History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

Average customer rating:

An Excellent Reference for the Novice or Intermediate Artist
Amazing art book
Good reference book
Best book ever!
If you draw figures you must have this book!

Anatomy for the Artist
Sarah Simblet , and John Davis
Manufacturer: DK ADULT
ProductGroup: Book
Binding: Hardcover

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ASIN: 078948045X

Amazon.com

Anatomy for the Artist is like having your own life-drawing studio in the privacy of your home. Carefully constructed photographs of the human form allow you to see the structure and function of the skeleton and main muscle groups. Six imaginative drawing lessons, each supported with photography, show how to portray the bones, head, rib cage, pelvis, hands, and feet in perspective, from different angles, both in still poses and in movement.

Book Description

In Anatomy for the Artist, acclaimed artist and teacher Sarah Simblet unveils the extraordinary construction of the human body, and celebrates its continual prominence in Western Art.

The transparent body. Using superb, specially commissioned photographs of male and female models, together with historical and contemporary works of art, and her own illustrations, Sarah shows us how to see inside the human frame, to map its muscle groups, skeletal strength, balance, poise, and grace. Selected drawing superimposed over photographs reveal fascinating relationships between external appearance and internal structure.

Drawing from life. Six drawing classes guide the reader to see the human body afresh, offering techniques and attitudes that imaginatively show how to view and draw the skeleton, head, ribcage, pelvis, hands, and feet.

Dissecting the Masters. By investigating ten Masterworks, the author demonstrates different artist's ideas and knowledge across time, ranging from Holbein's Christ Entombed, to Edward Hopper's Hotel Room. Each Masterclass presents a photographed model set in the same pose, so that anatomical comparisons can be made. Understanding anatomy is often the key to an artist's understanding and interpretation of the body. This imaginative modern reference book will enhance the drawing and painting techniques of artists at every level.

Customer Reviews:

An Excellent Reference for the Novice or Intermediate Artist.......2007-09-30

"Anatomy for the Artist" is an impressive reference guide for those artists looking for a helpful leap into the world of anatomy. This book is full of high-quality, tasteful nude photographs (most in black and white, some in color) of a variety of models that will provide great insight into how best to acurately portray the human body as a whole, as well as parts of the body in particular.

"Anatomy for the Artist" is, helpfully, divided into segments - upper torseo, lower torso, upper arms, lower arms, thighs, legs, etc. - and focuses on each part in particular in an unhurried, elegant manner. Many sections of photographs are accompanied by translucent overlays that illustrate the muscular/skeletal structure beneath the skin of the models (there are pencil sketches, largely). Additionally, classic paintings of note are presented next to models taking the pose of the subjects in the painting and deconstructing how the artist extrapolated their models' positions into their finished pieces; this I found especially enlightening. It appears that no expense was spared in the production of this book. I found its section of the upper torso, the forearm, and the legs most helpful to me, and I don't doubt that many artists will find much of this book illuminating and revealing.

However, this book is certainly not perfect. There are some poses and angles that I would have liked to have seen (for instance, more examples of the back of the upper torso; more three-quarters views, as the book seems to focus on side and full views mostly). Also, while the compartmentaliztion of different body parts into different chapters is helpful in most ways, the segregation of the upper and lower portions of the arms and legs will force you to flip back and forth in the book whem trying to make an accurate rendering, which may get tiresome. Overall, however, this is a superb book to learn and sketch from. Recommended.

Amazing art book.......2007-09-14

Finally, an anatomy book for artists that's not too technical in nature. It's more about art, just with the basic structures you need to be aware of to create more lifelike work.

There are tons of photos to work from, since most of us don't have live models around.

The best feature of the book is the overlay pages. There are pages in the book of clear plastic with the underlying structures of the body printed on them. You turn these pages over photos of the body and see how the underlying structures affect the shading, lines, and movement of the figure. It's fantastic.

Good reference book.......2007-05-14

Great photographic reference for any artist, especially for those working in digital medium. It will not substitute for a traditional anatomy book with drawings, but great as a supplement for realistic depiction of human body.

Best book ever!.......2007-04-11

This book is amazing, I love it, so worth the money. if you are into art, then this is a book to have in your collection!

If you draw figures you must have this book!.......2007-03-26

This book is an absolute must for anyone who does figure drawing. The photographs are wonderful and offer a range of figures in various types of poses and lighting. I have a friend in drawing class who purchsed this book so I was able to look at it first hand before I bought it. I came home and ordered it that very day. It is that good.

