Book Description
It is published to coincide with "Colors for Modern Fashion" and it is necessary to discuss some of the aspects of the new book to understand the changes in this one. This new edition of "9 Heads" is the re-statement of the author's approach to the subject of black and white drawings, incorporating the most developed thinking and views, both in terms of what the end product should look like, and how best to achieve it. "9 Heads" also presents a different style of finished drawing, one where figures are usually more fleshed-out and where garment fabrics are more rendered than in the drawings of the previous edition. This edition has been extended in scope as that together with "Colors for Modern Fashion" the two books constitute all the elements of modern fashion drawing from Beginners through to Advanced.
In-depth treatment in men's fashion. More serious treatment of children's fashion. Completely revised and expanded chapter on drawing clothing on the figure. New chapter on fabrics shows how to make drawings so the fabrics can be identified from the drawing. New appendix with hundreds of flats of modern garments. Quality of the drawing is far higher than the other books on the market.
Ideal for those who have no previous formal training in drawing and who have a need to learn the basics of fashion drawing quickly.
Customer Reviews:
GRRRRRRRRRRRRRRRRREAT BOOK.......2007-10-03
This book is a must have for anyone who is seriosly into Fashion Illustration. I do some of my teaching with it, and students go crazy over the simplicity of the explanations.
9 Heads.......2007-07-07
This book is a must have for anyone who wants to learn to draw human figures or wants to go into fashion design. The language is easy to understand and the results are great. Your drawing skills improve and your drawings become more realistic. A must have for artists and future fashion designers.
9 Heads is the best.......2007-01-12
Great book for fashion illustration beginners and an excellent book for anyone with fashion illustration/art experience. Glossy pages,rendering,shading folds etc,. Up to date illustration sketches; many sketched poses,and flats in this book. My classmates were borrowing this book from me during class. You won't regret this purchase. This book is really heavy;Cover is made cheap. The front cover has fragile thick plastic corners that tear.
9 Heads book.......2007-01-04
This was a gift for my daughter. This item came very quickly and in really good shape for being used. My daughter is a talented woman and she has designed clothes since she was 5 yrs old. This book is incredible for her to continue her gift and talent in designing.
Best sketching book out there!!.......2006-12-23
I was really weary of buying this book because of the price, but I actually got it for a discounted price and it's SO worth it. It's a huge book and this new edition includes chapters on men and children. Personally I got it because I'm applying to F.I.T in NYC and I need help with my sketching skills (I have none). I found this book to be the best that I have seen and it has helped me so much. The instructions and the "9 heads" theory (9 heads make up the human body) are very simple and easy to understand. I love that she uses the "box" method to help you draw faces. I have never been an artist and this book helped me to draw some fabulous fashion sketches. SO worth the money if you really need to learn to sketch for fashion design.
Average customer rating:
- A Taste of Owners' Plans, Editorial Direction, Style, Fashion, Great Photography, and Memorable Models
- Just OK.
- Magnificient overview of an iconic magazine
- A travel through time by book
- InVogue: The Illustrated History of the World's most famous fashion magazine
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In Vogue: The Illustrated History of the World's Most Famous Fashion Magazine
Alberto Oliva , and
Norberto Angeletti
Manufacturer: Rizzoli
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ASIN: 0847828646
Release Date: 2006-09-22 |
Book Description
In Vogue is a fascinating look at the history of the world's most influential magazine. The complete compendium is illustrated with hundreds of covers and archival interiors of past Vogue editions, featuring the work of some of the twentieth century's most respected artists, cover illustrators, and photographers—from Edward Steichen, Toni Frissell, and Erwin Blumenfeld to Irving Penn, Richard Avedon, David Bailey, Helmut Newton, Annie Leibovitz, Mario Testino, Steven Klein, Bruce Webber, and Herb Ritts. In 1909, an entrepreneurial New Yorker named Condé Nast took charge of a struggling society journal and transformed it into the most glamorous fashion magazine of the twentieth century. In Vogue traces the history, development and influence of this media colossus—from its beginning as a social gazette in the late nineteenth century, to the exploration of modern fashion photography and new visuals in the mid-twentieth century, to its status as the top style magazine today. The book explains the makings of the magazine—from runways, to editorial meetings, to the pages of Vogue.The thoroughly researched story incorporates first-person accounts, interviews with editors and photographers, and excerpts from stories written in the magazine by many world-renowned writers, including Truman Capote, Aldous Huxley, Richard Burton, Federico Fellini, and Marcello Mastroianni. Unparalleled in its scope and exceptionally illustrated, In Vogue is sure to be among the most important publications on the subjects of culture, art, fashion, photography, and media.
Customer Reviews:
A Taste of Owners' Plans, Editorial Direction, Style, Fashion, Great Photography, and Memorable Models.......2007-07-16
What attracts you to Vogue? Chances are that element is represented someplace within the pages of In Vogue.
To me, the photographs are the main appeal of Vogue. Since its founding on December 17, 1892, Vogue has attempted to capture current and future fashion through its images. The magazine has been blessed by talented work done by most of the world's best fashion photographers since then who brought us the most interesting society women, celebrities, cultural icons, and, of course, fashion models. I was pleasantly surprised to see that the book contained at least a few works by each of the greatest photographers to appear in Vogue. Most of the images were known to me, but a number were new. My main disappointment was that the photographers I like the most didn't have more photographs in the book. But the book is very bulky and heavy as it is.
