Book Description
Whoever said “Everything old is new again” could have been talking about French Pompadour Style. The flamboyant, opulent, refined aesthetic—so characteristic of the eighteenth century—has enjoyed a spectacular revival in recent years. In The New Eighteenth-Century Style, journalist Michèle Lalande and photographer Gilles Trillard, both experts in the field of interior décor, survey 30 examples of this quintessential blending of exquisite detail and ostentatious affluence. From lush velvet upholstery to the emblematic use of turquoise with gold accents, these perfectly captured interiors beguile the reader with well-worn extravagance. In an era of “shabby chic” the more refined, more pristine accents of Pompadour may be just what the world of interior décor needs—and this beautiful book provides an indispensable guide.
Customer Reviews:
Love that shabby chic French style!.......2007-06-01
An absolutely smashing book, full of details. After all, it is the details that make the room finishesd and unique. This is a classic look in my way of thinking, but then again, it is my style! A decorator by trade, I am always open to new concepts, and I found the book to offer many different perspectives on the same style, pages after pages of them. Excellent book layout and design, and wonderful photography.
Lovely book.......2007-04-04
I'm an artist & antique collector and not an interior designer by trade, so I am totally enjoying this book. I find it to be a lovely book full of great photography and many interesting details to spark one's imagination. Regardless of the fact that all the styles are not necessarily my own taste, the book as a whole is great fun to look at and I found it inspiring. Each time I looked at a room, I found some new little detail that I'd missed the first time around. It made me itch to re-vamp a room, stat, and I consider anything that inspires me or makes me feel creative money well spent.
Dangerous Liasons.......2007-02-09
This is a pretty, pretty book with lots of great stuff to look it, lots of interesting vignettes. It's French shabby, chippy _hit, uh, I mean chic. This was a great trend in the mid 1990's here in the USA before Rachel A. made shabby and chic a brand. Big style on a budget using detrius no one wanted. And it was cheap back then. Just took a can of white paint to chic up everything.
These French 18th century and 18th century inspired objets in this book, are not cheap. They are shabby and they are beautiful. The vignettes look like the Broadway stage set for the play Dangerous Liasons - decay, messy, artful, romantic, monochromatic and mad.
Like many decor books, the vignettes are impossible to see as life like - like does anyone really live in these vignettes. Still, they are beautiful to look at. The new 18th century style is a little like the new emperor's clothes. Smoke and mirrors to the highest degree of accomplishment. Get this book for the fun of it.
Fabulous Book! .......2006-11-18
If you're style is that of a Paris flea market, the bazaar in Bombay or a eclectic old shop somewhere in Eastern Europe, you'll love this book. Great photography; the individualism of each space comes through with color and texture. My new favorite. The highlight is more photos of the Stockholm attic apartment, which is a true style icon.
French Flea Market (if you like that look).......2006-11-02
More like Madame Pompadour is probably rolling over in her grave. I hope to goodness gracious that this isn't the new 18th century style. If you like 18th century style on a seriously tight budget then you may enjoy this book. It's full of pages of colorless 'schemes', seriously abused furniture and icy cold lighting. Was it all photographed in rooms with Northern exposure? The editors of Veranda will love this book. I am an interior designer who collects period 18th century furniture and art. I have truly studied 18th century furniture, decorative arts and customs for years and this is a popular look although I find it horribly depressing. On the positive side - the photography in this book is very well done. If you like French flea market 'junk' then you'll love this. I gave it a 4 vs. a 2 because the quality of the book is excellent and the photography is excellent but much of my disdain for this book is from this horrendous & prevalent style that I wish would go away.
Average customer rating:
- Amazing Visuals, Informative Text!
- Another Gee's Bend book
- An exciting look at quilts as modern art
- Gee's Bend: The Architecture of the Quilt by Paul Arnett, William Arnett
- A great book on a legendary art
|
Gee's Bend: The Architecture of the Quilt
Paul Arnett ,
William Arnett ,
Bernard Herman ,
Maggi Gordon ,
Diane Mott ,
Dilys Blum ,
Lauren Whitley ,
Amei Wallach , and
Joanne Cubbs
Manufacturer: Tinwood Books
ProductGroup: Book
Binding: Hardcover
 African American
| Regional
| History & Criticism
| Arts & Photography
| Subjects
| Books
General
| Museums & Collections
| Arts & Photography
| Subjects
| Books
General
| Museums
| Museums & Collections
| Arts & Photography
| Subjects
| Books
General
| Exhibition Catalogs
| Museums
| Museums & Collections
| Arts & Photography
| Subjects
| Books
Textile & Costume
| Design & Decorative Arts
| Arts & Photography
| Subjects
| Books
General
| Arts & Photography
| Subjects
| Books
Folk Art
| Schools, Periods & Styles
| Arts & Photography
| Subjects
| Books
Quilts & Quilting
| Crafts & Hobbies
| Home & Garden
| Subjects
| Books
Similar Items:
-
The Quilts of Gee's Bend: Masterpieces from a Lost Place
-
The Quilts of Gee's Bend: 30 Postcards
-
Mary Lee Bendolph, Gee's Bend Quilts, and Beyond
-
Nancy Crow
-
Quilt National 2007: The Best of Contemporary Quilts (Quilt National)
ASIN: 0971910456 |
Book Description
In 2002, Gee’s Bend burst into international prominence through the success of Tinwood’s Quilts of Gee’s Bend exhibition and book, which revealed an important and previously invisible art tradition from the African American South. Critics and popular audiences alike marveled at these quilts that combined the best of contemporary design with a deeply rooted ethnic heritage and compelling human stories about the women. Gee's Bend: The Architecture of the Quilt is a major book and museum exhibition that will premiere at the Museum of Fine Arts, Houston (MFAH), in June 2006 before traveling to seven American museums through 2008. The book's 330 color illustrations and insightful text bring home the exciting experience to readers while displaying all the cultural heritage and craftsmanship that have gone into these remarkable quilts.
