Book Description
By the early l940s, when Ukrainian-born Irène Némirovsky began working on what would become Suite Française—the first two parts of a planned five-part novel—she was already a highly successful writer living in Paris. But she was also a Jew, and in 1942 she was arrested and deported to Auschwitz: a month later she was dead at the age of thirty-nine. Two years earlier, living in a small village in central France—where she, her husband, and their two small daughters had fled in a vain attempt to elude the Nazis
—she’d begun her novel, a luminous portrayal of a human drama in which she herself would become a victim. When she was arrested, she had completed two parts of the epic, the handwritten manuscripts of which were hidden in a suitcase that her daughters would take with them into hiding and eventually into freedom. Sixty-four years later, at long last, we can read Némirovsky’s literary masterpiece
The first part, “A Storm in June,” opens in the chaos of the massive 1940 exodus from Paris on the eve of the Nazi invasion during which several families and individuals are thrown together under circumstances beyond their control. They share nothing but the harsh demands of survival—some trying to maintain lives of privilege, others struggling simply to preserve their lives—but soon, all together, they will be forced to face the awful exigencies of physical and emotional displacement, and the annihilation of the world they know. In the second part, “Dolce,” we enter the increasingly complex life of a German-occupied provincial village. Coexisting uneasily with the soldiers billeted among them, the villagers—from aristocrats to shopkeepers to peasants—cope as best they can. Some choose resistance, others collaboration, and as their community is transformed by these acts, the lives of these these men and women reveal nothing less than the very essence of humanity.
Suite Française is a singularly piercing evocation—at once subtle and severe, deeply compassionate and fiercely ironic—of life and death in occupied France, and a brilliant, profoundly moving work of art.
Download Description
Irène Némirovsky was born in Kiev in 1903 into a wealthy banking family and emigrated to France during the Russian Revolution. After attending the Sorbonne, she began to write and swiftly achieved success with her first novel, David Golder, which was followed by The Ball, The Flies of Autumn, Dogs and Wolves and The Courilof Affair. She died in 1942.
From the Hardcover edition.
Customer Reviews:
Amazing! I wish there were more.......2007-10-19
Suite Francaise is an epic book along the lines of War and Peace, yet set in WWII as the Germans invade and occupy France. The descriptions are vivid of the human condition: the individual vs. the community; class vs. humanity; rich & poor; what the rich do when they are suddenly poor. An amazing book.
The author intended to write the book as three (or possibly 5) books/sections, but only finished two. She was cut short by a final train ride to Auswitz. Remarkably, she doesn't mention Jewish persecution in her novel. That fact in itself contrasts with the picture she paints of ordinary, and not so ordinary, people struggling to survive that tragic period.
A VIEW OF FRANCE AT THE BEGINNING OF THE 2ND WORLD WAR.......2007-10-18
THIS WAS A WONDERFULLY WRITTEN BOOK DEALING WITH DIFFERENT CLASSES AND HOW THEY DEALT WITH THE GERMAN OCCUPATION OF THEIR COUNTRY DURING WW11. INTERESTING THAT THERE IS NOT A MENTION OF THE JEWS EVEN THOUGH THE AUTHOR WAS JEWISH BEFORE SHE CONVERTED TO CATHOLICISM.
Suite Francaise.......2007-10-17
This is one of the most well written compelling books I have read. The author captures the people of France (and the German soldiers) at their most vulnerable, describing them so vividly that you believe them to be real; capturing their faults, their courage and their desire for peace. Her descriptive language brings the country side to life...you can almost smell the flowers. Most importantly, as I read the book I was haunted by the fact that this author, who had so much to live for, was killed shortly after this story was written. I found it amazing that she could convey with such tenderness the raw detail & complexity of the people of France during the early war years knowing that her life was so obviously at risk.
Deeply Moving and Evocative.......2007-10-16
This posthumously published pair of Novellas deserves all of the praise being heaped upon it by all of the reviewers below. It is a remarkable portrait of real people in extraordinary circumstances.
In the First section the reader follows a mixed group of Parisians who are desperately fleeing the oncoming german army. The characterizations of people reacting differently to the stressful situation they find themselves in and the degradations they suffer is poignant and stunning.
In the second section Dolce the Germans are now an occupying force and the tension between conquerers and conquered is palpable. The way the Frrench villagers and citizens adapt to their challenging circumstances is as strong a testament to those who lived through these times as any written record.
Suite Francais is destined to become one of the classics of WWII literature. The writing is incredibly beautiful even in translation.
"Based on true history...".......2007-10-14
The history behind the author of the book is what appealed to me, but the story lines kept me entertained to the end. Some parts dragged, but for the most part, the characters were very relateable and it is interesting to see how their lives intertwined in fictional WWII France. The fictional occupation and end to the war in France portrayed by the author in some ways leaves you hanging but also conveys what the uncertainties and tragedy of war can be like.
Average customer rating:
- Anne Frank Revisited...
- Ann Frank
- Amazing diary of a young woman
- A Powerful and Intimate Portrait
- Book Report: Diary of a Young Girl
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Anne Frank: The Diary of a Young Girl
Anne Frank
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ASIN: 0553296981
Release Date: 1993-06-01 |
Amazon.com
A beloved classic since its initial publication in 1947, this vivid, insightful journal is a fitting memorial to the gifted Jewish teenager who died at Bergen-Belsen, Germany, in 1945. Born in 1929, Anne Frank received a blank diary on her 13th birthday, just weeks before she and her family went into hiding in Nazi-occupied Amsterdam. Her marvelously detailed, engagingly personal entries chronicle 25 trying months of claustrophobic, quarrelsome intimacy with her parents, sister, a second family, and a middle-aged dentist who has little tolerance for Anne's vivacity. The diary's universal appeal stems from its riveting blend of the grubby particulars of life during wartime (scant, bad food; shabby, outgrown clothes that can't be replaced; constant fear of discovery) and candid discussion of emotions familiar to every adolescent (everyone criticizes me, no one sees my real nature, when will I be loved?). Yet Frank was no ordinary teen: the later entries reveal a sense of compassion and a spiritual depth remarkable in a girl barely 15. Her death epitomizes the madness of the Holocaust, but for the millions who meet Anne through her diary, it is also a very individual loss. --Wendy Smith
Book Description
Discovered in the attic in which she spent the last years of her life, Anne Frank's remarkable diary has since become a world classic -- a powerful reminder of the horrors of war and an eloquent testament to the human spirit. In 1942, with Nazis occupying Holland, a thirteen-year-old Jewish girl and her family fled their home in Amsterdam and went into hiding. For the next two years, until their whereabouts were betrayed to the Gestapo, they and another family lived cloistered in the "Secret Annex" of an old office building. Cut off from the outside world, they faced hunger, boredom, the constant cruelties of living in confined quarters, and the ever-present threat of discovery and death. In her diary Anne Frank recorded vivid impressions of her experiences during this period. By turns thoughtful, moving, and amusing, her account offers a fascinating commentary on human courage and frailty and a compelling self-portrait of a sensitive and spirited young woman whose promise was tragically cut short.
