Book Description
The market-leading text for the art history survey course, GARDNER'S ART THROUGH THE AGES has served as a comprehensive and thoughtfully crafted guide to the defining phases of the world's artistic tradition. With this book in hand, thousands of students have watched the story of art unfold in its full historical, social, religious, economic, and cultural context, and thus deepened their understanding of art, architecture, painting, and sculpture. By virtue of its comprehensive coverage, strong emphasis on context, and rich, accurate art reproductions, GARDNER'S ART THROUGH THE AGES has earned and sustained a reputation of excellence and authority. So much so, that in 2001, the Text and Academic Authors Association awarded both the McGuffey and the "Texty" Book Prizes to the Eleventh Edition of the text. It is the first art history book to win either award and the only title ever to win both prizes in one year. The Twelfth Edition maintains and exceeds the richness of the Gardner legacy with updated research and scholarship and an even more beautiful art program featuring more color images than any other art history book available. The Twelfth Edition features such enhancements as more color photographs, a stunning new design, and the most current research and scholarship. What's more, the expanded ancillary package that accompanies GARDNER'S ART THROUGH THE AGES, features a wealth of tools to enhance your students' experience in the course. With each new copy of the book, students receive a copy of the ArtStudy 2.0 CD-ROM--an interactive electronic study aid that fully integrates with the Twelfth Edition and includes hundreds of high-quality digital images, plus maps, quizzes, and more.
Customer Reviews:
Excellent book that covers art through the ages!.......2007-09-13
I purchased this book for a class; Ancient Art history. This book really is beautiful. Most of my textbooks I would resale once my class ended, but I definitely plan on keeping this one. The authors did a great job of giving high level overviews and thorough descriptions for each work; both in artistic form and historical context. I would highly recommend this book for both art enthusiasts and students.
Excellent pictures but not quite reliable text.......2007-08-07
The main strength of this book are the pictures - most of them in colour and all of superb quality. To each picture corresponds a section in the text which describes the displayed work in a vivid and informative way, cultivating the reader's ability to look at art, understand and appreciate it. Another excellent feature are the "boxes", containing e.g. a description of an artistic technique or an excerpt from an original written source.
However, questions arise when it comes to more general parts of the text, e.g. chapter introductions aimed at conveying a broad picture of art and society of the epoque. Simplifications are expected, but they shouldn't be misleading - here are just some examples of the contrary: it's not correct to include Merovigians among the barbarian tribes (Goths, Franks, ...) that invaded the Roman empire! This is absent in the 11th edition but present in the 12th. Or, one cannot say that the Treaty of Westphalia granted religious freedom in Europe: that freedom mostly applied only to the local sovereigns, while their subjects were forced, sometimes quite brutally, to follow the religion of their boss. The Centre Pompidou in Paris is not quite a place of "popular entertainment", etc.
Conceptually, the book follows a certain point of view, emphasizing e.g. the question of gendre - the reader learns, for instance, that the communities in ancien Grece were dominated by "white males" ... The authors have also decided to include some works which are not generally accepted as art - but is an introductory textbook like this a good place to redefine the notion of art?
In summary, if you want in the first place to enjoy splendid pictures described in revealing yet understandable terms, go for this book. If you are looking for a more solid and reliable information, look somewhere else.
Gardner's Art Through the Ages (with ArtStudy Student CD-ROM and InfoTrac ).......2007-06-29
Wonderful Art History textbook. Very comprehensive. CD-ROM quite useful. Used this text for Advanced Placement Art History course in high school for 2006-2007 school year. Liked the book so much I purchased one from Amazon in May. The copy I bought is bound upside down (the cover is upside down compared to the text inside).
Solid Choice.......2007-06-08
Gardner's Art Through the ages covers a lot of material. The writing is clear though at times stilted. The images on the CD-ROM are beautiful and the link to the website with quizzes was even useful. However, my professor warned us repeatedly not to trust the information too much. As the text needs to cover a lot of ground there are sometimes errors and simplifications. That said, I enjoy the book immensely and find it suits the purposes of a survey text very well.
Great Learning Tool!!.......2007-05-15
I bought this book for an art history class I was taking and planned to sell it after the class. But I was really impressed with the details and photos and the true 'learner friendly' quality. The CD is an amazing tool! I learned more from this book than all three of my art history classes combined. Great for Art Students and Art Lovers!
Customer Reviews:
Fast Shipper.......2007-02-18
I got the book within a week of order. The book arrived in great condition. It was a good experience, stress free.