Customer Reviews:
Amazing Visuals, Informative Text!.......2007-09-17
This book is gorgeous!!! It includes large photographs of tons of quilts, in a size that allows you to see the smallest details, such as topstitching. It also includes inspirational photos of details of the town. However, it's not your typical coffe table book, because it has probably equal parts very informative text and visuals. Since it's not small enough to carry with me on the train, it's been hard separating myself from this book-- it is beautiful!
Another Gee's Bend book.......2007-05-13
I like this book because it is full of information about the construction of the quilts and alot of trivia about the makers of the quilts. Very beautiful pictures! A great book for learning.
An exciting look at quilts as modern art.......2007-02-08
This book illustrates the link between the incredibly beautiful quilts produced by five generations of African American women in the South to the architecture they saw around them and to their own artistic vision. Their personal stories, contained in chapters toward the end of the book, are very moving and inspirational.
Gee's Bend: The Architecture of the Quilt by Paul Arnett, William Arnett .......2007-01-12
Wonderful book full of pictures and inspiration, and the story of the Gees Bend Quilts.
A great book on a legendary art.......2007-01-04
This book shows the Gees Bend quilts in all their gorgeous and unself-conscious art, as well as telling the story of these women, descended from slaves in an isolated community, who created this amazing abstract art. A wonderful book, with many color photos of the quilts.
Book Description
Since the 19th century, the women of Gee’s Bend in southern Alabama have created stunning, vibrant quilts. Beautifully illustrated with 110 color illustrations, The Quilts of Gee’s Bend includes a historical overview of the two hundred years of extraordinary quilt-making in this African-American community, its people, and their art-making tradition. This book is being·released in conjunction with a national exhibition tour including The Museum of Fine Art, Houston, and the Whitney Museum of American Art.
Customer Reviews:
exceptional.......2007-03-30
I remember the first time I saw photographs of the quilts of Gee's Bend in a magazine about seven years ago. I couldn't wait to learn about the amazing artists whose vision the quilts portray. This book is more outstanding than I imagined it could be. It is powerful, beautiful, sensitive, and historically accurate. I recommend The Quilts of Gee's Bend to anyone with an eye for artistic genius and a love for discovering a community of women willing to express themselves outside the box of convention. How refreshing and inspiring! Simply Exceptional!!
.........a superb keepsake of a memorable trip. .......2007-03-08
Who is more qualified to help provide us with a book about the quilts of Gee's Bend, but Mr. Bill Arnett who has championed the makers of these quilts and their works since 'discovering' them years ago in the tiny community of Gee's Bend about thirty miles southwest of Selma, Alabama?
The quilts first went on tour in 2002 and have been touring ever since. I learned of the ladies of Gee's Bend and their quilts from a PBS documentary first aired in 2003 and have anxiously hoped they would one day come to my part of the country. When, earlier this year, I found the quilts would indeed be coming to the Orlando Museum of Art, I purchased, The Quilts of Gee's Bend: Masterpieces from a Lost Place, documenting the quilts, and the lives of their various makers, with beautiful, full-color illustrations of the quilts.
In February, 2007, when I was finally able to enjoy the quilts in person, I was happy to discover the book had accurately depicted the quilts, and their makers, paralleling an exhibition that should be seen and appreciated by all.
I purchased a copy of The Quilts of Gee's Bend: Masterpieces from a Lost Place, for the art teacher of my children's school. This beautiful book encouraged her to take her middle and high school art students to the exhibition. The book helped the students to first see and read about what they were going to view and then became a superb keepsake of a most memorable trip.
The Quilts of Gee's Bend.......2007-03-08
This is a beautiful book about both the women and the quilts of Gee's Bend. The photos make me feel as if I am back at the Gee's Bend Quilt Show.