Customer Reviews:
Anne Frank Revisited..........2007-10-17
As just about every other student, I read The Diary of Anne Frank in middle school, probably during the 6th or 7th grade. I had a distant memory of it, but not much. Well, recently I watched Schindler's List and this got me re-interested in WWII, and especially the Holocaust. I read Night by Eli Wiesel (highly recommended) and decided to move on to The Diary of Anne Frank. Let me start by reviewing the book:
The Diary of Anne Frank is a diary of a young, Jewish girl (as the title obviously states, haha) whom is forced to go into hiding with her family during the Nazi occupation of Holland in the early 1940's. During this period, Jews were being segregated and even sent off to concentration camps by the Germans on a daily basis. When Anne's sister's name was next on the list, their father decided to take the family into hiding.
Aided by some of Otto's (Anne's father) former employees, the Franks seclude themselves in a small Annex of a business in Amsterdam. There, they are joined by the Van Daan family and later by an older gentleman, Mr. Dussel. Anne's diary chronicles their plight for the following two years, until they are discovered by the German secret police and ultimately sent to their death in Jewish concentration camps.
Anne addresses various topics, from their daily activities, to her interest in the son of the Van Daan's, Peter, to some of her inner most thoughts, fears, and aspirations. I have to share with you that I was EXTREMELY impressed with Anne's intelligence. I couldn't help but compare her to myself when I was only 15 years old and I am amazed not only at her intelligence but her strength to persevere during such horrible times. This young girl manages to keep faith in God and struggles with maintaining her morality, even as all around her she is witnessing a warped world full of sin, hatred and evil. I cannot say that in her shoes I would've reacted the same.
I encourage any reader to read and/or re-read The Diary of Anne Frank. You will be completely enveloped by her wit and warmth and are surely to fall in love with her.
Ann Frank.......2007-10-05
The Diary of a Young Girl: The Definitive Edition is the diary Anne Frank a young Jewish girl growing up during World War II and the holocaust. Anne lives in Amsterdam with her mother, father, and sister Margot. When Anne is 13 she and her family must go into hiding to escape the Germans call ups, particularly one for Margot. They hide in the back of a warehouse where Otto (Anne's father) works. There are seven people at the beginning including the three van Daans an Anne and her family.
The diary reminds me of The Breadwinner which is about a young girl growing up in Afghanistan during the Taliban's rule. The main character must dress up as a boy when her father is arrested to earn money for her family. Unlike Anne's diary however this was written in modern day. They both had trouble getting food that they needed and lived in fear of getting arrested. Although they lived in different times the experiences of the girls were similar
After a bit Albert Dussel, a dentist, joins the group in, as it came to be known, the Secret Annex. Dussel became a bit annoying when he starts hiding food when the rest of the group need to get coupon books through the black market and are eating rotten potatoes and other foods. He did however give them dental checkups. Anne shared a room with Dussel when he came (before she shared with Margot) and was frequently woken up when he got up in the middle of the night to use the bathroom. "Mr. Dussel's Toilet Timetable" is some thing that Anne tacks to the bathroom door. "I might well have added "Transgressors will be subject to confinement!" Because our bathroom can be locked from both the inside and the outside." Is something Anne writes after the timetable.
Anne also makes friends with Peter van Dan and spends quite a few evenings in his attic bedroom because it has the only window that's not covered by a curtain. They become valuable resources for each other.
All in all this is a very good book and I highly recommend it.
Amazing diary of a young woman .......2007-10-01
Anne Frank is remembered for being a sweet young girl that went into hiding during the holocaust only to be found and sent to a concentration camp where she died 3 months befroe her 16th birthday. The time in between these two horrible events is full of fear, fights,learning, and love, basically life. This version of the diary has more material than the orginal, which some people think is too much, but it is what she wrote left alone. It has what she intended the book to be. It includes story from the restrictions put on her while she wasn't in hiding because she was Jewish to her chores that she did quietly in the Secret Annex such as peeling potatoes and rubbing beans. It is not always the most interesting book, but it does provoke thought. It's sad in the fact that you know how its going to end before you start, but Anne does not as she's wrting it. Anne Frank's writing surpass her age, she writes not as a stuborn teenager, but as an intelligent young woman.
A Powerful and Intimate Portrait.......2007-09-30
You know the storyline - a Jewish girl, her family, and some friends go into hiding for two years during the Nazi regime in Holland. Said girl writes her thoughts and observations of her life during this time in a diary, which is found and published after her death in a concentration camp. It has become a classic, and it was written by a young teenager.
My favorite aspect of this book will forever be Anne's powerful narrative voice. Her words speak, and more than that they smell and taste and touch. She gives her diary, "Kitty," an intimate portrait of life in the "Secret Annexe," both public and private - of the ups-and-downs of people's relationships, of her inner struggles and growth, of her love. Reading her diary is like looking through the window at the war from two perspectives - one from the outside in, at the life of a girl and a family who were sucked into the Nazi vacuum through no fault of their own; and the other from the inside out, at the crazy world war swirling around the epicenter of one fourteen-year-old girl.
Book Report: Diary of a Young Girl.......2007-09-30
This book tells an amazing story of a young girl living in Germany in World War II. And to think it was all a journal is amazing. Anne Frank, a brave young Jewish girl, spends two years hiding in the secret annex from the Nazis. Anne Frank started to keep this diary on her thirteenth birthday. She called her diary, Kitty. At the start of her diary, Anne describes fairly typical experiences, writing about her friendships with other girls, her crushes on boys.
Later, the Franks had moved to the Netherlands in the years leading up to World War II to escape persecution in Germany. They were forced into hiding with another family, the van Daans. There, they listened closely to the radio and everything that happened during the war. Anne kept up with everything that happened while she was there. It was very hard for her because she was separated from all her friends and her normal life style.
I suggest this book for all ages. It is a very inspirational story. It gives a different perspective on life.
-Hayley Robertson
6th period
10/4/07
Amazon.com
Right in time for the Grateful Dead's 40th anniversary, eccentric bass player extraordinaire Phil Lesh has delivered fans a most welcome gift: his autobiography. There are many books out there about the Dead told from the perspective of roadies, journalists, third party observers, and fans. However, with the exceptions of Jerry Garcia's ramblings in Garcia: A Signpost to New Space and Conversations With the Dead, Lesh's Searching for the Sound is the first time a founding member of America's favorite band tells their own story of what it was like inside the Grateful Dead. And what a wonderful, strange tale it is.
