Their Eyes Were Watching God

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At the height of the Harlem Renaissance during the 1930s, Zora Neale Hurston was the preeminent black woman writer in the United States. She was a sometime-collaborator with Langston Hughes and a fierce rival of Richard Wright. Her stories appeared in major magazines, she consulted on Hollywood screenplays, and she penned four novels, an autobiography, countless essays, and two books on black mythology. Yet by the late 1950s, Hurston was living in obscurity, working as a maid in a Florida hotel. She died in 1960 in a Welfare home, was buried in an unmarked grave, and quickly faded from literary consciousness until 1975 when Alice Walker almost single-handedly revived interest in her work.

Of Hurston's fiction, Their Eyes Were Watching God is arguably the best-known and perhaps the most controversial. The novel follows the fortunes of Janie Crawford, a woman living in the black town of Eaton, Florida. Hurston sets up her characters and her locale in the first chapter, which, along with the last, acts as a framing device for the story of Janie's life. Unlike Wright and Ralph Ellison, Hurston does not write explicitly about black people in the context of a white world--a fact that earned her scathing criticism from the social realists--but she doesn't ignore the impact of black-white relations either:

It was the time for sitting on porches beside the road. It was the time to hear things and talk. These sitters had been tongueless, earless, eyeless conveniences all day long. Mules and other brutes had occupied their skins. But now, the sun and the bossman were gone, so the skins felt powerful and human. They became lords of sounds and lesser things. They passed nations through their mouths. They sat in judgment.

One person the citizens of Eaton are inclined to judge is Janie Crawford, who has married three men and been tried for the murder of one of them. Janie feels no compulsion to justify herself to the town, but she does explain herself to her friend, Phoeby, with the implicit understanding that Phoeby can "tell 'em what Ah say if you wants to. Dat's just de same as me 'cause mah tongue is in mah friend's mouf."

Hurston's use of dialect enraged other African American writers such as Wright, who accused her of pandering to white readers by giving them the black stereotypes they expected. Decades later, however, outrage has been replaced by admiration for her depictions of black life, and especially the lives of black women. In Their Eyes Were Watching God Zora Neale Hurston breathes humanity into both her men and women, and allows them to speak in their own voices. --Alix Wilber

Book Description

One of the most important works of twentieth-century American literature, Zora Neale Hurston's beloved 1937 classic, Their Eyes Were Watching God, is an enduring Southern love story sparkling with wit, beauty, and heartfelt wisdom. Told in the captivating voice of a woman who refuses to live in sorrow, bitterness, fear, or foolish romantic dreams, it is the story of fair-skinned, fiercely independent Janie Crawford, and her evolving selfhood through three marriages and a life marked by poverty, trials, and purpose. A true literary wonder, Hurston's masterwork remains as relevant and affecting today as when it was first published -- perhaps the most widely read and highly regarded novel in the entire canon of African American literature.

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"E-BOOK EXTRA: Janie's Great Journey: A Reading Group Guide; PLUS: The Comphrehensive Edition: This special e-book is the only edition to include all three essays by Edwidge Danticat, Mary Helen Washington, and Henry Louis Gates.

Fair and long-legged, independent and articulate, Janie Crawford sets out to be her own person -- no mean feat for a Black woman in the '30s. Zora Neale Hurston's classic 1937 novel follows Janie's quest for identity -- a journey during which she learns what love is, experiences life's joys and sorrows, and comes home to herself in peace. "There is no book more important to me than this one." --Alice Walker "Their Eyes belongs in the same category with [the works of] William Faulkner, F. Scott Fitzgerald, and Ernest Hemingway, that of enduring American literature." --Saturday Review

Fair and long-legged, independent and articulate, Janie Crawford sets out to be her own person -- no mean feat for a black woman in the '30s. Janie's quest for identity takes her through three marriages and into a journey back to her roots."

Customer Reviews:

An American Masterpiece, well worth reading.......2007-10-17

"Their Eyes were Watching God" has been variously described as feminist literature (though written in 1930), African-American literature (though the story is about people, first and foremost, and race is secondary to the novel) and as a lost masterpiece. It's a lost masterpiece. Thanks to Alice Walker and Oprah Winfrey, the book was brought back to the public's attention.

One of the issues with reading Hurston's novel is that it's written in dialect--in Hurston's rendition of how Southern Florida black dialect could be spelled out to her. So reading the book is a bit slow; you have to sound out the words in your mind. If this is a problem, then I'd suggest you listen to the book on tape (ably performed by Ruby Dee) and then read the book afterwards.

The story has barely a plot; Janey is a young woman who's grandmother was born in slavery. Her aspirations are no further than the front porch; to live in comfort means being simply able to sit, to sit on the porch and not be in constant motion, working every hour of every day for bare subsistence. She finds an older, established husband for Janey and insists she marry. Janey, then, has a life where, with reasonable work, she can fill her belly and sleep in shelter. Her life is not much better than that of a well-cared-for mule.

One day, Janey runs off with Jody Starks, a man of means who charms her with his worldy ways. This is a man going places. And they do go places; to Eatonville, a town that was chartered as an African-American community. Starks sees opportunity in every corner of dusty Eatonville, buys land, builds a store and a house and installs the beautiful Janey as a symbol of his mastery.

As Mayor, Starks has appearances to keep up. He has Janey stay in the house or work in the store, and when in the store, she is to keep her head covered. Janey has a wealth of long abundant hair, which Hurston uses as a symbol of life. Janey's hair is flowing and startling; men covet it. As the hair is covered, so is every enjoyment and thought Janey has. She chafes for 20 years under Stark's restrictive rules.

The scene where the "town mule"--a mule freed by Starks from an abusive owner and that became a sort of mascot, dies and is buried in the swamp is exceptional writing, worthy of Mark Twain. The mule is eulogized (by Stark, standing at one point on the mule as podium) and then abandoned to the waiting buzzards. The following scene where the buzzards arrive to do their undertaking is a flight of fancy that is hardly equalled in American literature. All along the book, Hurston takes smaller flights of language; her descriptions sometimes soar, or are humorous or completely imaginative.

