Customer Reviews:
Useful for Art History Students.......2007-01-26
Depending on what your intended usage for this book will be, this book may be somewhat helpful. I needed this for an art history class my senior year of college as an art history major. Thing is, the class was pretty ridiculous. It was supposed to be an introductory class into the art of japanese art & tradition, but the professor spoke more of Chinese art & traditions.
This book will give you a pretty thorough knowledge in Japanese Art, as well as some of its culture, more through the introductions of the eras and periods and through its pictures. But that's it, do not buy this if you're looking for a complete knowledge, because that's not what it is. Also, if you are looking for early (i.e. ancient!) japanese history, there really isn't any, in this book or just in general.
Definitely buy it here on Amazon, because I found it to be a lot cheaper in comparison to my friends who had spent a fortune on it through eBay and the university bookstores. You may also want to get a soft cover if you want to sell it back later on or use it solely for class, because it's such a heavy book (I have the hard cover). My intent was to keep the book, because it's such a nice book to have in anyone's collection.
If you do purchase it, you will not be let down. It's a great buy.
good comprehensive book.helped in class.......2006-02-24
very good book decent photos, covered a good amount of information . Got for my history of japanese painting class helped out
History of Japanese Art (Trade) (2nd Edition).......2005-09-18
Excellent - Just what I thought it would be.
"The authority" on Japanese art in English.......2000-09-05
There are a number of books on Japanese art in English, but many spend a great deal of time on one particular period (usually the period the author prefers) and writes about the rest as though they were "add-ons". Mason's work is concise as well as informative about a broad range of topics, and will serve as a good stepping stone or introduction for those looking to get in to the world of Japanese art. The general volume dedicated to each time period shows a fair balance, and it is easy to see how earlier movements in art and design influenced later developments, from prehistoric times to the modern era.
If there are any problems to be sited with the text, it is that it is getting a little old. Since 1993 (the most recent edition) there have been many advances in art history in Japan (particularly regarding prehistoric art and society), and many of the newer focuses in the art history comunity (such as Edo period printed matter, particularly picture inserts) will not be reflected in the text.
Even so, this will serve as a good starting point for most, particularly those studying in a college setting. Those planning to specialize in East Asian or Japanese art should have a copy by their side, both for reference and for the many illustrations and photographs collected inside.
Book Description
Originating from Japan's Edo period (1615-1867), tansu refers mostly to wooden cabinets, boxes and chests. The gifted creators of this art were deservedly esteemed by Japanese society, leaving a rich and influential legacy. Their work was almost anonymous, though, and the history has remained in the shadows-until now. Japanese Cabinetry: The Art and Craft of Tansu is the first truly definitive volume on tansu, giving voice to the long-overlooked craftsmen and overdue respect for the craft itself. This book provides a broad representation of cabinetry designs along with contextual history, gleaning insights from the cabinetry itself. From trunks with wheels to shipboard safes, from kitchen cupboards to clothing chests, tansu were the receptacles of an age of economic expansion. Japanese Cabinetry chronicles not only the physical characteristics and details of tansu, but also the historical eras and societal factors that influenced the craft. David Jackson has been buying, collecting, and conserving tansu since 1990. He lives in Sante Fe. Dane Owen founded Shibui, a gallery of Japanese antique furnishings. Mr. Owen is a frequent visitor to Japan, searching for objects for his customers and his private collections. He lives in Sante Fe.
Customer Reviews:
Buy it for the pictures.......2007-03-22
This is one of the very few books with an extensive collection of tansu photos. The cabinets are well categorized by their functions. Also very nice are the enlarged photos of tansu hardwares. I find the text to be somewhat poorly written and organized, and the authors' knowledge on tansu joinery/construction lacking. The hand-colored Japanese vintage photographs are also a little distracting. If you're looking for some nice tansu pictures though, this book will probably serve well.
A Real Eye Opener.......2005-11-08
I have only been selling Japanese Antiques for a short time and I found this book is fantastic to show potential tansu customers. It has also helped us (Japanache dot com dot au) with selection when on buying trips to Japan and restoration once back in Australia.
Thanks David & Dane
Strong on Art , Light on Craft.......2005-07-07
I am biased; I am a woodworker. This is actually a terrific book offering a huge collection of beautiful photos, and an extensive commentary about the role of Tansu in Japanese lifestyle and culture. However the craft of making Tansu was not well represented. From the title I would have expected more on tools, techniques and joinery.
A Tansu Tribute.......2004-08-17
If you are fascinated by the creation of handmade Japanese cabinetry, this is one of the few books you can find on the subject because for some reason, the cabinetry of Japan is one of the least recorded aspects of Japan's woodworking history. Throughout this guide, you will find lush photographs of opaque and transparent lacquered chests, their hand-forged iron handles and the tools of the trade. I especially enjoyed the hand-colored photos of family life, rice fields and the textile sellers. Not only do you get to glimpse this magical world of Zen temples and street merchants selling sweet rice drinks, you will be able to view page after page of stunning merchant chests, bedding chests, clothing chests and mizuya-dansu (kitchen cupboards).
I've always been intrigued by chests filled with magical little drawers in which anything could be stored. This book has made me aware of the wide variety of chests that can be purchased and most of the pages are filled with pictures and descriptions so you can know what to look for online. Before finding this particular book, I was at a loss for what to look for. Now I have the names of items like the sea chest (funa-dansu) and realize the difference in the woods used. I think the cho-dansu made of keyaki with the distinctive iron fittings on page 111 is just stunning. The cho-bako funa-dansu (ship chest) is also very interesting as it features tortoise, a symbol of prosperity and longevity.
