History: Fiction or Science? (Chronology, No. 1)
Average customer rating: 4.5 out of 5 stars
  • Calculations are only as good as your numbers
  • Pants on fire?
  • Accepted History & Chronology Must Be Changed.
  • Very Interesting
  • History as Science Fiction
History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
ProductGroup: Book
Binding: Paperback

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ASIN: 2913621058

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

3 out of 5 stars Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

5 out of 5 stars Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

5 out of 5 stars Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

5 out of 5 stars Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

4 out of 5 stars History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Prague Pictures: A Portrait of the City (Writer and the City.)
Average customer rating: 5 out of 5 stars
  • "A faithless lover's letter of apology" for this city
  • Exquisite writing and wonderful anecdotes
Prague Pictures: A Portrait of the City (Writer and the City.)
John Banville
Manufacturer: Bloomsbury USA
ProductGroup: Book
Binding: Hardcover

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ASIN: 1582343829

Book Description

The fourth book in Bloomsbury's Writer and the City series.

From one of the foremost chroniclers of the modern European experience, a panoramic view of a city that has seduced and bewitched visitors for centuries.

Prague is the magic capital of Europe. Since the days of Emperor Rudolf II, "devotee of the stars and cultivator of the spagyric art", who in the late 1500s summoned alchemists and magicians from all over the world to his castle on Hradcany hill, it has been a place of mystery and intrigue. Wars, revolutions, floods, the imposition of Soviet communism, and even the depredations of the tourist boom after the Velvet Revolution of 1989 could not destroy the unique atmosphere of this beautiful, proud, and melancholy city on the Vltava. John Banville traces Prague's often tragic history and portrays the people who made it: the emperors and princes, geniuses and charlatans, heroes and scoundrels. He also paints a portrait of the Prague of today, reveling in its newfound freedoms, eager to join the European Community and at the same time suspicious of what many Praguers see as yet another totalitarian takeover. He writes of his first visit to the city, in the depths of the Cold War, and of subsequent trips there, of the people he met, the friends he made, the places he came to know.

Customer Reviews:

5 out of 5 stars "A faithless lover's letter of apology" for this city.......2005-06-13

John Banville, in many of his novels, conjures up the alchemical and scientific wonders of early modern Europe: Copernicus, Kepler, Newton, Dr Faustus. His prose always has daunted me from taking on his dense, serious fiction, but perhaps, after this wonderfully self-deprecating, nimbly observed, and precisely rendered collection of thoughts inspired by events and people in Prague, I will try his novels! As Banville prefaces this small but pleasingly compacted assemblage of ruminations, it is not a guidebook but (my words) a momento urbi, a reminder of this city.

He avoids post-Wall sightseeing (contrast Myla Goldberg's Time's Magpie), limits his Kafka citations wisely (compare nearly any other journalist!), and steers clear from tiresome dynastic recitals (unlike Peter Demetz' City of Black & Gold). Out of his travels there, starting in 1975, he instead opts to build slightly interrelated essays. The first, "Sudek's City," tells of the Professor and Marta, who show him and his companions prints by Josef Sudek, a photographer (two of which I presume grace this book's covers), who reveals tangibly yet tangentially the post-war era. Banville links the dislocation of the jet-lagged traveller in the hotel room with the wider struggle by a people to overcome alienation in their home city, yet such connections are left subtle, for us to tie together. The description in a page or so of the Professor, who himself threatens to become effaced after so many decades of having to blend in to such surroundings, is one of the most powerful depictions in print I have ever read of summing up another human in a few well-chosen words.

"Threshold," from which the name for Prague was derived, merges the background on the city with its monuments, even as Banville insists that they do not make Prague what it is, this essence too elusive. Fittingly, such fluidity blends into an account of Rudolf and the intellectual climate that lured some of Europe's most creative minds in the later 16th c. to study magic, astronomy, the occult, and the rational, or mixes thereof.

"The Prague Orgy", while never mentioning Philip Roth, starts with Banville's teenaged longing for a minor Czech actress, Eva Bartok, and his longing for such dark beauties, often with (sans makeup!) pale plum-hued shadows under their eyes. He segues into his friend Phil who boasts of "The Company," the Havel era, the "putative parents" of his hostess at a doomed dinner party, to conclude, paraphrasing another Philip (Larkin) that "nothing, like something, can happen anywhere. Banville again evokes psychological dislocation marvellously, keeping control of his shifting scenes while hiding from we his readers his manipulative strings. He's too good a writer to let his craft show so nakedly.

