History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

AngloMania: Tradition and Transgression in British Fashion (Metropolitan Museum of Art Publications)

Average customer rating:

Best of the Met
Wonderful.....
Incredible show; mediocre book

AngloMania: Tradition and Transgression in British Fashion (Metropolitan Museum of Art Publications)
Andrew Bolton , and Harold Koda
Manufacturer: Metropolitan Museum of Art
ProductGroup: Book
Binding: Hardcover

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ASIN: 030011785X

Book Description

Anglomania, the craze for all things English, gripped Europe during the mid-to-late 18th century. As perceived by Anglophiles such as Voltaire and Montesquieu, England was a land of reason, freedom, and tolerance, a place where the Enlightenment found its greatest expression. What began as an intellectual phenomenon, however, became and has remained a matter of style. Through the lens of fashion, AngloMania examines aspects of English culture, such as class, sport, royalty, pageantry, eccentricity, the gentleman, and the country garden, which have fuelled the European and American imagination.
This beautiful book presents historical costumes juxtaposed with late 20th- and early 21st-century fashions by Hussein Chalayan, John Galliano, Stephen Jones, Shaun Leane, Alexander McQueen, Philip Treacy, and Vivienne Westwood. As with the hugely successful exhibition “Dangerous Liaisons: Fashion and Furniture in the 18th Century” at the Metropolitan Museum, the clothing is styled as a series of thematic vignettes in the Museum’s English Period Rooms. This book comprises photographs of the installations along with text written by Andrew Bolton.
From AngloMania, we learn that Englishness is a romantic construct based on fictive and imaginary narratives. In terms of fashion, these narratives emerge as ones that are satirical, nostalgic, theatrical, and like the English weather, at once indomitable and unpredictable.

Customer Reviews:

Best of the Met.......2007-03-08

Since I saw the Anglomania show at the Met last spring, I anxiously awaited the publication of this book! It gives a good overview explaining the role of the fashions shown in the exhibit and is filled with photographs highlighting some of the most interesting aspects of the designers' work. I really enjoyed being able to see some of the accessories in greater detail than was possible in person. One caveat is that the photos are a bit dark, as would be expected to those who viewed the works in the dim gallery spaces, perhaps setting a somber tone to a show that was full of life. I really wish that Anglomania would have been available during the run of the exhibit!

Wonderful............2007-03-02

If you were lucky enough to see this show you know what a wonderful, edgy but beautiful exhibit it was. I was so happy there would be a book and anticipated it for many many months. I know that no book can recreate the actual expereince of being there so just having the visual representations in the photographs, which by the way I found to be very good, it looked just the way it looked when you were there more or less. Of course I felt there could have been more, but it does cover the entire exhibit. The quality if the book is great. I love the cover and under the dust jacket is nice too. Very glad I purchased this after waiting so long after the show. If you loved AngloMania, or just fashion and costume you need this book.

Incredible show; mediocre book.......2007-02-06

This was one of the most beautiful and innovative special exhibitions I have ever seen at the Met in the 25 years I've been going there. I bought the book on Amazon, sight unseen, because it was published after the show closed. What a shame - the book doesn't approach the quality of the show, simply because the Met obviously did not hire a photographer up to this level of aesthetic. It is not a book of photography depicting the show so much as a _catlogue_ of the show, a reference book using technically able but sterile lighting. Oddly too harsh and too flat at the same time. Disappointing.

Poiret (Metropolitan Museum of Art Publications)

Average customer rating:

Marvelous!
Poiret
Mega coffee table book

Poiret (Metropolitan Museum of Art Publications)
Harold Koda , and Andrew Bolton
Manufacturer: Metropolitan Museum of Art
ProductGroup: Book
Binding: Hardcover

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ASIN: 030012029X

Book Description

In the annals of fashion history, French couturier Paul Poiret (1879–1944) is known for liberating women from corsets and introducing pantaloons into their wardrobes. However, it is Poiret’s remarkable innovations in the cut and construction of clothing, made all the more remarkable by the fact that he could not sew, that secures his legacy.
This essential book is the first to explore Poiret’s radical modernity from a number of perspectives. Essays by renowned scholars describe the historical context of his work; its relation to the dominant artistic discourses of the early 20th century; his muse, Denise Poiret, and her influence on his work; and his role in the paradigmatic shift to a new ideal of feminine beauty. Poiret’s entrepreneurship, his creation of an atelier to extend his influence beyond fashion to the art de vivre, and his relationship to the workshops of the Wiener Werkstatte are also discussed.
Poiret’s innovative creations are represented by colorful pochoirs (stencils), personal photographs from the Poiret family archives, and newly commissioned photographs of Poiret’s masterworks.