To my interest in the photographs came many essays about why the photographers were selected and what the editors asked them to accomplish. The interaction of the art directors and the photographers was particularly noteworthy in regard to covers.
I have also spent many years as a management consultant in the magazine industry. I was pleasantly surprised to find that there's a pretty complete overview of the management thinking and decisions that led to Vogue becoming so successful.
But the most interesting surprise came in the extended views into the editorial philosophies and working styles of the magazine's editors. Creating a fashion magazine is very demanding, and Vogue has been fortunate in its editors both for their energy and their vision for the reader.
If neither business nor editing interest you, you'll still find lots of marvelous images to help you trace the development of fashion and style in the United States over the last 100 plus years.
Here are a few of my favorite photographs in the book:
Helen Lee Worthing by Baron Adolphe de Meyer, September 1, 1920 (p. 61)
White by Edward Steichen, January 1, 1936 (p. 67)
Mademoiselle Koopman by George Hoyningen-Huene, September 15, 1933 (p. 69)
Mary Taylor by Cecil Beaton, May 15, 1935 (p. 73)
Lisa Fonssagrives by Horst P. Horst, August 1, 1938 (p. 76)
Decor by Horst P. Horst, March 15, 1938 (p. 77)
Corset by Horst P. Horst, September 15, 1939 (p. 78)
Coco Chanel by Horst P. Horst, February 15, 1954 (p. 79)
Cover by Horst P. Horst, September 15, 1940 (p. 89)
Loretta Young by John Rawlings (p. 111)
Twelve Beauties by Irving Penn, 1947 (pp. 116-117)
Cover by Horst P. Horst, May 15, 1941 (p. 131)
Cafe Society by Cecil Beaton, 1948 (pp. 136-137)
Concentration Camp by Lee Miller, June 1945 (p. 143)
Jean Pachett by Irving Penn, February 15, 1949 (p. 144)
Atelier of Pablo Picasso, November 1, 1956 (pp. 156-157)
Twiggy by Richard Avedon, July 1967 cover (p. 172)
Marisa Berenson by Berry Berenson, 1969 (p. 179)
Marisa Berenson by Irving Penn, April 1970 (pp. 186-187)
Lauren Hutton by Richard Avedon, January 1, 1969 (pp. 198-199)
Celebrity covers, 1965-1971 (p. 202)
Cheryl Tiegs and Rene Russo by Helmut Newton, 1974 (p. 215)
Cybill Shepherd by Helmut Newton, 1973 cover, (p. 216)
Kim Basinger by Irving Penn, September 1978 (p. 217)
Beverly Johnson by Albert Watson, October 1977 (pp. 218-219)
Charlotte Rampling by Helmut Newton, 1974 (p. 221)
Eveningwear by Arthur Elgort, 1978 (p. 222-223)
Lisa Taylor by Arthur Elgort, October 1976 (pp. 228-229)
The Right Moment by Arthur Elgort (p. 230)
Lisa Taylor by Helmut Newton, May 1975 (p. 233)
Winnie by Helmut Newton, 1976 (p. 234)
Daryl Hannah by Helmut Newton, 1984 (p. 235)
Bathhouse by Deborah Turbeville, May 1975 (pp. 236-237)
Satin and Leather by Peter Lindbergh, September 1991 (pp. 252-253)
Color and Opulence by Peter Lindbergh, October 1997 (pp. 254-255)
Tribute by Annie Leibovitz, November 1999 Cover (pp. 272-273)
Linda Evangelista by Steven Meisel, September 2001 (p. 274)
Shape by Annie Leibovitz and Patrick Demarchelier, April 2002 (p. 278)
Lisa Cant by Irving Penn, September 2005 (p. 283)
Cindy Crawford by Helmut Newton, December 1991 (p. 287)
Haute Couture by Irving Penn, December 1995 (p. 292-293)
Epic Proportions by Irving Penn, April 2004 (p. 297)
Swimsuits by Mario Testino, May 2000 (pp. 298-299)
Portrait of a Lady by Steven Meisel, March 1995 (p. 307)
Mad About You by Steven Meisel, October 2003 (p. 313)
Naomi Campbell by Herb Ritts, May 1996 (pp. 314-315)
Barbarian Chic by Arthur Elgort (p. 325)
Near Bora Bora by Patrick Demarchelier, December 2004 (p. 330)
Golden Girl by Annie Leibovitz, April 2006 (pp. 345-346)
Condoleeza Rice by Annie Leibovitz, December 2001 (pp. 358-359)
Kate Moss by Irving Penn, September 1996 (pp. 368-369)
Hillary Clinton by Annie Leibovitz, December 1998 (p. 372)
Nicole Kidman by various photographers, September 2003 (pp. 378-379)
Models and Supermodels by Steven Meisel, September 2004 (pp. 380-381)
Ben Stiller and Stella Tennant by Annie Leibovitz, October 2001 (pp. 388-389)
Mario Testino, April 2006 (pp. 392-393)
Take a close look!
Just OK........2007-06-28
I liked the information and photos about the early Vogue, and wish there was more of it. I was not so interested in the later stuff, as it seemed overly self-important. Instead of presenting fashion, the current Vogue seems to commision special clothes for its photo shoots. What's the point if you can't buy that? Plus the photos don't even show what the clothes look like. I have better books on fashion, but this really was about the history of the magazine, and as such it succeeds. I just don't happen to like the magazine as it never shows anything I'd want to wear.