Memories which must be kept 'real'.......2007-03-08
This book is already a treasure and one I can love and then bequeath to another art and tradition and people lover...
At the end of October in 2003, I was in Milwaukee to see this Quilt exhibition. Friends of Art from Indiana University drove to Chicago and then on to the marvelous museum in Milwaukee to experience the Quilts. What an awakening! That day I bought a Video. Since that time I have purchased the DVD and (when I found it online) the hardback book The Quilts of Gee's Bend! What a treasure! I am overjoyed to have this book and to have had the viewing experience! [I also use the USPS stamps and the book of postcards!] --Sarah K. Robinson
The Heart and Souls...........2007-01-27
The heart and souls of women are exposed in this poignant book of quilts, along with their "stories" past and present---of slavery on through the civil rights era, and now, life as it is in rural Alabama. The quilts, made out of necessity for their warmth, have become acclaimed Objects d' Art throughout the Art World. Having seen the documentary on television and the Quilt exhibit in San Francisco, I was compelled to purchase this beautiful book containing a compilation of these quilts and self-expressed comments from the community of women who have kept their quilt-making alive. I have purchased this book for myself and several others as gifts.
Average customer rating:
|
The Grove Encyclopedia of Decorative Arts: Two-volume Set
Gordon Campbell
Manufacturer: Oxford University Press, USA
ProductGroup: Book
Binding: Hardcover
General
| Architecture
| Professional & Technical
| Subjects
| Books
General
| Reference
| Arts & Photography
| Subjects
| Books
Decorative Arts
| Design & Decorative Arts
| Arts & Photography
| Subjects
| Books
General
| Arts & Photography
| Subjects
| Books
Folk Art
| Schools, Periods & Styles
| Arts & Photography
| Subjects
| Books
General
| Crafts & Hobbies
| Home & Garden
| Subjects
| Books
Decoration & Ornament
| Interior Design
| Home & Garden
| Subjects
| Books
Art
| Encyclopedias
| Reference
| Subjects
| Books
All Titles
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Similar Items:
-
The Oxford Encyclopedia of Children's Literature (4 Volume Set)
ASIN: 0195189485 |
Book Description
The Grove Encyclopedia of Decorative Arts covers thousands of years of decorative arts production throughout western and non-western culture. With over 1,000 entries, as well as hundreds drawn from the 34-volume Dictionary of Art, this topical collection is a valuable resource for those interested in the history, practice, and mechanics of the decorative arts. Accompanied by almost 100 color and more than 500 black and white illustrations, the 1,290 pages of this title include hundreds of entries on artists and craftsmen, the qualities and historic uses of materials, as well as concise definitions on art forms and style. Explore the works of Alvar Aalto, Charles and Ray Eames, and the Wiener Wekstatte, or delve into the history of Navajo blankets and wing chairs in thousands of entries on artists, craftsmen, designers, workshops, and decorative art forms.
Book Description
One cold December morning, Dori Hadar DJ by night, criminal investigator by day was digging through crates of records at a flea market in Washington, D.C. There he stumbled into the elaborate world of Mingering Mike a soul superstar of the 1960s and '70s who released an astonishing 50 albums and at least as many singles in just 10 years. But Hadar had never heard of him, and he realized why on closer inspection: every album in the crates was made of cardboard. Each package was intricately crafted, complete with gatefold interiors, extensive liner notes, and grooves drawn onto the "vinyl." Some albums were even covered in shrinkwrap, as if purchased at actual record stores. The crates contained nearly 200 LPs and 45s by Mingering Mike, as well as other artists like Joseph War, the Big "D," and Rambling Ralph, on labels such as Sex Records, Decision, and Ming/War. There were also soundtracks to imaginary films, a benefit album for sickle cell anemia, and a tribute to Bruce Lee.
Hadar put his detective skills to work and soon found himself at the door of the elusive man responsible for this alternate universe of funk. Their friendship blossomed and Mike revealed the story of his life and his many albums, hit singles, and movie soundtracks. A solitary boy raised by his brothers, sisters, and cousins, Mike lost himself in a world of his own imaginary superstardom, basing songs and albums on his and his family's experiences. Early teenage songs obsessed with love and heartache soon gave way to social themes surrounding the turbulent era of civil rights protests and political upheaval brought even closer to home when Mike himself went underground dodging the Vietnam War.
In Mingering Mike, Hadar tells the story of a man and his myth: the kid who dreamed of being a star and the fantastical "careers" of the artists he created. All of Mingering Mike's best albums and 45s are presented in full color, finally bringing to the star the adoring audience he always imagined he had.
Customer Reviews:
Mingering Mike is That Dude!.......2007-05-22
I have been following Mingering Mike's intriguing story from the beginning since Dori and Frank discovered Mike's hidden gems. Let me say, I am still nothing short of amazed on this diggin' phenomenon.
Top quality stuff here, so don't sleep!