The detailed descriptions of the lockplates are presented with photographs. If you are a student of this craft (or looking for pictures of things like a cherry blossom motif), the pages on the components of a tansu will encourage you to explore all the essential details in your own selections. They also explain how all the L braces and iron-edge strapping are not only decorative, but highly functional.
As a person who has refinished a desk upon which I am typing, my appreciation for furniture went through an entire renewal process while reading "Japanese Cabinetry."
Contents:
The Realm of Tansu: An Introduction
Tansu and Allied Trades
The Craft of Tansu
Tansu for Mercantile Use
Tansu for Household Use
Tansu for Personal Use
Living with Tansu
Collecting and Restoring Tansu
Not only does this book present early mercantile tansu designs, there are pictures of contemporary desks and even a section about books, magazines and catalogues for further research. The index, glossary of terms and chronological list of exhibitions make this book very easy to read and understand. There are also ideas for how to set up your tansu collection in your bedrooms, bathrooms, living rooms and kitchen. You might even want to put a kitchen chest (mizuya) in your living room. This book also features entry tables, entertainment centers, coffee tables and bookcases and so much more.
Back to dreaming of owning the cho-dansu from the late Edo period (1615-1868). Not only can you view items from this period, you can read about the history and lifestyle of the people living in this era. This book would make a perfect gift for anyone who has lived in Japan or is interested in Japanese history. It would also be an amazing gift for anyone interested in Japanese movies. I have often wondered about various items and this book has provided more information than I could have ever dreamed about finding.
A note about the authors: David Jackson has been collecting tansu since 1990 and has studied sculpture and woodworking. He developed his passion for Japanese woodwork and then was involved with one of the first exhibitions of tansu in the United States. Dane Owen founded a gallery of Japanese antique furnishings and is also a frequent visitor to Japan. He can be found searching for objects for his customers and his own private collections. Together they have written the ultimate book on the Japanese craft of tansu. If you love tansu, your heart is going to beat a little faster while reading Japanese Cabinetry. I am beyond appreciative of David and Dane's knowledge of this subject. If you own one book on tansu, this would be an excellent choice.
~TheRebeccaReview.com
The cover alone should be enough to interest you.......2003-02-17
Not even sure where to begin other than to say that as mentioned above, the cover alone should be plenty to strike your interest. As a true lover and collector of Japanese art, this book goes above and beyond to show just exactly why it could be labeled as a "coffee table book". It has been on mine for weeks now. It is such a great sourcebook for Japanese cabinetry/tansu and goes even further to show pieces actually used for daily use in people's homes. The size of the book and the photography are SO worth the price. It truly is a fabulous book. I strongly recommend it. Whether you are an obsessed collector of Japanese art or not, it is definitely a great book to have in your collection.
Book Description
The strong horizontals of bamboo reflected in a dark circle of water; the rhythmic clap of the deer scarer; the contemplative beauty of waves created in sand: combinations of nature and art that soothe and uplift the spirit. Your vision of a Japanese garden need not be confined to Japan. Here
is a fully comprehensive guiide which will enable you to capture in your home or office environment the elusive spirit of the Japanese garden-no matter where you live.
The author, a Japanese landscape architect who has been living and designing Japanese gardens in the West for many years, will show you step by-step how to accomplish this ideal utilizing your own special environment and using materials which are readily available in the West. Since moving to the UK
in 1974, the author has designed and created many Japanese gardens, from small private gardens to large public spaces of over two acres. It is from this direct experience that he draws the material for this book. The step-by-step instructions are easy-to-follow, and also included are many drawings
and photographs to illustrate the points that are made.
"Many books on Japanese gardens can be found in bookstores and libraries, but most do not take into account the different environments found outside Japan nor the diverse materials available worldwide. They tend either to be translations of books written by Japanese landscape architects and
gardeners living and working in Japan, or books written by those who visit Japan to research the gardens, with the intention of introducing them to the rest of the world... These books are ideal for learning about the history and appearance of Japanese gardens, but lack the practical advice
necessary for constructing your own garden.. .I believe that as the interest in and understanding of Japanese culture continues to spread, so will the popularity of and desire for Japanese gardens. I hope that this book will give pleasure to all those of you who, like me, are captivated by the
gardens of Japan, and that it will help you to create a garden of your own that you can enjoy day after day."
Customer Reviews:
Informative, specific, but ultimately not what I was looking for.......2007-09-17
I think this a good book for someone ready to start digging now to create their Japanese garden, someone who knows exactly what they want to do. The beginning of the book was interesting, and provided good information about and reasons for the different elements of a Japanese garden - such as water, stone lanterns, bridges, and plantings.
I was hoping for a little more inspiration through photographs and seeing more examples of gardens people have created. This book gets down to the step-by-step details of building fences and dry riverbeds for example.
The book does have a nice materials/plant/planting guide in the back which I took a few notes from. But I'm in a brainstorming phase with my garden not the brass tacks phase, so I did return the book and will look into a book that is more photography-based and example-based, than how-to.