Janey runs off after Stark's death with "Tea Cake"--a younger man. While her first two marriages were for the sustenance of the body (food, shelter, comfort, a home) this marriage is for the sustenance of the soul. Tea Cake plays guitar, plays games, dances, gambles, sings and flirts. Hurston is too clever to make him perfect; he hurts Janey, as only someone who loves another person can hurt them, and he is a bit of a cad, yet he brings out something in Janey that no life of pure material wealth could do--freedom and sensuality and joy. The culmination of the story is rather contrived, but still, the completion of the three marriages tells almost a fable-like story of a quest for personal growth. Janey comes home to Eatonville, and tells her story to Phoeby, her friend. The rest of the tale is up to us to fill in.

Sometimes the writing reminds me of Virginia Woolf--the interior dialog and mood of the character is the action as much or more than the action happening on the story's stage. Sometimes Hurston reminds me of Twain in her delving into the linguistic richness and uniqueness of Floridian life. Her education as a folklorist sharpened her ear, but her deep honesty into the interior life of women is what makes this story so great. It's definitely one of the top American novels and deserves to be read.

One for the Ages.......2007-10-07

Zora Neale Hurston's novel "Their Eyes Were Watching God" has been analyzed, criticized, and lionized over the brief span of its existence. Lately, praise has predominated though with continued carping on issues which she made clear she considered secondary to her purpose.

Hurston's mastery of language places this work in the top tier of Anglophone literature, and the broadness of her comprehension defies spatial, temporal, social, or political confines. Her novel is powerful because it is humane and universal in scope. The story enchants because the voice relating it is unfailingly compassionate.

This lyrical voice was owned by no one but Hurston herself. Throughout her professional life, she remained true to her vision regardless of praise or criticism.

Ultimately, Hurston's literary worth, and that of her detractors, critics, and rivals, will be judged by generations to come. I'm confident that her stature will endure and her insistence on self-definition will be vindicated.

A Novel Reviewed by an author.......2007-09-30

Three stars due to the consensus that it is a classic.
Their Eyes Were Watching God by Zora Neale Hurston September 2007 Amazon
Janie Crawford, an attractive, confident, middle-aged black woman, returns to Eatonville, Florida, after a long absence. The black townspeople gossip about her and speculate about where she has been and what has happened to her young husband, Tea Cake. They take her confidence as aloofness, but Janie's friend Pheoby Watson sticks up for her. Pheoby visits her to find out what has happened. Their conversation frames the story that Janie relates. Janie explains that her grandmother raised her after her mother ran off. Nanny loves her granddaughter and is dedicated to her, but her life as a slave and experience with her own daughter, Janie's mother, has warped her worldview. Her primary desire is to marry Janie as soon as possible to a husband who can provide security and social status for her. She finds a much older farmer named Logan Killicks and insists that Janie marry him. After moving in with Logan, Janie is miserable. He is pragmatic and unromantic and treats her like a pack mule. Janie flirts with and marries in secret another man. After two decades of marriage, Janie asserts herself, Jody insults her appearance and after a savage domestic quarrel, it's over for them. Jody dies from illness and Janie is free. She rebuffs various suitors who come to court but when a man twelve years her junior enters her life there is mutual attraction. Only with her third and last lover, a roustabout called Tea Cake, does Janie at last bloom, as does the large pear tree that stands beside her grandmother's tiny log cabin. "She saw a dust bearing bee sink into the sanctum of a bloom; the thousand sister calyxes arch to meet the love embrace and the ecstatic shiver of the tree from root to tiniest branch creaming in every blossom and frothing with delight. So this was a marriage!" They move to the everglades for the final tragic conclusion of the book. Rife with dialect, some may find the book time consuming. The title has nothing to do with the story, but it is a beautiful thought. The book has been made into a written-for-television movie starring Halle Berry.
Trish New, author of The Thrill of Hope, South State Street Journal, and Memory Flatlined.

Their Eyes Were Watching God.......2007-09-10

My son needed this book for school and we received in time for school. Great service!

Their Eyes Were Watching God.......2007-09-04

This book has been an extremely enjoyable read for me. It had a certain easy flow to it that made you want to keep reading it. This book didn't hook me right away, but I still gave it a chance. I am glad that I gave it a chance because it turned out to be one of my favorite books. If you enjoy hearing a good story, i recommend this book to you. Actually, I recommend this book to anybody and everybody! When i was asked to rate this book on a scale from 1 to 10, I replied by saying an eleven because i thought that this book was that good.

Average customer rating:

Very Moving
After the book and the film
Fantastic!
confusing
Las Mariposas

In the Time of the Butterflies
Julia Alvarez
Manufacturer: Plume
ProductGroup: Book
Binding: Paperback

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ASIN: 0452274427

Amazon.com

From the author of How the Garcia Girls Lost Their Accents comes this tale of courage and sisterhood set in the Dominican Republic during the rise of the Trujillo dictatorship. A skillful blend of fact and fiction, In the Time of the Butterflies is inspired by the true story of the three Mirabal sisters who, in 1960, were murdered for their part in an underground plot to overthrow the government. Alvarez breathes life into these historical figures--known as "las mariposas," or "the butterflies," in the underground--as she imagines their teenage years, their gradual involvement with the revolution, and their terror as their dissentience is uncovered.

Alvarez's controlled writing perfectly captures the mounting tension as "the butterflies" near their horrific end. The novel begins with the recollections of Dede, the fourth and surviving sister, who fears abandoning her routines and her husband to join the movement. Alvarez also offers the perspectives of the other sisters: brave and outspoken Minerva, the family's political ringleader; pious Patria, who forsakes her faith to join her sisters after witnessing the atrocities of the tyranny; and the baby sister, sensitive Maria Teresa, who, in a series of diaries, chronicles her allegiance to Minerva and the physical and spiritual anguish of prison life.

In the Time of the Butterflies is an American Library Association Notable Book and a 1995 National Book Critics Circle Award nominee.

Customer Reviews:

Very Moving.......2007-10-09

A well written fictionalized account of the revolutionary struggles against Trujillo by three of four sisters in the Dominican Replublic. Memorable. The trouble with fictionalized history for me is that after awhile the lines between fact and fiction blur and I don't remember fact from fiction. I tend to stay away from books like this because of my eventual confusion. But, this book is worth it.

