Average customer rating:
- Nice man, wandering story...
- ****LOVED IT****
- MEASURE OF A MAN does not measure up
- SPIRITUAL "Of, Relating to, Consisting of, or Affecting the Spirit" MERRIAM-WEBSTER
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The Measure of a Man: A Spiritual Autobiography (Oprah's Book Club)
Sidney Poitier
Manufacturer: HarperSanFrancisco
ProductGroup: Book
Binding: Paperback
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ASIN: 0061357901
Release Date: 2007-01-26 |
Book Description
"I have no wish to play the pontificating fool, pretending that I've suddenly come up with the answers to all life's questions. Quite that contrary, I began this book as an exploration, an exercise in self-questing. In other words, I wanted to find out, as I looked back at a long and complicated life, with many twists and turns, how well I've done at measuring up to the values I myself have set."
—Sidney Poitier
In this luminous memoir, a true American icon looks back on his celebrated life and career. His body of work is arguably the most morally significant in cinematic history, and the power and influence of that work are indicative of the character of the man behind the many storied roles. Sidney Poitier here explores these elements of character and personal values to take his own measure—as a man, as a husband and a father, and as an actor.
Poitier credits his parents and his childhood on tiny Cat Island in the Bahamas for equipping him with the unflinching sense of right and wrong and of self-worth that he has never surrendered and that have dramatically shaped his world. "In the kind of place where I grew up," recalls Poitier, "what's coming at you is the sound of the sea and the smell of the wind and momma's voice and the voice of your dad and the craziness of your brothers and sisters...and that's it." Without television, radio, and material distractions to obscure what matters most, he could enjoy the simple things, endure the long commitments, and find true meaning in his life.
Poitier was uncompromising as he pursued a personal and public life that would honor his upbringing and the invaluable legacy of his parents. Just a few years after his introduction to indoor plumbing and the automobile, Poitier broke racial barrier after racial barrier to launch a pioneering acting career. Committed to the notion that what one does for a living articulates to who one is, Poitier played only forceful and affecting characters who said something positive, useful, and lasting about the human condition.
Here is Poitier's own introspective look at what has informed his performances and his life. Poitier explores the nature of sacrifice and commitment, price and humility, rage and forgiveness, and paying the price for artistic integrity. What emerges is a picture of a man in the face of limits—his own and the world's. A triumph of the spirit, The Measure of a Man captures the essential Poitier.
Customer Reviews:
Nice man, wandering story..........2007-10-04
I had to force myself to finish this book, simply because I didn't want to waste my money by leaving it when I was tempted to. It was interesting to realize that an actor whose work I had appreciated came from such a spare beginning, but by halfway through the book, the continuous wandering asides and disclaimers of the author so overwhelmed the narrative that I could barely tolerate it. It seems to me that the story could have been told to greater effect with half the words!
****LOVED IT****.......2007-09-24
Kept me interested...I really enjoyed this book...I couldn't put the book down until I finished reading it!!!!
MEASURE OF A MAN does not measure up.......2007-09-21
Wow, a book about Sidney Poitier. An outstanding actor with a book that just does not give him true justice. The reading tends to be dry and lacks substance. His life struggles could have been the story of any man or woman, black or white. The writing and editing are weak in some sections.
You should rent or buy one of Poitier's movies instead. His movie roles show his true skills.
SPIRITUAL "Of, Relating to, Consisting of, or Affecting the Spirit" MERRIAM-WEBSTER.......2007-08-30
I've always been smitten with Poitier's voice--his diction and control on film, the flow of his words as they travel in and around ideas during interviews--so I read THE MEASURE OF A MAN with an ear for his voice. I wondered, Is it translatable to print? It is, but that means allowing Poitier's thoughts to meander until they find their point, and that his thoughts are less formulated (or formal) and more "in his own words," than they might be if they were written by a biographer. (I read just enough "You know?"s "You hear me when I tell you?"s and "You follow?"s to feel like he was talking to me, but not too many to be annoyed.) I read to imagine what it might be like to have a conversation with Poitier. The book reinforced what I already knew--I'd be as intimidated as heck--but it also gave me the courage to think I'd be able to speak my mind.