Magnificient overview of an iconic magazine.......2007-06-22
Ten gets you one that when you ask someone to name a fashion magazine, the first answer you get will be, "Vogue". That's how much of an institution the magazine has become. While "Elle" and "Women's Wear Daily" might dispute the contention, "Vogue" seems to have become the periodical of record for worldwide haute couture. As such, as the authors note in their introduction, a basic history is past due. With a great deal of help from the Vogue staff itself - Anna Wintour, the magazine's longtime editor (and so prominent a figure in her own right that Meryl Streep's spoof of her in last year's movie "The Devil Wears Prada" was instantly recognizable), is prominent in the list of contributors - Angeletti and Oliva, magazine historians both, have assembled an informative text and a gorgeous array of imagery which effectively covers the century-plus history of Vogue, from the cover of the very first magazine to the latest photos of Nicole Kidman. The book is certainly a highly display-worthy item, as another reviewer has suggested, but more than that, it's meant to be leafed through and read. You can find it brand-new at a wide variety of prices, but even if all the Amazon Marketplace sellers were somehow sold out of their copies, it'd still be worth the list price!
A travel through time by book.......2007-05-14
The authors of In Vogue composed a diversified chronicle of the appearance and the development of Vogue from 1892 until today. The photographs chosen portray the history of fashion photography wonderfully, each of them either a ravishing new sight or a spectacular recognition. The structuring by Decade, introduction of publishers, contributing editors, photographers, etc interposed by special contributions and excerpts of resumes offers the reader a diverting journey trough publishing history in general and the publishing of fashion in particular.
InVogue: The Illustrated History of the World's most famous fashion magazine.......2007-03-28
great extensive fashion history on Vogue magazine: superb pictures, designers, models....
Book Description
The national retail apparel business has grown to a $172 billion per year industry, and the employment rate for designers is expected to outpace that of all other occupations through the year 2008. The Fashion Designer Survival Guide is a must-have for the thousands of talented designers who want to see their dream of creating an independent fashion line become a reality.
Mary Gehlhar, author, industry authority, and consultant to hundreds of designers (including newcomers Alicia Bell, Keanan Duffty, and Milly), gives readers behind-the-scenes advice and essential business information on creating and sustaining a successful career as an independent designer. The Fashion Designer Survival Guide provides the necessary tools to get a fashion line or label up and moving on the right track, including: •Start-up costs and financing •Legal issues •Business plans •Public relations and sales •Marketing and manufacturing •Distribution-trade, trunk, and runway shows
This book also provides case studies from independent designers at different stages of their careers, including tough letdowns and exciting successes. Young designers weigh-in on topics important to them when they were starting out, while several top name designers offer personal perspectives on a single question, providing a window to their world and a variety of answers.
Designers are bursting with creativity but often fall flat going into business as an independent. The Fashion Designer Survival Guide provides designers with the one thing design school didn’t-intelligent and successful business practices.
Customer Reviews:
This book is a must have to start your own fashion line.......2007-10-10
It tells you step by step what to do and what not to do, it even gives you places to go so you can get started and gives you that extra push you need to make it
Everything you need to know and more.......2007-06-10
This book is the most concise source of information on how to mindfully start one's own clothing line. Detailed and clear, it outlines everything one needs to know from inseption and development through financials, incorporation, press, factory relations, shows and beyond. It is, by far, the most complete resource for any aspiring designer.
A must have.......2007-06-01
I f you are starting a business this is the best book you can find.
You ll find a lot of advices that will be very helpful.
Don't waste your time or money........2007-03-20
Ok I read this book and this other book called Fashion For Profit. This author obivously does not sound like she has really worked in the garment industry. It would be very scary to start a business taking advice from this book. It kind of reminds me of that old sewing lady professor you have in home economics class trying to tell you like you are a 4 year old trying to run a company, scary stuff if you ask me. I got all I ever needed out of Fashion For Profit. That book is strictly business. It's twice as much ,but you get what you pay for. Apparently the author of Fashion for Profit has been voted numerous times in the top 10 most influential in the California Apparel Industry by the California Apparel News. Bottom line you get what you pay for.
This book is absolutely fabulous! .......2007-02-13
I would recommend this book to anyone thinking about starting their own fashion design business. It answers any and all questions and best of all it provides resources that we all need (especially if we have no one to guide us). If you're a student of course you would have the resources provided to you by the school itself, but for someone who is doing this from natural talent and ideas, it's GREAT!!!
Customer Reviews:
The Art of Fashion Draping.......2006-02-27
Good information in general, but there a lot of instructions that are unclear and/or EXTREMELY poorly edited (spelling/grammar mistakes etc). The book itself is not good quality and pages are already starting to fall out of my barely-month-old copy.
good intro to draping.......2000-03-15
Excellent intro for novice sewers as a text, or experienced sewers wanting to learn draping skills. Covers tools/equipment, terms/elements of draping, the basic bodice/skirt/shift/sleeve, princess bodice/dress, skirt variations, pants, sleeve and armhole variations, collars, cowl necks, yoke variations, knits, and a few intermediate fashion features like sculptured pleats, bias, boned bustier, ruffles/flounces/gathering, and peplums. To follow the exercises, you must have a dress form (preferrably professional) to work with. But with numbered steps giving a very simplified process, and the very clear and numerous b/w diagrams, you should be able to teach yourself the rudiments of draping unless you are also a beginner at sewing. As a veteran sewer and novice draper, I received this as a textbook for my first draping class and appreciated it as a reference. But it's no substitute for a beginning sewing class. I would strongly recommend this for home sewers ready to move beyond commercial patterns or for first year fashion students.