After the book and the film.......2007-04-05

The story of the Mirabal sisters is alive and well today in the Dominican Republic. Still the generation that survived the Dicatorship of General Trujillo seats on elite ground in the Island of the Hispaniola.
Comparing the book , the film and the history we can see gaps, hits and misses. The true story of the island is still covered under a veil of mystery, still to this date most of the characters of the book; maybe even their killers walk freely and with no remorse.
The island in itself is a beautiful set, the human casualties of the Trujillo era has been uncovered ever so gently . Until just recently the horrors of the era were exposed and freely written by authors like Balaguer, in "La isla al revez", by Mario Vargas Llosa" La muerte del Chivo", and Julia Alvarez is brilliant in her descriptions.
She teaches in Middlebury College,VT; I personally love her writing style and descriptive style of colors,enviornments and characters.

Fantastic!.......2007-03-28

This books is absolutely fantastic. I personally really enjoy books that cover the same story from several points-of-view so I didn't find it confusing at all. The story is so moving, especially because it is based on real events. Even though I knew what was coming, by the end I broke down into sobs. Beautiful.

confusing.......2007-03-11

I found this book to be very confusing because of all the spanish names and words. It is really hard to keep track of all the characters also. Each chapter is a different sister. All the sisters are married or going out w/someone and then there are their children and on top of that are all the government officials. I was just lost throughout the whole book.

Las Mariposas.......2006-07-08

This book is really good because it is realistic and it shows the struggle of four young girls growing up in the Dominican Republic during the rise of the Trujillo dictatorship. The way it is written is a little bit odd since it shifts narrators between the four girls and they each talk about a different time period, but it is still very informative and hard to put down. And not only do I recommend this book, but the movie is also terrific and possibly a little easier to follow since it runs straight through without switching points of view.

Princess Masako: Prisoner of the Chrysanthemum Throne

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"Prisoner of The Chrysanthemum Throne"--A Bogus Story
Heartbreaking.
Princess Masako
Sob Sister Stuff
It's worth your time....trust me!

Princess Masako: Prisoner of the Chrysanthemum Throne
Ben Hills
Manufacturer: Tarcher
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Binding: Hardcover

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ASIN: 1585425680

Customer Reviews:

"Prisoner of The Chrysanthemum Throne"--A Bogus Story.......2007-08-19

First of all,as a Japanese,I will not sit here and watch as an affair of my country is terribly distorted and misunderstood.Let me start by pointing out the most important fact unbeknownst to Western people:The majority of the Japanese people DO NOT sympathize with Princess Masako any more,because we already know the truth all too well.

Although we used to regard her in the early days as an efficient but "unfortunate" princess just as this book claims to be,now almost every Japanese inwardly thinks that she is just a loathesome,power-hungry upstart with gilded academic backgrounds and a seemingly remarkable diplomat's career who married into a highest and noblest family she never really belonged to.We also think that she should be deprived of her title and dismissed from the Imperial Family as soon as possible--not because she is a "modernized" woman who is alien to our society,but simply because she is not doing her duty at all.In fact,also unbeknownst to overseas media,she keeps on betraying the people's expectation for her to live up to her title by refusing to attend almost all the public functions out of faked sickness,seeking only fun,squandering the taxpayers'money without a reflection.

In other words,all she ever does is to pretend that she's so "mentally ill" that she needs "a long rest" and to "shop till she drops" on the people's back as she goes on needless vacations.(For example,she immensely enjoyed her visit to Tokyo Disneyland with her husband and daughter by riding various attractions this March,and shortly after it was reported in the media,there appeared many weblog entries denouncing her act.)
As you know,a real patient of depression or of any other mental illness is never able to go out not only to work,but also to play however hard he or she wants to.Even though there is yet no clear evidence that her illness is false,there is a revealing fact that the Princess has never undergone a thorough mental health check by a third-party doctor,nor has her doctor in charge officially held a press conference to announce the proper diagnosis to this day.With all the inappropriate behaviour of the Princess above in mind,we have come to a conclusion that she is an utterly ineligible Crown Princess,a Marie Antoinette-like tax-spender,a sheer disgrace to our nation and to "the Chrysanthemum Throne" in the true sense of the term.

So the point here is as follows:She is no "prisoner" to be "liberated" at all;all we have here is one delinquent who would universally be dismissed should she be a princess of some Western country,and that Japanese traditions or "the way of the Kunaicho(the Imperial Household Agency)" has nothing to do with the so-called "unfairness" of the way she has been treated.We only think of her as we naturally do,and the Imperial Household Agency has been only doing its job.
Suppose an agency of Royal or Imperial affairs did not try to admonish a troublemaker in the Family,or it did not try to defend their lord in the face of a malicious slander,then of what use would it be?Naturally,if it takes the above actions when needed, that would be NO "violation of human rights" or "violation of freedom of speech" as the author Ben Hills alleged regarding the treatment of Princess Masako and the Kunaicho's protest against his book.
Therefore,all the author's accusations against the Kunaicho and the other members of the Imperial Family are groundless,because those accusations are made on an unsound premise that they should be blamed for their own unique "inhumanity" and "feudalism" that never really exist in this particular case.Needless to say,a tradition should never be judged from an insufficient research or a subjective,narrow-minded viewpoint like the author's,especially when the allegations are untrue.

Finally,please DO NOT ever be deceived by this bogus story of some Imperial oppression of a well-intended,"liberated" individual which never took place,not only for our sake,but also for your own sake,because this is apparently a book of propaganda full of intentional errors designed to undermine Japan's and the Imperial Family's reputation.With Japan being a former Axis and a defeated nation of WWII,it is not uncommon for the rest of the world to demonize the Emperor or the Imperial system of Japan by deliberately depicting it as a thoroughly inhumane existence despite its now-pacifistic nature.So,all wise and conscientious readers out there, stay open-minded,for an ignorant,unsuspecting "good intention" misled by malice could lead to true unfairness such as racism and destruction of a culture that is different from your own.

Heartbreaking........2007-07-27

For a young woman who could have conquered the world to be buried under ridiculous, unreasonable tradition which has no place in this modern world.