Human Anatomy for Artists: The Elements of Form

Average customer rating:

Human Anatomy for Artists: The Elements of Form
Great guide with one flaw
A little heavy on the text, but a very thorough anatomy book.
Last anatomy book you'll ever buy
SUPERB ANATOMY BOOK

Human Anatomy for Artists: The Elements of Form
Eliot Goldfinger
Manufacturer: Oxford University Press, USA
ProductGroup: Book
Binding: Hardcover

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ASIN: 0195052064

Book Description

The power of the image of the nude--the expressivity of the flesh--has inspired artists from the beginning. An understanding of human form is essential for artists to be able to express themselves with the figure. Anatomy makes the figure. Human Anatomy for Artists: The Elements of Form is the definitive analytical work on the anatomy of the human figure. No longer will working artists have to search high and low to find the information they need. In this, the most up-to-date and fully illustrated guide available, Eliot Goldfinger--sculptor, illustrator, scientific model-maker, and lecturer on anatomy--presents a single, all-inclusive reference to human form, capturing everything artists need in one convenient volume. Five years in the making, and featuring hundreds of photos and illustrations, this guide offers more views of each bone and muscle than any other book ever published: every structure that creates or influences surface form is individually illustrated in clear, carefully lit photographs and meticulous drawings. Informed by the detailed study of both live models and cadavers, it includes numerous unique presentations of surface structures--such as fat pads, veins, and genitalia--and of some muscles never before photographed. In addition, numerous cross sections, made with reference to CT scans, magnetic resonance imaging, and cut cadavers, trace the forms of all body regions and individual muscles. Information on each structure is placed on facing pages for ease of reference, and the attractive two-color format uses red ink to direct readers rapidly to important points and areas. Finally, an invaluable chapter on the artistic development of basic forms shows in a series of sculptures the evolution of the figure, head, and hands from basic axes and volumes to more complex organic shapes. This feature helps place the details of anatomy within the overall context of the figure. Certain to become the standard reference in the field, Human Anatomy for Artists will be indispensable to artists and art students, as well as art historians. It will also be a useful aid for physical and dance therapists, athletes and their trainers, bodybuilders, and anyone concerned with the external form of the human body. With the renewed interest in figurative art today, this will be an especially welcome volume.

Customer Reviews:

Human Anatomy for Artists: The Elements of Form.......2007-10-18

Excellent book, quick delivery at a competitive price. Excellent value. I'll use the book for years to come.

Great guide with one flaw.......2007-07-11

I had this book recommended to me by a friend years ago when we were all trying to get into the comic book industry. I bought it and loved it. You can learn anything you want to know about how the musculature and skeleton are put together and how they work. Each different part of the anatomy is given almost too much attention. Each angle is given a photo of the body part, and drawings of the arm with muscles or just the skeleton.

The biggest problem is there isn't too much tying the parts together. You may get a very good idea how the arm works, where the muscles put to and from, how the skeleton moves when you move your arm, but you won't get much information on how the arm connects and moves with the rest of the body. Your aren't a collection of individual parts (2 arms, 2 legs, etc) but one unified body and all your parts move together. You need a good concept of that before this book will be used to its utmost.

A little heavy on the text, but a very thorough anatomy book........2007-07-03

This book covers from the skeletal system to muscles, from head to toe, very thoroughly. Pictures are nice and clear. All important muscles feature full explanation on its origin, insert, function etc in text, and frontal and side view as well as in context of the whole muscle group along with a photograph of the real body part flexing with the related muscles. I find this book a little heavy a the text part, but images and photographs make up for it and make this book the most complete, and thorough anatomy book.

Last anatomy book you'll ever buy.......2007-06-26

This book is the best anatomy book I have come upon. I purchased every book I could find on this subject until I found this one. I am a sculptor and painter so this book provides everything I need to understand all the surface structure of the human body. It explains origin and insertion of each muscle and their function. (important to know when deciding in a pose which muscles would be flexed and which would be relaxed) There are cross-section drawings of the muscles so that you can see the size comparison of muscles around them. There are photographs of the muscles flexed using a thin model, the surface can be distinguished. I have taught Artistic Anatomy and this is a the cherished book of many of my students.

SUPERB ANATOMY BOOK.......2007-05-20

This book is exactly what I was looking for in an anatomy reference book. The cross-sectional drawings are great to help visualize the muscle forms in different positions. Not only does it deliver on accuracy of the muscles but it also depicts how the muscles are placed on the human skeleton from different angles, this helps me to understand the "wedging" of the muscles. I've seen this same title in other book stores for the retail price and I must say AMAZON has a great price for this book.

Comic Artist's Photo Reference: People and Poses (Comic Artists Reference)

Average customer rating:

Fantastic reference guide!
A great reference companion for comic book artists
Very good for basic references
Invaluable resource for any artist
Great for preteen and teens artists, not just professionals!

Comic Artist's Photo Reference: People and Poses (Comic Artists Reference)
Buddy Scalera
Manufacturer: Impact Books (OH)
ProductGroup: Book
Binding: Paperback

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ASIN: 1581807589

Book Description

The ultimate reference for comic artists, this unique book/CD set is packed with photos of men and women in basic and dramatic superhero poses uniquely tailored to the comic artist's needs. Comic Artist's Photo Reference:

-Delivers over 500 color images of beautiful women and muscled men in the poses comic artists need

-Features six step-by-step demonstrations by well-known artists, so readers can learn firsthand from the pros

-Comes with a CD-ROM of over 500 additional photos for added inspiration

With this reference, comic artists of all skill levels can draw from a diverse group of models in a hundreds of poses--any time they want!

Customer Reviews:

Fantastic reference guide!.......2007-10-09

Fantastic reference book for action poses. Has great pictures at varied angles and perspectives. Very comprehensive. Comes with a disc that has even more images and features. Nice little addition of industry talent giving their approach to figure drawing/cartooning. A good book for artist's of all
skill levels.