As an editor, I read Poitier's book because I wanted to know how he defines a "spiritual" autobiography. Is it a I-Was-A-Sinner-But-I-Found-Jesus-And-Now-I'm-Saved chronology? Is it about how Christianity or another faith influenced his life? Neither. Poitier examines the people, events, circumstances, beliefs, and so on, which have related to, consisted of, or affected his "spirit," and, in doing so, he writes about childhood experiences in the Bahamas, his changing perceptions of his parents, how he adapts to living in the United States, his approach to acting and filmmaking, and his attitude toward fatherhood. He also shares a debate a friend and he had about the Basic Truth of Nature, a debate worth every second of reading it takes to get to.
Is THE MEASURE OF A MAN going to satisfy readers interested only in Poitier's film career? No, but I urge them to read it anyway, if for no other reason than to find out how his "spirit" influenced the films he starred in.
Books.......2007-08-21
I purchased this book for my daughter and she loved it!
She is a teacher and plans to teach this story in her English class fall 2007.
A great story with a great moral.
Amazon.com
Jeannette Walls's father always called her "Mountain Goat" and there's perhaps no more apt nickname for a girl who navigated a sheer and towering cliff of childhood both daily and stoically. In The Glass Castle, Walls chronicles her upbringing at the hands of eccentric, nomadic parents--Rose Mary, her frustrated-artist mother, and Rex, her brilliant, alcoholic father. To call the elder Walls's childrearing style laissez faire would be putting it mildly. As Rose Mary and Rex, motivated by whims and paranoia, uprooted their kids time and again, the youngsters (Walls, her brother and two sisters) were left largely to their own devices. But while Rex and Rose Mary firmly believed children learned best from their own mistakes, they themselves never seemed to do so, repeating the same disastrous patterns that eventually landed them on the streets. Walls describes in fascinating detail what it was to be a child in this family, from the embarrassing (wearing shoes held together with safety pins; using markers to color her skin in an effort to camouflage holes in her pants) to the horrific (being told, after a creepy uncle pleasured himself in close proximity, that sexual assault is a crime of perception; and being pimped by her father at a bar). Though Walls has well earned the right to complain, at no point does she play the victim. In fact, Walls' removed, nonjudgmental stance is initially startling, since many of the circumstances she describes could be categorized as abusive (and unquestioningly neglectful). But on the contrary, Walls respects her parents' knack for making hardships feel like adventures, and her love for them--despite their overwhelming self-absorption--resonates from cover to cover. --Brangien Davis
Book Description
Jeannette Walls grew up with parents whose ideals and stubborn nonconformity were both their curse and their salvation. Rex and Rose Mary Walls had four children. In the beginning, they lived like nomads, moving among Southwest desert towns, camping in the mountains. Rex was a charismatic, brilliant man who, when sober, captured his children's imagination, teaching them physics, geology, and above all, how to embrace life fearlessly. Rose Mary, who painted and wrote and couldn't stand the responsibility of providing for her family, called herself an "excitement addict." Cooking a meal that would be consumed in fifteen minutes had no appeal when she could make a painting that might last forever.
Later, when the money ran out, or the romance of the wandering life faded, the Walls retreated to the dismal West Virginia mining town -- and the family -- Rex Walls had done everything he could to escape. He drank. He stole the grocery money and disappeared for days. As the dysfunction of the family escalated, Jeannette and her brother and sisters had to fend for themselves, supporting one another as they weathered their parents' betrayals and, finally, found the resources and will to leave home.
What is so astonishing about Jeannette Walls is not just that she had the guts and tenacity and intelligence to get out, but that she describes her parents with such deep affection and generosity. Hers is a story of triumph against all odds, but also a tender, moving tale of unconditional love in a family that despite its profound flaws gave her the fiery determination to carve out a successful life on her own terms.
For two decades, Jeannette Walls hid her roots. Now she tells her own story. A regular contributor to MSNBC.com, she lives in New York and Long Island and is married to the writer John Taylor.
