Book Description
Make Your Mark
Design is at a turning point. Our infatuation with--and the backlash against--technology is over. Today's best designers have learned to embrace its advantages and think beyond its limitations by combining the power of the computer with the tactile qualities of handmade elements.
Inside you'll find examples of work that showcase a variety of design methods, including mixed media, illustration, letterpress, screenprinting and collage. You'll find inspiration in examples from outstanding designers and see how traditional elements can make a more powerful statement than anesthesized computer-only work. Fingerprint also includes insightful essays on the power of the handmade by Debbie Millman, Jean Orlebeke, Jim Sherraden, Martin Venezky and Ross Macdonald.
The projects in this book are beautiful, technical, simple, layered and powerful. Each project communicates its intended message with eloquence.
You can be part of this exciting design revolution. Leave your own fingerprint on the world by exploring the fusion of the digital with the hand-wrought.
Chen Design Associates is a visual communications firm based in San Francisco. Firm Principal Joshua Chen is a frequent guest speaker for professional conferences, workshops, studio tours and educational institutions. The firm self-published the award-winning Peace: 100 Ideas.
Customer Reviews:
Nice examples of handwork and drafting skills.......2007-10-10
It's nice to see the hand of the maker in print again. Nice book for getting inspiration from.
Amazing book! Good source for inspiration........2007-08-03
This book should be on the desk of all aspiring graphic artists and illustrators. Wonderfully designed with emphasis on the artwork, NOT the authors' ego-centric design skills.
Designs include:
Wine lables
Posters
LP covers
Menus
T-shirts
Book covers
Theater/theatre/concert posters
CD (disc and liner notes)
Snowboard
Magazine illustration
DVD cover art
Coasters
Tactile components
(green) Holiday card
Media kit
Stamp sheets
Folded notes (not origami)
Embossed paper
A sundial watch (!!)
3D art/functional design
Recycled backpack
Calender
...and a directory of over 60 contributors: most are from the U.S. with some as far away as Switzerland.
I am certain that you will be amazed by the content of this book. There is surely something for every artist. I highly recommend this book!
The Best Book Ever.......2007-06-28
Fingerprint is a feast for the eyes and the spirit. Simply delicious. It's one of the most inspiring books I have ever seen and I have not let it out of my sight since I got it. I want to crawl inside this book and roll around on the pages.
Fingerprint features graphic designs with handmade elements. Next to the amazing art are notes by the designers. I love this. The artists tell you they used a pencil, a photograph, and a scanner. They don't tell you how you can get this identical look by buying 12 different products that cost lots of money. It's art without a sales pitch, which is rare these days. Everything in this book is unique and there's so much personality jumping from the pages.
Buy it, you will LOVE it.
Such an awesome book.......2007-06-27
I love love love it! So good to see examples of how to use handmade stuff with computer generated ideas as well.Highly recommended!!!
Back to Basics.......2007-03-30
This book is a great source for inspiration and motivation and a definite owner. Especially for those that have a niche for a hands-on approach to design. This is the new movement right now ... back to basics.
Book Description
Karel Marten's work occupies a unique place in the present European art and design landscape. While working in the tradition of Dutch modernism, he maintains distance from the main developments of his time: from both the practices of routinized Modernism and the facile reactions against it. His work is personal and experimental, while at the same time publicly answerable. This book presents Martens graphic design oeuvre in reproductions of startling fidelity, and described in informal captions. Printed on uncoated paper and Chinese-bound, the book itself has a compelling tactile quality. For this long-awaited second edition, twenty-four pages have been added to cover Marten's most recent work.
Customer Reviews:
beautiful presentation.......2002-12-02
This book presents a compilation of work from a contemporary Dutch graphic designer/typographer, Karl Martens. It also displays some work from his students. The written portion is quite minimal (as it should be). Most of the book concentrates on the visual, presenting both the raw, unfinished processes and sketches to the finalized, published work of Martens. If you like typography, book binding, page layouts, grid structures, you will love looking at this book. The book itself has a handmade feel to it. it even looks like the text and pictures are printed on inkjet printer and the pages are folded odd and even pages to make double sided spreads. I recommend this--to especially students and faculty at RISD.
Book Description
An iconic collection of design work presented in fresh and useful format.
