History: Fiction or Science? (Chronology, No. 1)

Book Description

Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.

Customer Reviews:

Calculations are only as good as your numbers.......2007-08-03

Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.

Pants on fire?.......2007-07-19

Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.

Accepted History & Chronology Must Be Changed. .......2007-04-09

There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.

For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.

Very Interesting.......2007-03-07

It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.

History as Science Fiction.......2007-01-10

Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.

I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.

Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.

Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.

I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.

This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.

A Year in the Life of William Shakespeare: 1599 (P.S.)

Average customer rating:

A Magnficent Account Of Shakespeare's Annus Mirabilis
a magnificent book; clear, detailed and lucid.
1599 - it was "a very good year"
"Plus ca change, plus c'est la meme chose" and Other Lessons
shakespeare in 1599

A Year in the Life of William Shakespeare: 1599 (P.S.)
James Shapiro
Manufacturer: Harper Perennial
ProductGroup: Book
Binding: Paperback

Authors | Arts & Literature | Biographies & Memoirs | Subjects | Books

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Shakespeare: The Biography
Shakespeare After All
The Shakespeare Wars: Clashing Scholars, Public Fiascoes, Palace Coups
Will in the World: How Shakespeare Became Shakespeare
Will in the World: How Shakespeare Became Shakespeare

ASIN: 0060088745
Release Date: 2006-06-13

Book Description

1599 was an epochal year for Shakespeare and England

Shakespeare wrote four of his most famous plays: Henry the Fifth, Julius Caesar, As You Like It, and, most remarkably, Hamlet; Elizabethans sent off an army to crush an Irish rebellion, weathered an Armada threat from Spain, gambled on a fledgling East India Company, and waited to see who would succeed their aging and childless queen.

James Shapiro illuminates both Shakespeare's staggering achievement and what Elizabethans experienced in the course of 1599, bringing together the news and the intrigue of the times with a wonderful evocation of how Shakespeare worked as an actor, businessman, and playwright. The result is an exceptionally immediate and gripping account of an inspiring moment in history.

Download Description

An intimate history of Shakespeare, following him through a single year -- 1599 -- that changed not only his fortunes but the course of literature

How was Shakespeare transformed from being a talented poet and playwright to become one of the greatest writers who ever lived? In this one exhilarating year we follow what he reads and writes, what he sees, and whom he works with as he invests in the new Globe Theatre and creates four of his most famous plays -- Henry the Fifth, Julius Caesar, As You Like It, and, most remarkably, Hamlet.

James Shapiro illuminates both Shakespeare's staggering achievement and what Elizabethans experienced in the course of 1599: sending off an army to crush an Irish rebellion, weathering an Armada threat from Spain, gambling on the fledgling East India Company, and waiting to see who would succeed their aging and childless queen.

This book brings the news and intrigue of the times together with a wonderful evocation of how Shakespeare worked as an actor, businessman, and playwright. The result is an exceptionally immediate and gripping account of an inspiring moment in history.

Customer Reviews:

A Magnficent Account Of Shakespeare's Annus Mirabilis.......2007-08-04

While we have his magnificent plays and poetry, we know little about Shakespeare the man. We have the dry details of his birth, marriage, and death, the birth and death of his children, his education at Stratford Grammar School, his will, and some business and legal records. We can infer a little from what others wrote about him, especially in the 1623 First Folio; and we can extrapolate a bit more from what we know of the London theater scene and its denizens during the Elizabethan period. But the stuff of a real biography -- what Shakespeare was thinking, feeling, and experiencing during his life -- perforce are matters only for speculation.

It is truly remarkable, therefore, that Professor Shapiro uses this small heap of facts to bring Shakespeare brilliantly to life. Shapiro focuses on Shakespeare's life during 1599, which Shapiro forcefully argues was the year Shakespeare began his transformation into one of the greatest dramatists of all time. It was a year in which Shakespeare and his partners built the Globe Theatre where the Chamberlains Men / Kings Men would perform for the rest of his career. It was also the year in which Shakespeare ground out masterpieces in all three of his genres of history, comedy, and tragedy: Henry V, Julius Caesar, As You Like It, and Hamlet. Linking his sensitive and erudite explications of these plays to contemporary political developments (such as the bogged-down English invasion of Ireland and the threat of Spanish invasion), occurrences in the rapidly changing Elizabethan theater world (e.g., the diminishing roles of clowns like Shakespeare's partners Will Kemp and Robert Armin), literary trends (such as the development of self-expository monologue in Montaigne's essays and Shakespeare's soliloquies) and events in Shakespeare's own life (e.g., his quest for middle-class status as evidenced by his application for a coat of arms), Professor Shapiro paints a colorfully vibrant portrait of Shakespeare and the competitive theater business in which Shakespeare became so prominent as both a creator and an entrepreneur.