Very GOOD.......2007-02-17
The book was in great shape and arrived quickly. I was very pleased
Amazon.com
IDEO, the world's leading design firm, is the brain trust that's behind some of the more brilliant innovations of the past 20 years--from the Apple mouse, the Polaroid i-Zone instant camera, and the Palm V to the "fat" toothbrush for kids and a self-sealing water bottle for dirt bikers. Not surprisingly, companies all over the world have long wondered what they could learn from IDEO, to come up with better ideas for their own products, services, and operations. In this terrific book from IDEO general manager Tom Kelley (brother of founder David Kelley), IDEO finally delivers--but thankfully not in the step-by-step, flow-chart-filled "process speak" of most how-you-can-do-what-we-do business books. Sure, there are some good bulleted lists to be found here--such as the secrets of successful brainstorming, the qualities of "hot teams," and, toward the end, 10 key ingredients for "How to Create Great Products and Services," including "One Click Is Better Than Two" (the simpler, the better) and "Goof Proof" (no bugs).
But The Art of Innovation really teaches indirectly (not to mention enlightens and entertains) by telling great stories--mainly, of how the best ideas for creating or improving products or processes come not from laboriously organized focus groups, but from keen observations of how regular people work and play on a daily basis. On nearly every page, we learn the backstories of some now-well-established consumer goods, from recent inventions like the Palm Pilot and the in-car beverage holder to things we nearly take for granted--like Ivory soap (created when a P&G worker went to lunch without turning off his soap mixer, and returned to discover his batch overwhipped into 99.44 percent buoyancy) and Kleenex, which transcended its original purpose as a cosmetics remover when people started using the soft paper to wipe and blow their noses. Best of all, Kelley opens wide the doors to IDEO's vibrant, sometimes wacky office environment, and takes us on a vivid tour of how staffers tackle a design challenge: they start not with their ideas of what a new product should offer, but with the existing gaps of need, convenience, and pleasure with which people live on a daily basis, and that IDEO should fill. (Hence, a one-piece children's fishing rod that spares fathers the embarrassment of not knowing how to teach their kids to fish, or Crest toothpaste tubes that don't "gunk up" at the mouth.)
Granted, some of their ideas--like the crucial process of "prototyping," or incorporating dummy drafts of the actual product into the planning, to work out bugs as you go--lend themselves more easily to the making of actual things than to the more common organizational challenge of streamlining services or operations. But, if this big book of bright ideas doesn't get you thinking of how to build a better mousetrap for everything from your whole business process to your personal filing system, you probably deserve to be stuck with the mousetrap you already have. --Timothy Murphy
Book Description
IDEO, the widely admired, award-winning design and development firm that brought the world the Apple mouse, Polaroid's I-Zone instant camera, the Palm V, and hundreds of other cutting-edge products and services, reveals its secrets for fostering a culture and process of continuous innovation.
There isn't a business in America that doesn't want to be more creative in its thinking, products, and processes. At many companies, being first with a concept and first to market are critical just to survive. In
The Art of Innovation, Tom Kelley, general manager of the Silicon Valley based design firm IDEO, takes readers behind the scenes of this wildly imaginative and energized company to reveal the strategies and secrets it uses to turn out hit after hit.
IDEO doesn't buy into the myth of the lone genius working away in isolation, waiting for great ideas to strike. Kelley believes everyone can be creative, and the goal at his firm is to tap into that wellspring of creativity in order to make innovation a way of life. How does it do that? IDEO fosters an atmosphere conducive to freely expressing ideas, breaking the rules, and freeing people to design their own work environments. IDEO's focus on teamwork generates countless breakthroughs, fueled by the constant give-and-take among people ready to share ideas and reap the benefits of the group process. IDEO has created an intense, quick-turnaround, brainstorm-and-build process dubbed "the Deep Dive."
In entertaining anecdotes, Kelley illustrates some of his firm's own successes (and joyful failures), as well as pioneering efforts at other leading companies. The book reveals how teams research and immerse themselves in every possible aspect of a new product or service, examining it from the perspective of clients, consumers, and other critical audiences.
Kelley takes the reader through the IDEO problem-solving method:
>Carefully observing the behavior or "anthropology" of the people who will be using a product or service
>Brainstorming with high-energy sessions focused on tangible results
>Quickly prototyping ideas and designs at every step of the way
>Cross-pollinating to find solutions from other fields
>Taking risks, and failing your way to success
>Building a "Greenhouse" for innovation
IDEO has won more awards in the last ten years than any other firm of its kind, and a full half-hour Nightline presentation of its creative process received one of the show's highest ratings.
The Art of Innovation will provide business leaders with the insights and tools they need to make their companies the leading-edge, top-rated stars of their industries.