AMAZING BOOK!! BRAVO.......2007-05-17
I was so excited to finally see Mingering Mike's work in detail- as well as the scoop on this fascinating story. This book delivers- and features all of the charming words and whimsical creativity of a true outsider artist. Much like Henry Darger and his mystique- Mingering Mike's appeal lies in his dedication to his dream and the crafty ways he set out to acquire making it in the music business. The New York Times story on this kept me captivated and now I'm proud to own the final product of all this hard work! Kudos to Hadar and pals who made it possible...and of course mingering mike!
incredible.......2007-05-13
an unbelievable discovery which almost seems too incredible to be real. a socio-cultural time capsule of american history which gives us an incredible collection of work as well as the incredible story of it's discovery. this is outsider art at its finest! so earnest, heartwarming, and real. an AMAZING book! thank you dori and mike!
Wow!.......2007-05-13
What an amazing book! Mingering Mike is a true superstar and Mr. Hadar has done a great job chronicling his (imaginary) career. Can't wait to hear the songs!
Amazing story, great find........2007-05-09
Fascinating story and great publication. This is a must buy for anyone interested in Black Culture and History, Soul Music, folk art and everything having to do with current events in the 60's & 70's. It's like reading a diary from that time with groovy illustrations and intriguing ancedotes. Mingering Mike is a clever, inventive superstar.
Book Description
Arts and Crafts design, characterized by clean, graceful lines and solid workmanship with quality materials, has experienced an explosion of popularity over the past decade with museums, collectors, and the general public. William Morris, Gustav Stickley, and Frank Lloyd Wright are among some of the most well-known designers who produced furniture and architecture in the Arts and Crafts style, while many others produced ceramics, glass, textiles, wallpaper, and silverware in the same vein. A comprehensive survey of one of America's most enduring and popular interior design styles, reflecting both traditional and contemporary interpretations, this lavishly illustrated and informative volume begins with a discussion of the origins of the Arts and Crafts movement at the turn of the century and traces its evolution to the present day. Over 140 glorious, full-color photographs showcase the special beauty of this simple, graceful style and depict the hallmarks of its design impeccable construction and proportions, the use of enduring woods, exquisite finishes, handwrought hardware, and other unique touches in every object pictured, all in the context of contemporary homes. From a New York estate filled with rare Roycraft pieces to a Beverly Hills mansion furnished in Mission oak, the book not only provides a rare glimpse into the collector's world but offers a visual blueprint for incorporating this engaging style into any household, a source index explains how to identify original pieces and directs the consumer to places where both authentic and reproduction Arts and Crafts furniture and objects can be obtained. An invaluable and inspirational reference for decorators and collectors at all levels, In the Arts and Crafts Style combines splendid photography and an enlightening text into a treasured, one-of-a-kind volume as classic and timeless as the style to which it pays tribute.
Customer Reviews:
A very strong four and a half stars!.......2006-02-18
I am a librarian and a woodworker and thus have access and interest in many books on this subject. "In the Arts and Crafts Style" is a beautiful book that is deserved of much praise. The color photography is as plentiful as it is beautiful. I appreciate that the subject matter for this book does not seem to be drawn from the same dozen houses that so many others have used (As much as I like them, how many times can we look at the same pictures of the Gamble House, or Frank Lloyd Wright's home and studio?). The text in this book is very well written and conveys clearly what is so special about the subject matter. I was also very impressed with the excellent resource list given at the end of the book.
If I had an axe to grind about this book it is that the best photographs of A&C furniture are not contained in the (relatively short) chapter on furniture, but rather they are scattered throughout other chapters. This is a minor irritation in an overwhelmingly well done book.
I highly recommend this book for any collection relating to historic homes, furniture / interior design, and lovers of the Arts & Crafts lifestyle.
Great for Dreaming Your Ultimate Spaces.......2005-07-25
What a lovely book, for the A&C afficionado and the newbie alike. Dividing her content into Influences & Innovations; Hallmarks of the Style; Furniture; Objects and Accents; and Case Studies, Mayer presents a stunning and inspirational tour of homes and objects from the Arts and Crafts Movement. My sister gave me this when she realized I loved the style, and I nearly wept. How amazing to have someone understand your passions!
The only disappointment in this book is the inclusion of a case study "American Gothic," which highlights an anti-A&C aesthetic with a profusion, Victorian-aesthetic in its genesis, of tiles, metalwork, and pottery, that Stickley, Voysey, et al. would have abjured. Still, this departure from the style's reason for being serves to remind us of how valuable that reason was.
Excellent entry point into Arts and Crafts Movement.......2001-01-25
An arts and crafts website recommended this book as the place for beginners in the movement. Following their lead, we purchased the book and have not regretted it.