I don't know enough about Shakespeare to have an independent opinion about whether Shapiro overstates the case for the crucial nature of the year 1599. However, I thoroughly enjoyed this book. Although a product of deep learning, it is beautifully written and compellingly readable, and makes Shakespearean scholarship accessible even to a general reader like me. It also made me want to read many of the plays again, which I haven't since school days. Whether you love the Bard, or haven't thought much about him since you were forced to read the plays in school, this book is a wonderful and essential companion to Shakespeare's works.

a magnificent book; clear, detailed and lucid........2007-07-12

A joy to read.

This is a magnificent book; clear, detailed and lucid.

Much has been said already about this book. It gives a very clear insight into Elizabethan London towards the end of Elizabeth's reign. As a student of the Bard, Shapiro performs well in widening the discussion to mention the theatre-going habits of plebs and aristocracy alike; how Shakespeare and his players would have attended palaces which informed his works. Shapiro notes the echoes of Catholicism, the threat of another Spanish invasion, the deeply unsettling rebellion in Ireland, even the confusion over the calendar and holy/national days. Given the difficulties and expense of publishing in the 1600's, I suppose it is possible to read every individual item published in 1599, and the comprehensiveness of the author's grasp of Elizabethan London, makes me believe he may have done so.

All told extremely well, he plots Shakespeare's emergence as a serious playwright, who eschews the popular trivialities and takes on large questions of politics and personality.
I was less impressed with the later discussions of Shakespere's rewrites of the great plays of 1599, however it is a work of great learning, synopsized very well and told in an engaging style.

1599 - it was "a very good year" .......2007-03-23

In this insightful and innovative book, Shapiro adopts the reverse approach to the usual. Instead of analysing the plays to find the man, he explores the life to illuminate the plays. The result is a revelation of both.

A Prologue describes the building of the Globe from timbers secretly transported across the Thames by Shakespeare and Co. from The Theatre (on which the lease had expired). Then Shapiro trains his lens on 1599, dividing it into its four "seasons". Maintaining dynamic readability throughout, each season deals with a set of preoccupations at national, professional, and personal levels:

1. Winter - Shakespeare's artistic differences with his comic star, Will Kemp; the run-up to Essex's Ireland campaign, with mobilisation and departure - as well as pacifism.

2. Spring - logistics of building the Globe; censorship, book-burning and history; the appropriation of religious holidays for politcal purposes.

3. Summer - paranoia in London with rumours of a second Armada invasion); Shakespeare's anguish at an unauthorised, cobbled-together edition of his poems; sincerity, fakery, and learning the true nature of love.

4. Autumn - the decline of chivalric values and rise of empire via merchant-adventurers and the East India Company; the impact of Montaigne's essays on soliloquies; and finally, an elucidation of how the various versions of "Hamlet" reveal Shakespeare's changing view of this most problematic play.

Shapiro correlates these topics with the themes and language of Henry V, Julius Caesar, As You Like It, and Hamlet (the four dramas Shakespeare wrote in 1599). He also provides us with details so unexpected as to be poignant - for example, Shakespeare changing horses while riding home to Stratford. These touches reveal what critics formerly called "Shakespeare the Man" - but there's minimal speculation here, with skilful deployment of primary sources. Also the texture of Elizabethan court and civic life is stunningly evoked.

So we have the feeling of moving through the year "in real time" with Shakespeare. Daringly illuminating, this will make you critically re-evaluate not only Shakespeare, but other biographies and criticism. Well done indeed.

"Plus ca change, plus c'est la meme chose" and Other Lessons.......2007-01-16

"No," I tell my students, "Shakespeare did not write in Old English. Beowulf was written in Old English. Chaucer wrote the Canterbury Tales in Middle English. Shakespeare's language was firmly in the Modern English linguistic period." I then confess the obvious, that the language has indeed changed in the four centuries since Shakespeare wrote, but, as Shapiro's book clearly demonstrates, much else in society has not. Such demonstrations, while not Shapiro's goal, are, to me, among the strong points of his book, so let's take a peek at those first, shall we?