Customer Reviews:
Kudos to Ideos.......2007-08-28
Excellent book with good insights. If you are in the business of innovation, this is one book that you shouldn't miss. I also recommend EIGHTSTORM: 8-Step Brainstorming for Innovative Managers.
Innovation for All.......2007-06-29
Through anecdotes, Kelley demonstrates how stumbling blocks to innovation can be overcome. He shows an appreciation for experimentation, momentum, and embraces failure as a true path to knowing. Failed prototypes are wonderful learning tools. Kelley's perspective keeps spirits high. He leaves much of the innovative process open ended - nearly encouraging innovation on innovating.
Interestingly, Kelley notes how medicine is becoming personalized and that the future can not be perfectly predicted. Still, he says we must aim at it. This was an important nugget of wisdom for me, a research coordinator at a think-tank-like public health research group, the Healthcare Innovation and Technology lab at Columbia University. On a daily basis we deal with innovation to improve healthcare and need to effectively innovate. Given that we tread a very specific territory - health and technology - and that Kelley's book could be so useful to us, it is obvious that he really has something to offer to everyone.
Innovation and creativity "how-to" guide.......2007-06-07
The Art of Innovation explains many of IDEO's creative techniques and in so doing paints a picture of the physical context in which all that creativity occurs, namely IDEO's office, your average geek's idea of paradise brimming with high-tech prototypes, foam cubes, "tech box" caddies with giant Post-Its and coloring pens ... and yes, it does look more like a playschool than Dilbertesque gray cubicle-land. Teamwork, friendship and a shared passion for helping clients innovate is clearly what binds people together and stimulates their creativity, while a supportive and forgiving management structure doesn't just tolerate weirdness, it actively encourages it. IDEO seems to have taken Tom Peters' advice "If you want to do weird, hire weird people" to the next level. In IDEO-land, "normal" people would probably stand out a mile.
Two creative techniques - brainstorming and prototyping - are particularly well described, in a way that encourages the reader to try something different. I've learnt some new tricks and even started applying them since reading the book.
El arte de innovar estilo IDEO.......2007-06-01
IDEO ha hecho de la innovación un arte, el cual es un proceso sistematizado, con pasos muy definidos, congruentes y faciles de llevar por las personas que conforman dentro sus empresas los equipos de innovacion y diseño.
Skip it and go right to 10 Faces.......2007-03-19
I recently read both this book and the Ten Faces of Innovation. My recomendation is to skip this book. It is written more like an advertisement for IDEO and was left feeling like Tom has crossed the line into arrogance. If you read it as a stand alone book there is a lot of useful information. However most of the concepts are covered in Ten Faces. If you have time read both books but if time is of the essence then jump right into the Ten Faces, you won't be disappointed.
Average customer rating:
- Horrible
- Good
- Beautiful art
- Comprehensive
- Very interesting pictures
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Gardner's Art Through the Ages: The Western Perspective, Volume I (with ArtStudy CD-ROM 2.1, Western)
Fred S. Kleiner , and
Christin J. Mamiya
Manufacturer: Wadsworth Publishing
ProductGroup: Book
Binding: Paperback
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A Short Guide to Writing About Art (The Short Guide Series)
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Gardner's Art Through the Ages, Volume I, Chapters 1-18 (with ArtStudy Student CD-ROM and InfoTrac )
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Gardner's Art Through the Ages, Volume II (Chapters 19-34)
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Study Guide, Volume I for Kleiner/Mamiya's Gardner's Art Through the Ages: The Western Perspective, Volume I, 12th
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From Abacus to Zeus: A Handbook of Art History
Accessories:
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ArtBasics: An Illustrated Glossary and Timeline
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Study Guide, Volume I for Kleiner/Mamiya's Gardner's Art Through the Ages: The Western Perspective, Volume I, 12th
ASIN: 0495004790 |
Book Description
As the market-leading text for the art history survey course, GARDNER'S ART THROUGH THE AGES has served as a comprehensive and thoughtfully crafted guide to the defining phases of the world's artistic tradition. The story of art unfolds in its full historical, social, religious, economic, and cultural context, deepening students' understanding of art, architecture, painting, and sculpture. This version explores the history of art in the Western world in a concise 23-chapter format (also available in a two-volume split). GARDNER'S ART THROUGH THE AGES: THE WESTERN PERSPECTIVE features such enhancements as more color photographs, a stunning new design, and the most current research and scholarship. Unique to survey texts with a Western Art focus, the authors include a chapter on Islam, providing students with insightful coverage of the Islamic tradition's impact on Western culture and art history. Additionally, every copy of the text contains a free copy of the ArtStudy 2.1 CD-ROM-an interactive electronic study aid that fully integrates with the text and includes hundreds of high-quality digital images, plus maps, quizzes, and more.