TO INQUIRE ABOUT SCHEDULING JEANNETTE WALLS FOR SPEAKING ENGAGEMENTS PLEASE CONTACT:
Keppler Speakers
Dustin L. Jones
Associate, College & University Division
703.516.4000 (P)
703.516.4819 (F)
Customer Reviews:
The Glass Castle.......2007-10-18
This is an amazing book. The life experiences of the author and her siblings really makes you wonder how they turned out as well as they did. It also raises the question of whether the parents suffered from mental illness, were criminally neglectful of their chilren or just truly outside of the box thinkers.
Courageous But Sad.......2007-10-18
Wow...this book is just amazing, i cant believe all the stuff this woman had to go threw as a child...and I'm glad i do not have Rex & Rosemary as my parents....Truly great book and made me cry half of the time.
If I hadn't read this book I would not have thought of what its like to those who hardly eat and are with no money.
This story is amazing and took an impact on me...and I will always remember this amazingly courageous sad story...
Glass Castle.......2007-10-17
Wow... haven't we all held out for the moment we commence to build our Glass Castle? "Just as soon as".... we get the perfect plans, enough time, money, etc. FABULOUS book that was written (just like I'd like to write one!) to give us glimses into our own grandiosity, missed opportunities, fixed beliefs, and rationalizations. I saw EVERYONE in my family in this book; maybe the whole human race makes an appearance, but it definitely will come alive for anyone raised by alcoholics. Couldn't stop reading it and now can't stop talking about it.
Writing on eggshells.......2007-10-17
I read all memoirs with a grain of salt mainly because I have a terrible memory and I don't understand how people can remember things they said when they were 3 yrs old (before the digital photography age of course). As far as memoirs go, this one is very interesting and does move fast. It also poses very interesting questions about parenting because the kids turn out okay despite growing up poorer than "po," in environments I shudder to think about, and with completely self-obsessed neglectful parents. It also put a new interesting face on homelessness.
However, the author is horrible about maintaining a believable/easy to follow timeline in the first half of the book. It seems she was 3-5 yrs old for much of that time. How reliable is a 3-5 yr old's memory? There were also several places where the writing lacked transition. That just annoyed the schoolmarm in me.
My main complaint is that the author seemed to be trying not hurt anyone's feelings as she wrote. Maybe she's a better person than me, but I don't understand how she could be so free of resentment despite the upbringing she described. She tried to show every family member in a positive light up until the end. I can understand forgiving her parents for neglecting, starving, and generally abusing her and her siblings, but I'm not sure she told the whole truth about her feelings. Then again, maybe half truths are par for the course when it comes to memoir.
Overall, I did like this and would recommend it.
The Glass Castle.......2007-10-16
One of the best books I have ever read. I just could not put it down. One life event while growing up just tops another.To rise above her circumstances and make a postive life for herself is just a tribute to the strength she has within her spirit. It was so inspiring to see them make the best of themselves even thou the example they had was so poor. My hat is off to Jeanette Walls and her siblings.
Book Description
In one of the most anticipated books of the year, Lee Woodruff, along with her husband, Bob Woodruff, share their never-before-told story of romance, resilience, and survival following the tragedy that transformed their lives and gripped a nation.
In January 2006, the Woodruffs seemed to have it all–a happy marriage and four beautiful children. Lee was a public relations executive and Bob had just been named co-anchor of ABC’s World News Tonight. Then, while Bob was embedded with the military in Iraq, an improvised explosive device went off near the tank he was riding in. He and his cameraman, Doug Vogt, were hit, and Bob suffered a traumatic brain injury that nearly killed him.
In an Instant is the frank and compelling account of how Bob and Lee’s lives came together, were blown apart, and then were miraculously put together again–and how they persevered, with grit but also with humor, through intense trauma and fear. Here are Lee’s heartfelt memories of their courtship, their travels as Bob left a law practice behind and pursued his news career and Lee her freelance business, the glorious births of her children and the challenges of motherhood.