Looking at the year 1599 in Elizabethan England, we are struck by more than a few parallels with contemporary world affairs. We see a national leader intent on invading another country, Ireland in the earlier case. We observe ill-starred Essex leading an invading army which utterly fails to subdue the Irish. We look on in astonishment as the English quake in fear of a reported Spanish invasion and as they block the streets of London with chains and illuminate the night with burning lamps to thwart enemy infiltration under cover of darkness. Potentially, of course, that may have been somewhat more pragmatic than creating a new government department and a rainbow-hued series of "threat levels." One can only recall the French axiom "Plus ca change, plus c'est la meme chose," or "The more things change, the more they stay the same." Little in human nature, it seems, has changed in the past four hundred years.

Shapiro's book also helps pierce the mask of literary demigod behind which Shakespeare has been hidden by generations of admiring teachers and bewildered students. We see a man who produced plays through hard labor and laborious revision. We come to appreciate that Shakespeare was a businessman with an eye toward profitability, even when such was perhaps not completely legal or ethical. In this, he was certainly a man of his time, for the proto-capitalist British West Indies Company also got its start during this period.. With another eye toward profit, he and his fellow investors literally made off with the timbers from another theater to build the Globe that has become synonymous with his plays, although of course many other plays were enacted there as well. And speaking of enactments, Shapiro reminds us that Shakespeare was an actor as well as an investor and a playwright, and suggests some of the parts that the author very likely reserved for himself.

Reading Shapiro, one comes to appreciate the political realities of late 16th century England as well. In an era when writing that was perceived to be critical of the monarchy or to justify assassination or usurpation was banned and when books were burned, one simply did not publish Julius Caesar in Elizabeth's realm. Writing that portrayed the rise of republicanism at the expense of monarchical rule simply did not appear without retribution. Such insights as these make Shapiro's book a rewarding experience for those seeking to understand the social, economic, political, and intellectual milieu which formed both Shakespeare and his dramatic creations.

The book, however, is not an unmitigated joy to read. I found my interest in Shapiro's text waxing and waning, being the strongest when he delves into historical events such as the invasion of Ireland, Essex's failed leadership of the military and his devolution from trusted general to seditious and condemned prisoner, the panic among both government and citizenry over the reported Spanish invasion with its "Invisible Armada," and other facts, such as the common practice of plagiarism among authors of the day, including Shakespeare himself, the "inconvenient" fact that copyrights were owned by publishers, not by authors, and the annoyance that Shakespeare surely felt when he discovered some of his sonnets, which he circulated only privately among a few friends, featured in a book along with others of various quality but all attributed to him! My interest does tend to wane when Shapiro departs from his historical writing to immerse us with his qualitative descriptions of the plays whose compositions he ascribes to 1599: Henry the Fifth, Julius Caesar, As You Like It, and Hamlet; his vocabulary and syntax become somewhat dense and obfuscated when he lapses into literary analysis; moreover, that aspect of the book does not appear to be delivering what the title has promised.

My other disappointment lies in the "bibliographical essay" that consumes forty-one pages of the book. Entries are arranged by chapter and discussion topic within each chapter and are hidden within a structure of sentences and paragraphs. A simple alphabetical bibliography would have been far more usable and beneficial for the reader interested in Shapiro's sources and related works.

As far as a recommendation is concerned, I would truly regret seeing this book become assigned reading for high school or university students whose interest in Shakespearean drama and in 16th century England in general is tenuous at best. While informative for them, the writing is not sufficiently captivating to ensnare their attention and appreciation, and is likely to be considered another bit of drudgery foisted upon them by an educational system out of touch with reality. Moreover, for the well-read Shakespearean scholar and Elizabethan historian, I doubt that the book contains any revelations that have not been encountered in other sources. However, for the general reader and for the student who enjoys filling in all of the massive gaps in understanding that persist despite high school diplomas and university degrees, Shapiro's book does give a most helpful, interesting, and usually readable overview of the society that formed Shakespeare and that determined the style and tenor of his long-lived literary creations. If one is at all curious about the "life and times" of William Shakespeare, then the book is certainly worth its purchase price and, more importantly, it is worth the time and effort expended in reading it.

shakespeare in 1599.......2007-01-03

Superb look at the bard in one of his most productive years. Places Shakespeare firmly in his times. Highly recommended.