Designers are conceptual pack rats. They pack as much raw material in their brains as possible and then use that to build their own unique designs. The Anatomy of Design is what, in the butcher business, they call a "side of beef." The authors selected fifty examples of graphic design that will be dissected, piece by piece, tissue by tissue, revealing an array of influences and inspirations. These are not necessarily the most well-known or celebrated objects of graphic design, though many contain the genetic codes of some canonical works. Instead, these represent contemporary artifacts that are well conceived, finely crafted, and filled with hidden treasures. Some are overtly complex and their influences are somewhat easy to see with the naked eye. Others are so simple that it is hard to believe there is a storehouse of inspiration hidden underneath.
The selections include all kinds of design work including posters, book and record covers, packages, catalog covers, and more. Each exhibit is selected based on its ubiquity, thematic import, and aesthetic significance, and every page is a means to show how great work is derived from various inspirational and physical sources, some well-known, some unknown. Each design is presented on a gate-fold showing the featured design and and other works that share the key influences with extended captions explaining the whys and wherefores.
Customer Reviews:
The title could've been "The Evolution of Design".......2007-08-08
This is a great book, especially for referencing. Beautifully designed! As for the title I truely believe "The Evolution of Design" would've been more appropriate, especially while referencing to the earliest documents containing that particular object, artifact or style and its transcendence to what the subjects' conceived graphic design has "evolved" to.
True as stated in the preface, "These are not necessarily the best-known or celebrated objects of graphic design, though many contain the genetic codes or canonical works. Instead, they represent some visible and a few obscure relatively contemporary artifacts that are well conceived...", there could've been other, more successful pieces on the table for dissection, yet the specimens selected are exceptional!
Lots of nice pictures..........2007-05-16
That's all well and good, but it lacks a textual narrative. The fold-out pages are a nice novelty for 'docovering' the apparent lineage of the feaured images, but do grow tiresome - and crease very quickly without undue care. Good for inspiration but not great.
Bad cover, good book.......2007-05-12
Honestly, I haven't had the time to actually read this book yet. But the hundreds of examples they give for specific styles of design make this book amazing in itself. I've never owned a book that has so many examples of quality design. The cool part is that the examples actually pertain to specific pieces; there supposed to be the works that specific graphic designers drew inspiration from to create a certain their work. Basicly, you flip the page and there's an example of a good piece of graphic design. Then you unfold the page to see what works that piece drew inspiration from. It's really interesting. Every single page opens up, giving you twice the amount of content, so your getting a good deal. *There's a section that has some rather explicit graphics in it so this isn't a kids book.* Overload of quality design; couldn't ask for more in a book.
Great for students!.......2007-03-20
This book is great for seeing a designer's though process. It opens up endless doors for creative minds. We need to start pushing the envelope!
A New Kind Of Art Book Is An Endless Visual And Intellectual Feast.......2007-02-15
This is a visual equivalent of Bartlett's Quotations - with an ingenious analytical presentation. It is full of interesting ideas and enough content to last for a lifetime. Aside from being tremendously enjoyable to anyone like myself who is interested in the graphic arts, it looks like it gives a full course in graphic design and the history of visual art. The generous, non-stop foldouts are ingenious and every one of them is filled with fascinating images and commentary. It wouldn't surprise me if this work, aimed apparently at graphic designers, became a best seller simply as a new kind of art book.
Average customer rating:
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Edward Hopper: A Catalogue Raisonne
Manufacturer: W. W. Norton
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Edward Hopper: An Intimate Biography
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Edward Hopper
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ASIN: 039303786X |
Book Description
The definitive, complete catalogue of Edward Hopper's oils, watercolors, and illustrations published in a magnificent three-volume boxed set.
First published in 1995 at $750 and now available at one-third that price, this extraordinary collection includes essays on Hopper's place in American art, all his illustration work, 350 watercolors, 360 oils, related texts, and an easy-to-reference Windows CD with provenance, bibliographies, exhibition histories, and excerpts from the artist's own sketchbooks. 3 volumes boxed with Windows CD. 1,500 illustrations, 600 in color.
Customer Reviews:
Better Values Elsewhere.......2007-09-05
If you love Edward Hopper and must have the complete works, you'll buy this regardless of what I say. But if you are just a fan and want to see a bio and highlights there are better compendiums out there. While these books are bound well, the paper could be better quality as could the color reproduction. The biggest drawback is that the books don't lie flat for better viewing.
Again, if you want the complete, historical Edward Hopper - I'd consider this. But for the money and for someone who just admires his more popular works, there are better, and less expensive choices.
Book Description
In much the way that the CD replaced the album, the poster has waned as a messaging vehicle. The poster has now become a postcard and e-mail blast, leaving many to long for the lost age when posters were not only major promotional vehicles, but also artwork worthy of framing.
