The Standing Dead: Book Two of the Stone Dance of the Chameleon

At the heart of The Three Lands, there is a paradise, filled with beauty and wonders of all kinds. A lush and vibrant place, it stands in sharp contrast to the baseness and squalor of the world outside the walls of Osrakum.

But this beauty comes at a cost. The Masters who rule the world are driven by sadistic dreams and mythic charms. They use their vast powers to leech the resources of the world unto themselves, to create an artificial haven where they play out twisted games of power amid a decadent splendor. Within the inner circle of power lies a glittering court where the royal houses plot vile atrocities, and madness and bestiality hold sway. The Masters are nothing less than gods in this realm and their plans (or whims) can bring either perfect pleasure... or death.

Young Carnelian has spent his entire life in exile with his father, a nobleman who rejected the evil ways of his people and fled to the ends of the known world. But forces conspired to change all that, and Carnelian returned to his homeland. He is a sheep among wolves, and it has taken every ounce of his strength to resist the temptations of power that threaten to seduce his very soul.

What Carnelian could never have imagined was that he would fall in love with none other than Osidian, one of the twin Gods, ruler of his world--or that forces far darker than he thought possible would use him as a weapon. When the young lovers are kidnapped by the Empress Ykoriana and forced from the safety of the empire, it appears that their lives are forfeit. But Carnelian and Osidian fall into the hands of barbarians from the southern plain they call the Undersky. These raiders manage to elude the legions of the Masters, and after enduring terrible hardships, they succeed in bringing their prizes home to their tribe.

Carnelian comes to realize that the world is much more bizarre than he could ever imagine, that love can sometimes blind you to things that may destroy you, that the simple things the heart can teach you will prove to be the most true....

And that he holds in his hands the potential to save or doom all of his world.

The Standing Dead is the powerful sequel to Ricardo Pinto's first novel The Chosen, and it continues this unique fantasy series about power, eros, and madness...and the depths a man will go to for love. It is the second volume in The Stone Dance of the Chameleon series, and he is currently at work on the third. Ricardo Pinto resides in Edinburgh, Scotland.

The problem with "Chosen" was, however, both simple and profound: it had little or no plot. It was a wonderful - even grand - canvas, but it hardly moved an inch.

In "The Standing Dead" - the second part of what seems to be a trilogy - Pinto has had to face this drawback by attempting to to drive the story forwards. He's done so bravely, but with less than perfect results.

Essentially, the story in "Dead" takes off where "Chosen" left off: with Pinto's protagonist Carnelian, along with his new-found lover Osidian, being held captive by what turns out to be a simple bunch of slavers. On their way to cash in on their prize, the slavers are attacked by Tribesmen from the Outer Reach (a people dominated by the Chosen and forced to proffer a number of their childern as slaves regularly, but otherwise left generally unmolested). Carnelian and Osidian are then taken by the Tribesmen to their home - the Koppie - where Carnelian becomes enamoured of the local customs, whilst Osidian becomes an increasingly dominating and debilitating force in the local community, slowly destroying their (imagined) rural peace.

The rest of the story follows these lines - Carnelian's basic goodness and Osidian's essential decrepitude being portrayed in equally stark measure - without hardly a single twist (or even an occasional surprising insight) to enliven matters.

What this means is that, in terms of plot, "Dead" is basically a one-way street. You can see what's coming, then it comes. And then it comes again. And throughout, you find yourself wondering, with increasing puzzlement, why Carnelian (or anyone else you may care about, for that matter) doesn't simply *do* something, instead of letting all hell slowly settle around them.

Given "Chosen's" weakness (style over substance, vision over plot), this is not that surprising. Whilst Pinto does try to provide a better storyline this time round, he's still struggling. He's great at painting portraits, at depicting static visions - but he's still not good at action. In fact, he doesn't seem to understand the concept all that clearly: "Dead" hardly contains a character that seems alive - that appears capable of moment of his or her own accord. To put it another way: Pinto's moulding his cast to fit his vision, instead of allowing them to embody that vision themselves. And, more strongly than in "Chosen", the vision we're talking about is ultimately one of horror: this book doesn't end on a happy note, to say the least.

That ending, by the way, reminded me of a combination of "Heart of Darkness" and just about any good modern-day horror story you might like to come up with (Stephen King's Pet Semetary, for example). And it must be said that Pinto pulls this off with considerable skill; it is in the closing chapters that his undeniable writing skills combine with his subject material and he manages to create something very memorable.

Still, a capacity for convincing and intelligent horror is, in itself, perhaps insufficient for being a great fantasy author. And since Pinto has embarked on what can only be judged as an epic fantasy, he should be judged along those lines.

In my view, in "Dead", he is yet found wanting, despite obvious and enviable talents. Perhaps the next (and final) volume will re-address this, perhaps not. Assuming that it will conclude this story, it should, in any case, answer many questions.