Customer Reviews:

Marvelous!.......2007-09-02

Mr. Koda and The Costume Institute scores with this lovely exhibition catalog! While not as lavish or sumptuous as The Philadelphia Museum of Art's 2003 Shocking! The Art and Fashion of Elsa Schiaparelli by Dilys Blum (at this juncture the absolute gold standard for Costume exhibition catalogs) this remains nonetheless an absolutely gorgeous volume. A perfect counterpoint if you will, to the even more lavish 1987 Rizzoli volume Poiret by Yvonne Deslandres. The current Poiret is a feast for the senses, especially, if you were unable to visit the exhibition in-person. You shan't be disappointed.

A note about Rizzoli: In the decades of the mid 1980s and early 1990s this publishing house offered some of the most beautiful volumes devoted to the great couturiers. If you haven't already acquired them, I highly recommend each of them. The first was the aforementioned Poiret, followed with Christian Dior by Francoise Giroud in 1987; Balenciaga by Marie-Andrée Jouve and Jacqueline Demornex in 1989, and Vionnet by Jacqueline Demornex in 1991. Hopefully, Rizzoli is commencing such a series once more with the November publication of Lanvin!

As the revival of long-dead haute couture houses continues, of late with Vionnet (as yet another ready-to-wear venture) in addition to the aforementioned volume, I also recommend the spectacular Madeleine Vionnet by Betty Kirke published in 1998

Poiret.......2007-08-01

I think this is the best format for a costume/fashion book of a designers work Each article is photographed on a white mannequin in a white space with beautiful lighting. Each garment is shown in a full length photo and some have front back and detail views. For those who want to understand the cut of clothing, this provides as much info as one can get short of seeing the garment itself.

Mega coffee table book.......2007-07-12

This large tomb is a gorgeous accompaniament to the ongoing exhibition at the Met. Most of the book consists of full-page photographs on high-quality matte paper. While I'm a couple thousand miles from the exhibition, the book's photos means it's possible to see Poiret's wonderful clothes in close detail--and how amazingly timeless many of them were--as in you really could wear them today.

So, why four instead of five stars? Because the text is good, but not superlative. Lots of good information about Paul Poiret, but I'd like to have had something that places him in the context of other designers--how they were influenced (if they were)and a livelier writing style--good fashion writing, even of the historical ilk, should be witty.

It is, as I say, a gorgeous coffee table book. These days, it sits on a side table next to my couch because the matte gold cover just looks so darn good. I would buy this book if I were an interior designer just for decorative purposes.

Chanel (Metropolitan Museum of Art Publications)

Average customer rating:

collectors and couturiéres
Keepsake Book
Eh
A huge disappointment to genuine fashionistas
FABULOUS BOOK

Chanel (Metropolitan Museum of Art Publications)
Harold Koda , and Andrew Bolton
Manufacturer: Metropolitan Museum of Art
ProductGroup: Book
Binding: Hardcover

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ASIN: 0300107137

Book Description

This splendid book examines the legacy of Gabrielle “Coco” Chanel, one of the twentieth century's great icons of style. While Chanel mythologized her glamorous life through relentless self-invention, the bare facts of her biography are no less worthy than her legend: born of a poor family in the provinces and raised in a convent, she was an entertainer and the mistress of men of impeccable social standing, and she began her career not as a dressmaker but as a milliner.

Chanel's enduring influence is necessarily based on the long shadow cast over fashion by her maison couture. Chanel examines the history of the House of Chanel both thematically and chronologically, introducing ideas and elements of biography as they were expressed in her collections. Period examples are juxtaposed with the work of Karl Lagerfeld, who, beginning in 1983, just over ten years after Chanel's death, reinvented and revolutionized the House's identity. It is in Lagerfeld's masterful and often irreverent interpretations of Chanel's work, as well as his mixing of influences from high and low culture, that the historic importance of Chanel and the resonance of her image as the independent, elegant modern woman are both defined and reasserted for the contemporary world.

Customer Reviews:

collectors and couturiéres.......2007-09-07

I am a couturiére to follow my passion and, of course, I already own a bunch of "Mademoiselle Chanel" books. Let's say that I own a couple of meters of fashion monographies and that I love this one.
If you are interested in feeling the details of the artwork of both, Coco+Karl, you will get a number of details to learn about.
Even though it is supposed to be a catalogue, what it is, it can be in the handbook shelf of a loving seammistress.
On Chanel, at this price, you do not get more than the far feeling of her style.
The forewords cover quite well her meaning and her significancy.
As a gift it is quite showy also thanks for the transparent chemise.
it always depends on what you are looking for.

