Book Description
This book is a hands-on guide to the entire process of making logos and fonts and even icons, all of which, essentially, start with the ability to draw letterforms. The intent of the book, in fact, is to enable the user to end reliance on "OPF" (other people's fonts) and learn to draw your own custom logos, fonts and lettering! There are many books on the market that simply display collections of logos and fonts, and that give the history of logos and fonts. But Logo, Font & Lettering Bible is unique in that it teaches you how to create logos and fonts from scratch using traditional tools as well as the computer programs Adobe Illustrator and Fontographer (plus a bit about FontLab). The book provides all the traditional rules and tips about letter formation relating to proportion, shaping, balance, spacing, composition and actually teaches five different methods of drawing letters on computer using bezier curves. There has never been a book like this one that goes into so much detail about drawing letters and takes such a fun and irreverent approach while doing so. The book is also full of inspiration and analysis of tons of great examples of vintage and current lettering from old manuscripts to graffiti. Logo, Font & Lettering Bible also shows you how to create fancy drop shadows and other type effects. And finally, the last section provides straight talk on the business of being a logo and font designer, from advertising your work and pricing to dealing with difficult clients (aren't they all?).
This book has been almost unanimously acclaimed by professional letterers, logo designers and font creators, both young and old. It is currently in use as a text in many typography programs and several Design college educators have stated it is one of the few texts that "students are actually happy about having to purchase."
Customer Reviews:
My secret weapon!.......2007-08-17
Not only is it a terrific and easy-to-understand how-to book, but a fabulous idea-starter and it doubles as a coffee table book because it's beautiful to just thumb through.
An Excellent Book for a Typophile!.......2007-06-18
As a design instructor, I found this book an excellent resource for ideas and examples. It has a thorough explanation of Bezier curves, which is invaluable in understanding how vector based applications like Adobe Illustrator, work. Fine examples of type design are included as well.
Candy store for creative minds (recommended).......2007-04-01
Yummy! With humor, clear illustrations, and useful suggestions, Cabarga provides a wonderful resource for anyone who wants to be a letterer, illustrator, font or logo designer. But this hardbound book is not just for "wanabes." I found it includes comprehensive coverage of most everything learned throughout 30 years in the same disciplines along with new valuable timesaving tips. If I had the patience and tenacity to attempt such a compilation, it could be no more complete and not nearly as well presented as LOGO FONT & LETTERING BIBLE. My essay can now be reduced to three words: "What he says."
Leslie Cabarga, a talented illustrator and designer in his own right, does not limit examples to his own. World-renowned artists such as Gerard Huerta, Michael Doret, Tim Nikosey, Tony DiSpigna, and Seymour Chwast -- four dozen in all -- contribute to the wealth of inspiration. In the 1980's I had the privilege of working with uncles for one of these typography leaders -- producing over 200 hand-lettered packaging logos. It was there that I first saw an original triple outline inking of flourished letters by Gerard Huerta and was privileged to study a fraction of the techniques used.
Cabarga urges readers to become critics of their own work. This also reminds me of employment at the Huertas. A bulge could occur when joining curves using technical pens. After working on it for a while and thinking to myself "It's good enough," this infinitesimal area would be the first thing the creative director would point out. After admitting that I saw it too, he remarked, "If you saw it, why show it to me?" I quickly learned to be obsessively concerned about adjoining curves. Ink bulges may not be a problem today with digital lettering but there are other telltale signs of an amateur. Cabarga shows what to look for.
Your eyes are in for a tasty treat. Beautiful examples of calligraphy, and their influence on Roman font characters, are well demonstrated and discussed. But the book is by no means limited to calligraphy. Cabarga patiently differentiates cartooning, illustration, logo design, icon artwork, trademarks, and font design. LOGO FONT & LETTERING BIBLE compares digital tools such as the now defunct Macromedia FreeHand (my past favorite), Adobe Illustrator (which has supplanted the former), the seemingly forgotten Mac OS 9 version of Macromedia Fontographer (which in 2005 was integrated into the FontLab line of digital typography tools and updated to Mac OS X -- hooray!), and the preeminent FontLab.
LOGO FONT & LETTERING BIBLE covers the history of typography and encourages users to build a library of signage photos and magazine scraps for inspiration. Each subject I thought might be overlooked was eventually covered. Even esoteric techniques such as what I refer to as character ink reservoirs (called clog reduction on page 115) are here. Skeleton Strokes on page 152 demonstrates wonderful timesaving suggestions for digital lettering. Optical character spacing and stroke widths are discussed in detail beginning on page 112. Do you want to learn how to clean up the best scans for converting drawings to vector art? Jump over to page 158. Everything you want to know about Bezier (pronounced "Bez-zee-ay," thank you) curves but were afraid to ask is, well, practically everywhere but particularly in the section Bezier Curves for Cowards that begins on page 140.
