Book Description
The public and private letters of merchants which present a lively panorama of early life in Spanish-American society.
Book Description
The Venetian courtesan has long captured the imagination as a female symbol of sexual license, elegance, beauty, and unruliness. What then to make of the cortigiana onesta—the honest courtesan who recast virtue as intellectual integrity and offered wit and refinement in return for patronage and a place in public life? Veronica Franco (1546-1591) was such a woman, a writer and citizen of Venice, whose published poems and familiar letters offer rich testimony to the complexity of the honest courtesan's position.
Margaret F. Rosenthal draws a compelling portrait of Veronica Franco in her cultural social, and economic world. Rosenthal reveals in Franco's writing a passionate support of defenseless women, strong convictions about inequality, and, in the eroticized language of her epistolary verses, the seductive political nature of all poetic contests. It is Veronica Franco's insight into the power conflicts between men and women—and her awareness of the threat she posed to her male contemporaries—that makes her literary works and her dealings with Venetian intellectuals so pertinent today.
Combining the resources of biography, history, literary theory, and cultural criticism, this sophisticated interdisciplinary work presents an eloquent and often moving account of one woman's life as an act of self-creation and as a complex response to social forces and cultural conditions.
"A book . . . pleasurably redolent of Venice in the 16th-century. Rosenthal gives a vivid sense of a world of salons and coteries, of intricate networks of family and patronage, and of literary exchanges both intellectual and erotic."—Helen Hackett, Times Higher Education Supplement
The Honest Courtesan is the basis for the film Dangerous Beauty (1998) directed by Marshall Herskovitz. (The film was re-titled The Honest Courtesan for release in the UK and Europe in 1999.)
Customer Reviews:
disappointed.......2007-05-16
I was hoping to find out about the remarkable life of Veronica Franco but instead was pummeled with quotes, references, repetition, and a string of Italian phrases. There's no doubt that this book is Rosenthal's dissertation. Hopefully one day it will be edited and condensed to 1/5 of its size.
Unequivically biased.......2005-11-27
Unfortunately I bought this book hoping that it would uncover more historical data and the actual works of Veronica Franco translated by a scholar in the field.
That was not the case.
The author used her college dissertation to make a book on a very important aspect of history when her dissertation would have been best served if it stayed at her college.
The author takes liberty to interpret Ms. Franco's works and for the reader it is a logistical nightmare. She first gives her statement as if fact at times which makes the facts (Veronica's actual works) seem secondary. Then she would have the Italian verse, followed by a translation.
Wow! do I feel very side tracked here.
I wouldn't even accept this for a dissertation!
Sorry, it doesn't work out in terms of literary flow, factual data or interesting storyline.
A difficult tome.......2005-07-11
After seeing "Dangerous Beauty" I became curious about the distinctive life style of Renaissance Venice, and hoped to learn a lot more. This book was just a bit too dry and scholarly for casual reading. A great deal of space is used for both the Italian and English translations, which must be interesting to some readers. Although Veronica comes across as intelligent, determined and brave, I would have wished to know more about her and her society in terms of food, clothing, houses, daily activities, etc. Perhaps not enough is known about Veronica herself, but I would hope that a gifted author somewhere could make her story into a novel and breathe some warmth and life into her legend.
5 star history; 2 star read.......2004-07-22
This book is a must read if you're interested in 16th century Venice, Veronica Franco, or the world of the famous Venetian courtesans. It's also an EXTREMELY dry read. The book is quite obviously a doctoral dissertation, and could have used an edit to made it more accessible (something more along the lines of Stephen Ozment's books). I'm glad I read it. I tracked it down because I wanted to see just how accurate the movie Dangerous Beauty--which is LOOSELY based on this book--was. The answer is: Not very. Oh well. For those of a scholarly bent, this is a great resource book, for those looking for a light, romantic read (a la the movie) look elsewhere.
Excellent, but a little slow.......2003-01-16
I greatly enjoyed this book, but I found that wading through 16th century Venetian dialect was difficult. If you are looking for an entertaining story biography, look elsewhere, but if you want a dissertation-style biography, you will enjoy this, as I did.