The advice is true. This is excellent background for the movement, giving it a skeleton which can be used to hang more and more on, including sources, wonderful photographical examples, and resources. We're finding it is desirable and so, so useful to restoring our bungalow to have a wealth of books on hand such as these to give ideas for restoration and decorating.
Beautiful photos, great detail ideas, and history.......1999-03-13
This book has a wonderful compilation of ideas, rooms and history to inspire one to run out to the antique mall. The details of every type of room done in this fashion gives a wealth of ideas for bringing this style into your own home.
Excellent Dialog and Photographs.......1999-01-03
This is a comprehensive book that covers (in five good sized chapters) the origins and influences of the Arts & Crafts style, hallmarks of the style, furniture, objects and accents, and case studies. I am a woodworker and I use this book quite frequently for inspiration and reference. For those interested in this period I highly recommend this book.
Book Description
This abundantly illustrated volume arises out of the painstaking work of the Georgia Quilt Project, the most authoritative survey of quilts and quiltmakers ever undertaken in the state. Georgia Quilts showcases the diversity of quilting materials, methods, and patterns used in the state from the nineteenth century to the present and reveals how quilts serve as conduits of history and culture. From plain bed coverings of fabric scraps to exquisitely wrought pieces made for the "best bed," each of the 120 examples featured in the book tells its own story of abundance or want, peace or war, tradition or novelty.
Instead of the usual chronological approach taken by many quilt histories, Georgia Quilts looks at a number of themes through which the common story of the state, its people, and its quilting legacy can be told. Chapters follow various threads of the craft, including Civil War-era quilts, the cotton economy, quilting groups, feed sack quilts, everyday and fine-craft quilts, and special-occasion quilts, including those made as gifts to honor athletes at the 1996 Olympic games. The volume's contributors have a deep knowledge of, and strong personal ties to, quilt history and quiltmaking in Georgia.
The Georgia Quilt Project, beginning in 1990, has documented more than 10,000 quilts. Volunteers conducted dozens of Quilt History Days around the state, interviewing quilt owners and examining and photographing their quilts. The 120 quilts included in this book have been chosen from the thousands seen by the Project. Some are notable for their beauty, rarity, or workmanship; others are simple, functional objects that have been cherished for their ties to family history. All have their own stories to tell about family, community, and the desire to leave something tangible behind.
Customer Reviews:
Very 20th Century.......2007-08-03
I'm interested in Vintage quilts, and State Quilt Study Groups publications are a great place to become acquainted with regional quilt patterns and aesthetics prior to 1900. Georgia Quilts is a bit disappointing compared to some other State Quilt books. Relatively few quilts prior to 1900, although some are superb; a Circular Saw that looks positively lethal, and a breathtakingly beautiful Lotus Blossom. Most State Quilt books are organized chronologically, this one is not, so there may be more pre-1900 quilts than I think. There's a lot of space devoted to non-quilting topics- including a chapter on King Cotton, which was interesting, and - not un-associated with quilts. Oh, two of Harriet Powers' fabulous quilts are pictured.
great delivery.......2007-05-23
Great book and very reasonably priced
Received within 5 days to Australia
Well done
fabulous photos.......2007-03-19
Fellow quilters understand; its the photos that make or break a book about quilts, and these photos are fabulous. The text is lively and informative and makes me wish to see another exhibit of historic quilts!
An Explosion of New Quilts from the South.......2007-01-23
I am still poring over this beautifully formatted and photographed book, and I've owned it for six weeks. It is a joy to behold and an important addition to current knowledge of textile and quilt history.
It is notable for the new quilts it brings to light and for the sheer number of quilts from the various eras in Georgia's long history. Clearly the quilt search that produced it was far-reaching, ambitious.
GEORGIA QUILTS also should interest quilt historians for the light it throws on quilts of the Deep South. Those seeking trends or commonality of patterns, textiles, quilting traditions, and other elements of the quilter's art now have another important resource.
In short, it is a beautiful book, filled with well-rendered full-page photographs of quilts not previously seen in print, with vintage photographs to provide context. Buy it for the quilts you will see, if for no other reason. It cannot fail to please.
The decision to organize the quilts by something more meaningful than chronology suggests the complexity of the body of quilts and offers options for deeper exploration of trends and issues. In this choice, the editors have the fine KANSAS QUILTS as precedent. A problem associated with such a decision, of course, is a possible lack of consistency in the quality of treatment and approach to the items studied.
GEORGIA QUILTS shows some of the problematic effects of this approach. For instance, some writers speculate more freely than others. When addressing the appearance of a blue-green color popular sometime around or just after the Civil War, the writer states the color visible today is "probably" the result of a fabric fade from a two-step home dye process. Yet throughout the book, this identical color appears in post-Civil War quilts in combination with cheddar and oxblood. The consistency raises questions that need addressing, for this color offers clues for dating and placing historical quilts of unknown provenance. Hardly novel to Georgia, it is seen throughout the Mid- and Deep South in the same general hue. One wonders what a search of cotton mill inventories in the period might have revealed.