A great reference companion for comic book artists.......2007-10-05

As a beginning professional comic book artist, I've had a lot of trouble nailing certain poses that have to deal with obscure angles and foreshortening. This book has made things a lot easier, as there are a ton of very helpful photos and tutorials in it. The bonus CD is also a great addition.

A good comic book artist should always be prepared to know how to draw anything at any given time. One should also always draw what's right for the story and not take too many shortcuts. While this is hard to do, it it will help you grow as an artist and stand out in the competitive world of comics. And for the difficult aspects of human anatomy and poses, this book should serve as a great reference guide to artists of any level.

Very good for basic references.......2007-09-19

Really good if you are looking for fight scenes and positions to draw. Overall, its a good resource. The lighting is very good, and sometimes leans a little toward the dramatic side. If you use this along with, for example, a reference book on facial expressions, there are a lot of different images that you can create from these reference points. The disc is wonderful, especially since I do most of my work digitally and therefore like to work with my reference images in the computer.

Invaluable resource for any artist.......2007-09-16

The first time I saw this on the shelve in my local bookstore I just skimmed over the pages and thought nothing much of it. I recently decided to put together a game prototype that will feature many characters in dynamic poses in many situations. Problem was I had no real reference other than the internet, and after becoming increasingly frustrated with lack of good quality reference I remembered this book. Frantically trying to recall the name from months back, I was more than happy to purchase a copy, and I'm grateful I did. It's an immense resource that every artist should have as part as their library. Having models in many different situations and poses is a huge help when it comes to consistency amongst many other things.

I highly recommend this book.

Great for preteen and teens artists, not just professionals!.......2007-08-17

I teach junior high students. This book would be perfect for all the kids in my school who love to draw. The poses show models doing things you would see in comics (flying, running, fighting, swords, capes, etc.). The models wear formfitting clothes but they are all clothed enough to be "decent." There is a page of photos showing a woman smoking, but since this is something a comic artist might need to draw, I don't see it as a problem. (Hopefully someday all kids will NEED a photo to know what smoking looks like!) There are several excellent step-by-step art lessons that teach real art concepts and could be used in the classroom. There's also a CD packaged with the book that has many more pictures on it. Students would enjoy browsing the CD or using Photoshop to combine multiple photos into something new that they could then draw from. Five stars and a recommendation to my school's librarian!

Drawing Cutting Edge Anatomy: The Ultimate Reference for Comic Book Artists

Average customer rating:

Really and Truly a Must-Have for the Aspiring Artist
Nothing useful at all.
Great Book
Great buy, Well worth the Money
Amazing book - totally recommended for any and all artists

Drawing Cutting Edge Anatomy: The Ultimate Reference for Comic Book Artists
Christopher Hart
Manufacturer: Watson-Guptill
ProductGroup: Book
Binding: Paperback

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ASIN: 0823023982

Book Description

The follow-up title to the hit title Drawing Cutting Edge Comics, which has been translated into seven languages, this drawing tutorial shows artists how to draw the exaggerated musculature of super-sized figures in action poses. The guesswork is taken out of figuring out which muscles show through to the surface and how muscles appear through clothing. This instructional manual even gives both the Latin and the common terms for particular body parts such as scapula/shoulder blade. Hart covers all aspects of extreme anatomy. The book opens by providing detailed diagrams of all of the various muscle groups, including chest, back, shoulder, arm, and leg muscles. Then he covers many of the various extreme comic book types including good guy, bad guy, insane guy, punk, genius, and brute for men; and the heroine, bad gal, trashy gal, seductress, fighter babe, and cyber chick for women. As an added bonus, this book closes with two invaluable sections to all aspiring comic book artists. One provides a roadmap of all the steps an artist must take if he or she is going to get started in the comic book business, and advice on how the comic book business works. The second section features interviews with people from two of the most significant companies in the world of comics, Marvel Comics and Dark Horse Comics.

Customer Reviews:

Really and Truly a Must-Have for the Aspiring Artist.......2007-10-14

This is probably among the top five of Christopher Hart's "How to Draw" books I own. If you're looking for a way to render anatomy in a good style - after having learned the basics, of course - then this is certainly the book for you.

"Drawing Cutting Edge Anatomy" offers a number of exceptionally helpful sections for the artist; be warned however - as is the nature of books of this type, some sections will be wildly helpful, while others you'll just pass by. The most helpful:

1) Early on, some helpful full-body schematics are rovided for both heroic male and female figures' musculature.
2) There is a helpful page on vein placement
3) The chapter on the Head and Neck (especially regarding the rendering of female characters' faces)
4) The chapter on the Chest adn Abs
5) The chapter on The Pelvis, Legs and Feet (especially on the legs).

Unfortunately, the secions on the arms and hand are not especially helpful (owing mostly to the artist who provide the illustrations).

Overall, however, a great book and a worthy addition to any beginning artist's bookshelf. Enjoy!

Nothing useful at all........2007-10-03

This is really a boring book. It does not tell you anything about how to draw the human body at all. No depth, no advice on how large a figure should be, or perception. There is nothing here at all.