Princess Masako.......2007-06-01

Part of the book is interesting, but mostly disappointing me.
Not only many parts are coming from gossip news papers, but also author is influenced by his wife, Mayu Kanamori, notorious anti-Japanese Korean left-wing journalist. She always against the Royal family and the contents of the book seems following her idea.

Sob Sister Stuff.......2007-05-31

I realize Hills didn't have a whole lot of authenicated material for this book, but some of the inaccuracies - well, really! Kids dressing in gangsta clothes in the 70s?!? That's what Hills maintains when Masako first started school in the US.

I was constantly puzzled by the author's efforts to appear unbiased. 'Poor Masako,' was one message. 'Her family background is somewhat suspect, and her father is a social climber. tee hee,' was another (and snide) message. The different in height between the Crown Prince and Crown Princess was also noted. To what end? Hills see-saws back and forth between trying to appear a legitimate, serious author and a gossip columnist.

I wish Hills had spent some time explaining, for us gai-jins, the role and upbringing of the woman in Japanese society. Until very recently, all Japanese female names ended in 'ko,' which means 'child' - Keiko, Masako, Aiko, etc. While this may sound minor, it is indicative of how women are perceived in Japan. (My former husband, who spent a lot of time in Japan, was once chided by a Japanese man for being too polite to women.) It would, I think, help to explain Masako's difficulty in her, IMHO, schizophrenic life.

All in all, if such a book had to be written, I should prefer to have Kitty Kelley tackle the subject. She, at least, is a zippy writer, and this book definitely lacks zip.

It's worth your time....trust me!.......2007-05-27

This has to be one of the greatest books I've read in a long time. I seriously suggest this book to anyone who is looking for an interesting and great book to read.

A Woman's View: How Hollywood Spoke to Women, 1930-1960

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Any Book That Will Quote A Cleo Moore Film Deserves 5 Stars
One of my all time favorite books
Basinger's "A Woman's View" is a Great History Read
Now I know why I enjoy this type of film so much.
When Women Ruled the Screen

A Woman's View: How Hollywood Spoke to Women, 1930-1960
Jeanine Basinger
Manufacturer: Knopf
ProductGroup: Book
Binding: Hardcover

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ASIN: 0394563514
Release Date: 1993-08-31

Amazon.com

When film experts talk about the "woman's picture," a Hollywood genre that flourished in the '30s, '40s, and '50s, they often squabble over whether these films were liberating or constraining. Jeanine Basinger argues that they were both at the same time. She maintains that they freed their female protagonists to break social bonds while also punishing any women who seemed too free and feisty. This lively and exceedingly thorough book covers every major aspect of this fascinating film genre, including the roles female stars were expected to play, the fabulous clothes they wore, the social behaviors they were condemned to adopt, the ways they responded to and were treated by men, and the ideals of femininity Hollywood producers tried to impress upon their audiences. --Raphael Shargel

Book Description

In this highly readable and entertaining book, Jeanine Basinger shows how the "woman's film" of the 30s, 40s, and 50s sent a potent mixed message to millions of female moviegoers. At the same time that such films exhorted women to stick to their "proper" realm of men, marriage, and motherhood, they portrayed -- usually with relish -- strong women playing out liberating fantasies of power, romance, sexuality, luxury, even wickedness.

Never mind that the celluloid personas of Bette Davis, Myrna Loy, Katharine Hepburn, Joan Crawford, or Rita Hayworth see their folly and return to their man or lament his loss in the last five minutes of the picture; for the first eighty-five minutes the audience watched as these characters "wore great clothes, sat on great furniture, loved bad men, had lots of sex, told the world off for restricting them, even gave their children away."

Basinger examines dozens of films -- whether melodrama, screwball comedy, musical, film noir, western, or biopic -- to make a persuasive case that the woman's film was a rich, complicated, and subversive genre that recognized and addressed, if covertly, the problems of women.

Customer Reviews:

Any Book That Will Quote A Cleo Moore Film Deserves 5 Stars.......2005-09-11

This is one of the most enjoyable "film studies" I have ever come across, essentially about "soap opera" 'women's pictures' of the 1930's and 1940's but expanding into the 1920's and 1950's a bit and touching on other types of films and the great women stars from this time period. From Kay Francis (who is the cover girl and Basinger's main muse for this tome) to Rita Hayworth, this is a wonderful book for any one obssessed with films from the era, it's like finding a new best friend to talk about these classic films. Basinger writes informatively yet in plain academic-free language making the book a pleasuer to read - and she knows when to crack wise and when to be serious, no mean feat. It's a skill a lot of "movie historians" don't have.

One of my all time favorite books.......2005-04-05

If you love movies you must read Ms. Basinger's marvelous study of "women's pictures" which encompasses the stars that acted in them, the directors that guided them, the writers that gave them life and the studios that distributed them. Hollywood history, women's history, art history all rolled into one readable and thought provoking volume. This one is right up there with Louise Brooks by Barry Paris as one of the best books on film and those who created it.

Basinger's "A Woman's View" is a Great History Read.......2004-12-02

A Woman's View, by Jeanne Basinger, was rightfully the most interesting history based book I have ever read. Although it can be lengthy at times, it touches on subjects in which I had barely any knowledge of, and shows how it was reflecting the time period of the 30's, 40's, 50's, and 60's. Seeing as though this was about women right after the women's rights movement in the 20's, this book shows how Hollywood used female movie stars to incorporate the countries opinions on them. With that, I thought the introduction chapter on the genre of these types of movies was absolutely spectacular. It really made me have so much respect for women during these time periods. They had such class and such morals, which, sad to say, is starting to slowly fade away, or can at least be argued that it is.
A few of the sections of this book that I thought was the most interesting, were the ones about twin women in movies and the fashion and glamour of women. Before reading this book, I never really thought into the idea that being a woman in Hollywood, and acting a certain role represented something as a whole. These actresses were not just playing the part of their assigned character; they were representing women as a whole. With their fashion, their speech, and their actions, I found it truly inspiring to know that they were stepping out of their comfort zone and taking risks with the roles that they chose to act out.
One chapter, entitled Duality, included how Hollywood used twins in their movies to represent one specific point in these movies. This chapter, being one of the more detailed ones, showed how twins portrayed particularly two things: the good and the bad. The good twin, usually dressed in fashionably acceptable clothes and appropriate styles, was usually criticized by her twin, which represented evil, or the bad. I thought it was very much a shock to me how many of the so called "bad" twins in these Hollywood movies were constantly pretending to be their twin to confuse their family, friends, or even their husbands! Many of them did this only to find some sort of revenge on their twin for whatever reason they could think of. In my mind, I would have never thought of this as being presented in movies during these time periods, but I also have to remember that this was also a time when women were really standing up for what they believed in and stepping out of the ordinary molds they had always been put into.
What was so fascinating about this book was how Basinger found a way to represent women in film in such a respectable way, and not so much trashy as some may have viewed it at the time. Women like Loretta Young, Kay Francis, and Greta Garbo are true heroines when it comes to paving the way for all future actresses, and also for open our countries eyes to the lives of women, and really shows that they were becoming less and less like housewives and more like the hardworking entrepreneurs that they really were and always will be.