Bob in turn recalls the moment he caught the journalism “bug” while covering Tiananmen Square for CBS News, his love of overseas assignments and his guilt about long separations from his family, and his pride at attaining the brass ring of television news–being chosen to fill the seat of the late Peter Jennings.
And, for the first time, the Woodruffs reveal the agonizing details of Bob’s terrible injuries and his remarkable recovery. We learn that Bob’s return home was not an end to the journey but the first step into a future they have learned not to fear but to be grateful for.
In an Instant is much more than the dual memoir of love and courage. It is an important, wise, and inspiring guide to coping with tragedy–and an extraordinary drama of marriage, family, war, and nation.
A percentage of the proceeds from this book will be donated to the Bob Woodruff Family Fund for Traumatic Brain Injury.
Customer Reviews:
IN AN INSTANT.......2007-10-05
TOTALLY ENJOYED THE CD OF THIS BOOK. A HEARTFELT STORY OF LOVE, PAIN AND RECOVERY.
Up from the trenches.......2007-09-29
This is a story of remarkable courage and love. Medicine and therapy have come a long way, but the personal strength of one person doing the hard work, and another staying by their side, is (I believe) what brings people back to a life worth living after so tremendous a trajedy. Other books about brain trauma: The Shiloh Renewal and I'll Carry the Fork! Recovering a Life After Brain Injury
One of the best books I've ever read!.......2007-09-26
What a wonderful & informative book. I really enjoyed all of the background information. It was a very touching love story. Having gone through 3 brain surgeries myself and my daughter's brain surgery also, gave me a fraction of knowledge on the recovering brain, but the book certainly gives an abundance of information. I've always thought Bob was absolutely fantastic, but I really enjoyed Lee's side of the story. Bravo and Good bless you both Bob & Lee!!!
Interesting book.......2007-09-09
Interesting book - I read it because I was curious what had happened to Bob Woodruff after his injury, because the of the lack of information regarding his condition. It is interesting to me that insiders in the media can control what information gets out about them personally; however others are not so fortunate - their names, faces and not-so-flattering images are splashed across news screens every day.
The book was interesting, but I felt that Lee Woodruff ends up protraying herself as a selfish wife who is annoyed first at her husband's career and then annoyed at the inconvenience his injury caused their family. She describes herself several times as a "single parent" because Bob travelled so much. As a real-life single parent, this completely offended me. A single parent not only cares for their children alone, they also support them alone. A single parent is not a wife of a guy with a six-figure salary who happens to work a lot. If Lee had left these comments out, the book would have been much more palatable.
In An Instant.......2007-08-23
This book was excellent. I thoughthly enjoyed it. My sister is not reading it.
Book Description
In this raucous collection of true-life stories, actress and comedian Chelsea Handler recounts her time spent in the social trenches with that wild, strange, irresistible, and often gratifying beast: the one-night stand.
You've either done it or know someone who has: the one-night stand, the familiar outcome of a night spent at a bar, sometimes the sole payoff for your friend's irritating wedding, or the only relief from a disastrous vacation. Often embarrassing and uncomfortable, occasionally outlandish, but most times just a necessary and irresistible evil, the one-night stand is a social rite as old as sex itself and as common as a bar stool.
Enter Chelsea Handler. Gorgeous, sharp, and anything but shy, Chelsea loves men and lots of them. My Horizontal Life chronicles her romp through the different bedrooms of a variety of suitors, a no-holds-barred account of what can happen between a man and a sometimes very intoxicated, outgoing woman during one night of passion. From her short fling with a Vegas stripper to her even shorter dalliance with a well-endowed little person, from her uncomfortable tryst with a cruise ship performer to her misguided rebound with a man who likes to play leather dress-up, Chelsea recalls the highs and lows of her one-night stands with hilarious honesty. Encouraged by her motley collection of friends (aka: her partners in crime) but challenged by her family members (who at times find themselves a surprise part of the encounter), Chelsea hits bottom and bounces back, unafraid to share the gritty details. My Horizontal Life is one guilty pleasure you won't be ashamed to talk about in the morning.