Great Book.......2007-09-29

This is a great reference book. I really like it, BUT for any really REALLY serious people who wish to really improve their drawings, Riven Pheonix "Drawing the Human Figure From Your Mind" lessons are key (google it). It shows you how to draw the whole skeleton - from your mind. Then the muscles - from your mind. The fruits are astounding. I completed all 227 lessons and must admit that reference books are much more helpful when you actually LEARN how EXACTLY mucles and bones look the way they look on people.

Great buy, Well worth the Money.......2007-09-18

I'm a beginner to drawing in general but the descriptions and pictures presented make reproducing presented information/techniques easy

Amazing book - totally recommended for any and all artists.......2007-08-24

For starters, this is written by Christopher Hart, so it's probably one of your best options if you are interested in the subject of the book...
This is great for learning how muscle groups work, since it focuses on different parts of the body for both men and women, and how the skeleton structure is set up, not only in general, but in different positions, explaining how muscles move with the different poses, and which ones 'pop' depending on the pose. It's a great book for any beginning artist to start getting a sense of how the body is put together, and great for more advanced artists to make their pictures more and more realistic. Also gives great ideas for characters.
A great buy even if you are not overly enthusiastic about the graphic novel; if you love drawing, you'll love this book!

The Nude Figure: A Visual Reference for the Artist

Average customer rating:

Useful tool
Good Ordinary
Will use this often
Designed to develop familiarity with the figure
Love it

The Nude Figure: A Visual Reference for the Artist
Mark Smith
Manufacturer: Watson-Guptill
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Binding: Paperback

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ASIN: 0823032329

Customer Reviews:

Useful tool.......2007-07-27

Although the book is printed on a faily couarse grained paper and the photographs could have had better contrast, I have found the book useful. The poses are sufficiently varied to provide a good cross-section of body movement.

Good Ordinary.......2007-04-02

I bought this book when I saw it in the art store. I like it. The poses are natural and the models, while all WASPs, are of different shapes. I liked that the women were differently shaped-- some more curvacious like J-Lo, others like a Flapper with few curves. Their breasts are differently shaped which definitely helps in learning the figure. There are only a few male models and they could have been better had there been more-- I hate to judge a body as unattractive based on the amount of hair or what-have-they, and as an artist I appreciate the differences and these could be better appreciated had there been more. There was only one pregnant woman in the pregnant section and she is perhaps seven months pregnant-- she is not at the point where she is uncomfortable-pregnant or in the earlier stages-- this book could be greatly improved if Mr. Smith had done more women in different stages of pregnancy and a greater variation of models in general. I do know that when it comes to creating a book that publishers are at the mercy of meeting certain costs with a number of pages, so they try to be useful but original and try to meet several goals. This is all right-- it won't be my favourite book on the nude body, but it's not one that I will give away, either.

Will use this often.......2007-01-13

I found many usable poses in this book. Some diversity in body types, which is nice. I could do without the hairy armpits, but thankfully we all have the creative liscense to erase that.

I left out one star because the male nudes are terrible. I think there are only 3 different male models, and I don't even want to look at them, not to mention draw them. No muscle definition, one is pot bellied, and another with a bald head and flabby body completely covered with hair...easy to render as that is (a contour, then tons of hair)I'll pass. Two thumbs down on the choice of male models.

Designed to develop familiarity with the figure .......2006-08-08

First off, let me start off by saying that this is not a how-to guide for drawing the figure. It does not attempt to teach you, and it's not designed to do so. Also, don't expect this book to have great photos that will translate into beautiful, finished pieces of art--I don't think one should expect it to be. Instead, it is choke full of full figure poses with which a student can learn the human anatomy by repeated practice of drawing different poses.

The book is what it says it is--it is merely a visual reference. This book is designed to help those who are already familiar with drawing the figure, but needs to practice the full figure at home without the help of live models at their disposal. It is not a replacement for live models, so some may deem this inadequate--but note that this is probably the best book out there of this kind. Some of the reviewers complained about the homogeneity of the models and their poses--well, not everyone is looking to expand their figure drawing prowess by drawing ethnic, overweight, or innovative poses.

Speaking from personal experience, I feel that this book is helping me to develop familiarity with the figure, ultimately resulting in speed and better gestural expression. If this isn't what you're looking for, I don't recommend this book for you. As for Sarah Simblet's book, which this book is sometimes compared to, get it if you need to be taught how to draw the figure. Otherwise, I feel that book is useless, as most of the photos are of individual body parts, rather than the full human figure. It may be used to try to gain familiarity with individual body parts, but there aren't enough photos of each part to help become familiar with any of them. It does look pretty fancy though. Very glossy. Unlike this simple and functional book for those who believe in the value of repetition.

Love it.......2005-02-23

I browsed through this book at a Barnes & Nobles a few weeks ago, and almost immediately fell in love with it. But I did have to wait to go online as it was nearly 30.00 at B&N and I knew I could get it cheaper at amazon.com, which I did for a mere 22.00 with shipping.

Before "The Nude Figure" my best reference book was "Drawing the Female Nude" by Giovanni Civardi, which featured his drawings of two models in various poses. It is a great book for the beginner, but after five years of using it I needed something new - and Playboy just wasn't working.