Now I know why I enjoy this type of film so much........1998-09-15

This book articulates for me why I have always loved this genre of film. The author highlights the work of many fine actresses of the period whose work is overlooked in many film books. Although the ideas they espoused may be dated, the desire of women to see the concerns of their private lives played out on screen still exists. I believe that the next century may bring a resurgurce of this type of film.

When Women Ruled the Screen.......1998-05-01

Jeanine Basinger is to be congratulated for shedding light on a too-little studied aspect of Hollywood history. She puts the movies and the stars she discusses in the context of how movie-going women perceived them at the time. In doing so, she concentrates not on the "greatest" stars, but rather on secondary figures like Kay Francis, Ann Dvorak, and Loretta Young, women who had (sometimes surprisingly) immense popular appeal while they were making movies but whose careers either faded, made the transition to character rather than leading-lady status, or moved to television. She reminds us that the "woman's picture" was far more than the drama of suffering and renunciation (like "Now, Voyager", "Back Street", or "Autumn Leaves") we most commonly think of today. She broadens her definition to include virtually any film that either focused on a woman as its central character or concerned itself with traditionally "women's" concerns.

What she makes clear is that, despite the pronounced limitations of the world view of the woman's picture, it represented a varied and vigorous film culture in which (as she writes) "on the screen ... the woman will decide. She is important. She matters. She is the Center of the Universe."

Book Description

Both admired and censured for the in-your-face eroticism of her paintings of women, Lisa Yuskavage has emerged from the 1990s as one of the most important figurative artists working today. Called the "premier bad-girl artist" by The New York Times and lauded in The New Yorker as "an extravagantly deft painter," Yuskavage is known for her oil paintings, loaded with color and emotional content, featuring languid young women with outlandish body parts.

The small paintings that make up this book, the first monograph of her work, are often the place where the characters from the artist's larger works come alive. Exploratory in nature, these paintings provide us with a uniquely intimate look at Yuskavage's creative process-allowing us to see how they have been a method of working for more than 20 years. Writer and director Tamara Jenkins's introductory essay is a work of biography and psychoanalysis, offering an up-close look at the forces behind her work. At once sexist and feminist, real and surreal, unsettling and seductive-and always technically accomplished-Yuskavage's work continues to generate buzz and controversy. AUTHOR BIO: Tamara Jenkins is the writer and director of the film Slums of Beverly Hills as well as several award-winning short films. Her writing has been published in Zoetrope: ll-Story, Tin House Magazine, and the New York Press. She lives in New York City.

Customer Reviews:

optic heaven.......2004-12-22

This is a beautiful volume on an emerging artist whom I find very entertaining. Lisa Yuskavage's work is represented here in dozens of color images - very nice in quality and size. Yes, her work features women with impossibly huge breasts almost without exception - if that's not a subject you care to see depicted over and over then this may not be the book for you. Beyond her buxom subjects, however, these paintings also display a very sly sense of humor and a mastery of her medium. Yuskavage's sense of color is stunning; it's easy to get lost looking at the frothy pastel swirls of foliage and human form - I feel like I'm treating my optic nerves to an ice cream sundae.

If you've seen a little of her work and are looking for more (as I was) this is a terrific book - and at this price you can't go wrong.

A Glimpse at the Seeds of the Mind of Lisa Yuskavage.......2004-12-12

For an Artist Monograph this book is very well done. The reproductions of paintings are excellent and are the actual size of the small paintings. The commentary by Tamara Jenkins is comfortably readable and informative. The pros and cons of this volume are really dependent on your views of Lisa Yuskavage's art.

Yuskavage paints cartoon like women with huge breasts, impossibly small waists, and googly eyes. Her message is fairly clear: she is presenting the female figure as the sex symbol and mindless Barbie Doll which in any other artist's hands would have feminists up in arms. But since these well-crafted but pungent tongue-in-cheek portraits are painted by a woman, that makes it all an insider's joke.

Lisa Yuskavage and John Currin are the two most well known artists working in this Pop Movement distorted realism that pokes fun at the old Vargas girls and pinups. That is working for them: they both sell their works well. It is just that these works are one-note songs and they produce ennui after the first quick viewing. This book at least lets us see the initial ideas of an artist who knows what she is doing - and making a lot of money doing it! Grady Harp, December 2004

Loose Change: Three Women of the Sixties

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Enjoyed it Even More the Second Time
All the elements are here...
Familiar if you are a baby boomer
At worst, irritating. At best, tedious.
In 1978 it inspired me, in 1999 it was bittersweet.

Loose Change: Three Women of the Sixties
Sara Davidson
Manufacturer: University of California Press
ProductGroup: Book
Binding: Paperback

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ASIN: 0520209109

Book Description

This is a compelling story of the experiences of three young women who attended the University of California at Berkeley and became caught up in the tumultuous changes of the Sixties. Sara Davidson follows the three--Susie, Tasha, and Sara herself--from their first meeting in 1962, through the events that "radicalized" them in unexpected ways in the decade after the years in Berkeley. Susie navigates through the Free Speech Movement and the early women's movement in Berkeley, and Tasha enters the trendy New York art and society scene. Sara, a journalist, travels the country reporting on the stories of the sixties.
The private lives that Davidson reconstructs are set against the public background of the time. Figures such as Timothy Leary, Mario Savio, Tom Hayden, and Joan Baez are here, as are the many young people who sought alternatives to "the establishment" through whatever means seemed worth exploring: radical politics, meditation, drugs, group sex, or dropping out. Davidson's honest and detailed chronicle reveals the hopes, confusion, and disillusionment of a generation whose rites of passage defined one of the most contentious decades of this century.