Phil Lesh, considered the most academic of the group due to his avant-garde classical composition training, literate mind, and passion for the arts, decided to write his story himself. Written without the crutch of a ghostwriter, Searching for the Sound might be considered disjointed in places, but overall it comes across as conversational, intimate, informative, and candid (particularly regarding topics of drug use and death). If you are familiar with the band and their extended family, their history, the sixties' musical milestones and influences and all the band's famous tales (the Garcia/ Lesh "silent" confrontation, being busted on Bourbon Street, the Wall of Sound), you may be a little disgruntled there is not much new here in the way of content. However, what is "new" and totally satisfying is Phil's warm, optimistic perspective on the many events that helped shape his life. As described by Lesh, his life's journey, much like the Dead's music, is "a [series] of recurring themes, transpositions, repetitions, unexpected developments, all converging to define form that is not necessarily apparent until it's ending has come and gone." For the many fans who enjoyed the fruits of his life pursuit of sonic explorations, Searching for the Sound is a welcome addition to their Dead library. --Rob Bracco
Book Description
Right in time for the Grateful Dead's 40th anniversary, eccentric bass player extraordinaire Phil Lesh has delivered fans a most welcome gift: his autobiography. There are many books out there about the Dead told from the perspective of roadies, journalists, third party observers, and fans.However, with the exceptions of Jerry Garcia's ramblings in Garcia: A Signpost to New Space and Conversations With the Dead, Lesh's Searching for the Sound is the first time a founding member of America's favorite band tells their own story of what it was like inside the Grateful Dead. And what a wonderful, strange tale it is. Phil Lesh, considered the most academic of the group due to his avant-garde classical composition training, literate mind, and passion for the arts, decided to write his story himself. Written without the crutch of a ghostwriter, Searching for the Sound might be considered disjointed in places, but overall it comes across as conversational, intimate, informative, and candid (particularly regarding topics of drug use and death). If you are familiar with the band and their extended family, their history, the sixties' musical milestones and influences and all the band's famous tales (the Garcia/ Lesh "silent" confrontation, being busted on Bourbon Street, the Wall of Sound), you may be a little disgruntled there is not much new here in the way of content. However, what is "new" and totally satisfying is Phil's warm, optimistic perspective on the many events that helped shape his life. As described by Lesh, his life's journey, much like the Dead's music, is "a [series] of recurring themes, transpositions, repetitions, unexpected developments, all converging to define form that is not necessarily apparent until it's ending has come and gone." For the many fans who enjoyed the fruits of his life pursuit of sonic explorations,Searching for the Sound isa welcome addition to their Dead library. --Rob Bracco
Customer Reviews:
Moonlight Rain.......2007-05-31
I FINALLY finished this book. It took two or three false starts (i.e., read up to page fifty and stop; wait a month or two, read up to page 50 and stop) but 6 days in the hospital (nothing life threatening) gave me ample time to finish the book. Fascinating- yes. Filled with interesting facts- yes. Reads more a history text book than the autobiography of a rock star- yes. I kept referring to a dictionary ever time (frequently) Phil used a word that I had never heard before. One cool thing is Phil refers to composers (Stockhausen, Berio, etc.) that most Deadheads would enjoy. (BTW, I've been hip to Stockhausen for several years. If you think the Grateful Dead invented "Space", you are wrong.) The same goes for references to books he has read. Basically, it's a slow read but very interesting. What I want to know is with all of the LSD he took, how he was able to remember tiny details from 1966?
Bass-ically where its at!.......2007-05-14
As a bassist myself, I relate to Lesh's writing and train of thought. He documents being a part of Grateful Dead as more of an ironic string of occurances than a drugged out trip. His book is incredibly personal while he discusses such moments as learning an instrument overnight, attending classical concerts while on tour, loosing friends, and finding the inner peace in chaos. He is funny, sad, and everything in between. Although some of the technical parts get a bit too detailed for those unfamiliar with sound technology, one can understand how dedicated he was to his craft aside from the music and lyrics. I liked how Lesh pointed no fingers, rather pushed towards the positives in everyone. I would recommend reading this book with Rock Scully's Living With the Dead because they follow the same format and share similar situations. Lesh's however comes across more intimately humorous. I strong urge readers to dig into this book!
Interesting and Illuminating.......2007-03-26
I've never been to a Dead concert, but once had a roommate in college who'd recorded about 100 of them, which he constantly played, so I've certainly heard my share of Live Dead. Everyone w/ a passing knowledge of the Dead knows that their best stuff was live, not studio. Just an observation that has nothing to do with the Lesh book. It's an interesting read and Lesh is an interesting character. Especially funny was how he got out of the army:
Army Doctor: "read the bottom line on the eye chart" Lesh: "I can't see anything" Army Doctor: "You can't see the bottom line of the chart?" Lesh: "What chart?" Army Doctor: "The chart on the wall" Lesh: "What wall?" Lesh certainly is thoughtful and observant. A good journey through the history of the Dead and sometimes quite moving.
Good 'Ol G.D........2007-01-21
My brother got this book signed by Phil himself. Another biography of the Grateful Dead. Written by One of the band members. It's good. Phils good. Check it out.
Searching for a Ghost Writer.......2006-11-23
I was pleasantly surprised by this book. Not by the writing. In fact, some of the prose is quite unnerving, such as "if Mickey had been born Native American, his name would have been `Pushing the Envelope.'" Although he did remember the concept of foreshadowing from High School English, and he makes of point of highlighting all of the ominous signs of the chaos to come. But overall I was surprised, because, unlike many musicians' autobiographies I've read (for example, Miles Davis), Phil Lesh does not come off as a brittle narcissist. He does not use this opportunity as a format for squabbling, for giving his side of the story. He actually comes off as a thoughtful, sincere guy, and someone willing to take the time to reflect on the past.
I was interested to hear his take on the disintegration of the Grateful Dead in the eighties and nineties. His take on it was not unlike my own. He takes some ownership for his role, admitting that the Grateful Dead had become too large of an organization, too much of a money-maker with too many dependents. The band had to keep up an outrageous tour schedule, despite the obvious decline in the quality of the music and the painfully obvious deterioration of Jerry Garcia.
He makes a note-worthy observation about the parallel process between the band and the audience. At first, it was a bunch of guys with different musical backgrounds, but all with open minds, all in the right place at the right time, who used drugs to expand the individual consciousness of each member as well as the group consciousness in step with the counter-cultural revolution happening around them. They pushed boundaries but they also communicated with each other through the music, with novel sounds erupting organically from their collective experiments. But the drugs that fueled their creativity would also eventually isolate each of them from each other and from themselves. As alcoholism and heroin addiction destroyed the sense of community within the band, the dead head scene would suffer as well. By the end, prior to Jerry's death, you had a band on stage pretending they were playing together, pretending to play with even a fraction of their potential. And as an audience, we pretended too. Or at least those of us who still believed we were there for the music pretended, and the frat boys just came for the party. And they continued to sell out stadiums, while shows were marred by police stings, gate crashers, riots, tear gas, and death threats.