The Great Fire of London: In That Apocalyptic Year, 1666

Average customer rating:

Too much fiction
A Dramatic Read
Maps
Where's the map?
A Nice Popular History

The Great Fire of London: In That Apocalyptic Year, 1666
Neil Hanson
Manufacturer: John Wiley & Sons
ProductGroup: Book
Binding: Hardcover

General | Europe | History | Subjects | Books

General | World | History | Subjects | Books

17th Century | World | History | Subjects | Books

Disaster Relief | Current Events | Nonfiction | Subjects | Books
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The Great Plague: The Story of London's Most Deadly Year
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The Confident Hope of a Miracle: The True History of the Spanish Armada
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ASIN: 0471218227

Book Description

Acclaim for The Great Fire of London

"Popular narrative history at its best, well researched, imaginatively and dramatically written. . . . The author marshals his story and his mass of contemporary quotations with great skill."
-Times Literary Supplement

"The brilliance of its narrative chapters . . . a marvelous eye for evocative detail. Hanson's prose is animated by the ferocious energy of the fire and seems to be guided by its inexorable movement. He creates the literary equivalent of the special effects in a disaster movie. . . . A rich mixture of imagination and research."
-The Daily Telegraph (London)

"He writes with knowledge and verve. As if making a television documentary on a natural disaster, he includes a gripping technical chapter on the mechanism and chemistry of combustion. This works brilliantly. . . . The book gains immeasurably from the author's eye for detail and from his understanding of the beliefs and prejudices of the day. . . . Informative and lively account."
-The Sunday Times (London)

"The best depiction of the Great Fire seen to date. . . . He manages to describe not only the atmosphere of the event itself, but also the experience of living in seventeenth-century Britain."
-Soho Independent

"A riveting book for those who like their history with a bit of mystery."
-The Brisbane News

"A rollicking good yarn."
-The Age (Melbourne)

"Blends high-class original research with a narrative style that mimics fiction. . . . Horrific subjects have served this man well and he has a knack for plugging into the dark themes that run like molten rivers beneath our social veneer."
-New Zealand Herald

"Neil Hanson's descriptions of the inferno are like CNN reports from Kosovo."
-Camden New Journal

"It's not the technical data which makes the book so riveting though. It's the flair with which Hanson invests his account with qualities usually reserved for novels-narrative drive, persuasive character sketches, vivid scene stealing."
-Sunday Star Times (New Zealand)

Customer Reviews:

Too much fiction.......2006-01-17

Too much novelesque fictional fluff obscuring the facts. A whole paragraph devoted to how someone tosses a loaf of bread is too much. I fell asleep after page 4 and couldn't go on. I want to learn about the fire not read a bedtime story about 17th century England. You can tell the author did a lot of research, it's a shame that he fluffed it up so much with his own fictional image of 17th century London life.

A Dramatic Read.......2005-04-16

There's a touch of the novel about this book, but in a good way. The author 'fills in' what certain characters were thinking. This is a good thing; it adds reality to the facts of what happened. The book covers the time from the start of the fire to the ending of it, how the people reacted, and he gives a very nice chapter about fires in general, how a fire of this size behaves. Overall, the book seems very historically accurate and brings to life how miserable an event the Great Fire of London must've been.

I always thought that the Great Fire was the reason there was no longer any Plague in London, but the author gives good reason why this is probably not the case.

I enjoy books about Restoration England and this was not a disappointment.

Maps.......2005-03-16

To answer the query of a reviewer below, there are maps on pages 61, 77 and 109 showing the progress of the fire. The book also has many contemporary illustrations.

This is an exciting book, revealing just how fair and how foul the human character can reveal itself in times of disaster.

Where's the map?.......2004-04-01

The Great Fire of London by Neil Hanson traces the progress of the conflagration street by street, building by building on all its fronts. Unfortunately the publishers did not include any useful maps so the reader could follow the progress. This oversight detracts fatally from Hanson's exciting and dramatic narrative.

Hanson does not give a proper examination of the long term effects of the fire. His examination of short terms effects is cursory. The book ends with a discussion of pyromania.

The Great Fire of London is enjoyable (what a complement to give a disaster), but not completely satisfying.

A Nice Popular History.......2003-03-02

This is a history for the nonhistorian. That is not meant as a criticism. It is meant as a selling point. There are not thousands of footnotes, but do you really read those things?