Good book to get good ideas.......2007-08-16
After reading this book most of the way through, I thought it provided a lot of good information. My intention was not necessarily to design a true Japanese garden but wanted to create a garden and atmosphere that reflects the feeling and general appearance of a Japanese garden while still maintaining my herb and vegetable garden. The book gave a lot of pictures that were helpful to create that atmosphere in an American environment. Most if not all of the design elements were explained as to why and how they help to create the desired effect. Additionally there was a full chapter that described the history behind Japanese gardens, and I found that very helpful. Since reading that chapter I have picked up and English translation of the books described in that chapter. I felt this book was really helpful and plan to use it to landscape my backyard.
One thing to keep in mind, is this is not a step by step how to book. It is designed mostly to give you an overview and an understanding of what elements to use, and how to use them.
A Keeper.......2007-04-27
Have many books on Japanese gardening - this is the one that finally helped me begin to answer the "but how will I design and situate one in my space?" question. Nicely written, direct, and just enough examples to help you get moving!
Great illustrations and detailing.......2007-01-11
My daughter was recently proposed marriage to in a japanese garden. They are planning to build a similar garden in their backyard,so this book
was a Christmas present.
She was thrilled and we went thru the book as she mentioned several
items in the book that were relevant.
It has alot of very nice illustrations and "how-tos",more than some that I looked at.This author was careful to include all aspects of the japanese garden. Plenty of detail.Very happy with my purchase.
Useful, Beautiful and Interesting.......2007-01-10
This book provides useful guidance in planning a Japanese Garden with well written text and beautiful photographs. It inspires one to find a way to incorporate the concepts into Western style homes.
Book Description
Enter the world of the stylish Japanese house, where every object in sight is a work of art. Japan Style introduces 20 special residences. With more than 200 color photographs, this book showcases the stunning beauty of old homes, and reveals how they are cared for by their owners.
Traditional Japanese homes, with superbly crafted fine wood, great workmanship and seasonal interior arrangements, have an aesthetic of infinite simplicity. Unlike Japanese inns and historical buildings, the houses featured in this book are private property and are not open to public viewing. Japan Style offers a rare glimpse into the intimate world of the everyday Japanese and fascinating insight into the traditional architecture of Japan.
Customer Reviews:
Indeed an outstanding book.......2007-04-07
Like one of the other reviewers, I own quite a few books on Japanese houses and architecture. This is an outstanding example, with very beautiful high quality photography and printing, as well as a great selection of houses I have not seen before. Most are traditional, but a few are modern. I am glad I bought this book.
Excellent Book worth every cent.......2006-11-04
Beautifully illustrated with tons of large pictures of houses and gardens on every page with notes on each one. Very tastefully put together. Great style which epicts beautiful Japanese living in a more contemporary way. An excellent book for anyone wanting ideas on how to decorate their home or garden in the typical Japanese or Asian style. Also makes a wonderful coffee table book. Very pleased that I bought this.
Inspiration for western architects and craftsmen.......2006-02-25
Among our collection of a dozen or more illustrated books about Japanese architecture and design, this is by far the best. The exquisite photographs are accompanied by a thorough yet interesting explanation of the various traditional styles found in Japanese architecture.
Although the emphasis is upon traditional homes, the volume also includes examples of the adaptation of these styles to elegant homes in Japan today. Be forewarned, however, many of the homes illustrated, both very old and modern, are far more spacious than middle-class Japanese are able to enjoy, even those living in rural Japan.
When our present home, blending Japanese and Craftsman influences, is finished, we will give this book to our architects and contractor as tokens of our appreciation.
(By the way, this reviewer lived in Japan for ten years.)
Great Book on Real Japanese Interiors.......2005-05-22
Beautiful photos of great interiors. Mostly traditional Japanese homes as they are currently lived in. Features homes with collections of traditional Japanese crafts. Also, some modern homes designed with Japanese aesthetic. I would also recommend the book "Japanese Style".
Amazon.com
As a highly skilled fiber artist raised and trained in Japan but residing in the United States for the past decade and a half, Kumiko Sudo brings an interesting combination of Eastern and Western sensibilities to her work. She draws on the ancient Japanese motif of the kamon, or family crest, utilizing these varied designs as the basis for a collection of one-of-a-kind quilts. Yet she fashions them out of materials that, though they have a very Japanese flavor, are actually contemporary American fabrics (and therefore easily approximated by modern stitchers). She provides color photos, setting diagrams, brief basic instructions, and full templates for 30 gorgeous quilt blocks. Quilters seeking a vibrant new take on the traditional Western quilt block should enjoy making these lovely designs. --Amy Handy
Book Description
Presents 30 extraordinary quilt designs derived from crests dating back to more than a thousand years. Centuries-old designs are combined with new, rich color choices and contemporary fabrics for an effect never seen in quiltmaking. Each block is accompanied by the story behind the design and step-by-step instructions.
Customer Reviews:
Perfection!.......2006-05-18
This book is full of beautiful ideas. Most of the projects are small so the "fear of applique" is tempered by the fact that you can make one crest, frame it with beautiful fabric borders and you have a terrific piece of art without having to commit to a huge applique project. But the journey is well worth it - everything I've made with Ms. Sudo's inspirational direction has turned out perfectly. I'm anxious to get started on more!
Circles Of The East.......2005-09-03
This is a great quilt book with wonderful pictures and great instructions..it arrived in plenty of time and in good shape
Wonderful!.......2003-07-17
I saw this book at a quilt store a couple months ago, and IMMEDIATELY fell in love with it. I'm not a big quilter (I also cross-stitch) but I like applique and now I'm doing a queen size one with fifteen of the patterns in this book! It's great!
