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The title of The Digital Filmmaking Handbook is something of an oxymoron, because this thorough book covers everything you need to know about filmmaking production, from concept to screening. The only missing element is film itself.
Film and video production are in transition. Film and analog videotape rapidly are approaching the end of their technological lives, being replaced by digital videotape and digital cameras. You can buy computers that connect to DV cameras and edit DV tape almost anywhere, and they cost only slightly more than an entry-level computer. The Digital Filmmaking Handbook, then, is for anyone buying into the DV revolution who wants to do more than shoot home movies of the kids. It's for filmmakers young and old, professional and hobbyist, who want to learn to shoot, edit, and make great movies.
Unlike traditional filmmaking books, in which only the camera and some audio and editing equipment are addressed, part of this book approaches the medium from a computer hardware and software perspective. Numerous hardware issues like choosing the components for an editing workstation (chapter 5), the kind of digital video camera to use (chapter 6), selecting editing and audio software (chapter 7), and various output formats (chapter 18) are discussed. Also, there are chapters on effects, making video look like film (chapter 17), and digital titling (chapter 16).
The book never strays from speaking to moviemakers instead of moviemaking-gear buyers. Everything from preproduction tasks (such as scripting, storyboarding, and budgeting) to production tasks (like set preparation, lighting, filming (sans film), and sound recording) through final editing, color correction, titles, and output is explained. Filmmaking is heavily dependent on technology, and each of these subjects is well covered. Chapters on audio, for example, include selection of microphone types; differences between mic types; how to connect mics to a DV camera or synchronize audio in postproduction; how to control sound levels; and so on.
The chapter on editing reflects the experience of the authors. Films are understood through their own language, and how scenes are edited determines the dialect of that language. Such techniques as matching screen position, matching emotion and tone, matching action, when to use pauses and overlapping edits, and the effect of pauses and pull-ups (shortening a scene) are defined and justified.
If you can't get into NYU's film school--or even if you can--The Digital Filmmaking Handbook is a worthy reference to keep at your fingertips. --Mike Caputo
Book Description
Since the advent of digital video and desktop editing software, scores of independent producers have become equipped to make their own movies. But because filmmaking involves much more than just buying a camera and a computer, there's The Digital Filmmaking Handbook. This one-stop digital filmmaking resource will guide you from your initial idea to getting your finished project "in the can." It will show you how to create shots and effects that are rarely associated with low-budget productions. And it covers everything from writing and pre-production planning to shooting and post-production editing and effects. Now in its third edition, this best-selling book has been completely updated and revised to include detailed information on a number of important new digital video technologies, including both high-end HD video and the new HDV format, and affordable new digital video standard that lets even low-budget producers work in high-definition video. All of the chapters have been revised to cover the latest hardware, software, and production workflows,, and new exercises offer help with everything from writing to special effects. Whether your goal is an industrial project, a short subject for your Web site, or a feature-length movie for a film festival, this book will help you understand the questions you need to ask, so that you will be prepared to solve the myriad problems that will arise.
Customer Reviews:
This is the book you'll need..........2007-04-19
If you're like me, just getting started as a hobbyist filmmaker, this is the book. I only received it yesterday and glancing through the contents, it covers most, if not all of the questions I've had about certain aspects of filmmaking. It is well written in everyday english, easy to understand.
Since yesterday when I first opened the cover, I haven't been able to set it down for very long. It's that good. I highly recommend this book to any and all levels of individuals who want to learn about filmmaking from the ground up. It covers it all.
From writing to production: everything you'll need..........2006-03-16
Ben Long and Sonja Schenk's DIGITAL FILMMAKING HANDBOOK THIRD EDITION pairs a fine DVD packed with project files, film clips and tutorials with an updated, revised edition of a best-selling guide to new digital video technologies. Chapters have all been revised to cover the latest hardware and software configurations and new exercises provide help with everything from writing to production. Black and white screen shots and examples throughout make DIGITAL FILMMAKING HANDBOOK a one-step resource.
Good Description of How to Get Started.......2006-03-13
An excellent one stop guide to getting started in digital filmmaking, realizing of course, that there is no film involved.
This book starts with selecting the things like the type of camera you need to make digital video. And for good work, a good camera is necessary, and expensive. IThe book is intended for the person who is just getting started. It explains the terms, the basic equipment you will need, and so on.
The concept of making a film, no, a video starts with a story. From here you need a script. Then you do a story board to plan your shoot. If this sounds a bit professional, it is. This book presumes that you are serious about making a video. This is a rough cut at what the pros do to make a film. ==From this book alone you probably won't get to the Academy Awards show, but reading and putting into practice what the book says might get you into a commercial or a local indistrial film production.