Some of the world's best designers just could not stand idle while the poster fell by the wayside. They turned to the poster for personal expression and as an outlet from more restrictive mediums.
This book showcases their breathtaking artwork, which has proven that the poster can still serve as a worthy communications tool. In doing so, they've brought the poster back to prominence. In this book, the author has compiled the world's finest new work at the height of this rebirth. There is currently no book on the market that can claim it features a "definitive" poster collection.
Customer Reviews:
Source for inspiration.......2007-10-08
I must say, as a graphic designer I'm always looking for inspirational objects all around me so, this a collection you'll never find disappointing. All of the posters listed inside are in every range of design trend and illustration techniques and so are fantastic at any level: creative, conceptual and symbolic. Every featured designer is given an introduction and a light analysis on their work so you can get an idea of who these guys are. I gave 4 of 5 stars only because I wanted at least the double of pages and posters but it's a fair trade.
Love this book!.......2007-06-08
I am in love with this book! The posters are fantastic, the layouts great. I often refer to this book to get inspiration for my own art. Worth every cent.
Poster greatest hits.......2007-03-28
This is a very up to date collection of poster portfolios from graphic designers around the world. Besides the overall quality, the interesting point is the diversity (of origins and approaches) and the texts about the creation process of each piece. A must have.
Posters, posters and more posters!.......2007-01-16
I found the collection of posters in this book to be amazing! It has such a wide range of artists and designers. Anyone who is a fan or a pro would love this book.
Great Book of Inspiration.......2006-04-21
Not only is the book fun to look at but the writing is top notch. The author adds a lot of incite and does a great job of describing the ideas behind the work. My personal faves include Jewboy, Thinkmule and Modern Dog. (The only mediocre work in the whole book is from Sandstrom, who seem sorely out of place). You'll love this book if you love art and design.
Book Description
The Black Panther Party for Self Defense, formed in the aftermath of the assassination of Malcolm X in 1965, remains one of the most controversial movements of the 20th-century. Founded by the charismatic Huey P. Newton and Bobby Seale, the party sounded a defiant cry for an end to the institutionalized subjugation of African Americans. The Black Panther newspaper was founded to articulate the party's message and artist Emory Douglas became the paper's art director and later the party's Minister of Culture. Douglas's artistic talents and experience proved a powerful combination: his striking collages of photographs and his own drawings combined to create some of the era's most iconic images, like that of Newton with his signature beret and large gun set against a background of a blood-red star, which could be found blanketing neighborhoods during the 12 years the paper existed. This landmark book brings together a remarkable lineup of party insiders who detail the crafting of the party's visual identity.
Customer Reviews:
VERNACULAR SPECTACULAR!!!!!!!!!.......2007-05-31
Sometimes when images from newspapers or TV are taken out of context they can fall flat out of meaning or context. Not so for the revolutionary work of Emory Douglas. Douglas who was the Minister of Culture for the Black Panther Party from 1968-1980 and it's weekly newspaper artist amassed more works for the paper in a short period than most artists in a lifetime. But quantity is not the focus here but quality, growth and diversity. Emory Douglas is a prolific artist; his one page pieces included in the Black Panther newspaper were captivating and profoundly moved individuals all over the world no matter what language they spoke. His work has influenced every generation of artists/writers/activists who found their way into his work. It is interesting to note that while Emory's finished work was incredibly elaborate looking his tools of choice were simple pen, marker, tape and paper. His palette always represented and reflected the working class.
Black Panther: The Revolutionary Art of Emory Douglas focuses on many of Emory's best works and includes forward and texts from former Panther Chairman Bobby Seale, Kathleen Cleaver, Amiri Baraka (still NJ Poet-Lauriat in my book)and Danny Glover among a few.
A definite must for anyone and everyone!!!!!!!
Black Panther Art.......2007-05-23
This is a must-have for the Black Panther memorabilia collector, the African American art collector or any great art book lover's collection! A beautiful and unique book. The pages are printed on a paper that really makes it look like the original Black Panther papers. I love this book.
Book Description
Working with type and image and the integration of these two elements to create persuasive and effective design pieces are the foundations of good graphic design. Yet, very little practical information exists for these tasks.
This book changes all it. It gives designers the practical know-how to combine type and image for dynamic effect as well as to use them in contrast to create tension and meaning in design. Creating strong layouts is the most important as well as the most challenging of any project. This book inspires through excellence by exhibiting great design work then deconstructing the processes in simple visual terms.
Type, Image, Message: Merging Pictures and Ideas looks at this respected art form while providing practical information that can be used by any designer wishing to hone the skills needed to merge type with images in an inspired manner.