This book wakes up the artist within........1998-06-25
To say that Kumiko Sudo's Circles of the East is inspirational is an understatement. It is a beautiful book to read, even if you never make one quilt block from it's pages. The whole history of Japanese Crest designs is entertaining enough, but the fact that I could actually replicate Kumiko's art is incredible. I made the Gingko design using my machine with great results although all Kumiko's work is done by hand. Her templates are exact, but she does not include full size placement diagrams. I dreaded getting to the placement part of sewing my block, but it was way easier than I thought...The most interesting aspect of her work to me is her seemingly complete disregard of grainline and total obsession with placement of fabric motifs...it gives her blocks stunning symmetry that I haven't seen anywhere else...really exotic!
The most beautiful & inspiring quilt book I have ever seen........1998-03-20
I accidentally found this book in a quilt shop. I could hardly wait to get started. The photos are awesome, the workmanship is unparalleled and the use of fabrics is inspirational. The book is well written and the instructions are clear.
There are no instructions for Kumiko's method of binding these quilts.
Book Description
Potential for creating designs in textiles can be seen even in the physical properties of cloth. The simple fact that cloth tightly compressed into wrinkles or folds resists the penetration of dye is an opportunity-an opportunity to let the pliancy of textiles speak in making designs and
patterns.
People around the world have recognized this opportunity, producing resist designs in textiles by shaping and then securing cloth in various ways before dyeing. Yet in no other country has the creative potential of this basic principle been understood and applied as it has in Japan. Here, in fact,
it has been expanded into a whole family of traditional resist techniques, involving first shaping the cloth by plucking, pinching, twisting, stitching, folding, pleating, and wrapping it, and then securing the shapes thus made by binding, looping, knotting, clamping, and the like. This entire
family of techniques is called shibori.
Designs created with shibori processes all share a softness of outline and spontaneity of effect. Spontaneity is shibori's special magic, made possible by exploiting the beauty of the fortuitous things that happen when dye enters shaped cloth.
Usually it is in response to the fact that a craft is being lost that the need for preserving and documenting it arises. The motivation behind this book is no exception, but the authors have gone far beyond simple documentation. Extensive research and experimentation have led to the revival here of
shibori techniques that were once well known but have now been largely forgotten in Japan. In addition to more conventional techniques, the work of contemporary fiber artists in Japan and abroad in shibori textile art and wearable art is presented, to suggest the extent of the creative innovation
possible.
The 104 color and 298 black-and-white plates include a photographic Gallery of Shibori Examples, based on Japan's largest collection of traditional shibori fabrics. Included also are a detailed guide to basic natural dyes used in Japan, the making and care of an indigo vat, and a list of suppliers
in North America, as well as a glossary and bibliography. Now available in paperback, this full documentation of one of the world's most inventive and exciting dyeing techniques continues as a classic in the textile field.
Customer Reviews:
The Ultimate in shibori instruction and history.......2007-05-14
I knew this was "THE" book to have for shibori technique instructions. However, the very pleasant surprise was all the history of shibori! It would be fascinating even if I wasn't intending to learn the technique. The instructions are very clearly presented. I have already tried a couple of the techniques with very good results and I'm only a beginner!
A must have.......2007-05-13
This is an essential tool and starting point for any shibori artist. Exhaustive history and diagrams and examples. I used this book in my fierarts classes and recently purchased it for home studio use.
Great Overview of a Somewhat Obscure Textile Art.......2007-03-06
Shibori is a wonderful craft and this book gives an excellent history of it. Many wonderful historical and contemporary examples are shown. Techniques are given as well, and are for the most part usable. If you do shibori work, this book is essential for your library.
One of the best Shibori books written.......2006-08-08
Being a member of the Seattle Weavers' Guild, I've been lucky enough to have friends teach Shibori and other resist dyeing in our group. This book is terrific and details the 'how to' very well. I'm very pleased to have this book in my library and I have to say the price was excellent.
A "must have" resource book.......2006-07-10
This is an invaluable resource for any textile arts student. Or any shibori enthusiast. Detailed illustrations and exceptional photos help define and identify ancient techniques and MAY encourage elbow-deep participation among the adventurous. Gambatte!
Book Description
Shibori is infinitely more than the tie-dye that became well known in the late 1960s. Shaped-resist dyeing techniques have been done for centuries in every corner of the world. Yet more than half of the known techniques-in which cloth is in some way tied, clamped, folded, or held back during
dyeing, to keep some areas from taking color - originated in Japan.
Shibori can be used not only to create patterns on cloth but to turn fabric from a two-dimensional into a three-dimensional object. The word is used here to refer to any process that leaves a "memory on cloth" -a permanent record, whether of patterning or texture, of the particular forms of resist
done. In addition to traditional methods it encompasses high-tech processes like heat-set on polyester (made famous by Issey Miyake's revolutionary pleated clothing), melt-off on metallic fabric, the fulling and felting that make it possible to turn all-natural fabrics into three-dimensional shapes,
weaving resist (in which, for instance, a warp thread can be pulled to gather the cloth to resist dye), and devoree, in which just one part of a mixed fabric is dissolved with chemicals.
Author Yoshiko Iwamoto Wada has been teaching shibori around the world for nearly thirty years, and helped to establish the World Shibori Network and the International Shibori Symposium. She coauthored in 1983 the authoritative Shibori: The Inventive Art of Japanese Shaped-Resist Dyeing, which in
turn inspired many artists to add shibori processes to their repertoire.