This book should interest historians, people who travel frequently to London and the general reading public who are just curious. It takes us back into the world where death from plague was a daily threat and parents lost child after child. Death was a daily companion. Age 35 was an old man. People married young because they had to. By 40 they would probably be dead--especially women who dropped like flies in childbirth.

Then, one night in a baker's house in Pudding Lane the house caught fire. At first it did not look like much but eventually it consumed virtually the entire old city of London.

Efforts to fight the fire, led by Charles II and his brother James, Duke of York, were unsuccessful. With the primitive water mains broken, the only way was to dynamite houses.

When it was all over, the medieval city was gone to be replaced by ruins. The plague disappeared helped along no doubt by the immolation of the rats. Rebuilding began immediately. We all know (or should) about Sir Christopher Wren building all those churches.

And punishment for the fire? One deranged man, who had nothing to do with it was executed.

Amazon.com

Two-time Caldecott honor artist Tasha Tudor invites readers to celebrate the many joys of family life throughout the year. Although her verses and quaint ink and watercolor illustrations depict Tudor's signature idyllic New England scenes, her embrace of fundamentals such as friendship, togetherness, and fun are universal. From January to December, each month is marked by four pages of illustrations (black and white spreads alternating with earthy watercolors) with a short verse: "March promises / the hope of spring, / In swampy places peepers sing." Tudor's gentle humor comes through in such images as October's drawing of three children running from a graveyard as a be-sheeted child flails in a ghostly manner while others crouch, giggling behind the stones. First published in 1957, this reprint of Tasha Tudor's old-fashioned yet timeless classic will be cherished year-round by a whole new generation of readers. (Ages 3 to 8) --Emilie Coulter

Book Description

Everyone loves a celebration, and renowned illustrator Tasha Tudor offers one for every month in this enchanting treasury of seasons. Come enter a world where sledding excursions melt into summer picnics, and autumn fairs beckon Christmas cheer.

A book to be enjoyed around the year!

Customer Reviews:

Around the Year by Tasha Tudor.......2001-10-18

Around the Year by Tasha Tudor is a splendid peek into the simply wholesome traditions of a New England farm family throughout the year. Tudor's pictures are darling. My children love it. I'd recomend this book to anyone with children, anyone who needs to teach children about the monthes and seasons of the year, or anyone who just loves a really good poetic picture book. Enjoy! We did.

one of Tasha Tudor's best books is available again!.......2001-10-10

Around The Year was originally published in 1957, and is generally regarded as one of the author/illustrator's finest endeavors in picture-book form. Tudor has penned appropriate short verses to accompany four pages of delicately-detailed scenes for each month, two done in watercolor and two in pencil.

Miss Tudor is famous for her sensitive and accurate depictions of rural scenes of the past. I consider this book to be the pinnacle of her successful efforts in bringing the loveliness of by-gone days to the present-day young reader. Commonplace events such as running home during a springtime shower and ice-skating on a pond are given as much attention by the artist as are holiday-times and other special moments. Tudor's portrayal of children carving jack-o'lanterns for Halloween and the setting-off of firecrackers on America's Independence Day are quite memorable.

On each page, there is much to be shared between any adult and child reading the book together. The Thanksgiving scenes are particularly evocative (and timely) for the start of meaningful discussions between parents and children. Tudor's observant eye gathers the flora and fauna of New England and delivers them to the observer in a delightful, but natural manner. Throughout the pages, there is a charming lightheartedness and gentleness rare in today's children's books. The careful reader will also find moments of unexpected humor. I highly recommend this book for both its content and delivery to readers of all ages.

That said, I am livid with the publisher's decision to replace what I consider Tudor's finest dust-jacket design with a repeat of an image from the month of April--even though it's arguably the finest single composition presented in the book. The original painting of 12 miniature portraits featuring monthly activities (in a clockface pattern) coupled with a seasonal bird portrait in each corner is a tour-de-force in composition. It hints at the precious jewels to be found inside the book's covers, yet stands alone as a memorable work in itself.

To make matters worse, the original title-page featuring another twelve individual bird portraits each surrounded by Tudor's distinctive twig frames has also been discarded. The new reader is also denied the enjoyment provided by Tudor's clever embellishments of the book's title, including an inchworm wending its way along the top of a letter.

There is an unfortunate lack of faithfulness to both the clarity of line and intensity of color that were so notable in the book's early printings; this happens all too often in the modern world of children's-book publishing. Hopefully, the printer and the publisher will work together to rectify these failings for subsequent printings.