All in all a good summary of getting started in the digital AV business.
Great for begginners--NOT for advanced or anyone who has any brains.......2005-10-31
This book was written for people that have no clue what a computer, a video camera, or a movie is. It is written for the very inexperienced or novice--the people that should not be making movies to begin with.
But it is packed with information a 7 year old or 88 year old can understand, and it is 95% close to being accurate. I guess if one needs to start somewhere, here it is, but after reading it, please do not make your first movie to send to festivals, make as many as you can, practice, practice, practice, then get a real book. Digital Filmmaking 101, Digital Moviemaking, Independent Filmmakers Manual, and so forth before getting into the movie making world--please.
Great starting guide and more!!.......2003-05-20
This book covers all aspects of digital film making and as such doesn't really have the space needed to go into in depth detail on every subject. Regardless, it is a great place to start. It's a very easy read, unlike a lot of film making books that assume you've already got a Masters degree in film. I wont talk much about content descriptions as other reviewers have done a good job of that already - infact, it was on the strength of such user reviews that I bought the book in the first place. I will say this though, if you haven't already bought a camera, buy this book before you do. Lack of funds may make your choices limited anyway, but you wont regret having read this book first.
I have given the book 4 stars instead of five simply because I found the tutorial sections to be a little out of place. The tutorials seem to make the assumption that you have equipment at your desposal - such as expensive lighting kits - and as I imagine that many readers wont, the significance of these tutorials will be slightly lost by the time you do actually have these items in front of you. Unfortunately I couldn't rate the book at 4.5 stars, but that is what I'd like to give it.
In closing, this shouldn't be, and if you're anything like me it wont be, the only book on digital film making that you buy, but it is definately the perfect place to start.
Product Description
"Information Commons" often refers to the theoretical production, sharing, and democratic discussion of information that is afforded by new technologies. It also refers to the physical manifestation of this concept - new facilities that bring together researchers, instructors, students, teachers, and users into one space and equip them with technology (computers, projectors, Internet) and facilities (workstations, conference and class rooms, print stations) for success. In this comprehensive guidebook, Beagle helps academic, public, and school librarians create new spaces that encourage research, discovery, instruction, and learning and meld the traditional research library with the latest technology. This comprehensive handbook guides librarians through: Space planning, budgeting, and technology set-up; Service modification, staff reallocation, and training; Assessment, improvement, and modification of services and facilities, and Publicity and marketing of the new commons. Descriptions, photographs, and plans from information commons of various types and sizes are included. The companion CD-ROM features model plans from various institutions and working documents from successful information commons projects. Grounded in the theory of information commons, this forward-looking handbook will transform traditional spaces and redefine library service models for the information age.
Customer Reviews:
Excerpts from all five reviews.......2007-08-05
Since its October 2006 release, The Information Commons Handbook has received five reviews in the professional media, and all five have been highly favorable. In a "starred" review in Library Journal (1/15/07), Robert L. Battenfield wrote "There is a great deal of information here from a knowledgeable IC expert...Recommended for all librarians, library directors, library science faculty, and students with a keen interest in this timely issue." In American Libraries (Jan 2007) Mary Ellen Quinn commented "...according to The Information Commons Handbook, the [IC] concept is about more than technology; it is about 'how an organization reshapes itself around people using technology in pursuit of learning.'...this book provides a framework and useful tools for making the process a more proactive one." In the well-regard Canadian journal Partnership, Cees-Jan de Jong states that the IC Handbook "...is much more than a guide to developing a Commons in your library, rather it's a guide that will assist you in positioning your library to take advantage of collaboration, technology, and educational movements...[the book] is well-organized and thoroughly researched...recommended for library administrators, librarians (academic, school, and public), faculty, and teachers interested in realizing a new service model..." And in the July 2007 issue of portal: Libraries & the Academy, Robert A. Seal notes that: "...Beagle is a pioneer in the development of the concept and is perhaps the best-known name in the field." The book, he adds, is "...one of the most thorough and thoughtful analyses of its type in the literature...a thoroughly researched and thought-provoking volume that will be of use to practitioners and administrators alike."
Book Description
Visuospatial thinking encompasses a wide range of thinking processes concerning space, whether it be navigating across town, understanding multimedia displays, reading an architectural blueprint or a map. Understanding it and in particular, how people represent and process visual and spatial information, is relevant not only to cognitive psychology but also education, geography, architecture, medicine, design, computer science/artificial intelligence, semiotics and animal cognition. This book presents a broad overview of research that can be applied to basic theoretical and applied/naturalistic contexts.
