Book Description
Add a note of elegance to countless graphic arts and crafts projects with 166 black-and-white designs depicting lovely swirls and curlicues reminiscent of 18th-century pen flourishes. Designed by Kiyoshi Takahashi, these copyright-free motifs will add a delicate touch to ads, newsletters, posters, scrolls, certificates and more.
Customer Reviews:
Same content as Ready-to-Use Calligraphic Ornaments By Takahashi (Dover).......2006-02-17
Buyers shoud be aware that this book has the same content as an earlier Dover book,Ready-to-Use Calligraphic Ornaments by Kiyoshi Takahashi. This is better becuase it comes with a CD, but it is the same collection of images.
The .eps format dissapointed me...like other reviewers, I was hoping vor vector based images. I did have good results with Illustrator CS2's live trace tool. I turned the images into plain linework, then added the thick/thin look of calligraphy by applying Illustrator's calligraphic brushes. A bit if work, but the results are nice.
No Vector But Great When Converted.......2004-12-15
I must say I am glad that I read the other reviews so that I was prepared when I purchased this item. It is a bit misleading that the CD contains files in EPS format because they act just like a placed image in Illustrator. HOWEVER, with a program like Adobe Streamline, the images are absolutely GORGEOUS. I highly recommend this item along with Streamline. In the end, the quality workmanship of a Dover book is found in this product.
No Vector..........2004-06-06
When i first saw this book, i was very excited because it said that i had .eps files, which to me, mean vector, easy to use etc. These files are all raster, thus if you are seeking full vector, you might need to order a copy of Adobe Streamline and covert these. Big disappointment.
joshua
(...)
I agree with the Graphic Designer from Los Angeles..........2003-01-05
And unfortunately I was looking for true clip art! However, I must say that the ornaments presented are truly stunning, and can easily be used in paper crafting of any kind. I used this book to create labels for gifts and to address holiday envelopes. I am a novice desktop publisher and was not disappointed.
Cris Cunningham
Graphic Designer in Los Angeles.......2000-12-02
The ornamentation is very nice but something anyone buying any of the Dover Electronic Clip Art series books should take into account is that they are not actual clip art items. Dover has just scanned the art and put it on a CD, the items are not scalable or changeable in a usual clip art format. It is very helpful to have the images already scanned but if you want true clip art, this book is not for you.
Book Description
One of the world's major forms of writing, Arabic script is the language of the Koran and it became widespread as a result of Islamic conquests of much of the world. The Koran places great importance on writing, and in the first verse of the holy book, reading and writing with the calamus, or reed pen, are praised as the source of all knowledge and all spiritual or scientific paths of change. For this reason the Islamic world is known for its reverence for books, as well as its love of writing. Eventually Arabic script gave rise to calligraphic art, which became an art form of astonishing beauty. More highly regarded than painting, Arabic calligraphy is approached aesthetically like music, with its own rules of composition, rhythm, and harmony.
This enlightening book helps us discover an alphabet that throughout the centuries has been linked to the secular and religious worlds of Islam. The text explains the history and meaning of each letter, as well as its philosophical, theological, and cultural significance, and 300 two-color and black-and-white pictures illustrate the letters, their variants, and calligraphic adaptations. An ideal book for linguists, graphic designers, and collectors of Islamic art, Arabic Script will also prove handy for travelers who wish to become familiar with the rudiments of the alphabet.
Customer Reviews:
Just buy it ! (if you like Arabic).......2003-12-11
This is a really beautiful and informative book, a true collectable. Wish I had a first edition. If you love Annemarie Schimmel's books, you MUST buy this. It would be a great present for anyone interested in Arabic, and I haven't seen it in any of the Arabic bookstores.
Disappointing.......2003-04-19
I'm afraid I must start by saying I haven't read the English edition, but the Italian original. I approached it with high expectations, which were dashed.
Why did I find it disappointing? Perhaps I was expecting a bit more content; instead the book had the feel of a book thrown together to create a book. This is even more true of his companion volume, 'L'alfabeto ebreico'.
The illustrations seem too small to provide a useful guide to the caligrapher, and tend to concentrate - like to many books on Arabic calligraphy - on the illumination to the detriment of the calligraphy itself. The book also relies too heavily on Arabic typography, which isn't really the same as calligraphy, and which so often breaks the canons of calligraphy, with the result of seeming both ugly and hard to read.
I'd like to have know far more on the tradition of calligraphy and the calligraphers themselves; a more focused investigation of the styles used and how they've developed; a useful bibliography.
All in all, disappointing.
An insight to Arabic culture through its calligraphy.......2002-01-05
This richly illustrated volume on Arabic calligraphy is truly a feast for the eyes. The book begins with a brief introduction on the evolution of the Arabic script from its pre-Islamic origins to its blossoming into the many calligraphic forms we see today. Examples of the script throughout its development are provided, from early Nabatean scripts to modern attempts at introducing capital letters. Particularly interesting is the letter from the prophet Muhammad to Mundar ibn Saui (the script used by Muhammad is a bit different than contemporary Arabic script). In the next section, each letter is individually given at least a two-page discourse on various calligraphic forms, the symbology associated with the letter, its current use, how the letter relates to the Qur'an, and pronunciation of the letter (e.g. the Arabic letter 'shin' is used as an abbreviation for path and to Sufi mystics 'shin' symbolizes personal destiny). The final section shows examples of texts, manuscripts, and other sources depicting the wide range of calligraphic styles. Examples include excerpts from Qur'ans, from medieval-era scientific treatises, from talismans, and from other sources dating from antiquity to the present. The glossary at the end of the book, though too brief, is quite helpful.