Yet, while fewer unsupported generalizations would improve the book, to a large extent, the problem is characteristic of state quilt books because of the number of items that require consideration in a relatively short space. Perhaps all one might ask of such books is a representative sampling, accompanied by an effort at interpretation that will point the direction for future scholarship. In this, GEORGIA QUILTS succeeds.
And if only for the sheer array of quilts, well photographed and well displayed, and the complementary photographs from the Vanishing Georgia collection of the Georgia Historical archives, it deserves a place in the library of everyone interested in American quilts, American history, Southern culture and arts, or the history of quiltmaking.
Here you will find 'Possum quilts, a Circular Saw to beat all Circular Saw quilts, and enough lively examples of the quilter's art to suggest the character of Georgia's culture over time and to give abiding pleasure.
The editors are to be commended on their inclusion of many quilts heretofore not seen in regional quilt books and on their organizational decision. The varied treatments, including solid chapters on feedsack quilts, African-American quilts, and "King Cotton" are informative and introduce either new perspectives or focus earlier ones more sharply. The two chapters on early quilts present fine new examples, brilliantly photographed, and a range sometimes not found.
GEORGIA QUILTS is an excellent addition to the study of Southern culture and American quilt history in general. It is a must-own.
I recommend following this book with Nancilu Burdick's LEGACY: THE QUILTS OF TALULA BOTTOMS. Bottoms was a Georgian who experienced the Battle of Atlanta and lived into a new century, quilting all the while. Though like many Scots-Irish Southerners after the Civil War, her family eventually moved to west--in her case, to Limestone County, Alabama--for better farming land, Bottoms remained a Georgian in her heart and outlook. Her story might well have been a chapter in GEORGIA QUILTS.
Book Description
This book challenges the conventional ideas of art and beauty. What is the value of things made by an anonymous craftsman working in a set tradition for a lifetime? What is the value of handwork? Why should even the roughly lacquered rice bowl of a Japanese farmer be thought beautiful? The
late Soetsu Yanagi was the first to fully explore the traditional Japanese appreciation for "objects born, not made."
Mr. Yanagi sees folk art as a manifestation of the essential world from which art, philosophy, and religion arise and in which the barriers between them disappear. The implications of the author's ideas are both far-reaching and practical.
Soetsu Yanagi is often mentioned in books on Japanese art, but this is the first translation in any Western language of a selection of his major writings. The late Bernard Leach, renowned British potter and friend of Mr. Yanagi for fifty years, has clearly transmitted the insights of one of Japan's
most important thinkers. The seventy-six plates illustrate objects that underscore the universality of his concepts. The author's profound view of the creative process and his plea for a new artistic freedom within tradition are especially timely now when the importance of craft and the handmade
object is being rediscovered.
Customer Reviews:
great for the study of craft in Japan.......2007-05-12
This book was written by the father of the crafts movement in Japan, Yanagi Soetsu. He encouraged the Japanese to appreciate their national arts at a time of modernization and Westernization in Japan. The book covers areas of craft such as cermaics and lacquers.
A book you HAVE to read, and you'll CRAVE to own..........2006-01-18
This remarkable, must-have book is half superb pictures of various Oriental objects of manufacture become recognized as quintessentially "unselfconscious" objects of art (the one of the "top" teacup in Japan alone is worth the book's price), and half short but very eye-opening essays on various dimensions of beauty, creativity, and the aesthetic experience.
MUCH generally accepted superficiality (and downright phoniness) in the field of art appreciation is solidly debunked here (read the other reviews for more on the author's qualifications, plus some relatively piddling criticism from a few experts).
The pieces on the degeneration of the so-called "classic" Tea Ceremony and the cult of deliberate "beauty of ugliness" will provide much food for thought. Literally anyone interested in beauty and its representations will do very well indeed to acquire this truly irreplaceable read.
I too wish the book were 10 times as long! I believe it was out of print for awhile -- great to see it available new from Amazon at a reasonable price.
Oh -- on second thought, DO just buy this title, rather than borrow one first -- my copy is so heavily marked up that it would have been agony to have read a library copy....
Humble pie never tasted so good.......2003-03-26
Soon after getting into custom furniture and cabinetmaking as a profession, I had come to that point where I began to tie my sense of self-worth to what other people thought of my work. Even worse, I began to feel that I was in a competition with my fellow woodworkers. Not only did I want their approval, but I thought I must strive to be better than them or I wouldn't achieve distinction (and therefore success). Then, via my explorations into Buddhism, I came across this book. It presented me with a heaping, much-needed serving of humble pie by telling me things like:
"A beautiful work of art...is the work of a man who is not (bound to) either beauty and ugliness or even to himself."