From one who wrote a novel called "Kepler," the chapter "Great Dane, Little Dog" relates the long story of Tycho Brahe, his unfortunate death for the sake of royal etiquette, and his somewhat unwilling apprentice Johannes Kepler. Prague itself fades a bit even more than in the rest of the book, but Banville keeps the tale engaging. I found this segment of the volume readable, but since I do not share Banville's obvious love of this period, its comparative detachment from the city itself made it too tangential. On a related note, he incorporates references to a far more obsessive text, Angelo Maria Ripellino's "Magic Prague," nicely into his volume, so you feel you get the gist of that admittedly appealing but immensely detailed study without all of its laborious asides. Their common concentration on the hermetic, the mathematical, and the malcontent does show why Prague thrived as an asylum and a laboratory for so many ambitious quacks, mad scientists, and rogues.

"Snapshots" takes Banville out of Prague to Bratislava, but not for the sights. He conveys here being out of place as a modern intellectual at a conference where his ignorance (so he assumes, though we readers might disagree) his unmasked before the restless native audience. The tale of an old communist, Goldstucker, and the saga of the Golem and the Jewish ghetto is recounted to sum up the condition of the latter-day dreamers and thinkers in a more recent regime that reigned over the Castle.

Finally, in two brief codas, "The Deluge" tells of the 2002 summer floods, with a marvelously apt quote from Eliot's "Four Quartets," and "After-Images" leaves us with Banville's fading scenes from his Prague travels. A short bibliography adds to the value of this short but elegant and never predictable meditation.

Pg. 83 sums up his motif for this volume, except for its covers devoid of visual "pictures" that rather he brings out of his mind's eye into our receptive faculty: "These are the things we remember. It as if we were to focus our cameras on the great sights and the snaps when developed all came out with nothing in them save undistinguished but manically detailed foregrounds." The unreliable and capricious state of memory, then, is Banville's true souvenir that he shares with us from this city.

5 out of 5 stars Exquisite writing and wonderful anecdotes.......2004-07-27

Lovers of Banville's fiction will appreciate the same feel for language and beautiful writing which is this writer's hallmark. His knowledge of Prague spans more than 20 years of both pre- and post-communist rule, and very nicely gives the flavour of these two very different periods, without reverting to clichés about the Cold War, etc. Filled with wondeful personal anecdotes as well as more general interesting knowledge, the book may to some seem incoherent. However it not only makes you want to visit Prague, but gives much appreciated sections on Czhech art photography (I fell in love with the cover - especially the back), astronomy (perhaps not too surprising, given some of Banville's novels), and the strange behaviour of European royalty. Its wide span is to be applauded rather than seen as a shortcoming - it is after all not *meant* to be a traditional travel guide. I finished this book while on vacation (regrettably not in Prague), moved on to some currently popular crime novelist, and almost immediately threw that book away in disgust when comparing the prose to what Banville (true to form) serves up in this little gem.
Turnaround: A Memoir
Average customer rating: 4 out of 5 stars
  • Memoirs of a masterful filmmaker
Turnaround: A Memoir
Milos Forman
Manufacturer: Villard
ProductGroup: Book
Binding: Hardcover

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ASIN: 067940063X
Release Date: 1994-02-08

Customer Reviews:

4 out of 5 stars Memoirs of a masterful filmmaker.......2002-06-15

If you are a fan of the films of Milos Forman then you owe it to yourself to read his memoirs. This book offers fascinating insight into his childhood tragedies and subsequent journeys into Eastern European and Western filmmaking.

I won my copy of this book at a silent auction midway through the filming of Forman's "The People Vs. Larry Flynt", and Mister Forman was kind enough to personalize and autograph it for me. What a great guy!