This book is more about the artistry that is inherent in the Arabic script rather than on teaching the reader how to write Arabic letters - and you don't need to know Arabic to fully appreciate the artistry. Khan's work will be a welcome addition to the library of anyone interested in Islamic art, culture, or the Arabic language.
WOW !! What a great book..........2001-08-11
This book is well thought out. Extremely informative. It has lots and lots of pictures. The best part is for those of us who are trying to teach ourselves Arabic Calligraphy, and are somewhat limited in reading Arabic. The author gives full details on the calligraphy along with dates, english translation, etc. There is no guess work, the author assumes you don't have any Arabic so, if you don't have an arabic teacher, this is the book. Informative, easy to read and full, full of detailed information, the author was very generous with pictures.
I know you will enjoy it.
Definitely a good buy.
Covers both the history and meaning of each letter.......2001-07-06
Gabriel Mandel Khan's Arabic Script considers the styles, variants and adaptations of arabic script, covering both the history and meaning of each letter. A highly recommended pick for a specialized audience of college-level students in either language or art.
Book Description
1992 Gold Medallion Award winner!
Value priced!
Now art lovers can experience the inspiration of Handel's classic Messiah through Botts's expressive calligraphy. His full-color artwork is a visual orchestration of the entire text of the Messiah.
Customer Reviews:
A Dream Come True for Messiah lovers.......2004-08-08
For those who know and love Handel's immortal oratorio Messiah, this beautifully-designed book is like a heavenly Godsend from above. The calligraphy that Timothy Botts adopts for the different sections of the text is tasteful and appropriate to the Biblical text and the nuances of Handel's music as well. What strikes the reader is that the calligraphy so graphically depicts the words of the oratorio that you don't need to be a Messiah lover to appreciate the calligraphy of the text.
Every page is a feast for the eyes and Botts copes with the demands of the text and the music admirably. For example, in the pages of the Hallelujah Chorus, Botts includes the phrase "For the Lord God omnipotent reigneth" exactly five times, just like in the musical text as we hear it. Also, he uses more florid lettering for the "Rejoice greatly" section of the soprano's aria, with serious lettering for the middle section, "He is the righteous Saviour", just as it should be in the actual oratorio. And in the "For unto us" chorus, you have the cries of "Wonderful Counsellor" in big, bold and flashy letterings at the bottom of the page, with the first part of the chorus building up to those exclamatory declamations. I could go on and on about the examples, but then there are too many to fit into one review. In short, all the different calligraphic styles integrate themselves into the whole work very nicely for a cohesive whole.
The helpful thing about this book is that in addition to the visual feast that Botts provides for us with his tasteful calligraphy, he also has notes on the side of the word-pictures to explain how each different calligraphic style works in relation to the text and the music. Reading these notes, you can see how much thought he put into the word-paintings of this book, so that they matched not only the words but Handel's glorious music as well. The only point of note is that there is a slight inaccuracy in the "Trumpet shall sound" passage, because Botts illustrates the words "For this corruptible must put on incorruptible..." rather than "...must put on incorruption...", but this word-painting still comes across as an effective calligraphic pictorial representation of this verse.
Overall, though, this is an absolutely divine and heavenly Messiah book that can exist both as a companion to Handel's oratorio and as an independent book of its own. It's sad to know that it is out of print, for it could put CD librettos to shame before long. I strongly recommend this otherwise cherishable book to everyone who loves the Handel Messiah, and urge everyone to find a copy to accompany their existing recordings, including Pinnock, Gardiner and Solti.
A treasure you will cherish........2002-01-22
There really are no words adequate to describe this book. As Handel's music lifts the spirit of the text, Timothy Bott's use of lettering, size, color and placement of words on the page in the description of the text is unique in my experience, in its ability to touch the soul. This is a book you will want to keep close by all year long, to be touched again and again by its inspiring and deeply meaningful expression of the Christmas/Resurrection story.
Messiah.......2001-11-20
I am very impressed with this book. Knowing the musical work, it is interesting how he portrays the music into pieces of art other than notes, instruments, and voices. Each and every piece can stand on it's own, and putting them all together is very meaningful. I shared this with my own children to appreciate Handel's work as they listened and looked. I have this out right after Thanksgiving, and leave it out until Easter. Often it is picked up by visitors and becomes a great subject of conversation. It would be a great addition to any home library, as well as a perfect memorial book for a church.
Replacement:what you do when your kid rips your friend's boo.......2000-07-25
This is a lovely book. Calligraphy is outstanding.