Mississippi readers will approve. Just as I was thinking, the author needs to demonstrate how to arch text on a path (FreeHand did a better job than Illustrator), I turned to page 191 and, bam! There it is. The comparison on page 226 of residual shape differences in Illustrator and Fontographer after Bezier points are removed from a path is insightful. Not to leave you hanging, the book concludes with suggestions for getting work, building a portfolio, and negotiating fees. Additional resources and a helpful index rounds out 240 pages, which, like all trips to a candy store, seem to end too soon.
Great resource!.......2007-03-09
I found the book to be a great resource in logo creation. The mock logos section quickly steers one in the direction to go in your own projects. The typography part of the book is also a very interesting read. With examples and the background for the fonts in use today.
You can of course find all of this information on your own and in fact most of the issues in this book are familiar to a seasoned designer. But still I found it tremedously interesting to refresh the knowledge of the letters and their different forms.
One minus for me was in part a very cluttrered layout. Though not unreadable it was in places quite colourful and abundant - to a point where the main issue sometimes took a second seat. All in all a great book. Highly recommended!
Fun, witty and informative.......2007-03-05
A designer colleague loaned me this book and it has been a very enlightening and hilarious read. Leslie Cabarga is a very effective communicator; he combines humor, graphics, and verbal communication to tremendous effect, and beginner types like myself come out much richer for the experience. There's really a lot in this book, whether you're looking for hard and fast rules or maybe just a more robust visual sensibility, and it's got plenty of wit to spare.
Highly recommended.
Book Description
Scrapbookers will discover more than 15 new alphabets created by the nation's top scrapbook lettering artists as well as find the favorite lettering styles from Memory Makers over the past five years. With styles ranging from elegantly classic to cutting-edge creative, there's sure to be a font to suit every scrapbook project.
Every lettering style is featured on a completed scrapbook page and the book is designed to make it easy for scrapbookers to photocopy or trace the alphabets for use in their own albums. In addition, the book includes a multitude of ways to personalize and customize the lettering styles using torn paper, beads, chalk and more. Every scrapbooker can use these stunning alphabet styles to create page titles that pop!
Customer Reviews:
Best variety of draw-it-yourself alphabets for scrapbookers.......2003-06-11
This book is relatively new on the scrapbooking scene, but already I find myself pulling it off the shelf frequently. It is great to be able to create my own titles in the ideal lettering styles, sizes and colors for each page, rather than having to rely on letter stickers and die cuts.
Scrapbook Lettering starts with a short, helpful introduction that runs through basic tools and techniques, then illustrates the process of freehand lettering. The main body however is devoted to the 50 alphabets. Each font has a two-page spread devoted to it that features its use in sample layouts. The authors are very thorough about explaining the simple techniques you will use to draw each alphabet yourself. Suggested theme pages that go particularly well with the alphabet are included, along with variation ideas & tips. I love the last ten alphabets, which are organized chronologically according to which decade they best complement ý great for those heritage pages!
Hereýs what I discovered after practicing with other creative lettering books: the font styles that can be ýfleshed outý from a basic outline alphabet tend to have a fun, casual feeling to them, but quickly run out of designs for more formal titles and pages. The impressive thing about Scrapbook Lettering on the other hand is that the alphabets are designed by about 20 different published lettering artists, so there is enough style variety that you can match a font to suit any page from wedding albums to baby books. You can draw more than half of them completely freehand; with the rest you will need some help from photocopiers, grids or some tracing paper in order to accurately transfer the lines and maintain the precise look of the fancier fonts.
Some scrapbookers, who are used to completely freehanding the more casual styles of other lettering books, may feel that this is too much trouble to go to for a page title. My advice would be not to give up so easily on your artistic instincts! I think that if you find a more technically involved alphabet that you think would put the perfect finishing touch on your memory page, you should invest the little extra effort it will take to transfer it with grid paper or enlarge with a photocopier first. It will be worth it.
-Andrea, aka Merribelle
Customer Reviews:
Not that easy.......2007-02-25
I found the layout really confusing. Also if you are a beginner I would say this is not for you. It doesn't contain much "instruction." I would suggest "The Calligrapher's Bible" instead.
Not a beginner's book.......2006-02-07
I'm trying to teach myself this beautiful art. This book is certainly not for the beginner. The concept of a new alphabet each week and weekly projects is a great one, however there isn't enough instruction on materials or form to make it very helpful to those of us new to this art. I'll keep it for reference but must continue my search for a great teaching tool.
My Least Favorite Book on Calligraphy.......2005-01-03
I was given 3 books on Calligraphy, as a Christmas present from my daughter, and this book is at the bottom of the list.
It does contain many different fonts, and the idea of having a practice lesson every week for a year is a novel idea indeed. However, I found this book disorganized, and try to do the lessons with one arm trying to hold the book flat.