Customer Reviews:

Enjoyed it Even More the Second Time.......2001-09-10

Sara Davidson's "Loose Change" is a brilliantly-written account of the Sixties as experienced by three young women coming of age. I bought this book when it first came out in 1977 and loved it. Recently, I came across "Loose Change" in a used book store and just couldn't put it down.
The Sixties were a time of great social upheaval, and I remember many of the major events. I went though college in the late 60s and early 70s. Even though my background is somewhat different -- Blue collar, conservative, Catholic, male, short-haired, Pittsburgh, and definitely never inhaled -- it was interesting to see the female, radical point of view. Like many others in that period, Sara, Susie, and Tasha search for life's meaning in a turbulent time in which the old values they grew up with have withered away.
You are there in the historical events and movements of that period -- the Antiwar movement, major student protests at Berkeley and Columbia, the bloodbath at the 1968 Chicago Democratic Convention, the music of Woodstock, rural communes, free sex, and the terror of the Altamont Concert.
This book seems to get better over time because there is a greater contrast between today's world and the 1960s. The Antiwar, Womens' Liberation, and Civil Rights Movements changed the country and the world for the better, and drugs have changed things for the worst. And the sexual revolution.... well, you be the judge.
I like Ms. Davidson's rich writing style, as she places the reader right there, feeling and experiencing life with Sara, Susie, and Tasha, "warts and all." She's gutsy enough to talk about sexuality, a formerly taboo subject. Sara, Susie, and Tasha follow their sexual drives and suffer many bad love affairs, for which both the men and women share the blame.
I've also enjoyed a few of Sara Davidson's other articles and her biography of Rock Hudson. "Loose Change" is now historical, and it's so alive you can hear the music and the protest marches. This book is definitely worth five stars and I would recommend it to almost everyone, even my own daughter.

All the elements are here..........2000-09-22

It takes a lot to make a book excellent where all elements are concerned, but Sara Davidson has managed to accomplish that with Loose Change. The characters are very vivid, and easy to picture. What really made me enjoy this was that it was based on the actual lives of the three main characters. I thought that the sixties was covered here in great detail, with images that seemed to jump out at the reader from the pages. I thoroughly enjoyed this book, and would love to read others that were similar to it. Highly reccommended!

Familiar if you are a baby boomer.......1999-09-10

When I first read this book some 10 years ago, I quickly identified with the characters, even though I am Jewish girl from NYC. Ten years later, I often think about the characters and wonder how they turned out. I ffound the book to be true to "us" and how "we" really felt as we went through the 60's, Vietnam, drugs and free love. You had to be there. The author captures the moment. Why not write a follow up to Loose Change? You could call it Dollar Bills.

At worst, irritating. At best, tedious........1999-07-15

I thought I was going to read thoughtful, personal accounts of the sixities as experienced/described by three thoughtful, incisive women. Unfortunately, what the author chronicles is how she and two other self-absorbed irritating women move from stupid, annoying man to stupid annoying man during the era of free love. Every so often, one of the women manages to witness a Pivotal Event (tm) of the '60's. When the women are not witnessing pivotal events, they are whining about stupid, annoying men.

This book pales in comparison to other, superior chronicles of the '60's such as Joan Didion's Slouching Towards Bethlehem or White Album. Do not bother with Sara Davidson's tripe.

In 1978 it inspired me, in 1999 it was bittersweet........1999-07-10

I saw the miniseries on TV in 1978 in a college dorm with my girlfriends. It so inspired us, that as we tearfully said our good-byes at graduation, "Loose Change" became our anthem to describe what we expected as our futures unfolded. In 1999, I saw an article about Sara Davidson in People magazine, and I remembered how much the story had meant to me twenty years before--so it was time to get the book. The book jogged memories of the issues and choices I faced in the '70s, and also reminded me how much those '60s trailblazers did for their younger boomer-counterparts. I think it's time for the author to do a follow-up on these women today. In the meantime, I'm sending this book to my old college girlfriends.

Perilous Journey: A Mother's International Quest to Rescue Her Children - A True Story

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The high Risk of Intercultural marriage step by step by gifted writer
A Must-Read

Perilous Journey: A Mother's International Quest to Rescue Her Children - A True Story
Patricia Sutherland
Manufacturer: New Horizon Press
ProductGroup: Book
Binding: Hardcover

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ASIN: 0882822268

Customer Reviews:

The high Risk of Intercultural marriage step by step by gifted writer.......2007-08-22

Anyone contemplating intercultural or inter country marriage should read this riveting day by day account in this book written by gifted writer Patricia Sutherland prior to their marriage decision. I have heard several first hand accounts of marriages similar to this but none so well documented with the frequent letters of the struggle during and after the romantic period. I am absolutely no expert on marriages but it appears to me after reading this harrowing account that the potential destructive variables of the intercultural marriage require very thoughtful consideration.If the maxim that opposites attract,and apparently this is true, it is bound to happen again and again. This micro example and marriage was the ultimate demonstration of a totally free spirit and liberated young beautiful American woman clashing with traditional Muslim values and Royalty was a disaster waiting to happen.This individual situation demonstrates the total major conflict and lack of understanding at play in the world today between Islamic Law and women.
A very insightful and well written book that should be required reading for couples from different cultures and countries during the pre-marriage counseling stage.
Most modern marriages and love bonds are also complicated by religious,racial,value differences and this world view problem is well documented in this book. Every Minister,Priest,Rabbi,Muslim,Hindu,etc should have a copy readily available in their reference library and read this book before giving agreement to preform a intercultural marriage ceremony. Even though Patricia tried extremely hard to adapt and become a total part of the culture and religion that was not enough to ultimately preserve the romantic bond and love between she and her Prince who turned
quickly into a rat.I suspect he always was but kept it well hidden.
The narrative and story actually turns frightening as the author describes her daily efforts to assert herself in the dangerous Malaysian setting.She is lucky to have escaped intact with her three beautiful children and her life.This is an excellent tribute to her personal Northern Michigan strength and a adventurous read written by a obviously gifted survivor.