Book Description
Captures the unique style of fashion maverick Iris Apfel and her exuberantly idiosyncratic personal chic.
With remarkable panache and discernment, Iris Apfel combines styles, colors, textures, and patterns without regard to period, provenance, or aesthetic conventions. Now in her mid-eighties, she is a unique style icon.
Over ninety sumptuous color plates, photographed by Eric Boman, show off a selection of Apfel's extraordinary outfits on wittily posed mannequins, some sporting her trademark outsized spectacles. The originality of her style is typically revealed in her mixing of Dior haute couture with flea-market finds, Dolce & Gabbana lizard trousers with nineteenth-century ecclesiastical vestments, pink Lanvin worn with ropes of Navajo turquoise. Apfel's eclectic pieces might come from a Parisian couture house, an American thrift shop, or a North African souk, or they may have been made to her own design in a tiny studio.
Detailed captions describe every aspect of the outfits, including names and dates of designers, plus full information on fabrics and accessories. A selection of audacious accessories also comes under the spotlight: a giant necklace made of bear claws, a turn-of-the-century Indian horse ornament worn as a necklace, a parrot's-head brooch in colored glass and rhinestones.
The book includes an introduction by Harold Koda, director of the Costume Institute at the Metropolitan Museum of Art, and an essay by Apfel herself, describing her lifelong love affair with style and illustrated with vintage photographs from her personal collection. 169 illustrations, 149 in color.
Customer Reviews:
A delightful inspiration.......2007-06-11
This book reminds all its readers that true style grows from individuality. In a time were you would recognize a stylist's style easier than the style of a designer, Iris Apfel's approach to and interpretation of fashion is the light at the end of the tunnel, she certainly has nudged me into the one or the other "true to myself experiment". Iris Apfel's witty introduction perfectly accessoirizes the clothes and jewellery presented, not only poviding background information on how this exhibition came to life but also shedding light on a certainly most interesting and colorful life in a warmhearted and humorous way. This book most certainly will be a longterm occupant of my coffee table.
Need more like her!.......2007-05-22
Loved, loved this book. The comments, the photography and most importantly the crediting of designers to each style was extremely well done. This rare bird of fashion serves us notice that we should embrace our individual style and glory in it and not follow the herd or be shy about manifesting our true "feathers".
Iris Apfel, what a rare bird indeed..........2007-04-02
I was lucky enough to view the exhibit 'Iris Apfel - Rare Bird of Fashion' at the Norton Museum in Palm Beach, and what a visual treat it was... Not only is she an icon of fashion, but her style, her combinations of colors and her very different approach to the matter is something everybody should see and study. I have seen and met her in New York, she is the most terrific person!!! The book is amazing as well, great photography!!! I will always treasure this book and every time I open it, there is something else to marvel at or read about... An absolutely great source of inspiration, that simply makes you smile! One could only wish there will be other 'rare birds' to follow her lead.
Book Description
Renowned for its comprehensive coverage, exceptional illustrations, and clear instructions, this hallmark book offers detailed yet easy-to-understand explanations of the essence of patternmaking. Hinging on a recurring theme that all designs are based on one or more of the three major patternmaking and design principles–dart manipulation, added fullness, and contouring–it provides all the relevant information necessary to create design patterns with accuracy regardless of their complexity.
Sewing guides included for the pleated trouser (with pattern layout), belt/loops, pockets, and zipper; the jean pant with pockets, countour belt, and fly front; and the gusset. Updated jacket foundation draft includes fabric preparation, interfacing, chest piece, tape control, and shoulder pads. Pant drafts–Trouser draft including pocket, waistband, and loop; dungaree foundation draft; grunge pant draft; and three jean waistline variations including pocket and sewing instruction. Includes fitting corrections for the basic patterns. Unique section on patternmaking for bias-cut garments.
For anyone developing their patternmaking skills.
Customer Reviews:
Well worth the money.......2007-07-18
Patternmaking for Fashion Design and DVD Package (4th Edition)
I'm an intermediate level sewer and haven't had a course in patternmaking. However I have found this book invaluable even though it is written as a textbook. I haven't read it cover to cover because I regard it as a reference book. However, after having reviewed the sections that relate to the sewing I do, I have found it very enlightening. There are certain principles that I didn't understand until I read it, such as dart rotation. This, for instance, will be very helpful to me in altering commercial patterns to make them fit better. I plan to do some pattern drafting, but will probably use it mostly in altering commercial patterns. For instance, I was recently altering a pants pattern and wondered if I was changing the ratio of the width of the front leg to the back. The book answered my question while books on pattern alterations didn't address this issue. The layout of the book has been thoroughly explained in other reviews, so I won't go into describing it. I will say, however, that I highly recommend this book for anyone who sews as a hobby because it answers a lot of questions one would have when it comes to altering commercial patterns or drafting simple patterns. It's expensive, but money well spent. This book should be in the library of any serious sewer.