The Nude Figure by Mark Smith featured only photographs of various models and all kinds of different poses. All of the photographs are in black and white which is a definite plus in my mind, helping you to see the defining lines and edges. The poses are divided into chapters as follows:

Standing Poses - This chapter is full of your basic standing poses. Arms up, arms down, from the side, from the back.
Seated Poses - Seated on the ground in different positions including Indian style, which I find very hard to draw.
Reclining Poses - All kinds of laying down positions, all from different perspectives. Some look quite easy to draw and others are quite hard.
The Figure on a stool - These I find quite difficult simply because of the stools - I am not good at any kind of still life, even if it has a woman sitting on it.
Kneeling Poses - The Kneeling poses are quite useful, but some of them just look awkward and I don't see how you could use them in a work of art - but I guess there is always a way.
Bending Poses - Most of these look like stretching before a workout poses. I don't se how they could be useful in a work, but for practice everything is good.
Crouching Poses - A lot of these poses make the model look like she is ready for a race.
The Figure in motion - I am very happy with this section as I do a lot of fairies and it is full of people jumping up in the air - something you could never get a live model to hold.
The Pregnant Figure - There are only a few pages of this, and I'm glad they put in here. It's not too often that you get to see a nude pregnant woman to draw from. I think this will come in handy someday.
Unusual Poses - Just like it sounds, many of these aren't very practical, but very useful in learning how different muscles shift in different positions.

The bulk of the photo's are in Standing, Seated, and reclining poses. Those fill up most of this book.

If you are wanting to learn how to draw men, this book is not for you. In all of the chapters (excluding the pregnant figure), men are only featured on about two pages. But this is a very good thing for me, as I only draw women.

Also the people in this book are all pretty fit. There aren't any fat people in here, not a big scope of different shapes. Again, I am happy with this as I don't want to draw fat people, but other artist might be disappointed by this lack of diversity. Some of the women have hairy armpits though, and some don't - that's diverse enough for me. Plus the women may all be over-all fit, but they are all built differently.

The photo quality is OK, but not fantastic, no glossy pictures in here, in fact some are grainy. But they are all adequate, and I think they did this to keep the cost of the book down, which makes me happy, as I would not have paid 40.00 just to have more glossy pictures. They use a lot of different lighting techniques in this book, but some of them I hate only showing the outlines of the figures when I want to see muscle.

Overall I am quite happy with this book. I know it will give me plenty of ideas for years to come, and I would recommend it to anyone wanting lots of good poses to use in their art. It is the best book of poses I have found thus far. 90% of the poses are very usable, my only problem is trying to choose which one I want to try out next.

The Human Figure: A Photographic Reference for Artists

Average customer rating:

A Total Waste of Paper
Great Reference Book
(Happily) Amazed to see it's still in print...
Best Pose Book on the market
DESERVES "O" STAR

The Human Figure: A Photographic Reference for Artists
E. A. Ruby
Manufacturer: Van Nostrand Reinhold
ProductGroup: Book
Binding: Paperback

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ASIN: 0442271484

Book Description

Now you can draw from your own life model anytime you want without paying expensive models' fees! This handy volume contains over 600 detailed anatomical photographs for artists to study and draw from. Subjects included are male and female, and the models range in age from two years old to ninety years old. All together, seventeen different models were photographed, in the most useful and instructive poses for the artist. They are shown clothed and unclothed, full-figure and in closeup, in classical poses and in action, and in a wide variety of views—the standing male and female models, for instance, were photographed from eight different angles in a 360-degree circle. Sections one and two, covering the male and female nude figure, include photographic representation of running, walking, standing, sitting, and reclining, as well as detail studies of head, hands, and feet. Section three shows close-ups of facial expressions: joy, pain, surprise, etc., as well as sequences of expressions such as the transition from slight annoyance to great anger. In this section too are found details of a variety of heads, hands, eyes and noses, mouths, and ears. Section four is composed of photographs of a two-year-old child.

Customer Reviews:

A Total Waste of Paper.......2006-07-08

From the back cover: "Subjects included are male and female, and the models range in age from two years old to ninety years old. All together seventeen different models were photographed, in the most useful and instructive poses for the artist." This is a grossly misleading statement! What it should have said is: "We photographed one young male and one young female in some very uninspired, amateurish, and rather stiff poses. Because we have a ridiculous, prudish, and skewed Victorian attitude, we clothed the male in a distracting jock strap, making all of his photos somewhat useless as an honest reference for drawing and painting complete figures. We then filled up the rest of the book with a handful of equally uninspired shots of children, and a bunch of closeup photos of things like ears, but we made them such extreme closeups they contain no proportional reference and so are rather out of context with the rest of the figure. It did however, allow us to state, categorically, that we portray 17 different models!" I'm not sure who this book was meant for; prudish, Victorian, amateurs and shy, easily offended, weekend sketchers maybe? For a serious artist involved in the serious study of the human figure this book has nothing to offer. Don't waste your time or money. The only reason I gave this book one star is because I couldn't give it 0 stars... I sent it back the very next day after recieving it.