Keepsake Book.......2007-03-19

This is a beautiful book and one you would love to have in your home. Of course, since I work for the company it is dear to me. I have given this book to three different people and they all have loved it. If you want to give something special to someone-- this is it.

Eh.......2007-03-01

I bought this book after seeing the Chanel exhibit at the Met. The pictures are nice, but I wish they showed more pictures of real people wearing clothes as opposed to the eccentric mannequins they used in the exhibit. A couple of blank pages here and there. I wish there was slightly more history behind the clothes. Still not a bad coffee table book on Chanel

A huge disappointment to genuine fashionistas.......2006-08-05

I couldn't disagree more heartily with those who recommended this book as a "beautiful coffee table book." At this price and with this subject matter this could have been a truly amazing look at the history of the House of Chanel and it's transition from the early years of Coco to the present leadershiop of Karl Lagerfeld. The text is mediocre and the photos are terrible. The general visual quality of the book is absolutely reprehensible.The dresses are all reproduced in a poor quality "Liz Taylor in the White Diamonds commercial" fake fuzzy lens. There is not one really great photo of an actual garment in this entire book. As someone who saw the actual exhibit the book is based on, I feel the Metropolitan really missed on this one. The exhibit itself was magnificent, this poorly concieved book is a complete dud. Save your money for one of the many other books detailing the life and work of Coco Chanel.

FABULOUS BOOK.......2006-03-17

Well worth your money. Beautifully done. Not only is it a lovely coffee table book, it is a book you will look at many times.

Giorgio Armani (Guggenheim Museum Publications)

Average customer rating:

Comprehensive Historical Reference

Giorgio Armani (Guggenheim Museum Publications)
Germano Celant , and Harold Koda
Manufacturer: Harry N. Abrams
ProductGroup: Book
Binding: Hardcover

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ASIN: 0810969270

Amazon.com

A long, long time ago in a galaxy far, far away, the future began. The future of fashion, that is. Of course, it wasn't quite so long ago (it was the 1970s), and it wasn't quite so far away (it was Milan, Italy). Right there and then, the world witnessed the birth of the sports coat. This one jacket spawned the beginnings of casual dress and semi-androgynous fashion. This may not seem so radical now, but think about what came before. Look back to the Vogue magazines of the mid-20th century: the clothes were spectacular and elegant with very fitted waists, skirts with crinolines, crisp lines in men's suits. It was a severe and dramatic look; the body was very contained, almost sculpted by the clothes. But the times were changing, and comfort was coming into its own, explicit in the hippie wares of the 1960s.

Along came Italian designer Giorgio Armani. He fused the softness of jeans and ponchos with more convention, and built a fashion empire from the deconstruction of the shape-shifting suits of the 1940s and '50s. Fashion publisher Patrick McCarthy explains, "His mission, a rather democratic mission at that, has been to return elegance to clothing without abandoning the ease and comfort that crept in during the 1960s." Armani, the catalog accompanying the exhibit at New York's Guggenheim Museum, showcases the designs of this now very famous fashion insider. From sportswear to glamour, the book traces the history and styles of Armani's last three decades. Chapters range from ideas about gender, world culture, and architecture to a most interesting essay on Armani's relationship with cinema (his rise to fame was very tied to the release of the film American Gigolo). The photographs range from magazine advertising and billboards to family and celebrity pictures to lineups of Armani-clothed mannequins. -- J.P. Cohen

Book Description

A Guggenheim Museum Publication

Elegant and unprecedented, this lavish volume accompanies a major exhibition at the Solomon R. Guggenheim Museum, New York, exploring the life and work of the highly influential fashion designer Giorgio Armani.

Armani has been universally credited with both radically changing the rules of contemporary fashion and, by removing excess ornament and translating traditional sportswear looks into business and evening wear, creating a timeless version of modern dress. A wealth of illustrations, including editorial and advertising shots and new, specially commissioned photographs, chart the evolution of Armani's designs from the earliest sketches to their carefully orchestrated presentation as finished work.

Celebrated authors from the worlds of fashion, film, art, and design analyze the scope of Armani's achievement and his cultural and sociological impact on the ways both women and men dress today. In addition, personal photographs of Armani's houses and travels offer an intimate look at the man behind the fashion legend.