Wonderful book.......2004-02-10
This book is more complete than I expected and it is written in such a way that you are eager at trying your hand at the next alpahbet. Great for the person who already knows how to handle the pens.
Very helpful.......2002-10-12
Nicely-formatted book with a gazillion scripts. Made me get out my calligraphy pen immediately and start practicing, which is really the name-of-the-game to developing this delightful and useful skill. Knock your friends out and write in some of these beautiful hands!
Book Description
100 copyright-free alphabets: Blackstone, Dolbey, Germania, 97 more — with many lowercases, numerals, punctuation marks.
Customer Reviews:
A must purchase for every tatto parlor.......2006-12-22
You think I'm kidding, but I am not. I do not know how many times I have searched the calligraphy books for "Old English" for proletariats who wished just the correct typography to permanently stain some dopey word to their body, apparently to guarantee a lifetime of minimum wage employment. This is just what they are looking for. 100 pages of fonts, one of which is guaranteed to meet the victim's expectations. So, you do not need to be a calligrapher to buy this book. A tattoo parlor or even a public library will find this book indispensible. I'm not kidding.
perfect book.......2006-11-10
lots of complete fonts, Capital, lowercase and numbers. has everything i wanted so i could practice and master any style i want.
Book Description
Practical archive of extraordinarily beautiful and decorative letters of the alphabet splendidly ornamented with geometric and curvilinear motifs interwoven with royal and saintly figures, mythical creatures, knights in battle, exquisite florals, and much more. A wonderful glimpse of the ancient art of manuscript illumination.
Customer Reviews:
Nicely put together!.......2007-09-07
This is especially helpful for letter-illuminating, though you need to know what you're doing because there are no guiding instructions.
Calligraphy book.......2007-09-02
I didn't get as much from this book as I'd hoped. It is beautifully illustrated.
Unexpected.......2007-05-14
This was not what I expected. The letters are back to back so you will need to make a copy of the page you want otherwise you cut into the letters on the back of the page
Customer Reviews:
An interactive alphabet book.......2004-09-15
Mitsumasa Anno and Masaichiro Anno's Anno's Magical ABC: an anamorphic alphabet is a highly unconventional book. With a simple 180º rotation and flip, the book can be read from either end, with an uppercase alphabet in one half of the book and a lowercase alphabet in the other half. The letters of the alphabet and accompanying drawings are distorted and nearly unrecognizable, requiring a curved mirror to view in the proper proportion. (The book includes sheets of reflective silver paper and instructions for rolling them into tubes for revealing the "magic.") Though the format and the presentation are unconventional, the subject matter is highly conventional. Each letter, upper- and lower-case, receives a single page and is accompanied by a drawing of an object that starts with that letter. The correct spot for placing the mirrored tube is marked by a circular seal which includes a botanical drawing that also starts with the letter on the page. So, "a" is represented with an anteater and an apple; "g" is represented with a goat and a gentian; "T" is represented with a tiger and thistle; "W" is represented with a windmill and walnut. The father and son team did the drawings and the letters (respectively). Children who are already familiar with their letters will delight in their abilities to transform and manipulate the letters of the alphabet.
Customer Reviews:
Great inspiration.......2007-07-28
This book give you wonderful inspiration for creating titles. The sizes are great for tracing and I love that each letter is shown in each theme so you don't have to figure letters out on your own.
Letter Art.......2006-03-15
Do you want to encourage students to improve their artist skills? Becky Higgins' book on lettering can do that for you!
Good book, but some repetition of her last book.......2003-03-14
I love Becky's book, "The Art of Creative Lettering: 50 Amazing Fonts You Can Make for Scrapbooks, Cards, Invitations, and Signs." I use it OFTEN and recommend it HIGHLY.
This book, "Letter Art," from the AmericanGirl Library imprint, is cute, and the illustrations and photos are good. But, there is huge overlap -- of the 12 fonts in this book, only one is new, and it is very similar to another one in her previous book.
So, while I admire Becky's work, I would say that the other book is a much better buy. The new book has a cute spiral-bound format, and comes with a few pieces of tracing paper in the back, but the other one is chocked-full of her cute letter designs as well as how-to's and suggestions/photos for their use. And 'though this new book may inspire a 'tween to doodle, etc. the larger book is certainly not too hard to use, (maybe with a bit of direction from Mom at the start).
LETTER PERFECT!.......2002-08-21
This is an EXCELLENT book. All the lettering styles are great, and really lovely to look at. The lettering would be good for a variety of projects: scrapbooking, fancy snail-mail letters or invitations. Even younger children can do some of the fancy designs with good results. I have not yet seen a nicer book for lettering. First-rate!
FABULOUS.......2001-08-04
This book is great. I used it for cards, and it's fun playing with letters and making them look beautiful! The letters are not hard to make, and there is so much you can do with them!