No, No, No.............2007-01-23
This book is outdated, outmoded, and nearly useless. It contains tons of information on how to manipulate fabrics that aren't even in use anymore. Hardly anything on dealing with knit fabrics, which look better and are easier to manipulate. Ask anyone under 50 if they have ever seen any darts in their clothes? And all this slashing and turning and manipulating??? not only is it sloppy, its useless, Useless, USELESS! Lots of money spent for vague instructions on basic blocks, and only clothes made in the 80's. Save eyour money, just because this book is expensive, doesn't make it useful.
Extensive, but a few mistakes..........2006-11-03
I was required to purchase this book for my fashion design class. At first I was completely blown away at how comprehensive it was. It talked about measuring, darts and manipulation, basic patterns and principles, women, mens, children, knit, and sportswear. From what I can tell, it's based off of " Industry Standards". So It's not your everyday Joe book.
During class though, many of my teachers noticed discrepancies in the instructions. Particularly the fitted arm block. It made me fail my class twice because the first and second teacher didn't catch that the instructions were incorrect, causing me to continually make an incorrect arm block. It took my DRAPING teacher to find out that the book was incorrect in the instructions for the sleeve cap.
We also had a problem during class, when the instructions made an extremely wonky sleeve pattern, and also a two dart bodice. The student was extremely frustrated with the book and the teacher for their lack of help and knowledge. The student was not an " industry standard" size. So the measurement guides were not available to her to make a proper judgement. She had to receive a bad grade because the book would not produce the correct pattern, and the teacher didn't know what to do.
Otherwise, this book is still a great reference. Many of the styles seem outdated, but yet can be played on to create current looks. But some of the wedding sleeve types are somewhat awful, but that's personal opinion.
Some Instructions Inadequate.......2006-09-10
I purchased this book as my figure has changed and I needed to re-do my basic slopers. The pattern design books I currently have did not cover trousers so I was delighted to find a new book that was apparently so comprehensive.
I found however that the method used to create basic bodice slopers, simply did not work with my measurements. There was no way the strap measurement was going to reach the line it was supposed to and there is no way to work around it as the rest of the drafting works from the point created.
I would also have liked some instructions on how to take measurements on live people rather than just models. If "the strap measurement may cover the armplate", what happens with an arm in the way? After all at least a few fashion students would hopefully go on to work with actual people rather than just standard measurements or models. I thought it was a major flaw in the book that there was no instruction on taking personal measurements & so little instruction on creating the basic slopers. It is really disppointing to have to find another method before I can use the rest of the book.
Finally ! Best value for my dollar.......2006-09-01
I received this book yesterday and read the first 100 pages. I've sewn all my life and consider myself an advanced seamstress. I've sewn and made my own patterns for childrens' heirloom, business suits, and now enjoy making (jazz) dance costumes. I'm the one in line at the fabric store buying ten patterns, just to combine different details and features in different sizes, especially if sewing for a group. I probably own hundreds of patterns and almost that many books. For me, this book will pay for itself many times over. It isn't a sewing "how to" book and it wouldn't be the first book for a beginner. The reader should be familiar or use other reference books for actual garment construction techniques. I've bought other, less expensive sewing books to learn pattern manipulation and fitting techniques. I put off the purchase of this book, being put off by its price. But, finally! This book is so inspiring and liberating. In just the first 100 pages, I've gotten through the basic patternmaking and dart manipulation. I think I may never have to buy another pattern again ! This is definitely a must have for the serious sewing enthusiast.
Book Description
Dressing the Man is the definitive guide to what men need to know in order to dress well and look stylish without becoming fashion victims.
Alan Flusser's name is synonymous with taste and style. With his new book, he combines his encyclopedic knowledge of men's clothes with his signature wit and elegance to address the fundamental paradox of modern men's fashion: Why, after men today have spent more money on clothes than in any other period of history, are there fewer well-dressed men than at any time ever before?
According to Flusser, dressing well is not all that difficult, the real challenge lies in being able to acquire the right personalized instruction. Dressing well pivots on two pillars -- proportion and color. Flusser believes that "Permanent Fashionability," both his promise and goal for the reader, starts by being accountable to a personal set of physical trademarks and not to any kind of random, seasonally served-up collection of fashion flashes.
Unlike fashion, which is obliged to change each season, the face's shape, the neck's height, the shoulder's width, the arm's length, the torso's structure, and the foot's size remain fairly constant over time. Once a man learns how to adapt the fundamentals of permanent fashion to his physique and complexion, he's halfway home.
Taking the reader through each major clothing classification step-by-step, this user-friendly guide helps you apply your own specifics to a series of dressing options, from business casual and formalwear to pattern-on-pattern coordination, or how to choose the most flattering clothing silhouette for your body type and shirt collar for your face.
A man's physical traits represent his individual road map, and the quickest route toward forging an enduring style of dress is through exposure to the legendary practitioners of this rare masculine art. Flusser has assembled the largest andmost diverse collection of stylishly mantled men ever found in one book. Many never-before-seen vintage photographs from the era of Cary Grant, Tyrone Power, and Fred Astaire are employed to help illustrate the range and diversity of authentic men's fashion. Dressing the Man's sheer magnitude of options will enable the reader to expand both the grammar and verbiage of his permanent-fashion vocabulary.
For those men hoping to find sartorial fulfillment somewhere down the road, tethering their journey to the mind-set of permanent fashion will deliver them earlier rather than later in life.