Even with these faults, this book is a visual feast for both those who already do, and those who will now learn to, appreciate the value and importance of America's past rural life. Moreover, it is an enduring testimony of Tasha Tudor's distinguished contributions to the world of children's literature .

around the year.......2001-09-27

i could not find any magic in this book. the style is the same but the pictures and colors are just not magical. i hope it is the printers fault. i was also not happy with the amount of information in book. prehaps you should describe these books better. this is the 5th. tasha tudor that i have bought from you and the first i have not liked.

Take Joy! The Tasha Tudor Christmas Book

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Take Joy! The Tasha Tudor Christmas Book
Tasha Tudor
Manufacturer: The World Publishing Co.
ProductGroup: Book
Binding: Hardcover

General | Ages 9-12 | Children's Books | Subjects | Books

General | Literature | Children's Books | Subjects | Books
ASIN: B000OZSZ0S

Product Description

A book of Christmas thoughts, poems, stories, carols and more.

Young Elizabeth: The First Twenty-Five Years

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Detailed look at the early life of this intriguing woman
confusing beginning, but still a brilliant success
Simply Excellent!

Young Elizabeth: The First Twenty-Five Years
Alison Plowden
Manufacturer: Sutton Publishing
ProductGroup: Book
Binding: Paperback

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Elizabeth I
Elizabeth I: Her Life in Letters
Elizabeth I
The First Elizabeth
Murder Most Royal: The Story of Anne Boleyn and Catherine Howard

ASIN: 0750921927

Book Description

Elizabeth I is perhaps England's most famous monarch. Born in 1533, the product of the doomed marriage of Henry VIII and Anne Boleyn, Elizabeth was heir to her father's title, then disinherited and finally imprisoned by her half-sister Mary. But in 1558, on Mary's death, she ascended the throne and reigned for 45 years. Respected by her subjects and idolized by subsequent generations, Gloriana was fiercely devoted to her country and its people. In this first volume of her Elizabethan quartet, Alison Plowden charts the history of Elizabeth's first 25 years, telling the tale of Elizabeth's difficult childhood and her alternate status as princess and bastard, culminating in her coronation and the beginning of the legend.

Customer Reviews:

Detailed look at the early life of this intriguing woman.......2002-08-16

Elizabeth I is one the most famous woman in history, and yet history books concentrate on the accomplishments of her reign without paying much attention to the woman behind them. This book is a wonderful introduction to Elizabeth the woman- well researched and detailed, it is never-the-less an enjoyable read for the non-historian. By reviewing the early incidents which shaped Elizabeth and her view of the world, Plowden lays the groundwork for explaining her actions thoughout her long reign. I haven't read the rest of the series yet, but I am looking forward to doing so in the near future.

confusing beginning, but still a brilliant success.......2002-06-26

Books should be judged on whether they achieve their purpose. Plowden's purpose in this book appears to be the creation of a scholarly, yet readable biography of Elizabeth I's pre-queen years. This she does with consummate skill. The writing is superb, and the scholarship seems excellent. Plowden selects details calculated to wet the reader's curiosity and to draw a thorough picture of her subject. She has definite opinions, but she does not do all her readers' thinking for them.

I found this book and the rest in Plowden's Elizabeth quartet very appealing. Based on these books, I've been collecting biographies on all sorts of other tantalizing personalities that the writer mentions in passing.

Note: I am an English masters student, not a historian. I am therefore better qualified to judge the quality of the writing than the quality of the research.

One criticism: The book begins with a very swift overview of the complex circumstances leading to Elizabeth's birth. The part pertaining to Henry VIII is easily digestible, but the earlier section involving Henry VII, Katherine of Valois, Owen Tudor, and the War of the Roses proceeds at baffling speed. If you are not already familiar with this convoluted period of English history, the multitude of characters entering and exiting the stage may overwhelm you. My advice: hang in there; it gets better.