Book Description
Naskh is among the most popular of the six major Arabic scripts, used in more Qur-ans than all other scripts combined. The easy-to-follow, self-study workbook Arabic Calligraphy makes it possible for you to learn and enjoy the beauty of this noble art. The first stroke-by-stroke guide for learning Arabic calligraphy, it progresses from the initial, medial, and final forms of Arabic letters to joined letters and on to complete words. Guidelines also help you determine which pens, ink, and writing angle to use for best results.
Customer Reviews:
Arabic Calligraphy 101.......2002-09-08
This introductory workbook is for those who have no previous knowledge of Arabic and want to try writing in Arabic writing for the first time. Writing is in this case a misnomer because as the title suggests the emphasis is on calligraphy. The workbook, which is about the size of a standard magazine, starts with how to make a reed pen for calligraphy. The next part concentrates on the mufradaat (single letters), followed by murakkabaat (joined letters) and kalimaat (words). The book finishes with a gallery of beautiful examples of naskh calligraphy taken from throughout history. The presentation within each section is jumbled and unsystematic but not so much so that the text isn't worthwhile. The book is especially good at depicting the correct stroke order and the letters are large sized which a great help when just starting out. If you are a novice you will probably be happy with this book but will have preferred a more methodical, step-by-step presentation of the material.
For those without who want to learn to read as well write in Arabic The Arabic Alphabet by Awde and Samano is about as good of an introduction as one can find, however it doesn't have the beautiful examples of scripts and the large-size lettering that Arabic Calligraphy has (both books are cheap so go ahead and get the two of them.) If Arabic Calligraphy stimulates your appetite for more check out the richly illustrated Arabic Script: Styles, Variants, and Calligraphic Adaptations by Gabriel Mandel Khan. It depicts many of the styles besides naskh, traces their historical development, and discusses the latent symbolism that is present in many of these beautiful forms.
A Must For Calligraph-a-holics!.......2002-06-05
Though I've only read through this book, not yet having 'road-tested' it, I am thoroughly delighted in finding this slim volume and hope that further series (amateur, advanced, specialised) are forthcoming.
For starters, I think it should be stated that this book is not for someone who wants to gain an understanding of the Arabic alphabet, i.e. pronunciation. This is a book for someone who knows what the letters sound like and has a pretty good understanding of which letter is which. I don't see this as a fault at all and I hope no one else does. At some point, you have to stop second guessing your audience. That said, this book carefully details, just as Roman alphabet calligraphy books, the finer points of how to scribe each and every letter of the Arabic alphabet. All in all, this book is excellent for someone wanting more than the average 'how to write arabic' primer. It gives proper form as a guideline, while expressing that of course ideals cannot be exact on every writing. It gives hints on how to perfect the line of each letter and the best part: it carefully goes over possible forms and joinings of seperate letters with each other. There is a brief display of ligatures, which the author states is a whole new subject outside the scope of the book. I can only hope that is his way of hinting at a sequel!
Average customer rating:
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Art Nouveau Display Alphabets: 100 Complete Fonts (Dover Pictorial Archives)
Dan X. Solo
Manufacturer: Dover Publications
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Binding: Paperback
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Art Deco Display Alphabets (Dover Pictorial Archive Series)
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Script and Cursive Alphabets: 100 Complete Fonts (Dover Pictorial Archive Series)
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100 Calligraphic Alphabets (Dover Pictorial Archive Series)
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Celtic and Medieval Alphabets: 53 Complete Fonts (Dover Pictorial Archives)
ASIN: 0486233863 |
Book Description
100 complete fonts from Solo-type Typographers Catalog: upper and lower cases, alternate forms, swash forms, numerals, secondaries. Whiplash, organic, cursive, Orientalized, other styles. Beautiful, wide range of type fluidities suggest elegance, originality, grace, nearness to nature. Most not elsewhere.
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Alphabet of Creation
Ben Shahn
Manufacturer: Schocken
ProductGroup: Book
Binding: Hardcover
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ASIN: 0805240578
Release Date: 1988-11-07 |
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- Logo Font & Lettering Bible: A Comprehensive Guide to the Design, Construction and Usage of Alphabets and Symbols
- Mastering Maya 8.5 (Mastering)
- Masterpieces of Art Nouveau Stained Glass Design: 91 Motifs in Full Color (Dover Pictorial Archive Series)
- Microstation V8 for Autocad Users
- My Secret Life on the McJob: Lessons from Behind the Counter Guaranteed to Supersize Any Management Style
- Nocturnal Witchcraft: Magick After Dark
- Not a Box
- Paula Pryke's Flower School: Mastering the Art of Floral Design
- Persepolis: The Story of a Childhood
- Pocket Medicine: The Massachusetts General Hospital Handbook of Internal Medicine (Pocket Notebook)
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