When I was catching shows, late eighties early nineties, you would hear two different kinds of fans as you filed out of one of their 2 in 3 mediocre shows. The Pollyanna-heads would be glowing, talking about how Jerry lifted his arm at one point, or almost rocked his shoulders with the beat, "Yeah, he was really into it tonight." The more jaded heads would just be complaining, complaining about the lackluster set-list, complaining the Jerry continued to tune himself down in the mix, that he was quitting on solos, that Bobby was trying to steal the show again. Both types annoyed me. I like to tell people that I quit going to shows because I realized that the fans who supported the Dead were enablers, burying our heads in the sand. But in reality, that's a post-hoc, grandiose explanation. I quit going because I was paying $35 for tickets a mile away from the stage, to see dishearteningly bad performances, while the drunken frat boys all around me didn't even know enough to get quiet during those increasingly rare moments of musical transcendence. The breakdown was complete, and for both band and audience, going to show meant little more than participating in a ritual.
Phil spends the most time on the early years. That's a good thing. That's the most interesting part. When they were actually hippies, living like hippies, and things were just starting to happen. Woodstock and Altamont are recounted not just as events but as contrasting symbols of everything that was good about the hippie scene and everything that was wrong about it. Ultimately it is a commentary on human nature, the capacity to love and experience ecstasy versus the tendency to retreat into hostility and hatred.
Like I said, Phil owns his role in it all, admits to mistakes, and doesn't spend a lot of time defending himself or trying to bolster his reputation. The only part where it felt like he had a little bit of a self-serving agenda was when he talked about the different directions he wanted to push the band, more experimentation with exotic time signatures for example. But even then, he talks about it in terms of lessons learned. He realizes he misread the mood of the band, they were content to play their songs and didn't want Phil as martinet. I think Phil is giving an honest account here. If you listen to the post-Dead music coming from all the living members of the Dead, it is Phil and Friends who continue to be the most exploratory. Though not the most charismatic of a stage presence, he may have been the biggest "believer" of the bunch, the most devout in his quest for the divine through the psychedelic. Along those lines, it's also interesting hearing Phil weave in and out of magical thinking. He's often grounded and very down-to-Earth, but moments later can go off on a tangent about any kind of mystical spirituality that he can tie in to the moment.
It's worth a read. Not great writing but good enough, readable, and will certainly be of interest to any fan of the band. The book ends with the recent history, the fall-out from Jerry's death, some of the ugly fighting over who owns the rights to what, and ultimately Phil's hepatitis and liver transplant. He really does end up sounding like a likeable guy, the grinning musical little brother of Jerry, the classically-trained marching band nerd, and the survivor who gets a second chance at the gift of being a father.
Product Description
Illustrated with over 350 duotone photographs and floor plans, many published here for the first time, North Shore Chicago recounts the stories of Chicago s great industrial and merchant families including the Armours, Donnelleys, and McCormics and their creative interaction with both the region s leading architects David Adler, Daniel Burnham, Howard Van Doren Shaw, and Frank Lloyd Wright and their national counterparts Delano & Aldrich, Harrie Lindeberg, and Charles Platt. Their collaboration produced some of the finest examples of American residential architecture
Customer Reviews:
North Shore Chicago.......2006-03-02
Question-
Does this book contain both first and second floor plans for each house?
If a book can be elegant, this one is.......2005-02-15
Very well put together from start to finish. The pages are luxurious to the touch and the binding is amazing. It even comes with a satin book mark. It hits the finest houses on the North Shore and it showcases some of Adlers best work. I agree wholeheartedly with the previous reviewer about the quality of this publishers work. You will not be disappointed in this book, it is well researched and has just he right mix of pictures and text. The B&W photos are just beautiful. Mr. Cohen should be proud of this work and I want to thank him and the publisher for putting out such an wonderful work of art.
Another great book from Acanthus Press........2004-12-28
I own every book this publisher issues. They are some of the most beautiful books I have in my library (and I have over 4000 books!). With great photography and thorough text, Cohen and Benjamin must have spent years researching this book. Thank you for your efforts.
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- Great Literature
- A Travel Story to Make You Want To Pack Your Bags
- Expected More Depth of Vision
- In Patagonia
- A Vivid Imagination and a Powerfully Bracing Landscape Makes for a Superb Travelogue
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In Patagonia (Penguin Classics)
Bruce Chatwin
Manufacturer: Penguin Classics
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ASIN: 0142437190
Release Date: 2003-03-25 |
Book Description
In Patagonia is Bruce Chatwin's exquisite account of his journey through "the uttermost part of the earth," that stretch of land at the southern tip of South America, where bandits were once made welcome and Charles Darwin formed part of his "survival of the fittest" theory. Chatwin's evocative descriptions, notes on the odd history of the region, and enchanting anecdotes make In Patagonia an exhilarating look at a place that still retains the exotic mystery of a far-off, unseen land. An instant classic upon publication in 1977, In Patagonia remains a masterwork of literature.
Customer Reviews:
Great Literature.......2007-09-30
We are preparing to visit South America, so this book is very apt. The author put together a new kind of travel story, weaving imagination with reality. It seems to us that a lot of South American native literature does the same thing. A fascinating insight into life in Patagonia, whether you read it as travel stories or fiction.
A Travel Story to Make You Want To Pack Your Bags.......2007-08-27
I had never heard of Bruce Chatwin before, but whilst shopping at a used book store, as I held IN PATAGONIA in my hand, my friend said: "Oh, Bruce Chatwin--he's a great writer."
From the moment I picked this book up, I couldn't stop reading it. The short segments worked well for me, I liked the style. I learned so much about the country, its history, and all sorts of interesting characters. This book is a great read, and I went on to read his others.
Expected More Depth of Vision.......2007-07-26
This is a book on a potentially engaging topic that came to me with high critical recommendation, but frankly didn't deliver. Chatwin's narrative is sentimental and seems in many cases superficial. His observations of the Welsh sheep ranchers seemed focused on insignificant details to the point that one may wonder if Chatwin had ever been diagnosed with autism. I couldn't finish the book.
In Patagonia.......2007-01-12
I liked the fact that the author traversed the country on foot or by hitchhiking, getting a very close feel for the country. He interviews or quotes older experienced people who give a real feel for their area.