Customer Reviews:
Great manual to test your sartorialism!.......2007-09-19
Great manual to test your sartorialism!
lot's of examples and illustrating pictures. Nice hardcover tablebook.
fantastic.......2007-06-21
This book is amazing, it has everything you could possibly want to know about dressing a man.
Beautiful. Classic Manual...Comes Across As A Little Dated.......2007-05-23
This book falls into one of my most favorite genres of such; Men's fashion, grooming, style manuals. This one is beautifully photographed with many, many tried and true guidelines for men who wish to appear well dressed. A good number of the photos are from the Golden Age of Hollywood in the 40's and 50's. This was a time when many of the rules for fashionable men were firmly established. On the other hand, there have been many cultural changes in how American and European men approach fashion and style. For these men (of which I am one) portions of Mr. Flusser's book will seem dated and irrelevant. I found this true of the section that addresses a man and his accessories; especially jewelry! The best thing about Mr. Flusser's style chronicle is that is does establish the ground rules for what is appropriate for business, casual and formal wear. One who is so inclined may veer from the foundations to find one's own sense of style. I enjoy this book and I reccomend it to anyone wanting to establish a wardrobe foundation. Worth the price.
I fully enjoy this book. I recommend it.
Excellent with one caveat about the format..........2007-04-18
All of Mr. Flusser's books are superb and make reliable guides for anyone interested in classic men's dress (as opposed to fleeting fashion trends). I do have one critical observation to make however. Having recently picked up a used copy of the authors first book Making The Man: The Insiders Guide to Buying and Wearing Men's Clothes and having browsed through all of his books since one thing has become very apparent to me. A good 75% or more of the information in his books is simply recycled for each publication for the simple reason that the fundamentals of classic men's dress doesn't change or date...that's why it's considered "classic". In the introduction to his second book Clothes and the Man he says outright "With the publication of my first book, Making the Man, I thought I had answered most of the questions men asked about dressing." and indeed he had. For this reason I am surprised that the author hasn't simply published an updated edition of Making the Man every few years with the information on the specific retail stores updated. The real reason probably comes down to the fact that large hardcover books make more money for the publishers than oversized trade paperbacks do. Flusser's first book was a deserved success but each new one has been more lavish and pricey than the last...from Making the Man published back in 1981 as a $10 oversized trade paperback to the latest one, Dressing the Man weighing in as a $50 hardcover.
There was a period in the 60's and 70's where the U.S. seemed to be entering a sort of golden age of quality oversized paperback publications, perhaps taking after France where almost everything (even bestsellers like the Harry Potter books) are published only in paperback. The books (and I have many of them) were solid, printed on good acid-free paper and light enough to carry on the bus or subway to work. We seem to have headed back to the point where hardcovers are seen as prestigious and the bigger, heavier and more expensive the better. This book is full of the same useful information that all of the authors books are but his first one, Making the Man, (along with The Indispensible Guide to Men's Clothing by Josh Karlen) remain the most concise, straightforward and compact of my men's dress references and therfore my favorites.
Dressing the Man: Mastering the Art of Permanent Fashion.......2007-04-14
This was just the book I needed when I decided to update my wardrobe after fifteen years on neglect. Perfect for learning or re-learning the basics.
Book Description
A celebrity fashion stylist reveals the tricks of her trade and shows women of all sizes how to pull together their own polished, individual look.
Whether she's petite, average, or plus size, every woman has experienced the frustration of searching for flattering clothes. In The Pocket Stylist every reader can have a consultation with her own personal stylist and use the author's behind-the-scenes wardrobe wisdom:
- Taking her true measurements—from eight different body zones—to ensure an attractive fit based on the reader's unique silhouette and the proportions that will flatter it best
- Why ready-to-wear isn't, and how and when to use a tailor for a custom fit
- The best fabrics for your unique silhouette
- How to balance trends with the classic, indispensable pieces that are the backbone of any well-conceived wardrobe
- What “closet archaeology” can unearth and reveal about your wardrobe needs
- Why the right lingerie makes a critical difference in the fit of your clothes
- Tips from other experts on the beauty principles that ground your everyday look— Bobbi Brown and Sonja Kashuk for makeup and Kevin Mancuso for hair—offer backstage access
- Accessories that give an outfit an individual look and that no versatile wardrobe should be without
Best of all, The Pocket Stylist features specifically edited shopping lists for various body types. Four “styled” looks for each silhouette—from jeans-casual to cocktails—illustrate ideal proportion and fit. The reader becomes Kendall Farr's client and will learn to shop and dress herself like a pro. The Pocket Stylist delivers the behind the camera expertise of a veteran stylist in one purse-size indispensable guide.
Customer Reviews:
Fantastic Style!.......2007-10-04
This little book packs inside all the information that can be found in most of the other style books. The author gives you easy to understand, no filler or fluff, straight-up style guidelines, suggestions and the reasoning behind her information. Plus, she gives websites and stores where the things she mentioned can easily be found. Keep in mind, however, that she does make mention of several lines that do not have stores outside many major markets and do not offer web sales. Also, some of the price points may be unrealistic if your favorite shopping experience is at Wal-Mart. All in all, a very good purchase.