Not everyone's life would make for an interesting set of memoirs. Probably not yours, and certainly not mine. But Forman's does. Grab it, read it, enjoy it.
Director's Cut : A Moses Wine Novel
Average customer rating: 4 out of 5 stars
  • Moses Wine, Movie Director????
  • An Amusing Tale for Our Time
  • Stunning bad
  • terrible
  • Director's Cut... Cut, cut, cut
Director's Cut : A Moses Wine Novel
Roger L. Simon
Manufacturer: Atria
ProductGroup: Book
Binding: Hardcover

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ASIN: 0743458028

Book Description

From Roger L. Simon, author of The Big Fix, comes his best Moses Wine novel yet -- a hilarious, dark thriller set in the movie world.


DIRECTOR'S CUT


A quarter of a century after he first appeared in the now-classic The Big Fix, Moses Wine remains a private investigator par excellence. Still a Berkeley radical at heart, Moses is now thoroughly chastened by the events that have led to the war on terrorism -- so much so that he's started to find himself agreeing with John Ashcroft, which for Moses is like saying that the Grateful Dead were overrated. Then the call comes -- a film crew in Prague keeps finding hate messages on the set and in their hotel rooms, and it's Moses's job to find out who's trying to shut the movie down. In a twist of fate that might only happen to a man like Wine, the director of the film gets knocked off a bridge by a runaway truck, and Moses agrees to take over -- Moses Wine is an auteur!


But there are obstacles: The costars, the sexy Donna Gold and the brooding Goran, can't decide whether to kill each other or have an affair; Moses's wife has a surprise for him; Moses keeps finding himself in places he really shouldn't be; the CIA seems interested in the film, and that's a first; and a guy who resembles the Michelin Man keeps turning up with threats of violent destruction. Clearly something more is at stake than an art-house film, and things turn deadly serious when the threat of terrorism appears at the screening of the film -- Moses has to race to save not only the movie, but the whole of the Sundance festival, too.


Roger L. Simon has been delighting fans of smart thrillers for a quarter century. This time it's the movie world's turn to get the Roger L. Simon treatment, and Director's Cut shows him at the height of his powers -- skewering our mores and making us laugh out loud.

Customer Reviews:

5 out of 5 stars Moses Wine, Movie Director????.......2006-12-11

I've read all of the Moses Wine books, and I enjoyed the movie "The Big Fix" a great deal; I think it's one of my favorite detective novels. Wine's an amusing character, a Berkeley radical who's by now bemoaning the fact that he agrees with John Ashcroft on certain things with regards to dealing with terrorists. Simon appears to be one of the liberals who was (as I read on another one of these people's blogs) "mugged by reality on 9/11". There were little hints of a more intelligent, less idealogical person peeking through even in the earlier books. Wine has always been more of a cynic than most idealists, and more pragmatic, too. You only have to read "The Big Fix" and get Simon's take on self-help gurus to know that he's not quite as trendy as most in Hollywood.

In the current outing, it turns out Moses is buddies with a group of Hollywood types who meet at the Farmer's Market at 3rd and Fairfax. Anyone who's been there can imagine this sort of thing happening--I myself have seen actors in restaurants there, and I'm notorious for not seeing celebrities--and it lends an air of authenticity to the story. One of his Hollywood buddies is a TV guy who's going to make a love story about the aftermath of the Holocaust, only he's been having trouble while he's filming on location in Prague. He contacts Moses, in a panic, and insists that our hero get on a plane and fly there to see if he can stop the threats and pranks that threaten the movie.

Simon has a dry wit that's just about as biting as it can be, at times. From an FBI who questions a *Jewish* private eye about his contacts with the 9/11 hijackers to an Arab terrorist who wants his hostage to tie *him* up to a film festival that's 90% pretence and marketing, this is Simon's send-up of the post 9/11 world, and of Hollywood at the same time. Moses even takes a turn at directing the movie, and of course that turns out pretty funny, especially when it turns out he's not as bad at it as you might think.

I heartily enjoyed this book, and highly recommend it.

5 out of 5 stars An Amusing Tale for Our Time.......2005-01-24

I have read a couple of Simon's books, but I don't remember them being this clever. A private detective becomes a movie director. Quite witty. Wild Turkey (was that the name?) was also humorous.

(Some strange reviews on here with seemingly hostile motive perhaps? I don't understand what that is, but shouldn't Amazon have a way of dealing with this?)