Average customer rating:
- Italian Witches
- A Fascinating Exploration
- The Night Battles Helpful in understanding culture
- The "Good Walkers"
- Ian Myles Slater: on Popular Belief and Official Doctrine
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The Night Battles: Witchcraft and Agrarian Cults in the Sixteenth and Seventeenth Century
Carlo Ginzburg
Manufacturer: The Johns Hopkins University Press
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ASIN: 0801843863 |
Customer Reviews:
Italian Witches.......2007-01-14
This is by far my favorite historical account of a witch hunt. The book looks at a northern Italian area called Friulian and the fertility rituals people performed in the 1600s and 1700s. The benandanti, marked at birth by the sign of the caul, served Christ and their community by leaving their bodies at night to fight evil witches that had attempted to destroy or steal their harvest. The Catholic Church believed the benandanti were witches and conducted inquisitions and trials. If you've ever been fascinated by the witch trials and don't know where to begin, I suggest this book as a fun yet informative read.
A Fascinating Exploration.......2006-11-10
Prof. Ginzburg outlines in detail the information we have concerning the transformation from ancient agrarian cult to the witchcraft scare. This is not your mother's Margeret Murrey, this is done right.
The Night Battles Helpful in understanding culture .......2006-11-09
The book is enlightening concerning some aspects of the culture.
The "Good Walkers".......2005-11-05
In his book, The Night Battles, Carlo Ginzburg addresses the historical problem of why, during sixteenth and seventeenth centuries, did the Friulian fertility rituals of the benandanti, or "good-walkers", gradually assimilate into witchcraft. The benandanti, marked at birth by the sign of the caul, served Christ and their community by leaving their bodies at night to fight evil witches that had attempted to destroy or steal their harvest. Because of the ignorance of the Friuli language and benandanti rituals, the Church conducted incessant inquisitions and trials against the self-proclaimed benandanti, which in effect, pushed the benandanti toward witchcraft and participation in the sabbat.
In support of this argument, Ginzburg employs inquisitorial records that reveal an unmistakable gap between the beliefs and mentalities of the benandanti with those of the inquisitors. Brian P. Levak's review, published in the Journal of Interdisciplinary History, notes the significance of Ginzburg's exploration of the mentalities and culture of the Friuli. Levak writes, "The Night Battles is a milestone in the history of popular culture, for it was one of the first studies to use judicial records to gain direct access to popular beliefs." In addition, by skillfully using his primary source material, Ginzburg is able to discern between the "genuinely expressed popular ideas and those that reflect the more learned notions of [the] interrogators, especially when the accused was faced with either the threat or the reality of torture." To Ginzburg's credit, he allows the strength of the inquisitorial records to stand alone in support of his thesis and in exposing the popular culture of the Friuli. Furthermore, Ginzburg's use of comparative methodology demonstrates, not only the evolution of the benandanti fertility rituals under inquisitorial pressure, but also the vast cultural and spiritual gap between the Church and the peasantry.
While Ginzburg's work is an example of ground-breaking historical writing, there are several critiques that can be made of The Night Battles. First, Ginzburg's book makes way for more questions regarding the experiences and participation of the benandanti in the fertility rituals. For example, Ginzburg admittedly does not address why the benandanti, spread out over a vast region, testify to similar experiences and physical participation in their night gatherings. How is it that these people all testified to a common experience during the inquisitions? Ginzburg would be well-served to investigate the parallels in testimonies, if only to further personify the popular culture and mentalities of the Fruili. Secondly, as Alby Stone noted in her Folklore review, "the book would be improved by making the index more comprehensive and, alas, there is no bibliography." The Table of Contents page is too simplistic, almost juvenile, and does not reflect Ginzburg's reputation as a consummate and seasoned historian. Ginzburg does offer a comprehensive appendix and notes section. However, he fails to include a bibliography - a necessity with historical writing. While the Contents and the Bibliography do not impact the overall significance of his work, these are areas that should be improved.
Ian Myles Slater: on Popular Belief and Official Doctrine.......2004-04-05
Whether or not Carlo Ginzburg actually discovered evidence of shamanism in sixteenth-century Italy, in this or later books, is in part a matter of how one defines shamanism. What he undeniably found, in the seemingly unpromising records of the Inquisition, was evidence of beliefs so remote from those of official European culture as to be flatly unintelligible to the churchmen who first encountered them. Eventually, the Church courts managed to impose something resembling officially acceptable doctrines on the local population, but the process took generations, as Ginzburg is able to show from trial records.