Customer Reviews:
a workshop for an inspiring adventure in design.......2006-11-09
Skolos and Wedell have captured their knowledge and enthusiasm for graphic design in this invaluable book. They generously share their own inspiring creative processes, while educating the reader through eloquent text and a unique compilation of design excellence from around the world. This workshop motivates a designer to open one's mind--to look past rigid combinations of type and image, and embark on a new adventure with photo-typographic works. Design practitioners, educators, and students alike will discover new depth with each read.
Great book!.......2006-10-31
Natalia Ilyin has it dead on (so be sure to read her review).
Really amazing examples inside by top world design firms from the USA, Europe, Middle East, Korea, Japan, etc. such as Bruno Monguzzi, Gunter Rambow, cyan, Lucille Tenazas, Why Not Assoc., Catherine Zask, and last but not least Pierre Bernard.
This is the kind of quality hard back design book at a great price that is worth every penny.
It would also make a great gift for a soon to be or current graphic design major at any art and design school or university. They would love it!
A wonderful text for designing with type and image concepts.......2006-10-21
"When type meets image, there is automatically a dialogue between them, and each can pull the other in many different directions," write Nancy Skolos and Tom Wedell. Partners in life and in business, they affirm this in their intelligently written and premised workshop primer on how to design with type and image.... Neither portfolio-style eye-candy, dry-toast scholarship, or how-to textbook, this book will find its own niche with design students and professionals. Despite its subtitle, it is definitely, thank goodness, too sophisticated for the DIY crowd.
An important book for students, educators and young professionals.......2006-10-20
Finally, a graphic design book about form with more than eye candy - although there's a banquet of visual inspiration here. This smart book provides a taxonomy that explains strategies for combining typography and imagery. Designers will find that they can apply these methods (beyond style) in their own work to achieve their conceptual objectives. The book itself is both form and content - the book's innovative design demonstrates its content.
fills an unfilled niche.......2006-10-20
Manipulating type and image to create the tension that breaks meaning open is the essence of graphic design. Few books, particularly books created as "workshops," do a balanced job of communicating useful strategies for creating with type and image. Often their authors are a little better at one thing than they are at the other--a little better at type or a little better at using images. But few have an equally high standard or talent in both, and for this reason, the tension that makes meaning lags, and the book is useful for some lessons, but not for others. Not so with Skolos and Wedell. Their combined type talent and image expertise-- born of working together for so long, perhaps-- is like that of one consciousness-- a doubled consciousness that benefits the user. Their book is a rich, satisfying review of technique and result. I recommend it as a primary text for any design course that explores the making of meaning in graphic design.
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General Knowledge
Stephen Bayley
Manufacturer: Booth-Clibborn
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ASIN: 186154068X |
Book Description
Stephen Bayley came to prominence as director of the Victoria & Albert Museum's Boilerhouse project in the 1980s with his famed design exhibitions on the Ford Sierra and the Coca-Cola bottle. Since then, Bayley has written countless articles and several books. General Knowledge brings together his collected writings, spanning his entire career. Covering a wide range of subjects such as art, taste, cars, design, commerce, food, culture, and the human condition, these witty pieces reveal the unpredictable and often polemical nature of Bayley's views. General knowledge includes a lively and personal introduction by Bayley himself, where he reflects on these essays with a fresh contemporary perspective.
Design guru Stephen Bayley has worked with Sir Terence Conran, directed London's Design Museum and advised the Labor Government.
Bayley was one of the first people to define the cult object- this book should certainly become one of them.
"I don't know of anyone with more interesting observations about style, taste and contemporary design."-Tom Wolfe
Customer Reviews:
on General Knowledge..........2001-02-03
This collection of writings by Stephen Bayley is a witty, courageous, and sometimes merciless commentary on style and culture in our post-war society. His interests are broad, covering the gamut from design (cars. coke bottles) to British post-war cooking to sex. And much more. He is a master of the written word, extremely quotable. Bayley's insights cut to the heart of the issue all the while using humor to make the blow more gentle. In fact he even pokes fun at himself from time to time.
The combination of scholarly research, astute observation and dark humor make this book a "must read" for the serious scholar of design. The rest of us will enjoy it and come away more informed about the consumer society in which we live.