The range of vibrant modern art covered in Memory on Cloth is remarkable, and includes work by artists from Africa, South America, Europe, India, Japan, China, Korea, the United States, and Australia in more than 325 stunning photos and illustrations. It encompasses fabric design, wearable art and
fashion, and textile art or various sculptural forms. The work of more than seventy innovative designers including Issey Miyake, Yohji Yamamoto, Jurgen Lehl, Jun'ichi Arai, Helene Soubeyran, Genevieve Dion, Asha Sarabhai, Junco Sato Pollack, Ana Lisa Hedstrom, Marian Clayden, and Carter Smith is
presented, and each artist shares details on the processes that they themselves have created, making this an invaluable reference for artists in every field. A number of innovative artists who combine shibori techniques with knitting, weaving, or quilting are also included, suggesting new ways to
combine innovation with more traditional forms. A final section on modern techniques gives extremely detailed information, including dye recipes, on various high-tech processes and the particular methods that individual artists use to achieve certain effects.
As informative as it is inspirational, Memory on Cloth will take its place alongside Wada's earlier work, Shibori, as a definitive text that will help keep shaped-resist dyeing processes a vibrant and important form of modern art.
Features
* More than 325 stunning photos and illustrations
* Encompasses fabric design, wearable art and fashion, and textile art or various sculptural forms
* Covers more than seventy innovative designers
* Includes works by artists from Africa, South America, Europe, India, Japan, China, Korea, the United States, and Australia
* Each artist shares details on the processes that they themselves have created
Praise for Shibori (co-authored by Yoshiko Wada):
"In this age of hyperbole there is great risk in declaring a singular event. Nonetheless one has occurred with the long anticipated publication of Shibori: The Inventive Art of Japanese Shaped Resist Dyeing. Word of this book has long circulated in the inner and outer sanctums of the textile world
with excitement and expectation building. This combination of bilingual, scholarly, creative and resourceful authors has brought us a classic volume . . . A masterful blend of historical material that puts Japanese textiles in context, clearly described and illustrated techniques along with
information and illustrations of contemporary work from Japan and the West make this book an essential acquisition for anyone who proclaims a serious interest in textile dyeing, design, or historic textiles." ?Glen Kaufman, in Surface Design Journal
"Well researched, well written, well organized and well illustrated." ?Crafts Magazine
Customer Reviews:
Beautiful pictures, not for instructions.......2007-01-05
I was hoping for more instructions on how to create shibori pieces...this is not the book for that.
Wow!!.......2006-03-13
This is some book. This goes beyond your normal techniques. It was mindblowing with the endless possibilities for manipulation of all sorts of fabrics.
The best book that's been done about contemporary shibori.......2002-11-15
Shibori is the Japanese word for resist-dyeing. There are three shibori techniques: tie-dye (those Sixties hallucinoform tee-shirts); clamp-resist (being pressed between two boards or tied tightly around a pole), and wax-resist (batik). It is an extremely old technique, perhaps the first to impose upon cloth a pattern that wasn't woven there.
Fragments of shibori-like textiles found in Africa date from as far back as 700 BCE. Purely Japanese textiles date from the Yayoi period (200 BCE-250 ACE). Yayoi people wove garments on portable looms. The making of cloth depended not so much on the mass of the wearer's body as on how the movement of the wearer's body will determine what the loom must do. In Yayoi times weavers used portable loom that could be easily set up by tying one set of warp ends around the waist and the other to a tree. The weaver's body width fixed the width of the fabric. That most Yayoi textiles were about twelve inches wide says much about the size of the Yayois.
Japan did not embrace clothing as an expression of social delineation until the Asuka period (552-645), an era when Chinese crafts, and customs were eagerly imported. Over the centuries, surface designs became steadily more complex as garment silhouettes became steadily more simple. These tendencies merged into the kimono and have stayed there ever since. With the xenophobic policies of the Tokugawa Shogunate, all things foreign were shunned. The Japanese turned inward to their own tastes and aesthetics.
By the Edo period (1600-1868), complex layerings of color, patterns, and resist dyes all contributed to a great culmination of textile design. Into the canons of design came surface complexity ranging from colors so saturated they dazzle the eye to so subtle they are almost indistinguishable. Japanese textile art embraced a dozen or more dyeing techniques, embroidery and appliqué, painted pictures, hammered gold and silver patterns, calligraphy. Out of these chirped an aviary of decor-plum blossoms, pine boughs, flowers on trellises, rice sheaves, snowflakes, paired shells, swallowtail butterflies, quince flowers, waves, interlocked squares, medallions of chrysanthemum and wisteria and gentian, cranes, lightning, hemp leaves, scrolls of peony, woven circles, basket work, fish scales, mountains, clouds, flowing water, waves, checkerboards, circles.
In the wrong hands such a tumultuous vocabulary would end in chaos. But from the great costumes of the Noh to the hundreds of treatises on kimono design to be found in Japanese bookstores and libraries today, there always existed in the Japanese garment imagination a more fundamental quality: drama. It is no surprise to find that the garment's greatest period of elaboration came after it was adopted as the principle costume by groups of itinerant entertainers who evolved into the most enduring of Japanese theatrical styles, the Noh.
The Memory on Cloth story begins after World War II. Before the War, textiles and garments were major engines of Japan's economy-the equivalent of transistor products and autos today. The quaint, consuming, painstaking art of shibori was nearly extinct by the 1960s. Modernity-craving Japanese put their old kimonos into the tansu and bought Missoni and Prada and The Gap. Shibori's spiritual home, in Arimatsu and Narumi on Honshu island, was ignored even by the railways, which built no sidings there. Too few fabric dyers were left to fill a boxcar with goods.