First Rate!!!!!.......2007-09-22
This is among the very best for timeless advice on what is fashion style and elegance. There are clear guidelines and clear rationals. It is exceptionally well written. I found her short section of advice to petites to be better than any book I have read . In this section she succintly makes 27 points on how to dress TALL. This book is the real deal.
A good wake-up call.......2007-08-27
After reading this book, I gave myself a good talking to about my closet. Now I've found a tailor, had all my falling hems fixed, skirt hems adjusted and favorite items tailored to fit me better. More importantly I got rid of all the things that no longer fit me, are no longer in style, or are just plain unattrative. What a relief!
So glad I was given this book. I feel like I have a whole new wardrobe without doing any shopping!
Like this one.......2007-08-18
I read this book cover to cover. It is very informational for someone like me who has a hard time putting outfits together and seeing what I need and what I don't need. I like the detailed advice on the difference between cheap and well made. Also the tips on where to find well made things at a better price. I didn't find my body shape in her descriptions but at 5'11" that's not easy to do. I wish someone would write a book for tall women. I am still giving it 5 stars though because I found the rest of the book very informative.
A book for the "little people" out there...........2007-08-12
One reviewer mentioned that Kendall Farr is condescending toward her audience. There are remarks such as "now _you_ have a fashion stylist of your very own" that is a little reminiscent of Fairy Godmother...I wanted tips, not someone to address me as if I were some "Clueless" project.
One hallmark of being condescending is that she repeatedly uses words that fly over my head... "Am I just a fashion dummy? I thought I knew something..." I keep saying to myself as I flip through the book and futily Google words that don't seem to have a solid definition. Farr says, "Make sure you choose styles with pintucking, ruching, bomber style, motocross style, nipped at the waist..." It goes on and on and on, page after page until I feel like she assumes we all know the fashion lingo that she uses daily. A glossary would have been merciful.
I do match body type B and am still foggy on what she wants me to do. Very wordy, atmospheric suggestions with no pictures, no diagrams, no sketches... just 4 figures of women with "the look" that I should be trying to achieve.
I do appreciate how she targets the pitfalls of fashion and how she encourages only shopping for a few pieces at a time to make sure you have the right fit, material, and comfort level. I also appreciate how she sort of says to dress your age (ie, "Goodbye Hello Kitty t-shirts"). I am 29 and having a rough time with finding fashion that suits the age... Shopping at American Eagle or Abercrombie or even Old Navy leaves me feeling, uh, just not put together well, and sometimes I even feel like I must be manifesting a lack of maturity by my fashion choices. So I can handle her prompts for increasing sophistication, and I have had luck finding things that match her descriptions in stores such as TJ Maxx, Maurices, and even at the local thrift shop. So I thank her for that.
Oh-- and if you want help sorting your closet, she has good tips. She eerily starts reminding me of a person with obsessive compulsive disorder by the end of the chapter, but the first half got me into gear and my closet is in great shape now.
I own the Lucky Style Shopping Manual as well, and have read both of these books practically word for word. Lucky makes sure that you understand every word with pictures of beautiful clothing ensembles, diagrams including terminology, etc. But I'm still glad to have heard Kendall Farr's approach. I probably won't keep her book, but it was a good one-time read. I'll be keeping Lucky forever.
Book Description
This sumptuous collector's volume showcases, at actual size, over 600 objects and drawings from Cartier's vast archives-many for the first time. The text recounts how this collection of over 1,200 items, dating from the 1860s to the present, was formed; explains the antique jewelry market; and imparts the artistic genius that places Cartier among the world's premier jewelers. Devoted to fine jewelry, this book presents pieces that were designed for the Duchess of Windsor, Daisy Fellowes, and Barbara Hutton alongside the Maharadjah of Patiala's recently restored necklace that once contained the famous De Beers diamond. Fascinating stories and complete technical details present Cartier's most artful creations, from glittering tiaras to pieces from the famous "bestiary" of panthers, dragons, chimera, birds, and crocodiles, as well as rare brooches, necklaces, and bracelets.
With its lavish slipcase, over a dozen gatefolds, extensive documentation, illustrated chronology, and index, this book is a must for specialists in the decorative arts and jewelry, and a publishing event for the quality of its design and reproductions.
Customer Reviews:
I'm very unsatisfied about the price gap between two identical products, and lack of responses.......2007-05-14
Hi,
Althought I've bought the exactly same products, the price gap between them was over 100 dollars. I don't understand hos this happens. And secondly, I'm getting frustrated about my returned item. You are not responding for such a long period of time, and there's no way to contact you guys directly.
Please review over my past purchases and tell me what is going on.
Thank you
MESMERIZING = CARTIER.......2006-05-13
A MOST REMARKABLE COLLECTION OF CARTIER JEWELS PHOTOGRAPHED IN ALL THEIR GLORY. THIS BOOK IS EVERYTHING I EXPECTED & MORE; BEAUTIFULLY PRINTED & ENCASED IN A LUXURIOUS FOLDOUT BOX--A JEWEL ITSELF FOR ANY LOVER & COLLECTOR OF ORNAMENTS. ITS' MASSIVE SIZE & OVERALL QUALITY JUSTIFY ITS' PRICE. I AM MESMERIZED BY THE ARTISTRY & VERSATILITY OF CARTIER.
Must have!!!.......2005-01-11
This book is a must have for any true jewelry book colector.