Simply Excellent!.......1999-07-07

I think this excellently written book gives a historically accurate insite of the early life of Elizabeth I. I would recomend this book to anyone who is interested in Elizabeth I and Tudor history. :)

Tyrone's Rebellion: The Outbreak of the Nine Years War in Tudor Ireland

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The most comprehensive history on The Earl of Tyrone to date
The Nine Years War
an excellent study for any reader interested in early modern
O'Neil's Rebellion and the Decline of Gaelic Ireland

Tyrone's Rebellion: The Outbreak of the Nine Years War in Tudor Ireland
Hiram Morgan
Manufacturer: Boydell Press
ProductGroup: Book
Binding: Paperback

General | Europe | History | Subjects | Books

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ASIN: 0851156835

Book Description

As a study of both Tudor Anglo-Irish relations and the sixteenth-century, Morgan's work is first rate, thoughtful, well-researched and subtle. ARCHIVES Fascinating piece of detective work... No serious student of late Tudor Ireland can afford to ignore this rigorous and painstaking analysis. HISTORY Between 1594-1603 Elizabeth I faced her most dangerous challenge - the insurrection in Ireland known to British historians as the rebellion of the earl of Tyrone, and to their Irish counterparts in the Nine Years War. This study examines the causes of the conflict in the developing policy of the Crown, which climaxed in the Monaghan settlement of 1591, and the continuing resilience of the Gaelic system which brought to power Hugh Roe O'Donnell and Hugh O'Neill. The role of Hugh O'Neill, the earl of Tyrone, was pivotal in the conspiracies leading up to the war and in the leadership of the Irish cause thereafter. O'Neill's acceptance of an alliance with Spain rather than a fragile compromise with England is the terminal point of the study. By exploiting all the available source material, Dr Morgan has not only provided a critical reassessment of the early career of Hugh O'Neill but also made an original and lasting contribution to both Irish and Tudor historiography. HIRAM MORGAN is lecturer in history, University College, Cork.

Customer Reviews:

The most comprehensive history on The Earl of Tyrone to date.......2001-09-07

A study on the influencing factors of key decisions made by Hugh O'Neill, Earl of Tyrone and events leading up to the 'Nine Years War" with England. Unlike many other works, there are references to key players in these events including the Earl's brothers Cormac and Airt as well as Hugh Maguire, Red Hugh O'Donnell, and others.
Hugh O'Neill, an Irishman who was taken into custody as a child and trained in the English manner, returns to Ireland. His eldest brother Brian dies leaving him taniste to the title of 'The O'Neill'. Political intrigue ensues when a rival family member claims the title for himself. Meanwhile, the English crown seeks to plant more settlers in Ireland. O'Neill takes the sword for England and earns his title 'Earl of Tyrone'
The temperament and willpower of a man largely ignored by the Crown comes into question as he is dogged by enemies and harrassed by the state. Further problems arise when English troops establish fortifications on his land.
The book becomes a study of the events and circumstances surrounding O'Neills decision to seek aid from the Catholic King Phillip of Spain and turn his back on the tyrannical and genocidal Tudor advance.
The tactics used by O'Neill while negotiating and fighting are the roots of 'guerilla warfare'. The successes at Clontibret, Enniskillen, and the Yellow Ford are mirrored by the Irish failure to win the disasterous battle of Kinsale.
As evidence for the author's conclusions, he includes a letter written by Cormac O'Neill, the Earl's brother, requesting aid from King Phillip II of Spain.
As the author is a historian, all references are cited.
2001 marks the 400th Anniversary of the Battle of Kinsale. This work is a must have for any serious student of Irish history.

The Nine Years War.......2000-04-07

A 'must read' for any serious student of Irish history. To fully understand why Ireland is in the political conundrum it is you must first understand where the divisions between religion and politics began. The Geraldine and Butler leagues implemented by Sir Henry Sidney are merely the start, the ineptitude of Tudor officials the catalyst, and the rising power of Hugh O'Neill and his confederacy of Irish Lords and Cheiftans who had been wronged by English policy the vehicle. This book paints the most vivid picture of the people and the events responsible for the conflict. A look at a rare letter written by Cormac Mac Baron to King Phillip II of Spain is used to re-enforce the arguments propounded within the text. The authour, a historian, has clearly done more in-depth research on the subject than any other author to date and accurately describes (for the first time ever) the true story of The O'Neill.

an excellent study for any reader interested in early modern.......2000-04-05

This is a slight revision of my review of the hardcover version. Such a good book should be affordable. Hiram Morgan's monograph is an excellent study for any reader interested in early modern British or Irish history. One cannot understand the contemporary Protestant versus Roman Catholic distrust, animosity, and cultural divide in Northern Ireland without understanding the English Tudor's racist Irish policy of colonization.