As Osidian heals in mind and body, he becomes angry with those who betrayed him. He seeks vengeance and realizes this tribe is the first cannon fodder tool to succeed. Carnelian tries to talk him out of it as he enjoys his new lifestyle and just wants to live in peace. However, the charismatic Osidian begins rallying the impressionable young around his cause while Carnelian attempts to stop the rising tide.

As he did in his first book THE CHOSEN of the Stone Dance of the Chameleon trilogy, Ricardo Pinto paints an extremely complex world filled with deep social systems. The varying races and tribes seem so authentic and the Masters come across as the ruling God-like upper caste. Though it helps to read the first novel because the audience will have a greater understanding of the predicament that the lead couple face at the start, fans of violent barbaric fantasy that hides nothing will appreciate the middle endeavor.

Evil lurks in the forest

What terror stalks the villagers of Ossington? Who is the ghostly horseman haunting the road, stopping anyone from leaving? Why are the wild elves slaying villagers from afar with their deadly stone-tipped arrows? What lies buried in the old Great Barrow, and why is it stirring anew? What secret do the ancient standing stones surrounding the village hold, and can the heroes solve the mystery before a foul plot comes to fruition?

The Standing Stone is fourth in a series of stand-alone Dungeons & Dragons adventures for 7th-level D&D heroes. It presents a mystery for heroes to solve if they wish to save an isolated village from the dangers that threaten to overwhelm it.

To use this adventure, a Dungeon Master also needs the Player's Handbook, the Dungeon Master's Guide, and the Monster Manual.

Unlike a dungeon crawl, this module is a bit more openended after the party eventually arrives to the village, and as the DM, it provided me with some opportunities to spur thought about exactly what the group was really accomplishing. Since my group never follows the delineated path anyhow, and muck around with things unforeseen by module creators, this was the type of storyline that allowed them to excel at their craft.

One of the other reviewers has some good points regarding one of the plot points and the elves. Although the elves actions are understandable within the story given, running them along those lines could cause the PC's to never quite figure out what is really going on.

I question the level rating of this adventure. It is rated for a group of 4 7th level characters. There are 2 encounters that are extremely difficult if run as the adventure describes (one EL 12, another EL 13). My group of 6 10th level PC's had a hard time with the final battle. There was over 100 HP damage done to the mage and the party was almost out of spells. Nearly all the PC's had significant damage. If it wasn't for a counter spell, and a very lucky attack roll much of the party would have died. I'm not so sure a 7th level party would have survived this encounter.

Like I said above, overall I found this adventure fun to run, and most importantly the players had a good time. If you are looking to add some role playing to your game, this adventure provides ample opportunities.

This was the credo that governed and defined the life of Thomas "Stonewall" Jackson, perhaps the most extraordinary figure in American military history. From his childhood as an unloved, poorly educated orphan, it was Jackson's pure determination that impelled him from his humble origins. A shy man, with some particularly odd habits, Jackson was an outcast by many standards. But it was his single-mindedness of purpose that landed him a position at West Point where he struggled but ultimately prevailed. It was his unflappable courage combined with an emerging and unshakeable faith in God that led him to distinguish himself in the Mexican-American War. Then, after serving as a professor at the Virginia Military Institute, Jackson rose to true glory during the Civil War where, during the first major battle, he received what is perhaps the most famous nickname in military history. Beloved by his men whom he drove to the limits of endurance, feared and yet admired greatly by his enemies whom he constantly surprised with his brilliant tactics, Jackson was a general who, in the heat of battle, was seemingly blind to his own personal danger. Victory after victory, he allowed himself no personal triumph but would often be seen astride his faithful horse, Sorrel, his hand thrust toward the sky, deep in prayer of thanks to the God who had allowed his cause to prevail.

James I. Robertson Jr., history professor at Virginia Tech and the recognized authority on the life of "Stonewall" Jackson, offers young readers a gripping biography of an extraordinary man.

Writing in the first person with a balance between informal language and academic theory, Quilter concludes that Rivas was a ceremonial center for mortuary rituals to bury chiefly elite on the Panteón. Through the use of his narrative technique, he provides the reader with accounts of discoveries as they occurred in fieldwork and the development of interpretations to explain the ancient refuse and cobble architecture his team uncovered. As his story progresses amid the enchantment of the Costa Rican landscape, research plans are adjusted and sometimes completely overturned as new discoveries, often serendipitous ones, are made. Such changing circumstances lead to new insights into the rise and fall of the people who built the cobble circles and raised the standing stones at Rivas a thousand years ago.

The only book in English that focuses on a single archaeological site in Costa Rica, which continues to develop as a destination for archaeological tourism, Cobble Circles and Standing Stones will appeal to laypeople and professionals alike.

By the Standing Stone (The Circle of Silver Chronicles)

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By the Standing Stone (The Circle of Silver Chronicles)
Maxine Trottier
Manufacturer: Fitzhenry and Whiteside
ProductGroup: Book
Binding: Paperback

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