Book Description
The first book to examine pattern as an essential part of twentieth-century design history is now available in paperback. Organized by decade, Twentieth-Century Pattern Design details the technical innovations that affected the development of modern textiles and wallpapers. With stunning color plates and lively text, Lesley Jackson takes readers on a tour of the development of twentieth-century patterns from around the world. Focusing on surface pattern in the home, Jackson draws frequent parallels to the worlds of fashion, packaging, and graphics and explores the interrelationship between painting and pattern design. The result is a book that is as inspiring as it is informative. Twentieth-Century Pattern Design is an invaluable resource for modern design enthusiasts and historians, collectors, and interior and graphic designers.
Book Description
An outspoken voice in the world of graphic design for more than twenty years, Paul Scher has developed a worldwide reputation for her bold, modern graphics and her incisive critiques of the design profession.
Customer Reviews:
great resource from a legend.......2007-09-08
A great read for anyone who is ready to make the jump from art school to working clients. Scher goes into excellent detail about working with illustrators, the structure (and politics) of agency work, her strategies/approach to design. She also shares good insight on how to work most effectively with clients who may not know a whole lot about design. I found this very practical, and a very easy read. I am also a big fan of her work, which spans several decades.
Vunderbar.......2004-10-26
Paul Scher hit me. No, literally. On a student tour of the Koppel/Scher offices, I was standing by a closet--Paula flung the door open and I provided the rubber stop. Though it's been a struggle, the last 12 years have softened my emotional pain. Make It Bigger provided some very necessary closure.
Also, trust whatever Randy Silverman (a previous reviewer) says about anything, especially anything concerning design. Frighteningly insightful.
Scher Brilliance!.......2004-01-20
I have to say I'm not a big "fan" of Paula Scher's visual style, it's far too "horsey" and "big-boned" for my taste, but I am a fan of what she has to say about the design profession and her experience in it.
This book is an excellent reference/story book on the frustrations of dealing with clients (which are many, as I can relate) who have poor taste or are just clueless. I agree with everything Paula says here and enjoyed the grain of salt with all that's said. I can feel the frustration and exasperation Paula speaks of as anyone worth their blood has designed something great, only to have a client with tunnel vision ruin it. Sigh.
Any serious designer should read this book, or already has. I would have no problem calling anyone who hasn't read it a poseur in this profession!
A Must for Those Who Need to Understand Working with Clients.......2003-03-18
Too often designers see their own result(s) and design solutions without the knowledge of the 'client process' . . . a truly remarkable reality in this business. ALL design students should be made aware of this aspect of the profession, possibly even before seriously considering if one wants to be a designer. There is so much more to it than having an 'AHA' on one's own. Ms. Scher has presented this in a manner both pictorially and honestly with examples and explanations . . . and, of course, with much experience in the real world of design (which must also include some humor). I have been a designer for thirty years and would recommend this as part of required reading from the start for future "wannabes" and for all of us who need that reassurance that this is indeed how it works.
Make it Bigger is Best.......2002-12-11
Many kudos to Paula Scher on her wonderful new book, Make It Bigger. Not being a designer myself, I am especially appreciative of Make It Bigger's informative descriptions of the negotiation process that goes on between the designer and the client. It helped put into perspective for me that invisible "something" that exists when a breakthrough piece of graphic art emerges. Besides the creative, visual flash of a challenging image, each graphic art object that survives the editorial process gives off an optimism that must be something akin to those first aviators who believed in flight, despite gravity and the conventions of rational wisdom.
Make it Bigger also represents (to the best of my knowledge) the first publishers' edition binding to be produced as a tight back, breaking a run of hollow-back edition bindings dating back to the inception of the genre, c.1820. While I'm sure most folks will be impressed with the edge printing (which is very slick), and the wonderful layout, the book's physical structure (which is something akin to a mechanized Bradel binding) breaks all kinds of ground. (I would have loved to have seen the discussions that must gone on between the author and the binder!).
In addition to its unique packaging and stunning visual presentation, Make It Bigger is the most entertaining work on graphic art I've ever read. Scher's writing style is honest, accessible, and absolutely absorbing, as are her candor, her humor, and most of all her precocious creativity. I cannot say enough to convey my sincere admiration for this wonderful book.
Randy Silverman
Preservation Librarian
Books:
- Forms, Folds, and Sizes: All the Details Graphic Designers Need to Know but Can Never Find
- Gardner's Art Through the Ages (with ArtStudy Student CD-ROM and InfoTrac )
- Graphic Design Solutions, Third Edition
- Graphic Designer's Guide to Pricing, Estimating & Budgeting Revised Edition
- Handbook of Structural Steel Connection Design and Details
- High-Speed Digital Design: A Handbook of Black Magic
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
Books Index
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