Briefly, Ginzburg found that, in the Friuli district, there was a widespread belief that certain men and women were marked at birth as defenders against witches and demons, these being regarded mainly as the enemies of the people, their livestock, and their crops. The chosen defenders, the "Benandanti," or "good walkers," ventured forth in their dreams to do battle with the forces of evil. Those born with the mark of the Benandanti regarded themselves as good Christians, the allies of the Church. To those outside the local culture, this position was clearly nonsense; unauthorized and unsanctified supernatural power could only be Satanic in origin, and those who claimed to exercise it were, at best, dangerously deluded. In the end, if the court records are to be trusted, they persuaded even the Benandanti themselves that this was the case. At least, the "absurd" and "outrageous" testimony of self-described Benandanti fades from the records, to be replaced with conventional witch-beliefs endorsed by the Holy Office.
The official tendency, Catholic and Protestant, to lump local witch-doctors together with the witches they claimed to counter had long been recognized by historians. Ginzburg, however, discovered, and offered to surprised historians (in the original Italian edition of 1966), a stratum of belief that, when first recorded, seems to have been entirely outside the mainstream of medieval European culture. There is scattered evidence for similar concepts in other parts of Europe, and abundant evidence from other continents, but the connections and age of the beliefs in and about the Benandanti remain subjects for controversy. The demonstration that diverse local beliefs had been rendered uniform by the judicial process, and by intensive indoctrination of the "lower classes," however, remains a landmark.
As described in the "Preface to the English Edition," the Italian version rather quickly received favorable -- and some unfavorable or uncomprehending -- notice from historians of European witchcraft. It was interpreted, or perhaps misunderstoond, by Mircea Eliade, the influential figure in "History of Religions" at the University of Chicago, one of the great authorities on shamanism (and much else). Although sections had been published in English earlier, the whole book became available in English in 1983, in the present translation, from Routledge & Kegan Paul in Britain, and Johns Hopkins University Press in the U.S. I first read it a few years later, and eventually acquired a copy of a Penguin Books re-issue of 1986. (All the English-language editions seem to differ only in cover art, besides the name of the publisher.) I have re-read it from time to time over the years. Although historical views of European witch-beliefs and popular culture have both been in flux, this book remains among the most fascinating in its crowded field.
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Sultan Ibrahim Mirza's Haft Awrang: A Princely Manuscript from Sixteenth-Century Iran
Marianna Shreve Simpson
Manufacturer: Yale University Press
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ASIN: 0300068026 |
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of turk art.......1999-02-10
I'm student and I have very intrese for the ottoman art for islamic. the miniature of this kultur ýs very nice.
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- EXCELLENT! Worth the Money!
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The Russian Icon: From Its Origin to the Sixteenth Century
Viktor Nikitich Lazarev
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EXCELLENT! Worth the Money!.......2003-01-26
This book is an absolutely MUST BUY for anyone interested in iconographic art. The author's scholarship is second to none. The vast number of beautiful icon plates which are in the book are second to none. No other book comes close. Big, heavy, beautiful book.
Book Description
This book focuses for the first time on sixteenth- and early-seventeenth-century country houses in their settings. Investigating the complex relations between Tudor and early Stuart houses and the landscapes in which they were set, Paula Henderson offers new perspectives on some of England’s most magical buildings. She examines natural and man-made landscapes as well as gatehouses, garden buildings, banqueting houses, and other ancillary structures. More than 200 splendid images illustrate the book, which also features a complete gazetteer.
Drawing on new documentary material and on research into many rediscovered buildings associated with original settings, Henderson refutes common perceptions that gardens of the period were confined and highly artificial and that “natural” landscapes were not appreciated until the eighteenth century. She explains how and why Tudor country estates were organized and designed, and she provides a new evaluation of what the gardens and other aspects of the landscape meant to those who created and visited them.
Book Description
After Raphael is the first overview of sixteenth-century Italian painting to be published in over thirty years. Reevaluating the paintings of Raphael, Michelangelo, Pontormo, Bronzino and their followers in the light of recent research, Marcia Hall offers a new interpretation for the stylistic shifts that occurred after 1520. By taking into account the social, cultural, political, theological, and patronage issues that affected taste and stylistic developments, she demonstrates how the revival of interest in antique Roman sculpture relief affected Mannerist painters. She also examines the repercussions of the Reformation, which changed forever the Church's view of the function of images.