Customer Reviews:
Horrible.......2007-10-04
I am extremely disappointed in amazon and this book. You guys delivered it over a month late.I'm not paying for amazon prime so I can receive much needed books over a month late. I had to go to my College bookstore and pay $120. You wanna know the worst part? They don't accept devolutions. So I'm extremely disappointed.
Good.......2007-09-12
This book is very informative and it tries to explain so that there is not much confusion after looking it over.
Beautiful art.......2007-08-23
Loved this book for my Art class. I didn't think I would like the class, fell in love with art, and even kept the book afterwards instead of selling it.
Comprehensive.......2007-02-16
I would recommend this to anyone who wants to better themselves in the region of art history knowledge and the ability to evaluate art's content as well. It was well worth buying and compliments any classes orientated towards the subject...maybe would even overshadow the required text.
Very interesting pictures.......2006-12-07
I purchased this book for my Art History class. Very interesting pictures along with non-boring texts. I really like the accompanied CD as it has all pictures from this text as well as other version of Gardner's art history books. Pictures are crystal clear. Although I finished that class long ago in 2002 and sold the book for school's book store with attractive price, I still have a copy of that CD and often reviewed whenever I saw some interesting stories of art history (such as female goddess from Dan Brown's Da Vinci Code). All pictures are under flash cards section. Besides a good text book, it should be kept as a reference.
Customer Reviews:
heavy book has awesome content.......2007-03-08
this textbook of sorts is super informative with great color and black and white pictures of paintings discussed in the readings.
Modern Art.......2006-11-04
Academic reading and art criticism, well suited for undergraduate and graduate coursework. Dry reading for aficionados, on the bombastic side descriptive. This book speaks to art as a critic would describe the sunset.
Perfect order, same old same old.......2006-07-26
Blah blah blah - Good quality blah blah. You know the drill, just BUY IT already!
Fascinated Layperson........2005-01-11
Having taken art history in college, I wish this was the addition of Arnason I bought. Kalb is a gifted editor. The original text is streamlined and energized with beautiful new plates. I thought the later chapters that Kalb wrote on contemporary art brought this classic to the 21st century. I bought it again.
Book Description
The greatest monument to love, and the lost world of the Agra gardens and their characterful owners, re-created through superb scholarship and evocative illustrations.
The Taj Mahal is the epitome of Mughal art and one of the most famous buildings in the world. Yet there have been few serious studies of it and no full analysis of its architecture and meaning.Ebba Koch is the only scholar who has been permitted to take measurements of the complex. She has been working on the palaces and gardens of Shah Jahan for thirty years and on the Taj Mahal itself—the tomb of the emperor's wife, Mumtaz Mahal—for a decade.
The tomb represents the house of the queen in Paradise, and the author shows how its setting was based on the palace gardens of the great nobles that lined both sides of the river at Agra. She leads the reader through the entire complex of the Taj Mahal, with an explanation of each building and an account of the mausoleum's urban setting, its design and construction, its symbolic meaning, and its history up to the present day.
The book features hundreds of new photographs plus drawings by the Indian architect Richard Barraud that include plans and reconstructions of Agra and the Taj complex as they looked in Shah Jahan's time.
Customer Reviews:
Excellent book!.......2007-09-26
Having visited the Taj Mahal, I wanted to have an authoritative book on the history behind its construction and this book is not only an excellent souce, but also a very good photographic record of this amazing Wonder of the World!
A Ten-Star Book that Is Without Parallel.......2007-04-15
Having read a number of books about the Taj Mahal, including the recently published "Taj Mahal: Passion and Genius...," I would bet good money that if given a copy of Ebba Koch's book to preview, those truly interested in India's national treasure will buy "The Complete Taj Mahal," even if they have to skip lattes or lunches to afford it, even if they have already done so to afford Okada/Joshi/Nou's "Taj Mahal" with its stunning photography.
One reason, of course, is that TCTM is so complete. To others' overviews of the material covered, I would add only that Koch does not neglect the human element. For example, in eight introductory pages of text, Koch provides excellent background information about Shah Jahan, his wife and his predecessors; later, she details Jahan's passion for building. Koch also includes interesting information about the artisans, craftsmen and laborers who did the actual work as well as details about others associated with the Taj-related structures/gardens of Agra. Further humanizing the story of this garden city are colorful Mughal paintings of its nobility and rulers.