But valiant was the tenacity of the industry. Arimatsu-Narumi's response was to invent. When the market for kimonos dwindled, they made neckties. Even so, by 1972, one of Japan's oldest industries had dwindled to two elderly practitioners. Then along came people like Yoshiko Iwamoto Wada, one of so many artists who bootstrapped ancient crafts out of extinction by globalizing them in the same positive way that world fusion music has globalized innumerable melody forms. Shibori was turned around. Today it is an internationally recognized art form.
It also can be a vibrant modern art form. Memory on Cloth features work by artists from Africa, South America, Europe, India, Japan, China, Korea, the USA, and Australia. It encompasses fabric design, wearable art and fashion, and textile art or various sculptural forms. Described are works by more than seventy innovative designers, including Issey Miyake, Yohji Yamamoto, Jurgen Lehl, Jun'ichi Arai, Helene Soubeyran, Genevieve Dion, Asha Sarabhai, Junco Sato Pollack, Ana Lisa Hedstrom, Marian Clayden, and Carter Smith. Each artist shares details on the processes they have created, making this an invaluable source of inspiration for artists in fields outside of textile design.
Japan never made a distinction between craft and art. Indeed, even in the West that demarcation arose only over the last few hundred years as a manifestation of the post-Renaissance preoccupation with individuality. In Japan the unity of art and craft was not because Japanese textile makers shunned egocentrism, but because of their tendency to focus on process more than product. The Japanese Zen garden of raked stones is Exhibit A in contemplative surrender to process.
Like so many arts that globalization salvaged at the edge of extinction, shibori inspired a modern revival laden with legend and freighted with technique. The progress of Japanese textiles is stuttery, sitting in place one moment, leaping forward the next, the artists either appropriating or inventing as chance comes calling. The result is a continually evolving collaboration between past and future. Today's mingling of synthetic and natural fibers, organics and metals, hand and machine, are in keeping with the try-anything heritage of the country's garments.
Yoshiko Wada is an endearingly good writer: lucid, logical, tight, to the point. She teaches shibori aesthetics and techniques in her home city of Berkeley, California, and around the world. Thanks to her, shibori was transported to Africa and inspired a vibrant local industry in Mali and other Sahel countries. Of her it can truly be said that the word `shibori' is now an international currency.
Average customer rating:
- We might be Fruits too.
- Nice!
- This is a great photo book.
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Fruits
Shoichi Aoki
Manufacturer: Phaidon Press
ProductGroup: Book
Binding: Paperback
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ASIN: 0714840831 |
Amazon.com's Best of 2001
If you ever wondered where the catwalk got its claws, then the portraits gathered in photographer Shoichi Aoki's book Fruits, from the streets of Harajuku in Tokyo, point the way to an extraordinarily imaginative and invariably stunning glut of mongrel fashion heists. A best-of collection from the fanzine of the same name, and published for the first time outside Japan, Fruits keeps its style clean: front-on, razor-sharp images, ranging from the deadpan to the manic, of the sharpest collages of sartorial influence that, usually, little money can buy. From off the peg to off the wall, kitsch to bitch, each person bears a combination and philosophy as distinctive as DNA. All shades of aesthetic are raided, with exquisite, scrupulous attention to detail. Punk is a favorite, as is, appropriately, Vivienne Westwood, alongside Milk and Jean-Paul Gaultier, and the occasional Comme des Garçons. Many of the outfits, though, are second-hand or self-assembly, such as a skirt drooping petals of men's silk ties, Wa-mono, when tradition Japanese clothes are topped with, say, an authentic bowler hat, EGL (elegant gothic Lolita), and a swathe of tartans, pinks, and turquoises. The most malleable feature, unsurprisingly, is hair, with dreadlocks, mohicans, back-combing, and crops dyed an irradiated spectrum. While the eye is drawn, obediently, to the mannequins, the background is often worth a look, either for the vending machines against which a number are shot, or the ubiquitous Gap store and bags, a constant reminder of the global mass market.