Great Reference Book.......2006-02-16

This book is a rare find for easy reference for an artist. Has a great collection of various poses for both male and female models, including holding objects. The only problem I found with the book is the layout...every page has you turning around the book.

(Happily) Amazed to see it's still in print..........2005-08-31

Because of comments like the reviewer who assumes that because it includes a few shots of a nude child it must be harmful trash and banned. This book was on the library shelf at my community college, and I never expected to find it still in print now because of its age.

I would not be interested in owning this book if it weren't for the various shots of different faces at different angles, hands, older and younger models, etc. Drawing children is incredibly difficult, the proportions of their bodies and faces are different from adults. It's very frustrating if you are working on a piece that requires children, especially if you have no children of your own to model for you, and going to public places to sketch or take reference photos of children will get you suspicious looks from parents. A nude child is NOT sexually provocative, and none of the other poses by the adults in this book are provocative either. I do wish there were more full-body poses of models besides the young adult male and female model, but you can't have everything in a single volume. The male model's jock strap is silly, especially considering there is no such censoring garment for the female model - underlining the silly belief in western society that female nudity is acceptable, but male nudity is taboo. It doesn't get too much in the way if you just need a generic pose reference. There are also some shots of the male posed with a stick, holding it similar to a shovel or other such prop (Can't recall if there are similar poses with the female), which is also helpful if you need to draw a character in action. Certainly no equal to having a real live model, but a good alternative in a pinch.

Best Pose Book on the market.......2005-06-09

For anyone that appreciates the beauty of the human form, and enjoys drawing it...this is the best pose book on the market. This is not saying a lot, since there are not that many pose books out there. At least not many with lots of pictures, and at a size that is usable. This should be in any serious artist library for reference. The head shots and hand shots alone are worth the price. I agree with one reviewer that the jock strap is unnecessary and only distracts from the male form. Fortunately they did not do this with the woman. Considering how high modeling fees are, this book is a bargain.

DESERVES "O" STAR.......2005-02-12

I can NOT belive this book. Who in their RIGHT mind would let a child be photographed NUDE? It is the most distastefull thing i have EVER seen. From the man in his jock strap and the nude woman showing it ALL. Can not belive this book is Not banned from the world and that the author is not charged with Child pornography.Nasty,Nasty book this is.

Anatomy for Fantasy Artists: An Illustrator's Guide to Creating Action Figures and Fantastical Forms

Average customer rating:

Okay stuff
Anatomy for Fantasy Artists: An Illustrator's Guide to Creating Action Figures and Fantastical Forms
Li'l anatomy
Art Essential
Good supplement

Anatomy for Fantasy Artists: An Illustrator's Guide to Creating Action Figures and Fantastical Forms
Glenn Fabry
Manufacturer: Barron''s Educational Series
ProductGroup: Book
Binding: Paperback

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Accessories:

ASIN: 0764129503

Book Description

Here in a single volume is a practical, comprehensive training course for budding illustrators working to master comic book art, graphic novels, fantasy posters, sci-fi book covers and illustrations, and computer games. The author, a highly successful fantasy artist, teaches the basics of human anatomical drawing and musculature, as well as perspective and composition. He then instructs on ways to distort, develop, and transform the human figure, giving it features that range from monstrous or magical to super-agile or larger than life. Detailed artist's references and step-by-step instructions show how to build bodies that truly stretch the imagination—mighty alien warriors, kick-boxing cyber-punks, and mega-muscled superheroes, to name just a few. Art students also learn how to show their characters in many different dynamic action poses, such as flying, spinning, punching, and jumping, as well as how to express each character's emotions through facial expressions. More than 300 color illustrations.

Customer Reviews:

Okay stuff.......2007-10-12

This book is okay and has some good information, but some of the artwork isn't very awe inspiring. Not too bad though.

Anatomy for Fantasy Artists: An Illustrator's Guide to Creating Action Figures and Fantastical Forms .......2007-07-24

This is a good book if you want to learn how to draw action figures that are real life people not creatures

Li'l anatomy.......2007-03-25

Thankfully, I was able to browse at this in my public library before buying it. The title doesn't reflect on the actual book. While the illustrations were clear and quiet a few were lovely the book failed to explain how the artists used anatomy and how they determined how to compose their figures. for an anatomy book, this falls horrible short. There about a handful (literally one handfull) of pages with live models. The images are of various sizes and almost on top of each other. More annoyingly for what few live model poses we are given the best are put inbetween two pages. You'll have an annoyign crease righti n the middle of the picture. It's not that hard to fill in the gaps, but certain details are lost from this type of placement.
Also when going into skeletal structures he might have used a real model skeleton instead of sketches. You don't get an adequate understanding of dimension with a pencil depiction alone. Also, most of the book is dedicated to the common characters of comics (e.g. the barabarian, the female robot, Muu the fatman, Brutus the hulk). All these characters really show are sketches at different angles with bullets with brief common sense info.
Plus the anatomy of most of the characters arenot really explored. It would have been nicer had they compared the exagerated features with realistic features.
Overall , despite some talented artists' contributions, this book fails in teaching anything abotu anatomy.