Another aspect of TCTM that makes it a must-have are the many photographs of sites, structures and architectural ornamentation, photographs "The Hindu" declared "often brilliant" as well as "judiciously chosen." Just how apt these descriptions are is suggested by the following: There were only seven pages of O/J/Nou's photographic extravaganza of the Taj complex that I photocopied to tuck into Koch's book, and of them, five were additional close-ups of floral inlays and calligraphy. Adding to the appeal of TCTM is that the camera goes beyond the splendors of the Taj complex. Of special interest to those who have been in Agra, for instance, will be the realistic photographs of the Taj Mahal peeking above the "agglomeration of haphazard constructions" that have "almost obliterated" its bazaar and caravanserai. Shown, too, are its architectural precedents as well as artisan workshops and quarries. Though most of the photographs in this book are in color, even those in black and white are revealing.
Also making TCTM next to impossible to resist are the "company drawings," most of which are in color as well. Forerunners of postcards, they were "made by local artists in the early days of the Raj" for European tourists, who bought them "to illustrate their journals." Works of art in themselves, often the drawings are so detailed that they could easily be photographs. But they do not serve as mere eye candy: many are of Taj-related structures that no longer exist or have been stripped of all that made them magnificent; some are juxtaposed with recent photographs to show the toll time has taken on the brilliance of color and intricacy of design. Evocative paintings and watercolors of the Taj Mahal by foreign artists are included as well.
What may ultimately sell people on TCTM, however, is that it is a book they will actually enjoy reading much if not all of. Not only is Koch's narrative writing fluid and easy-to-digest. Even her descriptions of architecture will be relatively easy for laymen to understand, provided that they are willling to refer to the glossary of terms and look at the many visual aids, including Barraud's "precise and clear" line drawings, that accompany the text. So well done is this book, in fact, that as "The Hindu" noted, even "information which is more technical and not at face value so interesting to general readers will, in fact, be found by them to be equally absorbing." (All I would personally exclude from this are the two pages of precise measurements of the Taj complex.)
To another reviewer's assertion that TCTM is a book that "should be in the library of anyone fascinated by the Taj Mahal, not just historians and architects," I add a thousand "Amen's."
Agra the Extraordinary.......2007-03-16
A superlative volume showing in detail and with historic drawings, maps, and photos, as well modern illustrations and reconstructions the unsurpassed achievements of the Mughal in residential garden architecture. The riverbanks of the Yamuna River as it passes through Agra was where this artistic impulse achieved culmination in the seventeenth century garden residences and tombs sponsored by the nobles and rulers of the Mughal state and built by the craftsmen of India. One of the signal contributions of this book is the inclusion of the stories of the architects, carpenters, and masons who left their signatures and marks on the individual elements of the overall project. The residential and tomb gardens which stretched along the river and are now mostly gone gave way at midpoint to the grandest residence of all, the Red Fort which remains today the second greatest landmark of Agra. And at the southern end of the development stands today the greatest tomb ever built, one of the architectural wonders of the world, the Taj Mahal. The work is so complete that it documents not only the construction efforts but also the tourism that followed and the depth to which the Taj Mahal became embedded in the consciousness of the world. The culmination of three decades of meticulous research this substantial volume tells an engrossing story of the planning, development, and eventual decline of a unique garden city. It more than fulfills the adjective "complete" and should be in the library of anyone fascinated by the Taj Mahal, not just historians and architects. A truly extraordinary accomplishment.
Book Description
Now in its Fourth Edition, this unrivaled, seminal work continues its long tradition of providing balanced insight and thorough historical background. Under the new authorial leadership of Alston Purvis, this authoritative book offers more than 450 new images, along with expansive coverage of such topics as Italian, Russian, and Dutch design. It reveals a saga of creative innovators, breakthrough technologies, and important design innovations.
Customer Reviews:
Must have for Graphic Designer!!!.......2007-09-15
Great book with expansive price, thats why i put 3 stars only,,
i get that book only MYR 80.00 (in USD around 23 dollar)
if you are student, especially Limkokwing University Student you can ask your Design History lecture,,
My faveorite textbook.......2007-08-01
I didn't want to sell this back to the store it was so good. It is in my library for reference when ever I need it.
Wonderful Book.......2007-03-18
This book is a great comprehensive history of graphic communication from the cave paintings till today. I'm using it as textbook for one of my classes in college and it is wonderful. It is also beautifully designed.
awesome.......2007-03-08
One of the best book I bought on the subject. Buy it. it's a great source of inspiration.