A Vivid Imagination and a Powerfully Bracing Landscape Makes for a Superb Travelogue.......2006-08-12
Published back in 1978, Bruce Chatwin's seamless mix of fact and fiction is still among the most enthralling of travel books. Prompted by a piece of reddish animal skin he found in his grandmother's curio cabinet when he was a child, the author ignites himself on a flight of fancy about its origin. This leads him to an expansive area of wild beauty, Patagonia on South America's southernmost tip. I have been lucky enough to visit this part of the world myself about four years ago, and I can confirm from my travels that Chatwin does an amazing job of capturing not only its physical splendor but its colorful inhabitants. However, this is no linear travel narrative, as the author breaks his stories down into mini-sections, ninety-seven in total.
Several of the episodes deal with his own experiences on the road and the individuals he encounters like the gauchos on the pampas, the Welsh-originated villagers, a French soprano, and a hippie from Haight-Ashbury looking for work in the mines. Interspersed with these accounts are snippets of history, real or imagined, such as an unknown connection between Magellan's expedition and Shakespeare's "The Tempest", the whereabouts of Butch Cassidy and the Sundance Kid after they left the states, and a 19th-century European lawyer who convinced the local Araucanian Indians to elect him their monarch. Chatwin shows particular gift for culling whimsical trivia into a greater storytelling context that is hard to resist as long as the reader is aware that little of it is verifiable. He inevitably ends the book the way he started - by finding the source of the animal scrap. Few writers have shown such a vivid imagination and a powerful sense of imagery as Chatwin has with his splendid travelogue. This will make those with an extreme case of wanderlust want to book their flights to Punta Arenas, Chile, right away.
Average customer rating:
- Alien among us
- Good introduction to his more complicated works
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H. R. Giger's Biomechanics
H. R. Giger
Manufacturer: Morpheus International
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H. R. Giger's Retrospective: 1964-1984
ASIN: 0962344710 |
Customer Reviews:
Alien among us.......2004-08-02
Hans Rudi Giger, a direct descendant of Hieronymus Bosch, H.P. Lovecraft and Salvador Dali, is a unique artist whose works depict cosmological visions and nightmarish dream-state revelations. As you leaf through the glorious illustrations in 'H.R. Giger's Biomechanics', you begin to realize that it takes a deviant personality to create deviant art of this caliber. The kind of paintings on display here are something nobody could conceive without total 24/7 commitment to unleashing the subconscious for all the world to see.
Nowadays of course, H. R. Giger's style (coined 'biomechanical') has become commonplace, trivialized; you can observe his influence in computer-game graphics, movies, literature, interior design, architecture... And isn't that the greatest compliment to his work, the horde of imitators living proof that Giger has tapped into something deep for which there was no adequate vocabulary before him. It probably resided there before the genus homo existed, somewhere in the spinal cord, in the first primate dreams.
What none of HRG's imitators have reached, is his unrivaled, casual mastery of the airbrush. For HRG often uses the surrealist method, whereby his paintings are not consciously planned but rather organically grown and given the freedom to invade the canvas - an inordinately challenging modus operandi considering Giger's weapon of choice. The works of the imitators betray their predesigned origin in wavering use of the airbrush, in naively copied Giger motifs. The sycophants have no mastery over the vocabulary, method, or the medium.
Presenting HRG's artworks in roughly chronological order, 'Biomechanics' charts the evolution of the biomechanical style from the first ink drawings from the 1960s to the acrylic paintings of the late 1980s. The master's 'commentary track' runs the length of the book, explaining the impetus behind major works, such as the 'N.Y. City' series and 'Erotomechanics'. You can practically feel HRG's exitement as he details the first experiments with the airbrush. The airbrush was originally a tool for photo retouching, which remained its primary use for decades, but in the hands of HRG it turned into a weapon capable of transmuting Freudian and Jungian theories on sexual perversions into photorealistic imagery.
Designs on 'Alien' and 'Poltergeist II' are examples of how effortlessly HRG crosses the boundary between 2D and 3D, painting and sculpture. They also reveal his background as a student of architecture and industrial design at the Zurich School of Applied Arts.
Well, either you 'get it' or you don't. There are people who instinctively recognize the worth in HRG's art. If you are the sort of person who requires a rational basis for purchasing 'Biomechanics', suffice it to say that the influence of these works is so widespread that failure to trace that influence back to the source reveals a profound ignorance on contemporary visual culture.
Good introduction to his more complicated works.......1997-12-29
This was the first book of his that I bought. It is very well done like all the rest. It is a good book to get your "feet wet" and to decide if you want to go any further into his work. I liked it very much, and recommend it as an introduction.
Book Description
For five years during the Second World War, the Allies launched a trial and error bombing campaign against Germany's historical city landscape. Peaking in the war's final three months, it was the first air attack of its kind. Civilian dwellings were struck by-in today's terms-"weapons of mass destruction," with a total of 600,000 casualties, including 70,000 children.
In The Fire, historian J& ouml;rg Friedrich explores this crucial chapter in military and world history. Combining meticulous research with striking illustrations, Friedrich presents a vivid account of the saturation bombing, rendering in acute detail the annihilation of cities such as Dresden, the jewel of Germany's rich art and architectural heritage. He incorporates the personal stories and firsthand testimony of German civilians into his narrative, creating a macabre portrait of unimaginable suffering, horror, and grief, and he draws on official military documents to unravel the reasoning behind the strikes.
Evolving military technologies made the extermination of whole cities possible, but owing, perhaps, to the Allied victory and what W. G. Sebald noted as "a pre-conscious self-censorship, a way of obscuring a world that could no longer be presented in comprehensible terms," the wisdom of this strategy has never been questioned. The Fire is a rare account of the air raids as they were experienced by the civilians who were their targets.
Customer Reviews:
Everyone should read this book!.......2007-09-26
Nearly a million people, including about 100,000 Allied Air Crew, were murdered in the Allied terror bombing of Europe's cities, most in the fire bombing of Germany. This book looks at this experience, central to modern history and only outdone by the fire-bombing of Japan, and the devastation of Vietnam which received more bombing than both sides dropped in WWII including the Atomic bombs. This Hitler's fascist terror and the genocide of Jews, Gypsies, and others, this crime needs to be ever in our minds to understand the evil of modern capitalist society. As human beings, we need to reject the alienated fiction of looking at this from the mythologized views from the bombers--though most of the bomber aircrew were also killed--but learn the fate of the common majority, the bombed. The nuclear blackmail that the United States put the entire world in since WWII has put every person in the world in the situation of the bombed, so in this book we learn our fate.
The British and then the US, learned that it was simply impossible with the aircraft and technology of the 1940s to hit designated targets of economic and military importance without sustaining losses that would have eliminated the air crews. A British study of attempts to hit only such targets at the end of 1941, found that as many British aircrew were being killed as Germans on the ground. However, learning from German fire bombing of Coventry, the British discovered while hitting targets was hard, burning down an entire European city, or at least its central core, filled with wooden and wood-beamed buildings holding the legacy of culture, history, and religion from the times of the Romans on, was possible.