Yanagi was talking about the craftsman of Japan's past who, working with "total disengagement", created some of the most beautiful art objects the world has ever seen. This work was never signed because these were the products of craftsman who "made no effort to express their individuality through the medium of things; (instead) they produced things through the medium of man". As my understanding of Buddhism deepened, so didn't the import of these words. The bottom line was that I relaxed, I let myself enjoy the process and I let the objects I made speak for themselves. Humble pie never tasted so good.
More photos! More essays!.......2000-11-29
There is only so much that can be done inside of a few hundred pages, but this book does try. Many examples of Yanagi's writings have been pulled together along with photographs of actual objects in order to give the reader a small feel for the philosophy that Yanagi and others hammered out starting around the 1920's.
For those unfamiliar with Yanagi Soetsu, he and other artists and thinkers of his time developed a philosophy called "Mingei" (folk-craft) in Japan. Similar to the arts and crafts movement in England and Europe, Mingei focuses on exploring the dimentions of beauty before something becomes "beautiful". A great deal of influence from people such as Bernard Leech and Suzuki Daisetsu went in to the creation of this "old yet new" way of looking at art and objects.
His way of looking at the "unknown craftsman", in other words the artist who merely makes to make and sell his works, but does not comprimise because he wishes only to sell and sell quickly, will appear new to many, but there are many patronizing overtones in Yanagi's arguments. This comes close to devolving into a sort of "noble-savage" way of looking at crafts made in traditional ways, and is sometimes criticized as being arrogant if not contradictory.
This book only scratched the surface of the world of Mingei, however, and an actual study would no doubt involve learning the Japanese language in order to follow not only Yanagi's essays, but also to be able to go and "experience" the art Yanagi devoted himself to inside of Japan. Yanagi's ideas, however, span much further than any one culture and many connected with Yanagi, particularly Hamada Shoji, came in contact with similar movements and ideas in their travels to mainland Asia, Europe, and North America. This book can be read, therefore, comfortably by most anyone interested in art and aesthetics.
An Aesthetics Bible!.......1999-12-08
Yanagi's words are so dense, packed, and rich with meaning. He has keen insights into what real 'seeing' is, and how necessary it is in discerning beauty. But Yanagi's words run beyond insight, and have some of that deep ring of eternal 'Truth' to them. I highly recommmend this book to anyone wanting to learn more about what true 'seeing' is, and how it relates to the perception of beauty.
Book Description
Foreword by Robert Bishop.
American Country is a rediscovery of the simple, well-loved things of this nation's past. Painted chests, ladderback chairs, quilts, baskets, stenciled walls, and folk art show the natural beauty of the past.
More than 700 color and black-and-white photographs.
Average customer rating:
- The Big Three
- ONE OF THE BEST BOOKS I OWN!!
- best outlook on the murilists of mexico and their beliefs
- very informative
|
Mexican Muralists: Orozco, Rivera, Siqueiros
Desmond Rochfort
Manufacturer: Chronicle Books
ProductGroup: Book
Binding: Paperback
General
| History & Criticism
| Arts & Photography
| Subjects
| Books
Criticism
| History & Criticism
| Arts & Photography
| Subjects
| Books
Orozco, Jose Clemente
| ( M-O )
| Artists, A-Z
| Arts & Photography
| Subjects
| Books
Rivera, Diego
| ( P-R )
| Artists, A-Z
| Arts & Photography
| Subjects
| Books
Siqueiros, David Alfaro
| ( S-U )
| Artists, A-Z
| Arts & Photography
| Subjects
| Books
General
| Artists, A-Z
| Arts & Photography
| Subjects
| Books
General
| Painting
| Arts & Photography
| Subjects
| Books
General
| Arts & Photography
| Subjects
| Books
Folk Art
| Schools, Periods & Styles
| Arts & Photography
| Subjects
| Books
Mexico
| Americas
| History
| Subjects
| Books
All Titles
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Arts & Photography
| Qualifying Textbooks - Fall 2007
| Stores
| Books
Similar Items:
-
Mexican Painters: Rivera, Orozco, Siquerios, and Other Artists of the Social Realist School (Dover Books on Art, Art History)
-
Frida Kahlo: The Paintings
-
Diego Rivera
-
Signs from the Heart: California Chicano Murals
-
Art and Revolution in Latin America, 1910-1990
ASIN: 0811819280 |
Amazon.com
In Mexico in the early 1920s, a growing, collective social consciousness gave rise to a revolutionary furor focused on liberating the country's workers from harsh conditions and poverty. In 1921, Mexican artists Diego Rivera, José Clemente Orozco, and David Alfaro Siqueiros were all commissioned by the government to create educational paintings on the walls of public buildings. After that initial experience, they devoted themselves almost exclusively to painting these large-scale murals--forming the foundation of a movement that would last 50 years. The muralists' work took up the themes of society and revolution. Often the paintings depicted historical vignettes like the story of Cuernavaca and Morelos crossing the barranca, or Mexico's ancient Indians. They satirized contemporary society, created ideal visions of peaceful families, and built up dark, imposing industrial cityscapes then leveled them by depicting the debauchery and death of the capitalist industrialists.