A Must-Read.......2002-11-19

I absolutely could not stop reading this true story about Patricia, who falls in love with and marries a prince of Malaysia. She thought all of her dreams had come true, but then, after having two children with this man, he abuses her and the children. Through letters written to friends and family, you will gain a profound understanding of domestic abuse, child abuse, and child custody battles which transcend international boarders. I found myself outraged by the curruption and injustice allowed in Malaysia and I was shocked at the blatant prejudice against Westerners that her ex-husband, Mahmood, perpetrated. As I read this book, my heart was breaking for Patty and her children as they had to endure years of separation, confusion, and fear in a country where women have few rights, and the court systems are corrupt. Patricia's determination to be a part of her children's lives by facing down the entire Malaysian system, and then finally escaping to the US with them, is an inspiration. Her continued instistance on being a loving force in the world in spite of all of the betrayal and cruelty she has endured, is also an inspiration to us all. Your buying and reading this book will help raise consciousness in the world.

Average customer rating:

Good collection, but...
Excellent Survey and Document of Both Feminism and Art
Art and Feminism
Brilliant writing and art, beautiful book

Art and Feminism (Themes & Movements)
Helena Reckitt
Manufacturer: Phaidon Press
ProductGroup: Book
Binding: Paperback

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ASIN: 071484702X

Amazon.com's Best of 2001

The illustrations are organized chronologically under sometimes quirky headings, beginning with "Too Much" (late-'60s performance pieces by such pioneering figures as Carolee Schneemann, Miriam Schapiro, Eva Hesse, Louise Bourgeois, and Yayoi Kusama). The final section, "Femmes de Siècle," contains work from the '90s by Coco Fusco, Kara Walker, Mona Hatoum, Jenny Saville, and others exploring "collective memories ... and traumas." Essays range from the raw invective of Valerie Solanas's "Scum Manifesto" (1967) to the reasoned arguments of Adrian Piper's "The Triple Negation of Colored Women Artists" (1990). While some may argue that the book could be more inclusive--it deals overwhelmingly with women artists who exhibit in major Western cultural centers--it offers an unparalleled breadth of reference. Irked by the perfect bodies of many feminist artists who use nudity in their work, I was struck by the poignancy and honesty of Hannah Wilke--a glamorous figure in '70s and '80s performance art--who chose to memorialize her bald, bloated self in photographs months before her untimely death from cancer in 1993. --Cathy Curtis

Book Description

No question about it, Art and Feminism is the basic reference book for feminist art. Part of Phaidon's excellent Themes and Movements series, it surveys three decades of a tumultuous history with a brief but inclusive essay, reproductions of works by 155 artists, and lengthy excerpts from groundbreaking texts by artists and theorists. The challenge posed by a movement that spans several artistic generations and includes many contentious players is ably met by essayist Peggy Phelan, professor of performance studies at New York University. She illuminates the intertwined workings of feminist politics and literary criticism, psychoanalysis, race and queer theory with clarity and a refreshing absence of doctrinaire pronouncements. The illustrations are organized chronologically under sometimes quirky headings, beginning with "Too Much" (late-'60s performance pieces by such pioneering figures as Carolee Schneemann, Miriam Schapiro, Eva Hesse, Louise Bourgeois, and Yayoi Kusama). The final section, "Femmes de Si+cle," contains work from the '90s by Coco Fusco, Kara Walker, Mona Hatoum, Jenny Saville, and others exploring "collective memories ... and traumas." Essays range from the raw invective of Valerie Solanas's "Scum Manifesto" (1967) to the reasoned arguments of Adrian Piper's "The Triple Negation of Colored Women Artists" (1990). While some may argue that the book could be more inclusive--it deals overwhelmingly with women artists who exhibit in major Western cultural centers--it offers an unparalleled breadth of reference. Irked by the perfect bodies of many feminist artists who use nudity in their work, I was struck by the poignancy and honesty of Hannah Wilke--a glamorous figure in '70s and '80s performance art--who chose to memorialize her bald, bloated self in photographs months before her untimely death from cancer in 1993. --Cathy Curtis

Customer Reviews:

Good collection, but..........2006-03-01

H. Reckitt and P. Phelan wrote a good introduction book to understand women artists in summary. A widerange selection of artists are interesting to read with the help of sufficient amount of quality pictures. The articles of artists and feminist theoreticians in the last section are very useful and valuable especially for those who want to have a clue of what to read in theory. The only unfortunate thing about the book, like most of the similar examples is that women artists outside Europe and America are not given equal interest except the ones that live in the West like S. Neshat, M. Hatoum, etc.

Excellent Survey and Document of Both Feminism and Art.......2005-10-11

This book would be an excellent textbook for a Women In Art course. It doesn't have much information on centuries prior to the twentieth and largely focuses on art, artists, and issues from the 1960's on, so it wouldn't do as the only text for such a course. But this is all you need for late twentieth century concerns.

The early essays are dripping with Freudian psychology and psychoanalytical social criticism. The issues surrounding why it took so long for there to be a sense of equality of greatness amongst artists of all genders is explored deeply. The issues of representation of all races and sexual orientations then follows. The book stops just short of discussing the newest research on intersex persons (persons born with an extra chomosome, among others {XXY, for example}).

For a movement that was intending to create a sense of equality, feminist theory highlights both the vast differences as well as the profound similarities between the perception processes of men and women. This includes both the perceptions of and different approaches to art as well as life. Yet, when all is said and done, more recent artists are primarily interested not in these issues, but more a sense of having their work judged based on its quality, not their gender.

The only disappointment I have in this book is one that no other book addresses either. So, I mean this only as a minor criticism. In short, the book does not answer the following: Is ther an intersex mind state? Feminist theory either didn't reach the point of asking this in time for the extensive research put into this book or it has come to its conclusion and will transform gradually into a whole other movement.

The art chosen to represent the above ideas and explorations is top quality. The reproductions are sharp and colorful. I would recommend this book to anyone with interests in women in art or in feminist theory.