From then on, the British designed their bombing campaigns to produce firestorms. The most famous were the razing of Hamburg and Dresden which were not unique, but the achievement of what the British, later joined by the US, sought to do every time a large bombing raid was planned. Many smaller cities and towns in Germany suffered far worst damage in percentage of devastation and casualties than these two famous cities. In many other cities where a city-wide firestorm did not bomb destroy the entire city, the same terror was meted out over and over and over. Some cities were bombed HUNDREDS OF TIMES between 1942 and 1945. Especially, in 1944 and 1945 many cities, towns, and even villages were bombed for the simple reason that they had not been bombed before. Jörg Friedrich discloses that beyond the fire-bombing, Churchill kept the alternative of combined gas and Anthrax bombing of Germany available with a million bombs until he realized such chemical and biological warfare would also harm invading Allied troops.
Arthur Harris, commander of British Bomber Command, and Churchill behind him simply mean to murder people in Germany. Harris considered all other military efforts even the invasion of Western Europe to be a waste of time. He thought that all resources should be directed to murdering Germans in their homes from the air. In fact, in 1944 when ordered to carry out a campaign against oil facilities in Germany, Harris disregarded the order kept burning German cities. Often military facilties, such as the air base and Army barrcks in Dresden, were not impacted at all while thousands of elderly, women, and children were murdered by the British and American bombers.
After the war, studies especially by US intelligence and military found the bombing had little impact on German industrial production and increased the anger of the average German against the Allies. After all, if they could do such horror against Germans from the air, what horrors were ahead if the British and Americans occupied Germany.
Jörg Friedrich is very clear about the evil the Nazi government represented, about the heartless way Hitler and other Nazi leaders actually thought the terror bombing helped them by making millions of Germans "soldiers" in their homes. He also documents the extraordinary work Germans did the minimize the human casualties. Allied air commanders assumed they had killed millions of Germans, but "only" five or six hundred thousand were murdered.
The greatness of this work is how he explaisn the human and cultural cost of the bombing. British bombers aimed for the old sections fo the city made of wood. Most often their target points were the Cathedrals and high churches the old towns and cities were built around. Hospitals, often linked with these religious institutions or mistaken for factories were also a frequent target. Walls of flames burnt away some of the most priceless religous and historical monuments in Europe. Friedrich explains the firebombing was the greatest book burning in human history, far outweighing the books Hitler burnt in 1933.
But what is the human cost! Jörg Friedrich gives us the stories of the thousands and thousands who were burned to death, torn apart by explosions, sucked into the super hurricane gales of the firestorms, smothered as the fire storms sucked all the oxygen out of shelters, and gassed as the heat of the fire storms turned the piles of coal and coke that were in every basement and cellar into carbon monoxide produers.
The allied bombs were specifically designed not only the launch firesm but were planned to hinder fire fighting and rescue attempts. Waterworks were usually key targets in these raides. Delayed-detonation bombs that would go off even days after the fire storms made it dangerous for firefighters and often fatal for rescue teams. In 1944 and 1945, American and British fighters strafed refugees, rescuers, and fire fighters. Everything possible was done to multiply the death toll and stop the rescue and physical recovery.
When I read this book, I think of a German women I have known. One was 12 years old sent out to buy bread on that day in Hamburg when the British and American bombers came. Days after the bombingt the city was so oblitterated that she could not find her entire neighborhood, let alone her home or her parents. Losing her mind, Martine wandered around Germany starving and alone for weeks before she was taken care of. She grew with the idea of stopping this inhumanity and married another fighter for humanity who had tried to organize German soldiers against Hitler and who was sent to the death camps for being Jewish.
Progress for humanity will flow out of our willingess to understand these twin horrors and to fight to replace the capitalist system that created them.
Detailed German Viewpoint of the Air War; Inadequate Contextualization .......2007-07-19
In this "encyclopedia of pain", Friedrich elaborates on Allied bombing tactics, Nazi countermeasures, civil defense, etc. He goes city-by-city, giving the reader a German-history lesson before discussing its bombing.
Consider the forced laborers: "Poles and Ukrainians were considered the most loyal workers. Poles, marked with a `P' on their clothing, showed great attachment to their farmsteads and the livestock they cared for. Near Cologne, `two Poles rescued the livestock out of burning stalls despite the flames; they had to be protected all the while by the spray of the water hoses.'" (p. 430)
Friedrich includes ironies. He comments: "The Huns returned in modern times as a slang term for the Germans. Emperor Wilhelm II, in his brash manner, even referred to himself as one." (p. 223). The Trawniki (Ukrainian and Baltic collaborators), who earlier burned the bodies of Jews in massive pyres at such places as Treblinka, now put their expertise to use in the mass cremations of German bodies (p. 379). The V2 rockets claimed more lives in their construction than in their explosions (p. 113).
The behaviors of German civilians help the reader understand comparable actions by others under wartime conditions. Much has been made of the Poles' looting of recently-Jewish properties. Yet some 15,000 German civilians were sentenced to death for various antisocial acts, including looting (pp. 392-394).
Friedrich tiptoes around the Germans' choice of Hitler by pointing to all those German children killed by Allied bombing who couldn't even know what a Nazi was (p. 483). Nice try, but it won't fly (pardon the pun). Actions have consequences. When voters go to the polls, they fully understand that they are voting not only for their own future, but also for that of their co-nationals and, of course, their children. In MEIN KAMPF, the Fuhrer-to-be planned a large war against the Slavic east for lebensraum. By voting for Hitler, the Germans were also tacitly voting for the destruction of Slavic children. The German people had a choice about the precipitation of a new war; the Poles and other recipients of German aggression had no such choice.
Friedrich also under-emphasizes the precedent-setting conduct of German aerial warfare. He cites the bombing of Warsaw, including the strategy of using explosive bombs to drive people into their cellars, followed by incendiary bombing to suffocate (or burn) the people now trapped there (p. 50). However, the bombing of Poland dwarfed the subsequent horrors at Rotterdam, Coventry, and London. Already in the predawn hours of September 1, 1939, the Luftwaffe was slaughtering large numbers of Polish civilians in wholesale attacks on obviously nonmilitary targets (including hospitals and cultural shrines). In Warsaw alone tens of thousands of Polish civilians perished in three weeks of furious German overkill. Not until some 3 years into the war did a single Allied air raid cost the lives of 10,000 or more German or Japanese civilians! Friedrich mentions the Allied strafing of Germans (p. 128), but not the fact that the Luftwaffe habitually strafed columns of fleeing Polish civilians already back in 1939.