Book Description
An ideal resource for artists, illustrators, and anyone in need of distinctive graphics for an unlimited number of print projects. These elegant calligraphic alphabets are royalty-free and ready to use. Classic and modern styles — uppercase letters and the numerals 0 through 9 are included in each alphabet.
Customer Reviews:
This is not a good book for learning do Calligraphy.......1999-07-15
This book is just what it says: Simply a bunch of alphabets. They are only usefull to typographers, not calligraphers.
Book Description
492 large-sized capital letters as decorative initials. All 26 letters appear in six or more styles, brush-painted in calligraphic swash.
Customer Reviews:
Good source for calligraphers.......1999-01-09
I found this book to be a good source of inspiration. It gives different beautifull options to do capital letters and many choices for each one. I think this book is a must for serious calligraphers who want great ideas for initials.
Average customer rating:
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A Way with Words: The Calligraphic Art of Jung Do-jun (The Collection in Context)
Manufacturer: Jordan Schnitzer Museum, University of Oregon
ProductGroup: Book
Binding: Paperback
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ASIN: 029598662X |
Book Description
Although it remains underappreciated in the West, calligraphy in Korea and throughout East Asia has traditionally been viewed as the highest of the visual arts, more valued than painting or sculpture. Contemporary Korean calligrapher Jung Do-jun's bold and handsome art displays a great diversity of style and format. Jong's work incorporates many styles of calligraphy, featuring both Korean hangul script and Chinese characters. In addition to his mastery of traditional calligraphic styles, Jong also creates expressive, modernistic works whose vibrancy helps keep calligraphy relevant as a modern art form. A Way with Words introduces a broad range of readers to Jung Do-jun's compelling work, covering the art of calligraphy generally and placing Jung's work in the context of the East Asian calligraphic tradition.
Book Description
Collection of 850 precisely drawn calligraphic elements recalls the spirit of 18th-century pen flourishing. Delicate scrolls, swirls, frames, borders, cartouches and other design elements are suitable to any number of commercial and craft uses, and are readily usable and copyright-free. Publisher’s Note.
Book Description
163 superb royalty-free designs in a great variety of shapes and sizes, all in fine-line swirls and scrollwork.
Customer Reviews:
Excellent reference for beginner or advanced calligrapher.......2006-03-15
Ralph Douglass's Calligraphic Lettering provides a good resource for beginning or more advanced calligraphers. This is one of the first calligraphy books I used as a child some 20 years ago and was so glad to see it republished again recently.
The author offers several different calligraphic hands with a brief history for each. He also includes sections on design, proportion and a couple of pages on teaching children to write - a section I am now using to teach my children. The thing I like most about this book is that it emphasises the need to practise.
The Ultimate Learning Reference.......2004-09-13
The lovely, hand-lettered text of this book distinguishes it even before you get to the wonderful, clear alphabet studies. Its spiral binding makes it very easy to refer to pages while working; and for some reason, other calligraphy texts haven't figured that out.
I do calligraphy as an amateur (literally, for the love of it) as well as for pay. I am not a teacher by profession; but whenever I teach a calligraphy class, this is my prime reference book.
Recently I thought I had lost my copy, and that is when I realized how much I depend on this book. It is The Best.
If you are going to own only one calligraphy guide, this is the one!
The classic, out-of-print primer for the serious beginner........1998-10-24
This hard-back, spiral-bound work has a plethora of alphabets for the beginning adult scribe to learn. Many classic examples from art history, and adequate detail from the author are available to guide the willing penman. One who will devote time and self-discipline for serious practice will find this work an able guide to learning classic letter formations.
Book Description
In 1561-62, Georg Bocskay, imperial secretary to the Holy Roman Emperor Ferdinand I, inscribed the Mira calligraphiae monumenta as a testament to his preeminence among scribes. He assembled a vast selection of contemporary and historical scripts, which nearly thirty years later were further
embellished by Joris Hoefnagel, Europe's last great manuscript illuminator. This book, now in the collection of the J. Paul Getty Museum, is reproduced here in complete facsimile form, accompanied by a commentary that includes a full description; a discussion of its patron, Rudolf II, and his
cultural and historical milieu; the biographies of Hoefnagel and Bocskay; and an analysis of the manuscript's role in their careers. The introduction discusses the broader issues raised by the manuscript. Topics include Hoefnagel's nature imagery, which encompasses plants, fruits, and small
animals, and its relation to the spread of interest in botany and zoology at the end of the sixteenth century. Another topic is calligraphy and its place in the art and culture of the sixteenth century. The manuscript's remarkable calligraphy will be of particular interest not only to scholars but
to collectors, graphic designers, and typographers as well.
Customer Reviews:
Beautiful reproduction of an exquisite manuscript.......1997-08-16
This is an excellent reproduction of an exquisite manuscript produced during the last phases of the hand-written, hand-illuminated book. The introductory texts are concerned primarily with the history of the two artists responsible for the creation of this work, with some space devoted to its provenence and patron. The majority of pages are, of course, devoted to the plates themselves; no words can do justice to the art displayed therein. Commentary on the plates is mostly limited to identification of the various flora and fauna displayed on the pages
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