1 out of 5 stars Stunning bad.......2005-01-02

This book would have been merely a laughably sophomoric piece of poorly-edited hack fiction if it didn't try to promote itself as capitalizing on September 11th. The book will probably be historically significant only in that the author's fascination and glorification of such insidious real-world personas as Ashcroft and Freeh lends it a bit of Leni Riefenstahl kitch.

1 out of 5 stars terrible.......2004-10-30

I'd give this zero stars if that were an option. It is poorly written, poorly edited (there are a tremendous number of grammatical and spelling errors for a published book), and, most importantly for a thriller, it is just plain boring.

Don't waste your time on this garbage.

1 out of 5 stars Director's Cut... Cut, cut, cut.......2004-10-13

Like anyone who enjoys a good mystery, I was looking forward to this read especially having been recommended by Hugh Hewitt, a radio talk show host who had previously suggested works from Joseph Epstein and Daniel Silva. Both were great reads.

I should have been somewhat suspicious seeing only 240 pages, surely not enough to develop the characters, background and rich plot that often adds to pleasure of a good novel. I found the plot sophomoric, even laughing out loud not a the humor but the utter ridiculous situations. For example, why would private investigator Wine consider staying on with the production of a "B" rated movie that ends up on some obscure cable channels? Not only does he stay but becomes the director of this crazy movie. Perhaps some of Mr. Simon's humor was lost on me but too many times I found the plot farfetched.

If Mr. Simon were to remove a few choice swear words, this book might be appropriate for junior high school. They might appreciate characters like "Anna Rockova", yes Mr. Simon has seen several episodes of the Flintstones. My advise would be to "Cut" this one off at the pass and move on to more seriously researched terrorist mystery. It's no wonder that Mr. Simon must use a blog to help promote his work. Not worth the $16.95.
Czech Republic in Pictures (Visual Geography. Second Series)
Average customer rating: Not rated
    Czech Republic in Pictures (Visual Geography. Second Series)
    Stacy Taus-Bolstad
    Manufacturer: Lerner Publishing Group
    ProductGroup: Book
    Binding: Hardcover

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    ASIN: 0822546809
    Prague Pictures (The Writer and the City)
    Average customer rating: Not rated
      Prague Pictures (The Writer and the City)
      John Banville
      Manufacturer: Bloomsbury Publishing PLC
      ProductGroup: Book
      Binding: Hardcover

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      ASIN: 0747564086
      Czech New Wave Filmmakers in Interviews
      Average customer rating: 5 out of 5 stars
      • Finally, loud and clear!
      Czech New Wave Filmmakers in Interviews
      Robert Buchar
      Manufacturer: McFarland & Company
      ProductGroup: Book
      Binding: Paperback

      Direction & ProductionDirection & Production | Movies | Entertainment | Subjects | Books
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      GeneralGeneral | Arts & Photography | Subjects | Books
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      ASIN: 078641720X

      Book Description

      In Czechoslovakia, in the 1960s, artists began to realize that the aesthetics of social realism contrasted with the realities of daily life; a movement of film arose in response to the politics and history of the nation. This work collects candid interviews with the creators of the Czech New Wave film movement (1960-2000). Their work put Czech film on the map of world cinema, generating two Oscars for Best Foreign Film, but the official critique marked them as decadent, pessimistic, and reactionary.

      The work contains sixteen uncensored interviews with filmmakers such as Jan Nemec, Jirí Menzel, Saša Gedeon, and Jan Sverák, who describe the struggle to realize their visions in a constantly shifting political landscape: from the mid-1960s, through the repressive "normalization" after the Soviet occupation in 1968 (more films were banned in 1970 than during the previous twenty years of Communism), and after the Velvet Revolution of 1989. The interviews give portraits of some of the most talented figures in film, revealing artists searching for individual and national identity, who describe living and making film in the Czech Republic now and in the past, explore how foreign films influence Czech film, and speculate on the future of film. Each interview includes a short biography, filmography, and list of awards. The work is bookended by essays giving background on the political and economic situations leading up to and after the Velvet Revolution.

      Customer Reviews:

      5 out of 5 stars Finally, loud and clear!.......2004-03-16

      Finally, loud and clear!