Friedrich elaborates on the destruction of libraries (pp. 472-479), notably the painful loss of over 2,000 incunabula in Berlin (p. 478), but again without adequate contextualization. After the fall of the Warsaw Uprising, the Germans systematically burned all of the libraries and archives of Warsaw, causing the loss of some 13 million volumes, including some 500,000 irreplaceable ones. That, rather than the destruction of German libraries, was perhaps the greatest book-burning in history. Ditto for architecture: The retreating Germans didn't blow up the militarily-innocent cultural cities of Krakow and Czestochowa only for failing to complete the laying of the explosive charges before the unexpectedly-early advance of the Red Army.
Interesting WW1 perspective.......2007-06-27
Rather lengthy account of the result of Allied bombing in OF Germany during ww2. Graphic and dismal,yet sheds light on the terrible consequences of war.
Astonishing and Riveting.......2007-06-14
I am a WWII buff and have read an awful lot about the war generally and the firebombing campaigns in particular. But this book takes it to a new level, a riveting, highly depressing account of the intentional targeting and slaughtering of tens of thousands of civilians in an explicit effort to "weaken the will" of the German people and thus hasten the end of the war.
Churchill really comes across as the instigator of much of the detailed destruction of historic city centers, ancient churches and steeples, dams, water mains, you just about name it. Roosevelt is described by the author as "more humane" and mostly focused on the targeting of legitimate military and industrial targets.
But according to this book, the British worked for years with fire prevention specialists to devise the best method to destroy old and largely defenseless historic German cities. Careful attention was paid by the British to which buildings would burn fastest, how it would best be spread, which fire walls and water mains to destroy, and how to stop the fire from being put out in order to maximize civilian death and destruction. The author makes no real attempt to justify any of this, other than to say that the British were desperate and being bombed themselves.
Interesting facts - Churchill ordered from the US military a large quantity of anthrax, to be dropped on German cities, but the anthrax was set to arrive after the Allies landed on the continent, so the plan was disbanded.
New facts recounted of the horrific British destruction of the massive dams protecting the Ruhr river valley, leading to massive drowning, drought, and devastation of defenseless women and children living in villages downriver. The technology of firebombing, and the effects on the civilians who retreated to cellars, are all discussed in painful detail. Attention is paid to the great likelihood of dying that the British bombers knew went along with their dangerous missions, but the pilots are hardly described here as "heroes."
The book, however, lacks a narrative structure and could have been more crisply edited. It is simply a collection of death and destruction, intentional and targeted directly at civilians, with account after account of successful bombing raids and their effect on the historic treasures there were destroyed as a result -- along with the many many thousands of civilian dead.
This is a hard read, and I found myself reaching for someone or something to help me understand the moral equivalency of what I had been reading -- something to put it into perspective so you are not left with the sense that war is hell, and many war crimes were committed by the participants with no understanding of the whys or the moral justifications for same. For this book, it is the hows that are itemized in dark deadly detail.
Tom's Review.......2007-06-13
Very comprehensive review of the bombing of Germany during WWII, but not very readable.
I consider it to be a good reference book. Anyone seeking specific information or details about the bombing will probably find it in this book, if they look hard enough. And that's the problem. The wealth of information is not very well organized, making the narration hard to follow and a difficult read, even for this died-in-the-wool WWII buff.
Customer Reviews:
Brilliantly Written European History - 1932 to 1940.......2007-09-16
The Last Lion, Alone covers the history of Europe from the time Hitler first came to power in Germany to the time that Hitler invaded the Low Countries and World War II began. During this period Churchill, who continually fought against the appeasement policies of Chamberlain, rose from Back Bench irrelevance to become Brittan's Prime Minister.
The history of this period is a gripping saga of one man's malicious attempt to dominate Europe and another man's noble efforts to stop him - a classical case of good vs evil - told as an almost unbelievable story in the words of a master story teller.
Grab a bottle of Scotch and have at this book!.......2007-07-03
William Manchester informs and entertains in this excellent historical account of the critical years leading up to WWII, juxtaposing the appeasement practices of predecessors Baldwin and Chamberlain with the unwavering belief in the principles of freedom held by Churchill. The book (along with Manchester's first volume) gives terrific insight into the transition from the glory days of the British Empire to the Post WWI apathy that beset the British public. As well, the work provides delightful commentary on the characters surrounding Churhill's life including his colorful mother Jennie, his wife Clementine and his nemesis Adolf Hitler.
Churchill was begging...........2006-10-06
After the fall of France in June 1940, Winston Churchill was begging USA President Roosevelt for military aid (in fact, all sorts of support was then needed) as no one knew what would the 'fate' of the French fleet was going to be.
Churchill kept reminding the American president that Britain would not surrender even if left alone.
Churchill was defiant despite the fact that the two 'key' American ambassadors, in France and Great Britain, were pro Hitler (or at least they were not anti-Nazi).
Joseph Kennedy (USA Ambassador to GB) openly cautioned his fellow Americans against entering the war because the 'allies' would soon be beaten.
However, I would have liked to see more comments about the position and reaction of the king - king George VI.
Was he indifferent?
We should remember that Hitler had been addressing the King as the man whom the British Government circles have loathed, and as the only 'hope' for a reconciliation between the Third Reich and GB.
In this context it is true that Churchill was indeed ALONE
absolutely a delight to read.......2006-01-26
I was adrift when I finished this volume.
grasping at pathetic things to read for a while - nothing satisfied - Manchester can set the stage, his historical background is so rich that you'll find yourself spouting about it to your friends.
You'll learn more from this book than a two semester course in 20th century history.
Churchill himself is the lead player in a panapoly of exciting elements. But manchester never lets the reader forget the place in history - the man was a masterful writer.
solitary courage.......2005-12-29
No better profile of Churchill 1932-40 exists. Whetted with acrimony and disdain, Churchill is ultimately proved right (and his real task commences).
This is a work of the first order. `The Last Lion' (1874-1932) is also worthy.
Gilbert (worth reading) pales in comparison.
Book Description
Beyond his martial arts and acting abilities, Bruce Lee's physical appearance and strength were truly astounding. He achieved this through an intensive and ever-evolving conditioning regime that is being revealed for the first time in this book. Drawing on Lee's own notes, letters, diaries and training logs, bodybuilding expert John Little presents the full extent of Lee's unique training methods including nutrition, aerobics, isometrics, stretching and weight training.
Customer Reviews:
Get Bruce Lee's Body.......2007-04-09
Get inspired to get moving. Bruce Lee shares his workout secrets. Now you can have a Bruce Lee body too.
The Art of Expressing the Human Body.......2007-02-22
Very Very motivational. I have always wondered how bruce got his body and this shows how he did it. I really liked it.
Interesting, but could be writen better........2007-01-04
The information presented about the training schedule of Bruce Lee is very complete. The problem with this book is that there is a lot of repitition. It could have about one fourth the number of pages that it is. It lacks what I was really after-Bruce's philosophies. Overall, this is not worth the money, you can easily find the information from this book on the internet somewhere.