History Of Grahpics.......2007-03-08
I found that this book is well illustrated and more focused on the history of graphics rather than the technique. I purchased this as a school text book requirement but will be keeping the book for my own personal enjoyment. Book is larger than expected and dates from early cave paintins and their symbolic and graphic relevance through some of the early wood and block prints up to Warhol and current used of design and typography.
Customer Reviews:
Art history for everyone.......2007-10-07
This is a valuable companion to the standard college text for the art history student. It is short yet complete, and makes art history entirely accessible. It is clearly written, entertaining, and is a great overview for the novice or serious student of art history.
Learn with your children.......2007-09-01
This book was purchased for my son for school, but I purchased two to refresh my memory. It is a wonderful book.
Art Education Student.......2007-08-16
I am preparing to take the Art education part of the GACE exam. Not only is ths book a must but all of my professors encourage us to study it. The color photos are perfect and you could not buy anything better.
Great summary.......2007-05-13
This book points out the specifics of different art movements in a brief and informative fashion. Don't expect in-depth analysis of specific works, but you will get a run-down of the important names and pieces from significant periods in Art History. This book helped me go from a 4 to a 5 in A.P. Art History practice tests. I highly recommend it for the price!
The Annotated Mona Lisa.......2007-05-07
Excellent book for AP Art History review. I have used it in my classroom for eight years with great results!
Average customer rating:
- A Taste of Owners' Plans, Editorial Direction, Style, Fashion, Great Photography, and Memorable Models
- Just OK.
- Magnificient overview of an iconic magazine
- A travel through time by book
- InVogue: The Illustrated History of the World's most famous fashion magazine
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In Vogue: The Illustrated History of the World's Most Famous Fashion Magazine
Alberto Oliva , and
Norberto Angeletti
Manufacturer: Rizzoli
ProductGroup: Book
Binding: Hardcover
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The Beautiful Fall: Lagerfeld, Saint Laurent, and Glorious Excess in 1970s Paris
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A Photographer's Life: 1990-2005
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Balenciaga Paris
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ASIN: 0847828646
Release Date: 2006-09-22 |
Book Description
In Vogue is a fascinating look at the history of the world's most influential magazine. The complete compendium is illustrated with hundreds of covers and archival interiors of past Vogue editions, featuring the work of some of the twentieth century's most respected artists, cover illustrators, and photographersâfrom Edward Steichen, Toni Frissell, and Erwin Blumenfeld to Irving Penn, Richard Avedon, David Bailey, Helmut Newton, Annie Leibovitz, Mario Testino, Steven Klein, Bruce Webber, and Herb Ritts. In 1909, an entrepreneurial New Yorker named Condé Nast took charge of a struggling society journal and transformed it into the most glamorous fashion magazine of the twentieth century. In Vogue traces the history, development and influence of this media colossusâfrom its beginning as a social gazette in the late nineteenth century, to the exploration of modern fashion photography and new visuals in the mid-twentieth century, to its status as the top style magazine today. The book explains the makings of the magazineâfrom runways, to editorial meetings, to the pages of Vogue.The thoroughly researched story incorporates first-person accounts, interviews with editors and photographers, and excerpts from stories written in the magazine by many world-renowned writers, including Truman Capote, Aldous Huxley, Richard Burton, Federico Fellini, and Marcello Mastroianni. Unparalleled in its scope and exceptionally illustrated, In Vogue is sure to be among the most important publications on the subjects of culture, art, fashion, photography, and media.
Customer Reviews:
A Taste of Owners' Plans, Editorial Direction, Style, Fashion, Great Photography, and Memorable Models.......2007-07-16
What attracts you to Vogue? Chances are that element is represented someplace within the pages of In Vogue.
To me, the photographs are the main appeal of Vogue. Since its founding on December 17, 1892, Vogue has attempted to capture current and future fashion through its images. The magazine has been blessed by talented work done by most of the world's best fashion photographers since then who brought us the most interesting society women, celebrities, cultural icons, and, of course, fashion models. I was pleasantly surprised to see that the book contained at least a few works by each of the greatest photographers to appear in Vogue. Most of the images were known to me, but a number were new. My main disappointment was that the photographers I like the most didn't have more photographs in the book. But the book is very bulky and heavy as it is.
To my interest in the photographs came many essays about why the photographers were selected and what the editors asked them to accomplish. The interaction of the art directors and the photographers was particularly noteworthy in regard to covers.
I have also spent many years as a management consultant in the magazine industry. I was pleasantly surprised to find that there's a pretty complete overview of the management thinking and decisions that led to Vogue becoming so successful.
But the most interesting surprise came in the extended views into the editorial philosophies and working styles of the magazine's editors. Creating a fashion magazine is very demanding, and Vogue has been fortunate in its editors both for their energy and their vision for the reader.