The paintings themselves reflect diverse artistic influences--surrealism, cubism, and illustration, most notable among them. Their bold colors and strong imagery practically bound out of the 150 color plates in this book. Mexican muralist and scholar Desmond Rochfort lucidly traces the development of the movement to place the work in context and provides a solid history of each of the artists' social and artistic influences. This is an excellent overview of work that should appeal both to fans of the individual artists and Mexican art in general. --Jordana Moskowitz
Book Description
Los tres grandes: Jose Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros. Now legendary, these men have emerged as the most prominent figures of the famed Mexican mural movement, which lasted from the '20s through the early '70s and was hailed as the most significant achievement in public art of the 20th century. The dramatic story of the movement is told here in a fascinating history of the artists, accompanied by over 100 spectacular color reproductions of the murals. Showcasing popular as well as lesser-known works from around the US and Mexico, this is the first high-quality paperback to do justice to a subject that will captivate every lover of Mexican art and culture, Rivera fan, and art historian, as well as anyone who appreciates a beautiful, intelligent art book.
Customer Reviews:
The Big Three.......2005-03-09
Read the editorial reviews first and if you are still not convinced that this book does a good job covering the Big Three than get individual books on each. The text is outstanding and puts the works of art into a political context of the time period. The author is analytical, insightful and definitely well versed in the subject matter.There is an exhaustive bibliography, extensive endnotes on each chapter and spectacular reproductions on thick quality paper stock. There are historical photographs of public works in progress and a varity of camera angles of individual murals to show the enormity of the works. I have seen many of these murals on location and this book does an excellent job of portraying them as they are. When you see a Rivera fresco on a wall at the National Palace live or in this case from a pulled out camera angle and see the railing leading to the next floor being dwarfed by the images it is truly impressive. Looking at the details within the murals is the ultimate visual experience where you can get lost in the picture and the meaning. The closeups and details of individual segments are superior. This is art for the peoples public viewing brought directly to you from Mexico to hold in your hands and examine at your leisure. There are several good books out there on Mexican Murals but this one for the money is outstanding. The three artists each had a distictive style but each brought a unifying nationalistic approach to the walls of public buildings. Is one artist better than the other? You be the judge, everyone has their own favorite. If you are unfamiliar with the works of the Big Three than check it out, you are in for a treat.
ONE OF THE BEST BOOKS I OWN!!.......2002-12-28
This is definitely one of the best books out there for anyone interested in Mexican art. Few books can inspire as much as this one, especially for people from Zapotlanejo, Jalisco. It's loaded with many pictures and chronicles the lives of these three muralistas and has in depth coverage of specific murals, i especially enjoyed the coverage on "History of Mexico" mural by Diego Rivera. This book is definitely worth the price and a great addition to any collection. Orale!
best outlook on the murilists of mexico and their beliefs.......1999-04-03
Shows a great variety of each artists pieces and movements through out their career.
very informative.......1998-08-13
outstanding full of historical views
Books:
- The Passive Solar Design and Construction Handbook
- The Silver Spoon
- The Twelve Caesars (Penguin Classics)
- The Zen of CSS Design: Visual Enlightenment for the Web (Voices That Matter)
- Thinking with Type: A Critical Guide for Designers, Writers, Editors, & Students (Design Briefs)
- Travell & Simons' Myofascial Pain and Dysfunction: The Trigger Point Manual (2-Volume Set)
- Vitamin D: New Perspectives in Drawing (Themes)
- When Godly People Do Ungodly Things: Arming Yourself in the Age of Seduction
- Who Moved My Cheese? An Amazing Way to Deal with Change in Your Work and in Your Life
- Adobe Photoshop Elements 5.0 Maximum Performance: Unleash the Hidden Performance of Elements
Books Index
Books Home
Recommended Books
- To the Best of My Recollection
- Rachel's Tears: The Spiritual Journey of Columbine Martyr Rachel Scott
- Classic Japanese Porcelain: Imari and Kakiemon
- Forever and Five Days
- History: Fiction or Science
- Heartland #18: New Beginnings
- Life Stories: Profiles from The New Yorker
- Bizarre: The Complete Reprint of John Willie's Bizarre, Vols. 1-26
- Controlling Common Property: Regulating Canada's East Coast Fishery
- Sao Tome and Principe Business & Investment Opportunities Yearbook
Rooms to Inspire: Decorating With America's Best Designers
Private Splendor: Great Families at Home
For the Love of Old: Living with Chipped, Frayed, Tarnished, Faded, Tattered, Worn and Weathered Things that Bring Comfort, Character and Joy to the Places We Call Home
Axel Vervoordt: Timeless Interiors
Classic English Design and Antiques: Period Styles and Furniture