Bruce Lee: the art of expressing the human body.......2007-01-04
if you ever wanted to know how Bruce Lee got the body that he had, this is your book. very well written, and very easy to understand. lots of details and very in depth
The Art of Expressing the Human Body.......2006-08-25
There was a time that I was skeptical that a 145 lb., 5'7", individual could have anything to offer as far as offering instruction on building tremendous physical strength and acheiving combat skills that are rivaled by few. This book deals with the first point...that of building tremendous physical strength which would be utilized for acheiving excelling combat skills. Great insight into the mind of a man who I once doubted could acheive such greatness.
Book Description
In May of 1940, the armies of Nazi Germany were marching through France. In the face of this devastating advance, one of World War II's greatest acts of heroism would be a retreat: the evacuation of the British Army from Dunkirk.
In Dunkirk: Fight to the Last Man, we are given an unprecedented vision of these harrowing days. Hugh Sebag-Montefiore has created a bold and powerful account of the small group of men who fended off the German army so that hundreds of thousands of their comrades could exit this doomed land. These brave troops, members of the British Expeditionary Forces and the French army, held a series of strong points inland, allowing the rest of the battered battalions to escape to the coast. Those that remained were ordered to fight to the last man.
Much has been written about the efforts of the Royal Navy in shuttling soldiers to safety, but here we are given an unparalleled look inside this massive operation and the invaluable role played by the BEF. Without the ferocity and bravery of the officers and ordinary soldiers on the ground, the German army would likely have encircled nearly half a million Allied soldiers. The loss of these battalions, Sebag-Montefiore argues, could have dramatically changed the direction of the war,and enabled Hitler to invade a weakened Britain.
This is military history at its best: a judicious analysis of the movement of the war, and a vivid feel of what it was like to be on the front line. Sebag-Montefiore brings these men—the forgotten heroes of Dunkirk—to life, and it is their valiant exploits and devotion to their brethren that form the heart of this important book.
Customer Reviews:
2 stars for compiling the information.......2007-08-24
Sebag-Montefiore's book is a tedious chronology of the events leading up through (and a bit beyond) the evacuation of the BEF from the beaches of Dunkirk in 1940. I would have thought that a press like Harvard would be more discerning, but apparently not.
History is the critical assessment and analysis of past events. It seeks to explain why things happened. This book is not history, but merely chronology. This too can be useful, if one needs a reference source to look up dates, names, places, and things. But reading a list of events that runs 500 pages is a long slog.
It does not help that Sebag-Montefiore's writing style is frustrating. There is no continuity whatsoever to the story. This is probably the result of not having a theme or point he is trying to make. Literally, the reader can skip entire pages of every chapter and not miss important developments or assessments. Any explanation of events that would provide some context are buried in the end notes, some of which are several paragraphs long. Explanations of locations and setting are dismissed with a brief command to the reader to look at the maps. The maps themselves are excellent, but no map can ever stand in for text.
In the end, the book reads as a vehicle for the author to quote the source material he found. What we're left with is 500 pages of diary entries and anecdotes with no obvious point to be made. The true contribution of the Sebag-Montefiore is indeed to have collected this material. Now all we need is another author to use it and write a better book.
needs work.......2007-06-14
For my purposes, there are two types of books, those I want to read again and those I don't. Sebag-Montefiore's I won't read again. While the subject is interesting, the battle maps ample and detailed, and the notes copious, the author has no feel for telling a story or making multiple stories hang together. He can't describe settings, scenes, and characters, or plot the action. He can't write interesting sentences. It seems as if he used the maps and notes to remedy the deficiencies of his writing style. Rather than describe a setting, he says, "Look at the map." Rather than organize the story, he says, "See the notes." He's collated a mass of new primary sources--a worm's eye view of the war--but doesn't himself work very hard at making the material come alive. About the only time the author perks up and gets a pulse is when he describes some minor English aristocrat's cavalier approach to combat--and cavalier seems to be the approach to his job the author favors.
10,000 anecdotes don't equal history.......2007-06-01
This book tells how hard British troops often fought in the battles for the approaches and perimeter of Dunkirk. However, once the author has finished with the anecdotes, he gives NO ANALYSIS of the story.
If the Belgians and Dutch had given the British time to reach the "true" Dyle River line, could the British and French have stopped the Germans (not just the few troops sent through Belgium, but the whole German Army as anticipated)? An important question, and from the anecdotes the author has selected, I think the answers are probably NO and NO--the Germans were just too good. But I would really like to read the author's analysis on this issue.
And why couldn't 400,000 of the best British and French troops hold on to one strip of land (Dunkirk)? Were they totally out of ammunition and unable to resist? Since defense is supposed to be more powerful than offense, they should have been able to fight off the Germans for weeks, not days. Why? Again, no analysis.
Forgive me, readers, but I don't like the Martin Gilbert approach that "history is a million facts listed one after the other". I may disagree with the author, but I would like to know what he thinks!!!!
challenging but rewarding.......2007-05-19
The amount of research done to produce the book is staggering indeed. It seems as if every British unit has been displayed, most in favorible, even heroic, terms, but a few do show up in disgrace. The French Army, from its chain of command to its troops actually facing the Germans, receives far fewer compliments. The author has placed his maps at the back of the book, requiring the reader to flip back and forth which sometimes results in a loss of place in the vast array of pages. It would have helped to have sketch maps throughout the text, especially for readers not that familiar with the geography of the battle zone. Some other terms were confusing to an American reader. The "carrier" referred to often was finally discovered to be a brother to the Bren Gun Carrier, just not ready-equipped with the Bren Gun. The Boys Anti-Tank Rifle is also a weapon with which Americans are not easily familar, especially for fending off heavily armored tanks. Among the watercraft, the "Drifter" is still a mystery, even in its common role in carrying troops out to larger vessels. Another mystery was the "Fairey Battle" fighter-bomber about which American readers would have heard very little since it was already obsolete when it was inserted into the fighting. This is not a book to undertake lightly. It details a number of the massacres done by German troops not only of surrounded and even surrendered soldiers, but also villagers uninvolved in the fighting. Overall, however, the picture painted by the author draws on extensive research of both old and newly discovered sources, It contributes much to a fuller picture of how close the Dunkirk Evacuation was to a complete disaster, and how many risked their lives to salvage enough of the Allied Forces to ultimately face-down Hitler and the Whermacht.
Capturing the Horror of Battle.......2007-05-13
By piecing together war diaries, personal recollections and regimental after- action reports, Mr. Sebag-Monitfiore manages to capture the personal horror that was man to man combat in the Second World War. Although the story of Dunkirk has been told several times, this effort adds a lot of personal detail that is incredibly informative.
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