If neither business nor editing interest you, you'll still find lots of marvelous images to help you trace the development of fashion and style in the United States over the last 100 plus years.
Here are a few of my favorite photographs in the book:
Helen Lee Worthing by Baron Adolphe de Meyer, September 1, 1920 (p. 61)
White by Edward Steichen, January 1, 1936 (p. 67)
Mademoiselle Koopman by George Hoyningen-Huene, September 15, 1933 (p. 69)
Mary Taylor by Cecil Beaton, May 15, 1935 (p. 73)
Lisa Fonssagrives by Horst P. Horst, August 1, 1938 (p. 76)
Decor by Horst P. Horst, March 15, 1938 (p. 77)
Corset by Horst P. Horst, September 15, 1939 (p. 78)
Coco Chanel by Horst P. Horst, February 15, 1954 (p. 79)
Cover by Horst P. Horst, September 15, 1940 (p. 89)
Loretta Young by John Rawlings (p. 111)
Twelve Beauties by Irving Penn, 1947 (pp. 116-117)
Cover by Horst P. Horst, May 15, 1941 (p. 131)
Cafe Society by Cecil Beaton, 1948 (pp. 136-137)
Concentration Camp by Lee Miller, June 1945 (p. 143)
Jean Pachett by Irving Penn, February 15, 1949 (p. 144)
Atelier of Pablo Picasso, November 1, 1956 (pp. 156-157)
Twiggy by Richard Avedon, July 1967 cover (p. 172)
Marisa Berenson by Berry Berenson, 1969 (p. 179)
Marisa Berenson by Irving Penn, April 1970 (pp. 186-187)
Lauren Hutton by Richard Avedon, January 1, 1969 (pp. 198-199)
Celebrity covers, 1965-1971 (p. 202)
Cheryl Tiegs and Rene Russo by Helmut Newton, 1974 (p. 215)
Cybill Shepherd by Helmut Newton, 1973 cover, (p. 216)
Kim Basinger by Irving Penn, September 1978 (p. 217)
Beverly Johnson by Albert Watson, October 1977 (pp. 218-219)
Charlotte Rampling by Helmut Newton, 1974 (p. 221)
Eveningwear by Arthur Elgort, 1978 (p. 222-223)
Lisa Taylor by Arthur Elgort, October 1976 (pp. 228-229)
The Right Moment by Arthur Elgort (p. 230)
Lisa Taylor by Helmut Newton, May 1975 (p. 233)
Winnie by Helmut Newton, 1976 (p. 234)
Daryl Hannah by Helmut Newton, 1984 (p. 235)
Bathhouse by Deborah Turbeville, May 1975 (pp. 236-237)
Satin and Leather by Peter Lindbergh, September 1991 (pp. 252-253)
Color and Opulence by Peter Lindbergh, October 1997 (pp. 254-255)
Tribute by Annie Leibovitz, November 1999 Cover (pp. 272-273)
Linda Evangelista by Steven Meisel, September 2001 (p. 274)
Shape by Annie Leibovitz and Patrick Demarchelier, April 2002 (p. 278)
Lisa Cant by Irving Penn, September 2005 (p. 283)
Cindy Crawford by Helmut Newton, December 1991 (p. 287)
Haute Couture by Irving Penn, December 1995 (p. 292-293)
Epic Proportions by Irving Penn, April 2004 (p. 297)
Swimsuits by Mario Testino, May 2000 (pp. 298-299)
Portrait of a Lady by Steven Meisel, March 1995 (p. 307)
Mad About You by Steven Meisel, October 2003 (p. 313)
Naomi Campbell by Herb Ritts, May 1996 (pp. 314-315)
Barbarian Chic by Arthur Elgort (p. 325)
Near Bora Bora by Patrick Demarchelier, December 2004 (p. 330)
Golden Girl by Annie Leibovitz, April 2006 (pp. 345-346)
Condoleeza Rice by Annie Leibovitz, December 2001 (pp. 358-359)
Kate Moss by Irving Penn, September 1996 (pp. 368-369)
Hillary Clinton by Annie Leibovitz, December 1998 (p. 372)
Nicole Kidman by various photographers, September 2003 (pp. 378-379)
Models and Supermodels by Steven Meisel, September 2004 (pp. 380-381)
Ben Stiller and Stella Tennant by Annie Leibovitz, October 2001 (pp. 388-389)
Mario Testino, April 2006 (pp. 392-393)
Take a close look!