      With the intimate knowledge of a filmmaker, but with the distance of a writer living in exile, Robert Buchar confronts the very obvious, yet unimaginable for many, marriage of convenience between culture and politics.

      Czech New Wave Filmmakers in Interviews is quite a disturbing read, full of raw memories of people who believed in film as an art form, and those who saw their work only as a bothersome migraine, occasionally disrupting their political ambitions.

      Buchar's book is a document about a sad period of time and people living and working in a strange industry, deeply implanted in the sick body of a morally bankrupt society. As preventive medicine, this anthology should be prescribed to all aspiring filmmakers, since the Mephistos of our time may wear different coats but live on all continents.
      The 2007 Import and Export Market for Color Television Picture Tubes in Czech Republic
      Average customer rating: Not rated
        The 2007 Import and Export Market for Color Television Picture Tubes in Czech Republic
        Philip M. Parker
        Manufacturer: ICON Group International, Inc.
        ProductGroup: Book
        Binding: Paperback
        ASIN: 0546135897
        Release Date: 2006-11-21

        Product Description

        On the demand side, exporters and strategic planners focusing on color television picture tubes in Czech Republic face a number of questions. Which countries are supplying color television picture tubes to Czech Republic? How important is Czech Republic compared to others in terms of the entire global and regional market? How much do the imports of color television picture tubes vary from one country of origin to another in Czech Republic? On the supply side, Czech Republic also exports color television picture tubes. Which countries receive the most exports from Czech Republic? How are these exports concentrated across buyers? What is the value of these exports and which countries are the largest buyers? This report was created for strategic planners, international marketing executives and import/export managers who are concerned with the market for color television picture tubes in Czech Republic. With the globalization of this market, managers can no longer be contented with a local view. Nor can managers be contented with out-of-date statistics which appear several years after the fact. I have developed a methodology, based on macroeconomic and trade models, to estimate the market for color television picture tubes for those countries serving Czech Republic via exports, or supplying from Czech Republic via imports. It does so for the current year based on a variety of key historical indicators and econometric models. In what follows, Chapter 2 begins by summarizing where Czech Republic fits into the world market for imported and exported color television picture tubes. The total level of imports and exports on a worldwide basis, and those for Czech Republic in particular, is estimated using a model which aggregates across over 150 key country markets and projects these to the current year. From there, each country represents a percent of the world market. This market is served from a number of competitive countries of origin. Based on both demand- and supply-side dynamics, market shares by country of origin are then calculated across each country market destination. These shares lead to a volume of import and export values for each country and are aggregated to regional and world totals. In doing so, we are able to obtain maximum likelihood estimates of both the value of each market and the share that Czech Republic is likely to receive this year. From these figures, rankings are calculated to allow managers to prioritize Czech Republic compared to other major country markets. In this way, all the figures provided in this report are forecasts that can be combined with internal information sources for strategic planning purposes.
        The 2007 Import and Export Market for Parts of Television Picture Tubes and Other Electronic Valves and Tubes in Czech Republic
        Average customer rating: Not rated
          The 2007 Import and Export Market for Parts of Television Picture Tubes and Other Electronic Valves and Tubes in Czech Republic
          Philip M. Parker
          Manufacturer: ICON Group International, Inc.
          ProductGroup: Book
          Binding: Paperback
          ASIN: 0546136419
          Release Date: 2006-11-21