Art Essential.......2007-01-12

This is not only a great book but a wonderful guide on drawing great action figures. There are many tips and tricks I recommend in here and it not only looks at just one detain but many perspectives in drawing fantasy characters.

Good supplement.......2006-11-29

Get Drawing and painting Fantasy Figures and/or Fantasy Worlds first. This book is good if you can't get enough of source/guide/inspirational material.

Of Course, R. Crumb said "Wanna know how to draw better? Draw. Wishing won't make it happen!" and that's the first and best advice. Still, I have all these books I mentioned and do not regret my purchase!

Average customer rating:

Some really nice info but bad representation
anatomy for the artist
Amazingly, highly detailed, classic reference
Good artist, lame book
Terrific learning tool!

Anatomy for the Artist (Spiral Edition)
Jeno Barcsay
Manufacturer: Sterling
ProductGroup: Book
Binding: Spiral-bound

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ASIN: 1402735421

Book Description

It’s the classic in its field—a reference work of unparalleled importance for all professionals and students of art.

This superb art manual is the best guide available on a subject that has fascinated artists for centuries: the human body. Jenö Barcsay, a professor who taught applied anatomy at the Budapest Academy of Fine Arts, offers a detailed portrayal of the body for the fine artist in 142 full-page plates. From the entire skeleton and the joints in and out of motion to all the muscles and even facial characteristics, every body part appears in close-up and from varying perspectives. Accompanying the images are brief discussions of male and female anatomical construction, explaining precisely the articulations and movement of the foot, the arm, the trunk, the spinal column, and the skull. In many cases, two sketches appear side by side: one just lightly traced in, and marked with letters to show how proportions and perspective were figured, and another fully finished drawing. Without the indispensable information contained on these illuminating pages, painters cannot observe with understanding all the attitudes, positions, and movements of which the body is capable—and produce a truly magnificent work of art.

Features a new concealed spiral that keeps the book open as you work!

Customer Reviews:

Some really nice info but bad representation.......2007-07-31

I love the information this book has, but I get frustrated with dark lighting and small drawings. I also hate the way naming and numbering goes into figures. It takes a lot of time to find the name of a particular part of a bone or a muscle. Even that is fine for me, I wish drawings in this book were larger and clearer with clear rendering (it's too dark for me). I get most out of this book when I use another reference book for clearer picture of bones. Some information like the use of muscles is really great and also how they deform. It's not useless book, but it's not a complete book as well.

anatomy for the artist.......2007-04-02

it's a must for figure drawing. the best artist anatomy book out there.

Amazingly, highly detailed, classic reference.......2006-09-25

This is a well-known, outstanding & classic reference in drawing the human figure. It's also maybe too much anatomy for most artists, I believe. If you're looking for a book that'll detail & depict more than you probably need, this is certainly a good place to start!

First off, I just have to say: some of these pencil drawings are absolutely amazing(!). Beautiful & detailed- It's the biggest selling point to this book. Usually it's his rendering of individual muscles here that seem to be his best- his completed figure work being certainly above-average as well. Bones & muscles are rendered in super-clear detail, and simplified drawings & outlines are included to help with artistic representation. It's not an all-around figure drawing book though. For better treatments on proportions & basic shapes see: Walt Reed's The Figure; Jack Hamm's Drawing the Head and Figure; and Andrew Loomis' Figure Drawing For All It's Worth. A highly detailed treatment, I usually prefer anatomy books that are even more simplified, concise, and smaller in size. I think most artists do; there're too many anatomy books to choose from these days, and big books can be hard to frequently carry & use.

Sterling publishing seems to agree: they just released a new, tiny, 'concealed spiral' hardback version to meet this very need. And it works pretty well, if you can get over the shockingly small size when compared to the original, *full-sized* hardback! That was the biggest surprise when I received this & opened the amazon box: I didn't even think to consider this new version's size & dimensions. I actually have the original sized hardback, with its dimensions of about 12-7/8" x 9-5/8" x 1-1/8". This new, tiny, Sterling spiral edition is exactly as listed: 8.2" x 7.6" x 1.2". My 'original sized' copy is copyright 1953, printed in 1995 by Barnes & Noble Books. I've never seen the paperback version. Truth be told, between these 2 versions I have, I kind of prefer the bigger sized hardback. I'm glad I have both though: There's no denying the convenience of Sterling's tiny, spiral edition; and production quality is top-notch, with its glossy paper, complete with its 'new car' like smell(!). But you lose some of the gorgeous detail in the pencil work in a book so small in size. To Sterling's credit, most of this minute detail is still very visible. But if you'd compare the 2 versions, I think you'd agree that the bigger, original version is a bit easier on the eyes. Both versions have their benefits.

If you want an even more simplified, concise, and smaller anatomy book in pencil, try Louise Gordon's How to Draw the Human Figure: An Anatomical Approach. It's a pretty solid, small, paperback work, although Barcsay's effort is far more beautiful in its rendering.

My other favorite anatomy books include Bridgman's Constructive Anatomy, and Hogarth's Dynamic Anatomy. Both available today!

Good artist, lame book.......2002-05-23

This is the first book I've bought on anatomy-for-artists and I just decided to buy different one. Although it's obvious that Jeno knows human anatomy and can draw well, the book has failed to answer many of my questions. For example, one of my biggest concerns is proportion and the differences between male and female proportion, but the book is lacking in these areas.