Just OK........2007-06-28
I liked the information and photos about the early Vogue, and wish there was more of it. I was not so interested in the later stuff, as it seemed overly self-important. Instead of presenting fashion, the current Vogue seems to commision special clothes for its photo shoots. What's the point if you can't buy that? Plus the photos don't even show what the clothes look like. I have better books on fashion, but this really was about the history of the magazine, and as such it succeeds. I just don't happen to like the magazine as it never shows anything I'd want to wear.
Magnificient overview of an iconic magazine.......2007-06-22
Ten gets you one that when you ask someone to name a fashion magazine, the first answer you get will be, "Vogue". That's how much of an institution the magazine has become. While "Elle" and "Women's Wear Daily" might dispute the contention, "Vogue" seems to have become the periodical of record for worldwide haute couture. As such, as the authors note in their introduction, a basic history is past due. With a great deal of help from the Vogue staff itself - Anna Wintour, the magazine's longtime editor (and so prominent a figure in her own right that Meryl Streep's spoof of her in last year's movie "The Devil Wears Prada" was instantly recognizable), is prominent in the list of contributors - Angeletti and Oliva, magazine historians both, have assembled an informative text and a gorgeous array of imagery which effectively covers the century-plus history of Vogue, from the cover of the very first magazine to the latest photos of Nicole Kidman. The book is certainly a highly display-worthy item, as another reviewer has suggested, but more than that, it's meant to be leafed through and read. You can find it brand-new at a wide variety of prices, but even if all the Amazon Marketplace sellers were somehow sold out of their copies, it'd still be worth the list price!
A travel through time by book.......2007-05-14
The authors of In Vogue composed a diversified chronicle of the appearance and the development of Vogue from 1892 until today. The photographs chosen portray the history of fashion photography wonderfully, each of them either a ravishing new sight or a spectacular recognition. The structuring by Decade, introduction of publishers, contributing editors, photographers, etc interposed by special contributions and excerpts of resumes offers the reader a diverting journey trough publishing history in general and the publishing of fashion in particular.
InVogue: The Illustrated History of the World's most famous fashion magazine.......2007-03-28
great extensive fashion history on Vogue magazine: superb pictures, designers, models....
Book Description
Cutting-edge concepts, a beautifully illustrated text, and a dazzling array of award-winning design make the third edition of this standout best-seller one of the most highly acclaimed design texts in the world. Graphic Design Solutions continues to provide a clear and comprehensive introduction to graphic design and advertising design, with step-by-step visual solutions that readers can apply with confidence to their own design and advertising projects. A highly illustrative, straightforward assessment of developing winning graphic design solutions for a variety of media-including print, Web, television, and unconventional formats-helps designers think critically and creatively about their work while understanding the demands of the graphic design profession in today's world.
Customer Reviews:
Favorite Graphic Design Book.......2007-09-21
I just finished reading all but one or two chapters of this book for a class where this was the primary text. I have to say that this book goes everywhere with me and has become a favorite. Compared to the other text books I had this semester (and many others as well), this was a breath of fresh air. The writing was never dry and it never dragged. What I read really stuck with me and I looked forward to my weekly reading. Also having the exercises at the end of most of the chapters is wonderful for a student for further learning that truly is self-paced. I plan on doing most, if not all of these exercises for further practice. I am definitely going to have to look into Landa's other titles as well.
Best G.D. Book out there!.......2007-04-04
Was advised to buy from instrucor as additional class materials and found I love this book! Covers from core information to breaking down new media and cutting edge styles. Would not go without this book if you are interested in learning about graphic design as an art and a science. Great organization and use of information -good for any level designer.
Don't pay retail... GET IT ON AMAZON!
Graphics Student.......2007-02-23
I am taking a night course that required this book. Amazon.com had the best price. The book itself has many beautiful graphic illustrations and the text is fairly easy to read. It is not the total snoozer I thought it would be and has many fun projects to illustrate the points made in the text. All-in-all not a bad course book although this is not something I would have ever picked up for personal reading.
Great for Intermediate Designers.......2007-02-20
This book is a big help if you have been thrust into a job where you must come up with a great design for a poster or flyer. Gives you as many or as little steps as you think are necessary. Good reference.
Great Text For Art students.......2007-01-04
Combining great illustrations along with good information, this text truly delivers what many are lacking in. From print to web design, this book explores many facets of Design.
Books:
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- Go Put Your Strengths to Work: Six Powerful Steps to Achieve Outstanding Performance
- Graphic Design Solutions, Third Edition
- Gung Ho! Turn On the People in Any Organization
- Handbook of Modern Sensors: Physics, Designs, and Applications (Handbook of Modern Sensors)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
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