Customer Reviews:
Painters and Popes and Protestants, oh my!.......2001-12-17
AFTER RAPHAEL, anyone trying to sort out what happened in art before, during and following his short life and successful career have had to look at the works that he designed and the many paintings that his workshop carried out and finished the way that he wanted them done: as my sculptress mother used to say, and my artist sister still says, the questions that were asked before him were there, along with his answers, in all his works; also, the questions that artists raised and answered after he was long gone were there too, along with his answers. His death in 1520, or that of Pope Leo X's a year later, ended the High Renaissance Classic style of centralized compositions putting the focus and the most important action in the same place, as in Leonardo da Vinci's "Battle of Anghiari" for the Palazzo Vecchio in Florence, and unreal poses with lots of ornamentation, as in what Michelangelo did for the Sistine Chapel. What with influence and money falling into hands outside the Roman Catholic Church, the popes needed to draw on something that would pull Italy together and keep fighting weight as art definers and supporters against middle-class citizens, known as burghers, and wealthy families, such as the Medici. Pope Julius II had pulled out a common history under the Roman Empire: a classical art style based on ancient Roman relief sculpture became popular what with admiration for the "Apollo Belvedere" and the recently uncovered "Laocoon" marble statue, until then known from the praise passed down through history by the writings of Pliny the Elder; beautiful examples were Pinturicchio's pioneer trying the domus aurea style in Nero's palace colors, gilding and stuccoes out on the Bufalini Chapel at Santa Maria in Aracoeli, Raphael's painting of the Stanza della Segnatura private library, and leading ancient history painter Ripanda's stone-like monochrome relieflike paintings. Particularly the engravers had taken up a related relieflike style beautifully expressed in Polidoro da Caravaggio's now lost facade decorations all'antica, Michelangelo's "Battle of Cascina," and Raphael's "Battle of the Milvian Bridge" design. The Mannerist style knew almost no limits in ornamenting paintings filled with figures and tried to ape antique sculpture, as in Cardinal Ricci's chapel, where Francesco Salviati painted David as independent, merciful and unpretentious in the midst of all sorts of illusions, what with parts of the frescoes looking like they were really jutting out from the walls as part of the architecture, and of all sorts of ornamentation, such as framed paintings, garlands, scrolls, and vases; and as in the Altoviti family chapel altarpiece by Giorgio Vasari, who held true to style by having the flat light strike the foremost parts of the figures. Not surprisingly a Counter-Mannerist style showed up among younger artists influenced by Michelangelo's frescoes for the Pauline Chapel and his later Pietas, but without the painter-sculptor's view of clumsily and gracelessly sinful people in need of redemption and with the noble, sincerely devout figurings from Sebastiano del Piombo. What with Protestant criticism of image-making as breaking God's Commandments, a Counter-Reformation style slowed the pace of ornamentation in painting, and the Council of Trent came up with standards for sacred art, acceptable to the Roman Catholic Church, coming out against what was relieflike and unreal, and competitive with the Reformation. Mature Late Mannerists pulling out the stops on ornamentation included second rank artist Jacopino, with his Oratory of San Giovanni decollato trailblazing the first use of relieflike style in sacred art, and Taddeo Zuccaro. So author Marcia Hall has come up with a beautifully illustrated, carefully written and clearly organized book: I am unaware of books that add to her thorough work; her magnificent book leaves readers with a very personal reaction, in that we can choose whichever artist or style that we want to look into individually and separately, because she has left us better informed on them all
Customer Reviews:
A Thorough Study of the Anabaptist Movement.......2006-05-20
It's hard for us in the United States to believe that people were once attacked by so-called fellow Christians over their views on water baptism that they actually sought to back up their teachings on baptism with the Bible! However, while "death by burning" is not a choice many make today, many do attack those who seek to follow the Bible completely and who believe the Bible is the final Word of God (2 Timothy 3:16-17; 2 Peter 1:16-21).
In this work, Dr. Estep takes us through the history of the Anabaptist tradtion. Where did it start? What doctrines seperated them from other movements? Historically, who has followed in their doctrines and practices? Dr. Estep traces these paths.
The book is not easy reading however. It is a study of history and not theology. While Dr. Estep does touch on theological issues, the majority of the book is on the people involved. It is the story of the anabaptist.