This book was worth every dollar Its presented in a large ribboned slip case and the pictures inside are the best I have seen on Cartier in the one book. Layed out very symply with large clean white pages with indepth item discriptions.Not to much indepth writing or archive drawings but this is one of the best books on jewlry around.
Book Description
Wenlan Chia, creator of the acclaimed fashion line Twinkle by Wenlan, is famous for knitting bold, chunky yarn into delicate, feminine designs. The look is at once whimsical and hip, classic and trendy; in short, Wenlan’s knits are like nothing you’ve seen before. Now, she shares her patterns and her secrets with knitters everywhere.
Twinkle’s Big City Knits is a collection of 31 of Twinkle’s greatest hits that knitters can finally make at home. From a mohair shrug embellished with ribbon and braids to a wrap vest with a plunging V-neck, every design in Twinkle’s Big City Knits puts an innovative, spin on classic knitwear and styles. Here are patterns for all of Twinkle’s hottest pieces: the bestselling seed-stitch Twinkle Hoodie, the cropped and flirty Best Friend Cardigan, the effortlessly trendy Shopping Tunic. For warmer weather, lighter colors and lighter knits reign, so you’ll find the classic sophistication of the Chanel-inspired Coco Jacket in soft pastels, a delicate and feather-soft scarf light enough for spring, as well as the St. Bart’s Mini that could very well be the perfect Little Black Dress. Full-color photographs and clear instructions make it easy to learn new techniques. In addition, Wenlan shares her advice on techniques, choosing yarns, and choosing materials to make knitting with chunky yarn as easy as it looks.
With designs this creative, colors this beautiful, and shapes this modern, you’ll want to make every project in this book—and they all knit up so quickly that you can!
Customer Reviews:
Fast Knitting!!.......2007-10-18
Wonderful ideas for using large yarn on large needles...need something quick, try out these patterns. You will love the speed with which you can knit an item, and the results are up-to-date and will WOW your friends.
great book wish the measurements were bigger.......2007-09-21
great book really great designs but these sizes are SO small....im not a big girl but these arent realistic american sizes its like the largest size is a 4/6 when the average woman in 12! Lucky me I have the patience to figure out how to make it larger...
Patterns riddled with errors.......2007-09-20
The designs are creative, and I continue to receive compliments on the sweaters I've made from this book. But the patterns are full of errors and unclear instructions, most of which are not included in the errata sheet. Just thumbing through the book before I made anything, I could tell that there were major mistakes in the yardage requirements. And once I began knitting, I became quite frustrated. I am used to encountering some mistakes in knitting patterns and books, but this book seems not to have been edited or checked by the author at all. I am amazed at the number of errors throughout. Since I do like many of the designs, I will probably knit more, though I am thoroughly disappointed in the quality of the patterns.
This book will break your heart.......2007-08-19
I just finished my fourth attempted project out of this book and was hard pressed not to throw it out of the car. The pictures of the finished garments might be beautiful, but the patterns are riddled with mistakes, require a serious combination of both knitting skill and intuition to compensate for their omissions and, even when completed successfully, often turn out to be incredibly ugly. What was supposed to be a winter hat wound up looking more like a fishnet shower cap with overly long ear flaps. The only thing I can think to do with the book now is to use it as a basis for creating my own patterns. Even in this capacity, however, it will require serious effort and time to overcome its failures and inadequacies. In short, I hate this book.
(My boyfriend just came upon me typing and asked whether writing the review was sufficiently cathartic. Frankly, I don't think so, but it's a start.)
I have similar complaints about this book..........2007-08-19
Overall, I am pretty happy with this book. It is nice to see new 'fashionable' knitting books out there and it makes me hope for more like this. However, execution was a little off. I have only made the balthazar vest and not only are there mistakes in the pattern, the instructions are vague at best. For example, they don't remind you to continue the knit over detail on the front as you make the sweater, and many other little things like that, which could lead to mistakes. As far as the sizing, I made the sweater a size larger than I would normally make it, because so many people mentioned that the sizing was off (I usually take a medium and made a large), and I ended up ripping the vest out and starting over in the size medium and simply adding a couple more rows to make it slightly longer. In the book, it states many of the sweaters are meant to be close fitting, I guess which means if it's small, it's on purpose, I think it's just a matter of taste. Overall, I like the book because there are tons of great pictures and it makes me excited to knit, but the instructions could be improved upon.
Books:
- Anesthesia and Co-Existing Disease Fourth Edition (Anesthesia and Co-Existing Disease)
- Architectural Graphic Standards, Tenth Edition (Book only)
- Astrophysics, Clocks and Fundamental Constants (Lecture Notes in Physics)
- Bioinformatics and Computational Biology Solutions Using R and Bioconductor (Statistics for Biology and Health)
- Blahnik by Boman: Shoes, Photographs, Conversation
- Blizzard of the Blue Moon (A Stepping Stone Book(TM))
- Blue Ocean Strategy: How to Create Uncontested Market Space and Make Competition Irrelevant
- Can't Wait to Get to Heaven: A Novel
- Christmas Kisses: Mackenzie's Magic/ Silver Bells/ A Wild West Christmas
- Core J2EE Patterns: Best Practices and Design Strategies, Second Edition
Books Index
Books Home
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Colors for Modern Fashion
Portfolio Presentation for Fashion Designers
Patternmaking for Fashion Design (4th Edition)
Fashion Sketchbook
Fashion Illustration for Designers