One enterprising man wears a genuine British paperboy's delivery bag, and, to pick but one profile, Princess, 18, is trying to be a doll and is currently preoccupied with body organs. Mmm. All the subjects are asked the source of their clothes, as well as their "point of fashion" and "current obsession." The scope for sociopsychological discussion is vast, particularly with the preponderance of infantilization, through dolls, bonnets, pop socks, and Barbie, but this is a joyous documentation of the innovative, celebrating the inspirational polytheism of street fashion, captured with provocative, political zeal. Best let the street cats prowl. --David Vincent
Book Description
If you ever wondered where the catwalk got its claws, then the portraits gathered in photographer Shoichi Aoki's book Fruits, from the streets of Harajuku in Tokyo, point the way to an extraordinarily imaginative and invariably stunning glut of mongrel fashion heists. A best-of collection from the fanzine of the same name, and published for the first time outside Japan, Fruits keeps its style clean: front-on, razor-sharp images, ranging from the deadpan to the manic, of the sharpest collages of sartorial influence that, usually, little money can buy. From off the peg to off the wall, kitsch to bitch, each person bears a combination and philosophy as distinctive as DNA. All shades of aesthetic are raided, with exquisite, scrupulous attention to detail. Punk is a favorite, as is, appropriately, Vivienne Westwood, alongside Milk and Jean-Paul Gaultier, and the occasional Comme des Gar+ons. Many of the outfits, though, are second-hand or self-assembly, such as a skirt drooping petals of men's silk ties, Wa-mono, when tradition Japanese clothes are topped with, say, an authentic bowler hat, EGL (elegant gothic Lolita), and a swathe of tartans, pinks, and turquoises. The most malleable feature, unsurprisingly, is hair, with dreadlocks, mohicans, back-combing, and crops dyed an irradiated spectrum. While the eye is drawn, obediently, to the mannequins, the background is often worth a look, either for the vending machines against which a number are shot, or the ubiquitous Gap store and bags, a constant reminder of the global mass market.One enterprising man wears a genuine British paperboy's delivery bag, and, to pick but one profile, Princess, 18, is trying to be a doll and is currently preoccupied with body organs. Mmm. All the subjects are asked the source of their clothes, as well as their "point of fashion" and "current obsession." The scope for sociopsychological discussion is vast, particularly with the preponderance of infantilization, through dolls, bonnets, pop socks, and Barbie, but this is a joyous documentation of the innovative, celebrating the inspirational polytheism of street fashion, captured with provocative, political zeal. Best let the street cats prowl. --David Vincent
Customer Reviews:
We might be Fruits too........2007-09-26
My high school art class, Costume Design, LOVE this book. It's fun to see teenagers in another culture taking western fashion and personalizing it. Every time I pick up the book I see something new. We've only had the book a couple of weeks and it is already dog-eared.
Nice!.......2007-03-27
Great book, made my girlfriend quite happy. She is very into Japanese street fashion and this book just captivated her, she looked through it about 20 times the day i gave it to her.
This is a great photo book........2007-02-04
Even if you aren't particularly interested in Japanese youth culture, this book is just a great example of fashion or humanity and the expansion of western culture into the eastern. The photographs are all high quality and just about every page also has a little questionaire filled out by each subject so you get to know a little more about them then their outrageous fashion sense.
A Birthday Gift.......2007-01-10
I got this for my 14 year old son who is into Asian pop culture.
He enjoyed the book but thought it had too much FASION aspect.
Colorful World.......2006-09-30
I had the good fortune to run into this book on vacation. As soon as I got home I ordered both Fruits and it's companion. As a self motivated student of fashion and all of it's off-shoots, I immensely enjoy this book. It is a plethora of individuals, and not a duplicate picture in the book. It features mostly youth (teenagers) but that is to be expected. But it doesn't limit itself to just the very young. There are a few family photos and "older" individuals. It is a monument to anyone who creatively clothed themselves. It gives brief details: name, age, point of fashion, fashion brands and makers. A lot of the "point of fashion" remarks seem like nonsense at first. After reflection, I think they are just 'smart allec come-backs', much like what you'd get from someone in the American Gothic culture if you asked one of them why they wear black all the time. Even with brief details you can start to see patterns in clothing styles seperating themselves out from one another. By age particularly, and by preference to designers within a group of friends. The only problem I had was reading some of the bubble gum colored print that it was done in.
Average customer rating:
- The best on the subject !
- Very Good Buy!
- A modern book on japanese sword fittings
- Simply the best book on fittings
- A truly unique and captivating gallery
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Lethal Elegance
Joe Earle
Manufacturer: MFA Publications
ProductGroup: Book
Binding: Hardcover
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Similar Items:
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The Art of Japanese Sword Polishing
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Samurai Sword: A Handbook
ASIN: 0878466797
Release Date: 2004-12-02 |
Book Description
As the "soul of the samurai," the sword is famously both the symbol and instrument of Japanese military prowess. Less known, at least in the West, is its role as a fashion accessory or status symbol. And more than the weapon itself, it was the sword's metal fittings--from the hand guard to the small decorative plates on the hilt--that reflected the complexities of samurai life. Some fittings were meant to convey the honor and self-control expected of a samurai while on official duty, while other, more flamboyant ones reflected his leisure-time persona as "man about town." Later, when the wearing of swords spread beyond the samurai class, both the decorative function of the fittings and the variety of their designs sharply increased, leading to some of the most sophisticated and accomplished metalwork ever created. Lethal Elegance presents 150 of these remarkable sword fittings, and is one of the few books in a Western language to focus on the visual presentation, rather than the function or culture of the sword. It discusses the many effects achieved with different alloys, the evolution of fittings in relation to changes in warfare, the symbolism of particular motifs, and standards for connoisseurship. Nearly all these fittings were once owned by trained swordsmen, and the weapons they ornamented could surely inflict fatal wounds. But their extraordinary variety and beauty, lavishly illustrated and carefully presented by Joe Earle, also reveal them as marvels of self-expression and personal style.
Customer Reviews:
The best on the subject !.......2006-01-31
Being relativelly new to the subject of Japanese swords and fittings I was quite impresse by two things:
- Quality of the pictures
- Description of the items
I think this is worht having for anyone that trully appreciates the japanese swordmanship and art itself.
Very Good Buy!.......2006-01-30
Very amazing photos, and quality information on each photo and sword. I would highly recommend this book to anyone.