Overall this is a solid work on the Anabaptist movement. You will see the faith of these baptism reformers who sought to take the Church back to the authority of Scripture and be baptised by immersion (Acts 2:38; 8:36-37) as a disciple of Jesus (Matt. 28:19; Mark 16:15-16).
Great start.......2005-04-27
I was required to read this as part of a class on the reformation of the 16th century. this is by far the best way to start any study of anabaptist history. it is a very quick and enjoyable read. it really is an extraordinary book on the subject.
Interesting overview of Radical Reformers.......2005-01-01
In this book, Mr. Estep provides a very interesting overview of those who led the "radical reformation" in the 16th Century. The author does an excellent job of describing the various leaders, churches, communities, and doctrines which were formulated by the "re-baptizers" during this important time in the Church's history. I really learned a lot from this book about the Anabaptists, especially in terms of their doctrine.
I did have two small problems with the book. First, the author is a little too sympathetic to the Anabaptists when defending the formation of their doctrines. Of course, that is his background so this did not come as a complete surprise. Second, the author does not describe the Munster incident in much detail, if at all. It is a little irresponsible as a historian to brush over this significant event in a book about 16th Century Anabaptism.
Despite these two problems - it is a good book which I recommend to anyone interested in learning more about the radical reformation. If you do not know much about this period of Church history, like me, this is a great starting point.
A good tribute to the unsung heroes of the reformation.......2001-06-16
I read this book for an Anabaptist history class at a denominational school with direct lineage to the Anabapist movement. I myself did not grow up in this tradition, but have grown to love many aspects of it. This book has surely contributed to this. Estep does a great of job cutting out the fluff and writing a straight forward book on the movement. I particularly liked the last section of the book which focused on the probable Anabaptist connection to the Baptists. Since my theology leans more towards Baptist thinking, particularly the Reformed variety, this was most interesting to me. I highly recommend this book to anyone who wants to learn more about the Anabaptist movement and its contributions to modern Christianity.
Good historical review of the early Anabaptists........2000-10-25
Gives the historical background, foundation, and progress of the "re-baptizers" as their critics called them. The ministries of the early Anabaptist leaders are followed in detail in both Switzerland, Germany, and Holland. After a historical review of each leader's influence on the movement, the latter half of the book provides a detailed examination of these leaders' positions on matters of doctrine such as infant baptism, the trinity, pacifism, the swearing of oaths, the ban, and civil authority.
Perhaps the most interesting sections of this book relates to the ongoing and violent persecutions which befell the early Anabaptists. Not only the dominant Catholic hierarch but their fellow Reformers made martyrs out of the early Anabaptists. The arguments and misrepresentations made against the Anabaptists by their Catholic and Protestant tormentors helps to define what these people did, in fact, believe in.
A great book for understanding where the Mennonites, Hutterites, and other Anabaptists came from.
Book Description
A monumental achievement of research, synthesis, and analysis, this volume on the Nahua Indians of central Mexico (often called Aztecs) constitutes our best understanding of any New World indigenous society in the period following European contact.
Customer Reviews:
Wonderful linguistic approach to history.......2007-02-23
This book is a must for anyone interested in the processes of change within the central indian communities after the arrival of the Spaniards. Two elements stand out: the author's enthralling prose and his meticulous analysis of linguistic changes and his ability to tie them in to broader cultural/historical changes.
Book Description
"From meetings and conversation with men, love affairs arise. In the midst of pleasures, banquets, dances, laughter, and self-indulgence, Venus and her son Cupid reign supreme. . . . Poor young girl, if you emerge from these encounters a captive prey! How much better it would have been to remain at home or to have broken a leg of the body rather than of the mind!" So wrote the sixteenth-century Spanish humanist Juan Luis Vives in a famous work dedicated to Henry VIII's daughter, Princess Mary, but intended for a wider audience interested in the education of women.
Praised by Erasmus and Thomas More, Vives advocated education for all women, regardless of social class and ability. From childhood through adolescence to marriage and widowhood, this manual offers practical advice as well as philosophical meditation and was recognized soon after publication in 1524 as the most authoritative pronouncement on the universal education of women. Arguing that women were intellectually equal if not superior to men, Vives stressed intellectual companionship in marriage over procreation, and moved beyond the private sphere to show how women's progress was essential for the good of society and state.
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