, and political context of African art forms differs markedly from that of American culture, critical contradictions between form and meaning often appear in African American works that use African forms.
In this book—the first to treat Yoruba forms while transcending the conventional emphasis on them as folk art, focusing instead on the high art tradition—Moyo Okediji uses nearly four dozen works to illustrate a broad thematic treatment combined with a detailed approach to individual African and African American artists. Incorporating works by such artists as Meta Warrick Fuller, Hale Woodruff, Aaron Douglas, Elizabeth Catlett, Ademola Olugebefola, Paul Keene, Jeff Donaldson, Howardena Pindell, Muneer Bahauddeen, Michelle Turner, Michael Harris, Winnie Owens-Hart, and John Biggers, the author invites the reader to envision what he describes as "the immense possibilities of the future, as the twenty-first century embraces the twentieth in a primal dance of the diasporas," a future that heralds the advent of the global as a distinct movement in art, beyond postmodernism.
Books:
- Twentieth-Century Russian and East European Painting: The Thyssen-Bornemisza Collection
- Understanding Comics: The Invisible Art
- Visual Culture and the German Middle Ages (The New Middle Ages)
- Vitamin D: New Perspectives in Drawing (Themes)
- Wedding Bouquets: Over 300 Designs for Every Bride
- Where to Draw the Line: How to Set Healthy Boundaries Every Day
- Wide Open: Inspiration & Techniques for Art Journaling on the Edge (Book & Card Kit)
- Wide Open: Inspiration & Techniques for Art Journaling on the Edge (Book & Card Kit)
- A Guide to the Project Management Body of Knowledge, Third Edition (PMBOK Guides)
- Advergaming Developer's Guide: Using Macromedia Flash MX 2004 and Macromedia Director MX (Game Development Series)
Books Index
Books Home
Recommended Books
- Velvet Elvis: Repainting the Christian Faith
- Last and First Men and Star Maker : Two Science Fiction Novels
- Empire Rising: A Novel
- Gun, with Occasional Music
- History: Fiction or Science
- Molecular Modelling: Principles and Applications
- Margot Fonteyn: A Life
- Cartoons II: From the Newspaper Series Memories of a Former Kid
- Earth, Water, Fire, and Air: Playful Explorations in the Four Elements
- Southern African Development Community Sadc Investment and Business Guide
Modern Architecture (Oxford History of Art)
Isms: Understanding Architecture
Architectural Graphics
American Architecture, Second Edition (World of Art)
Furniture in History: 3000 B.C. - 2000 A.D.