Book Description
The Visualization Handbook provides an overview of the field of visualization by presenting the basic concepts, providing a snapshot of current visualization software systems, and examining research topics that are advancing the field.
This text is intended for a broad audience, including not only the visualization expert seeking advanced methods to solve a particular problem, but also the novice looking for general background information on visualization topics. The largest collection of state-of-the-art visualization research yet gathered in a single volume, this book includes articles by a whos who of international scientific visualization researchers covering every aspect of the discipline, including:
· Virtual environments for visualization
· Basic visualization algorithms
· Large-scale data visualization
· Scalar data isosurface methods
· Visualization software and frameworks
· Scalar data volume rendering
· Perceptual issues in visualization
· Various application topics, including information visualization.
* Edited by two of the best known people in the world on the subject; chapter authors are authoritative experts in their own fields;
* Covers a wide range of topics, in 47 chapters, representing the state-of-the-art of scientific visualization.
Download Description
Visualization involves constructing graphical interfaces that enable humans to understand complex data sets; it helps humans overcome their natural limitations in terms of extracting knowledge from the massive volumes of data that are now routinely connected. The best argument for scientific visualization is that today's researchers must consume ever higher volumes of numbers that gush, as if from a fire hose, out of supercomputer simulations or high-powered scientific instruments. If researchers try to read the data, usually presented as vast numeric matrices, they will take in the information at snail's pace. If the information is rendered graphically, however, they can assimilate it at a much faster rate Rapid advances in 3-D scientific visualization have made a major impact on the display of data/information.
Customer Reviews:
Complete.......2007-01-04
This book is fairly complete. It has extensive detail when it comes to explaining the contents of the book
Average customer rating:
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Handbook of Data Visualization (Springer Handbooks of Computational Statistics)
Manufacturer: Springer
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Easy Reading: Finding Joy and Meaning in Words
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Teachers and parents can significantly improve children's comprehension, enjoyment, and personal involvement in reading at any grade level by using the series of activities provided in this book. Because the ability to imagine is a key skill that many struggling readers often lack, this book outlines strategies to teach students how to add vivid mental pictures to their reading. In a clearly designed set of lessons, students are taken through a series of steps-drawing on the images they see in their minds, prompted by memories recalled through sensory connections and powerful events, and by listening to richly descriptive texts-to learn how to create visual images when reading. The lessons in this book are scripted, so teachers can begin using the activities immediately. Included are relaxation exercises designed to ease students into the reading process.
Book Description
The Data Handbook was originally published in 1992 by Spyglass, Inc., a Savoy, Illinois-based visualization software publishing company who markets their products primarily to scientists and engineers. This "Handbook" was authored by Brand Fortner, one of the founders of Spyglass, and it was his experience in working with large amounts of numerical data that provided the underpinnings for this work. The second edition contains updated and corrected materials, and includes 100 pages of new material in Part IV on Data Formats. Numerous journal reviews of the first edition have pointed out the value of the book.
Customer Reviews:
All the details fit to print regarding computer data formats.......2000-04-29
I bought The Data Handbook when first published, and later, this 2nd (1995) edition also. It's clearly organized, with multiple b&w illustrations per page. I know no other book overviewing, with useful details, so many file formats for scientific data (e.g., CDF, netCDF, and HDF). But more than this, it explains to aspiring computer programmers the most common structures describing scientific measurements.
It's a pleasure thumbing through the pages, dipping into sections when attracted by the crisply rendered illustrations. Although not using the term in a pejorative sense, this is almost as much a "coffee table" book as a computer reference manual. Readers with well developed interests in technical matters concerning computers & science will appreciate Mr. Fortner's efforts.
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This book is a guide on conformal mappings, their applications in physics and technology, and their computer-aided visualization. Conformal mapping (CM) is a classical part of complex analysis having numerous applications to mathematical physics. This modern handbook on CM includes recent results such as the classification of all triangles and quadrangles that can be mapped by elementary functions, mappings realized by elliptic integrals and Jacobian elliptic functions, and mappings of doubly connected domains. This handbook considers a wide array of applications, among which are the construction of a Green function for various boundary-value problems, streaming around airfoils, the impact of a cylinder on the surface of a liquid, and filtration under a dam. With more than 160 domains included in the catalog of mapping, Handbook of Conformal Mapping with Computer-Aided Visualization is more complete and useful than any previous volume covering this important topic. The authors have developed an interactive ready-to-use software program for constructing conformal mappings and visualizing plane harmonic vector fields. The book includes a floppy disk for IBM-compatible computers that contains the CONFORM program.
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