The section on "differences in male and female proportion" is vague and only has a couple crude illustrations to go by. The only side-by-side comparison of male and female proportion was a male and female torso viewed from behind.

Another thing that I didn't necessarily care for was that the women seemed a little out of proportion. The illustrations of women in this book seem a little manly. They're a little too muscular and a little broad-shouldered. I hope the author was drawing from live nudes, because these aren't "ideally proportioned" women (or attractive, or average...)

Finally, I don't like the format of the book. All you have to go by are his vague scientific descriptions and his drawings. This is like the opposite of what I want in this kind of book. For one thing, if your audience consists of artists, don't write over their heads and force them to learn a bunch of medical terminology just to keep up with your text. That made me want to move on to other books. Another thing that I find really obnoxious is that the only visual reference is the author's drawings. What I want to know is what the parts of the human body really look like, how they're connected, and how they measure up to each other. I already know how to draw and some photographs would've been nice along with the drawings. Also, if you need to draw any body organs like the brain, don't look here.

There are better books on anatomy-for-artists out there.

Up to this point it probably sounds like I didn't care for this book at all, but I do see where I could be useful for people who draw from models. For people that have a live nude model to work with, this book will give you some insight as to what is going on beneath the skin and make you more anatomy-aware in your artwork. That's why this book gets three stars, which I'll have to admit has to do with it's low price.

Terrific learning tool!.......2002-03-12

I am learning to sketch and have this and another book of the same title. Despite the shared name, what a world of difference inside!

This is a detailed guide to human anatomy for an artist at any level. It teaches you both the physical and mechanical aspects of the body inside and out -- from what bones and muscles look like to how joints fit together and move, and what the resulted motion looks like. It also looks at all the different elements of the body, whether large or small, from several different perspectives, and from inside to out. The images are both highly detailed and natural.

In addition, all the images in this book are beautiful sketches done by a great artist. Rather than showing glossy photos (like the other book I have) that do not reveal the same kind of details an artist might, this book shows how a pencil and paper might be used to create acurate anatomical images. I find the various plates in the book not only helpful in illustrating what the body looks like, but also how one might depict it.

All in all, this is an extremely well-put together book for its purpose.

Average customer rating:

Excellent anatomy book

the best book about the subject

Best anatomy book I've seen

Average anatomy book

A useful reference for artists

The Human Figure: An Anatomy for Artists
David K. Rubins
Manufacturer: Penguin (Non-Classics)
ProductGroup: Book
Binding: Paperback

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Atlas of Human Anatomy for the Artist (Galaxy Books)

Constructive Anatomy (Dover Books on Art Instruction)

An Atlas of Anatomy for Artists

Artistic Anatomy (Practical Art Books)

Human Anatomy for Artists: The Elements of Form

ASIN: 0140042431

Customer Reviews:

Excellent anatomy book.......2007-08-13

Clear drawings, well-written, relatively simple text, easy to follow.
Especially good for beginners in anatomy to augment Hale/Richer's Artistic
Anatomy (the text of which is more complex and harder to follow) and,
for ecorche, Goldfinger's Human Anatomy for Artists.

the best book about the subject.......2007-04-02

A great book, lots of example and views about adult human.
i used it for 3d work.

Best anatomy book I've seen.......2004-11-01

I teach figure drawing and this guide has been most helpful. Great visual learning guide to the human body and excellent illustrations including baby, and old guy. I use this book more than any other.

Average anatomy book.......2002-05-25

If you want a male anatomy reference book this one is for you. If you need female anatomical references, it's not very helpful. There are no comparative views of male and female forms. This is a major drawback, considering that men and women have different exterior shapes despite the similarities of their skeletal structures. All of the anatomical illustrations are of male standing poses and each section of the book has a small thumbnail illustrations to illustrate what effects movement have on the underlying musculature.

A useful reference for artists.......2001-01-08

I have had this book almost since its first publication, and even today I find myself returning to it on occasion.

Broken down into seven chapters, it begins with "The Human Body", a three+ page written introduction to anatomy and movement. The next chapters are "The Head And Neck", "The Trunk", "The Arm", "The Hand", "The Hip And Leg" and finally "The Foot". Beginning with a few pages of text describing the form and function of the part in question, each chapter then follows the by-now-familiar route of showing the skeletal substructure, fleshed out with the muscles in plan and side views. Each chapter is rounded out with a number of small drawings showing movement and its effect on surface form and the consistency with which the male figure is depicted throughout is quite extraordinary, if a little idealised.

I would recommend "Drawing Human Anatomy" by Giovanni Civardi as the best stand-alone anatomy book for artists, however this is a solid reference and the beautiful style in which Rubins draws I still find inspirational after more than twenty years.

While aesthetically I find this title much more pleasing, Joseph Sheppard's "Anatomy: A Complete Guide for Artists" together with his other books "Drawing The Male Figure" and "Drawing The Female Figure" have proved more versatile on a problem-solving basis.

I am very pleased to see this back in print again and am sure it will find a new generation of fans.

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