One of Morgan's major contributions is to put the causes of Tyrone's Rebellion into the even broader context of late 16th century Europe, where the Protestant-Catholic religious divide, intensified by the Catholic Counter-Reformation, shaped national and international politics, while at the same time, the centralizing tendencies of nations like England conflicted with the lordships of Ireland. Morgan places the England-Ireland conflict within the same overarching political and religious context as the Spanish war in the Netherlands. Catholic Spain supported the Irish rebellion.

The author is no polemicist. He has grounded his study in English and Irish manuscript sources and Spanish archives and supplied readers with decent maps, and an important revisionist interpretation of this crucial but strangely overlooked rebellion.

Tyrone's Rebellion was led by the controversial Hugh O'Neil, the earl of Tyrone. This outbreak was the culmination of growing Irish animosity towards intrusive Tudor policy, but as mentioned above, according to Morgan it was not mere "Tudor rebellion." Despite the Tudor's usually successful strategy of divide-and-conquer, the ignorance and heavy-handed tactics of Elizabeth I's English administrators managed to unite the Gaelic chieftans with the Anglo-Irish (English or Norman expatriates who had become "more Irish than the Irish themselves") in opposition to English plantation and pacification under the leadership of O'Neil. O'Neil was his own man, and Morgan refutes the old steretype that O'Neil was the "creature" of Elizabeth's court. The rebellion was fomented in 1593-94, broke out in 1598 Battle of Yellow Ford), and lasted until 1607 (after Elizabeth I had died, and been succeeded by James I).

O'Neil's Rebellion and the Decline of Gaelic Ireland.......2000-04-01

Hiram Morgan's monograph is an excellent study for any reader interested in early modern British or Irish history. One cannot understand the contemporary Protestant versus Roman Catholic distrust, animosity, and cultural divide in Northern Ireland without understanding the English Tudor's racist Irish policy of colonization. One of Morgan's major contributions is to put the causes of Tyrone's Rebellion into the even broader context of late 16th century Europe where the Protestant-Catholic religious divide shaped national and international politics. The author is no polemicist. He has grounded his study in manuscript sources and Spanish archives (Catholic Spain supported the Irish rebellion).

Tyrone's Rebellion was led by the controversial Hugh O'Neil, the earl of Tyrone. This outbreak was the culmination of growing Irish animosity towards intrusive Tudor policy. Despite the Tudor's usually successful strategy of divide-and-conquer, the ignorance and heavy-handed tactics of Elizabeth I's English administrators managed to unite the Gaelic chieftans with the Anglo-Irish (English or Norman expatriates who had become "more Irish than the Irish themselves") in opposition to English plantation and pacification under the leadership of O'Neil. The rebellion was fomented in 1593-94, broke out in 1598 (Battle of Yellow Ford), and lasted until 1607 (after Elizabeth I had died, and been succeeded by James I).

Tyrone, the "arch rebel," ultimately came to terms days after Elizabeth's death, and went into exile (the famous "flight of the earls"). Robert Devereaux, the earl of Essex, and one of the queen's favorites, was not so fortunate. His personal ambition, military incompetence, and defiance of his majesty's orders cost him his life. While the fate of such elite persons (along with the great apologist of English policy - poet Edmund Spenser) is well known, one of Morgan's minor oversights, which is common in most books about this era, is a lack of attention to the appalling fate of the masses of English and Irish who were slaughtered on both sides of this early version of total war. Half of Ireland was destroyed. The result was famine, disease, and anarchy. The war cost the stingy Tudors a fortune in expenditures and debts. But England prevailed and secured Ireland from being a threatening base of operations for Spain or France. The "flight of the earls" - the "wild geese" - scattered throughout continental Europe, signaling the decline - but not the end - of Gaelic Ireland.

Around the Year
Average customer rating:
Around the Year
Tasha Tudor
Manufacturer: Simon & Schuster
ProductGroup: Book
Binding: Hardcover
ASIN: B000WXEB2S

Average customer rating:
Around the Year
Tasha Tudor
Manufacturer: Henry Z. Walck, Inc
ProductGroup: Book
Binding: Unknown Binding
ASIN: B0000CJUH2

Average customer rating:
Around the Year
Tasha Tudor
Manufacturer: U.S.A.: Henry Z. Walck, Inc. 1957
ProductGroup: Book
Binding: Hardcover
ASIN: B000NZ3LZ8

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