GERMANO CELANT is senior curator of Contemporary Art at the Solomon R. Guggenheim Museum, New York.

HAROLD KODA, formerly a curator at the Metropolitan Museum of Art and director of the Museum at the Fashion Institute of Technology, both in New York, is now an independent costume curator.

PAOLA ANTONELLI is a curator at the Museum of Modern Art, New York. NATALIA ASPESI is an Italian fashion journalist. MARSHALL BLONSKY is a cultural critic and an adjunct professor at the Tisch School of the Arts, New York University. JAY COCKS is a screenwriter and former journalist. Patrick McCarthy is chairman and editorial director of Women's Wear Daily. SUZY MENKES is fashion editor of the International Herald Tribune. CAROLINE RENNOLDS MILBANK is a fashion historian and author. MARTIN SCORSESE is an award-winning film director. INGRID SISCHY is editor-in-chief of Interview magazine.

350 illustrations, 250 in full color, 10 x 12"

Customer Reviews:

Comprehensive Historical Reference.......2000-10-21

This is not a typical fashion tome. The authors have traced the historical influences of Mr. Armani as well as validlly documenting his contribution to history (both in terms of fashion and in sociological influence). The photographs are well chosen and show the broad scope of his work. The detailed description accompanying the photographs of the actual museum exhibts are informative and succinct. One unfortunate choice was to include blurbs by celebrities. These comments offer nothing in the way of understanding Mr. Armani's work and are unnecessary. That minor annoyance withstanding, this volume is a valuable addition to any library.

Be-Dazzled: 50+ Projects for You and Your Home Made With the Original Be-Dazzler Machine

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Be-Dazzled: 50+ Projects for You and Your Home Made With the Original Be-Dazzler Machine

Manufacturer: Krause Publications
ProductGroup: Book
Binding: Paperback

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ASIN: 0873493664

Book Description

After being relegated to the closet for more than two decades, The Original Be-Dazzler Stud and Rhinestone Setting Machine is back!

Now anyone can duplicate the looks found in fashion and popular culture magazines—on celebrities like Britney Spears and Cameron Diaz—by creating any of the dozens of fashion, accessory, or home décor projects found in this one-of-a-kind compilation. Children and adults alike will love the fresh, funky designs such as T-shirts, jackets, and hats that can be completed quickly and easily.

Book Description

This book is a study of dress in France in the seventeenth and eighteenth centuries. In it Roche discusses general approaches to the history of dress, locates the subject within current French historiography and uses a large sample of inventories to explore the differences between the various social classes in the amount they spent on clothes and the kind of clothes they wore.

Customer Reviews:

A comprehensive look at clothing.......2000-05-08

Roche's book offers a very complete view of clothing, dress, and fashion (the three are not the same for him) during the early modern period in France. Ranging from notarial inventories to linen theft, his empirical evidence support his main thesis that rapid changes in society ultimately culminated in a clothing revolution of sorts in the latter half of the eighteenth century. His in-depth analysis of even the most esoteric aspects of clothing and dress in the Ancien Regime prove just how diffuse the effects of those items were on all aspects of society. His arguments regarding the development of a sexual dimorphism as a result of changes in and perceptions of fashion presents a particularly interesting viewpoint on how clothes came to "make the man" or women, as the case may be in that argument. Equally interesting are his discussions on linen and cleanliness and the inventories of clothing taken upon a persons death. Importantly, Roche's analysis travels far beyond just a cursory look at the nobility and courtly attire into the world of the bourgeois class and especially on the lower working classes of France at the time. Where other authors fall far short of offering a complete view of attitudes toward fashing, dress, and clothing in the early modern period, Roche ably fills in the gaps and never shies away from an exhaustive look at the many aspects of clothing in the Ancien Regime.

Vietnam Clothing & Textile Industry Handbook

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Vietnam Clothing & Textile Industry Handbook

Manufacturer: International Business Publications, USA
ProductGroup: Book
Binding: Paperback

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ASIN: 0739709097

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Weddings for All Seasons
Krause Publications , and Amy Tincher-Durik
Manufacturer: Krause Publications
ProductGroup: Book
Binding: Paperback

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ASIN: 0873492838

Book Description

A wedding day is a very important day in a person's life—and can be one of the most expensive. This complete book of wedding crafts will show readers how to make a wide variety of projects that will make their day an unforgettable—yet affordable—occasion. Dozens of unique projects suitable for any time of the year cover everything needed for a bridal shower, reception, wedding day, and after.

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