          Product Description

          On the demand side, exporters and strategic planners focusing on parts of television picture tubes and other electronic valves and tubes in Czech Republic face a number of questions. Which countries are supplying parts of television picture tubes and other electronic valves and tubes to Czech Republic? How important is Czech Republic compared to others in terms of the entire global and regional market? How much do the imports of parts of television picture tubes and other electronic valves and tubes vary from one country of origin to another in Czech Republic? On the supply side, Czech Republic also exports parts of television picture tubes and other electronic valves and tubes. Which countries receive the most exports from Czech Republic? How are these exports concentrated across buyers? What is the value of these exports and which countries are the largest buyers? This report was created for strategic planners, international marketing executives and import/export managers who are concerned with the market for parts of television picture tubes and other electronic valves and tubes in Czech Republic. With the globalization of this market, managers can no longer be contented with a local view. Nor can managers be contented with out-of-date statistics which appear several years after the fact. I have developed a methodology, based on macroeconomic and trade models, to estimate the market for parts of television picture tubes and other electronic valves and tubes for those countries serving Czech Republic via exports, or supplying from Czech Republic via imports. It does so for the current year based on a variety of key historical indicators and econometric models. In what follows, Chapter 2 begins by summarizing where Czech Republic fits into the world market for imported and exported parts of television picture tubes and other electronic valves and tubes. The total level of imports and exports on a worldwide basis, and those for Czech Republic in particular, is estimated using a model which aggregates across over 150 key country markets and projects these to the current year. From there, each country represents a percent of the world market. This market is served from a number of competitive countries of origin. Based on both demand- and supply-side dynamics, market shares by country of origin are then calculated across each country market destination. These shares lead to a volume of import and export values for each country and are aggregated to regional and world totals. In doing so, we are able to obtain maximum likelihood estimates of both the value of each market and the share that Czech Republic is likely to receive this year. From these figures, rankings are calculated to allow managers to prioritize Czech Republic compared to other major country markets. In this way, all the figures provided in this report are forecasts that can be combined with internal information sources for strategic planning purposes.
          The 2007 Import and Export Market for Pictures, Designs, and Photographs in Czech Republic
          Average customer rating: Not rated
            The 2007 Import and Export Market for Pictures, Designs, and Photographs in Czech Republic
            Philip M. Parker
            Manufacturer: ICON Group International, Inc.
            ProductGroup: Book
            Binding: Paperback
            ASIN: 0546324312
            Release Date: 2006-11-21

            Product Description

            On the demand side, exporters and strategic planners focusing on pictures, designs, and photographs in Czech Republic face a number of questions. Which countries are supplying pictures, designs, and photographs to Czech Republic? How important is Czech Republic compared to others in terms of the entire global and regional market? How much do the imports of pictures, designs, and photographs vary from one country of origin to another in Czech Republic? On the supply side, Czech Republic also exports pictures, designs, and photographs. Which countries receive the most exports from Czech Republic? How are these exports concentrated across buyers? What is the value of these exports and which countries are the largest buyers? This report was created for strategic planners, international marketing executives and import/export managers who are concerned with the market for pictures, designs, and photographs in Czech Republic. With the globalization of this market, managers can no longer be contented with a local view. Nor can managers be contented with out-of-date statistics which appear several years after the fact. I have developed a methodology, based on macroeconomic and trade models, to estimate the market for pictures, designs, and photographs for those countries serving Czech Republic via exports, or supplying from Czech Republic via imports. It does so for the current year based on a variety of key historical indicators and econometric models. In what follows, Chapter 2 begins by summarizing where Czech Republic fits into the world market for imported and exported pictures, designs, and photographs. The total level of imports and exports on a worldwide basis, and those for Czech Republic in particular, is estimated using a model which aggregates across over 150 key country markets and projects these to the current year. From there, each country represents a percent of the world market. This market is served from a number of competitive countries of origin. Based on both demand- and supply-side dynamics, market shares by country of origin are then calculated across each country market destination. These shares lead to a volume of import and export values for each country and are aggregated to regional and world totals. In doing so, we are able to obtain maximum likelihood estimates of both the value of each market and the share that Czech Republic is likely to receive this year. From these figures, rankings are calculated to allow managers to prioritize Czech Republic compared to other major country markets. In this way, all the figures provided in this report are forecasts that can be combined with internal information sources for strategic planning purposes.

            Books:

            1. History: Fiction or Science? (Chronology, No. 1)
            2. History: Fiction or Science? (Chronology, No. 1)
            3. History: Fiction or Science? (Chronology, No. 1)
            4. How Night Came from the Sea: A Story from Brazil
            5. I Heard That Song Before: A Novel
            6. ICE BOUND: A DOCTOR'S INCREDIBLE BATTLE FOR SURVIVAL AT THE SOUTH POLE
            7. If I'm So Smart, Why Can't I Lose Weight?: Tools to Get it Done
            8. Ike's Final Battle: The Road to Little Rock and the Challenge of Equality
            9. Infidel
            10. Interpreter of Maladies

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