A modern book on japanese sword fittings.......2006-01-16
This review is a joint effort with Laerte E. Ottaiano
The book is very good . It has a few annoying errors. I give example of two of them: On page 171 there is a tsuba described as "Design of Egret and Crab" . However the Crab is not there . It is on the back of the Tsuba and is relatively ugly in our opinion . On page 193 there is a tsuba described as "Design of deer and the moon". Again the moon can not be seem. It is on the back of the tsuba and is very,very, beautifull. You can check what we told in the book by Ogawa Morihiro on the Boston Collection. The great thing of this book is that it presents a new way to way to apreciate Tsubas.Kinko( as oposed to steel , sukashi tsubas) were underrated in the USA and Canada. Only steel tsubas were considered old and of true use by Samurai.As this book teaches us this is not so. Kinko Tsubas were used by Samurai and Sukashi Steel ( or Iron ) Tsubas are not usualy so old . This came as a great relief for us . We always thought that Kinko tsubas were works of art. It is a grest relieve to find this in this book
Simply the best book on fittings.......2005-03-05
On top on anything else, this book has the best pictures of japanese sword fittings that I've had the chance to see so far. There are many good close-ups that show well the work done by the craftmen.
Earle goes through explaining the evolution of sword fittings by presenting the influence of History upon the samurai, and their needs.
He also exposes techniques, although not in depth - it is not the purpose of this book - and materials used in the making of the tsuba and other fittings.
I believe he succeeds in bringing the reader to understand the how and the why behind those very impressive works of art.
The works chosen - among the collection of the Museum of Fine Arts in Boston; probably the greatest collection of japanese swords and sword fittings outside Japan - are just plain divine. The pictures were all taken using digital technology, and -as a photographer - I must say it is above anything I'd have expected from any technology and any subject. A must have for any japanese art/craft/design/sword lover.
A truly unique and captivating gallery .......2004-12-08
Lethal Elegance: The Art Of Samurai Sword Fittings by Joe Earle is an impressive and seminal artbook showcasing 150 rare and beautiful masterwork fittings for Japanese swords. The full-color photographs reveal beauty and exquisite craftsmanship, while the informed and informative text aptly discusses the effects achieved with various alloys, how fitings changed in response to advances in warfare, symbolism, standards, and more. Nearly all the artworks presented were once owned by trained swordsmen, yet their elegance reveals as much of individual style and personality as they do lethal functionalist. Lethal Elegance: The Art Of Samurai Sword Fittings is a truly unique and captivating gallery which is especially commended to the attention of students of Japanese History in general, and samurai culture in particular.
Book Description
The Land of the Rising Sun is shining brightly across the American cultural landscape. Recent films such as Lost in Translation and Memoirs of a Geisha seem to have made everyone an expert on Japan, even if they’ve never been there. But the only way for a Westerner to get to know the real Japan is to become a part of it. Kate T. Williamson did just that, spending a year experiencing, studying, and reflecting on her adopted home. She brings her keen observations to us in A Year in Japan, a dramatically different look at a delightfully different way of life.
Avoiding the usual clichés — Japan’s polite society, its unusual fashion trends, its crowded subways — Williamson focuses on some lesserknown aspects of the country and culture. In stunning watercolors and piquant texts, she explains the terms used to order various amounts of tofu, the electric rugs found in many Japanese homes, and how to distinguish a maiko from a geisha.
Customer Reviews:
Lost in Translation for those that "Love" Japan.......2007-09-13
This book is journal of first hand experiences of the author and the year she spent in Japan. The drawings and entries she leaves can only have come from someone that went with "Open Eyes". Her entries are not judgmental but instead give the reader a taste of Japan. It has been almost a year since I was in Kyoto, and this book has me wanting to go back soon.
Lovely Observations about Life in Japan.......2007-08-24
A Year in Japan is full of small, beautiful (and sometimes very amusing), observations about daily life in Japan. It does not aim to be a guide book or a history of Japan. Instead, it is a beautifully illustrated look at some of the things which make Japan so interesting to outsiders--from soy sauce containers shaped like little fish to sumo wrestlers and bento boxes. I've shown this book to people who know Japan well, and people who know nothing about it, and they've all been charmed by Ms. Williamson's drawings and wit.
An adult picture book.......2007-08-07
The positive reviews for this book must have been written by the author's friends. I was tricked into buying it by the hype and it turned up at the top of my Amazon search. There are some occasionally charming water colors but almost no text. The text that is present is adolescent, trivial and always mundane. This is not a book for anyone about to go to Japan or who has any interest in the subject. Absolutely no meat. Lots of watercolors of socks and wash clothes without any commentary other than "I have never seen so may beautiful socks or so many stores devoted entirely to them. This advanced sock culture can be attibuted in part to the custom of removing one's shoes upon entering a home." This is 6 pages of the book and there is no further commentary _ WHY DO WE REMOVE OUR SHOES??! Do not bother with this silly and overpriced book. THis book came up on my search "Japanese History" _ BUYER BEWARE
Seeing A Whole Country In Its Details.......2007-07-09
Not only does Kate Williamson notice all the quirky kinds of details I really want people to notice when they visit a place (the way apples are packaged, what women wear to see a musical, candy wrappers, etc.) she draws these details in such a wonderful, whimsical, simple and beautiful way, I find myself wanting to take the book with me wherever I go. I very much hope that another book of Kate's drawings will appear someday soon!
exquisite treasure and extraordinary gift.......2007-04-14
Ms. Williamson's book is a fine example of an artist taking her observations of the world and presenting them to the reader in a way that makes everyday life into something magical and rich with her uniquely beautiful illustrations and commentary. The reader is taken into this world that many of us only get to glimpse--this is a true gift that the author gives us that anyone would happily appreciate!
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