Art and Feminism.......2004-02-15

This book is a great "picture book" for anyone interested in art and/or women artist. The descriptions of the work are concise, giving enough information to make you want to investigate further. A necessary addition to any art book collection.

Brilliant writing and art, beautiful book.......2002-01-15

I saw this book reviewed in Bust mag and am so glad I got a copy for myself. Peggy Phelan and Helena Reckitt have accomplished a "portable gallery" in this book--it is like seeing all of the works themselves, but with commentary that helps at every step of the way.

Peggy Phelan's introduction is great because she draws everything together in a way that I couldn't do on my own, and actually, I am amazed ANYONE could do it. Wow.

The book is expensive but worth it because otherwise you would have to buy about 100 books to try and do for yourself what they did here.

Book Description

One of the most beguiling and captivating figures of the twentieth century, Zora Neale Hurston gained fame as a bestselling author, anthropologist, journalist, and playwright. Her remarkable life is presented as never before in SPEAK, SO YOU CAN SPEAK AGAIN. An interactive package tracing Hurston’s journey from Eatonville, Florida, to her student days at Barnard College, to her emergence as a literary star and bestselling author and cultural icon during the Harlem Renaissance and her subsequent decline into obscurity, it contains beautifully crafted facsimiles of historic papers, handwritten notes, photographs, and much more.

Readers will be able to hold in their hands the charred draft notes for the novel, Seraph on the Suwannee; open a Christmas card Hurston created for her friends; and read letters illuminating her relationships with intimate friends and fellow writers like Langston Hughes and Dorothy West. SPEAK, SO YOU CAN SPEAK AGAIN also provides the extraordinary opportunity to hear Hurston’s own voice talking about her life as a writer on several radio interviews, and, in a powerful interlude, singing a passionate rendition of a railroad worker’s chant she learned while collecting folklore in the Deep South.

Interest in Hurston continues to soar. Her most famous book, Their Eyes Are Watching God, is now in development at Oprah Winfrey’s production company, Harpo, and is also being adapted for Broadway. The sales of her books attest to an ever-growing audience. Whether they are discovering Hurston for the first time or are devoted fans, readers will find hours of entertainment in SPEAK, SO YOU CAN SPEAK AGAIN.

Customer Reviews:

Zora Hurston's artifacts.......2007-08-06

An unusual but delightful collection about Ms. Hurston. Listen to her sing and talk. The book is beautiful. Her works are wonderful for everyone--not only women.

Speak So You Can Speak Again.......2006-02-23

This is really great addition to my library. I have several of Zora's books. The pictues ,copies of handwritten notes are great. I really feel more connected to Zora with this edition. Great as a gift!

Wow.......2005-09-03

This is sheer magic. Just magic. For teachers of Hurston, it's a fantastic opportunity to hook students further into the life and times of Hurston and the fascinating (albeit simulated) feel of working with primary documents.

A fascinating keepsake.......2005-01-15

Lucy Anne Hurston, the neice of Zora Neale Hurston, in a collaborative effort with the Estate of the great writer, has produced a beautiful tribute to her aunt and also a collector's item for fans of Zora Neale Hurston. Not only does it include biographical sketches of the famous author, but also live interviews, as well as a CD of folk songs sung by Hurston.

The pages of this book are rich in heritage, painting a kaleidoscope of her life. Touching on her childhood, her days attending Howard University, and of course her writing, the reader is able to see that even though Zora Neale Hurston wrote about memorable characters, she too could have been one of the characters she wrote about. Because of the replications of original letters, maps, photos and writings, the reader is given a more detailed account of her life, told by someone who knew and loved her. Each of these are in pull-out sleeves and envelopes, easily removed from the book to allow closer inspection upon, or displayed vividly on the full color and black and white pages of the book.

SPEAK, SO YOU CAN SPEAK AGAIN is a fascinating keepsake of a writer who means so much to not only the Harlem Renaissance and to African-American readers and writers, but also to literature as we know it. Through this collection, readers are offered an intimate portrait of a literary legend.

Reviewed by Tee C. Royal
of The RAWSISTAZ Reviewers

Both a sympathetic summary and scrapbook of Hurson't life.......2004-12-04

In 2003, fans and scholars of Zora Neale Hurston's work were given the invaluable opportunity to rediscover this writer's life and authorial genius through a much-awaited collection of her letters. This year, that same audience is treated to another book of admittedly different purpose and scope. Comprising only 39 pages of text, Lucy Anne Hurston's SPEAK, SO YOU CAN SPEAK AGAIN offers a concise and compassionate portrait of Zora Neale Hurston as a gifted writer, a dedicated anthropologist, an impetuous lover, a reticent maid and, perhaps most of all, a fierce and uncompromising individual. Therefore, this book provides the novice with a clear and accessible digest of Hurston that will then, ideally, enable one to conduct further, more in-depth investigation.

But what really distinguishes SPEAK, SO YOU CAN SPEAK AGAIN from a run-of-the-mill digest are its many valuable reproductions of photographs, contemporary reviews, and handwritten manuscripts. All of these cherished documents are either laid out clearly on every over-sized page, or are folded carefully into a sewn envelope attached to the page. Whether one examines a duplication of the author's handwritten chapter "Love" from DUST TRACKS ON A ROAD, or studies the hand-penned poem of the same title, or thrills to see "John Redding Goes to Sea" as it looked in the May 1921 issue of The Stylus magazine, SPEAK, SO YOU CAN SPEAK AGAIN provides all readers of all levels with a fascinating glimpse of the material evidence of a by-gone era.

If, as an armchair historian of Hurston's life and work, I discovered little in the text that I didn't already know and occasionally (as in the case of Zora's artist-patron relationship with Charlotte Osgood Mason), noted a need for development, I was nonetheless graced with so many precious artifacts from the Hurston estate. There is even a CD attached to the inside cover where one can hear the author being interviewed, reading from various excerpts of her work and performing her legendary "crow dance."

In its dimensions and design, then, Lucy Hurston's literary biography of her Aunt Zora is as much a scrapbook/photo album as it is a sympathetic summary of one of America's most cherished writers.

--- Reviewed by Tony Leuzzi, Monroe Community College

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