Customer Reviews:
Just ok...not side splitting funny........2007-10-13
From reading most of the reviews, you would think that this was a drop dead hilarious book but, in my opinion it really isn't that funny. I thought it took awhile to get going and even then it had it's slow parts. But, I must admit the last three chapters do make up for the rest of the book!
If you are looking for a book you can spend a day reading curled up on the couch and be somewhat entertained then this is the book for you. Afrer all, it is a very quick read. If you are looking for a book with side splitting laughs, you might want to look somewhere else.
TOO FUNNY!!!.......2007-10-01
So I noticed a lot of people bashing this book for Chelsea being a pill-poppin tramp who only loves vodka and sex... and she WAS, but I found this book hilarious!!! I am in my late 20's and found this book to be extremely funny, witty and courageous (because Lord knows I wouldn't write about my past sex life for all my family and friends to read!)
I laughed nearly the entire book - especially about the S&M guy who wanted to be "smacked". HAHA!
Good job Chelsea! You continue to make me laugh and I'll def pick up another one of your books! See you on E!
Hilarious, fast read.......2007-09-20
One of the funniest, laugh out loud books ive ever read. It's become a favorite gift to give to my girlfriends!
The title really IS misleading.......2007-09-06
This book really is about Chelsea's "near misses". Instead of gloriously detailed sex-capades, her writings were more about her trying to weasel out of sex related situations. Reading it, I had a hard time believing that her character was even having sex at all. There was all this fluff concerning wild and crazy conversations/situations that would ultimately lead up to the 'come back to my room?' moment, which would then be quickly followed with her chickening out and having to find a less than tactful means of escape. I was left thinking that her character would be the type to walk around shouting 'I'm a slut! Come on boys!', when in reality all she would do is kiss. Not very promiscuous. The entire book was impersonal and, at times, had struggled to remain witty. It was surprising to find that by the last five or six pages, Chelsea actually began to write in a more biographical style where you began to feel some sort of raw emotion from her, which had been refreshing after two-hundred pages of emptiness. I don't regret having read it, I'm just a little sad with the money wasted purchasing it.
Let's here it for Chelsea Handler!.......2007-08-30
While I am a fan of Chelsea's stand up I found reading it and hearing it in the voice of hers I'm familiar with even more entertaining. Not all the jokes I've heard live on her show have the kind of punch that the material in this laugh out loud book does. It's a great book if you want to have a really good time and also have the freedom to put it down after each chapter/story. You can use this book as your light pick me up reading between deeper, darker, heavier reading.
Just so we're clear this book will teach you nothing about sex. It is in no way "erotic". Chelsea is merely offering up her sex life as comic material that is truly unique!
Book Description
Handcuff King. Escape Artist. International Superstar. Since his death eighty years ago, Harry Houdini's life has been chronicled in books, in film, and on television. Now, in this groundbreaking biography, renowned magic expert William Kalush and best-selling writer Larry Sloman team up to find the man behind the myth. Drawing from millions of pages of research, they describe in vivid detail the passions that drove Houdini to perform ever-more-dangerous feats, his secret life as a spy, and a pernicious plot to subvert his legacy.
After years of struggling on the dime museum circuit, Harry Houdini got a break that put him on the front page of a Chicago newspaper. He never looked back. Soon Houdini was performing for royalty, commanding vast sums, and exploring the new power of Hollywood to expand on his legend.
At a time when spy agencies frequently co-opted amateurs, Houdini went to London and developed a relationship with a man who would run MI-5. For the next several years, the world's most famous magician traveled to Germany and Russia and routinely reported his findings.
After World War I was successfully concluded, Houdini embarked on a battle of his own. He created a group of disguised field operatives to infiltrate the seamy world of fake spirit mediums. In doing so, Houdini triggered the wrath of fanatical Spiritualists, led by the esteemed British author Sir Arthur Conan Doyle. Death threats became an everyday occurrence, but the group would pose an even greater danger to Houdini's legacy.
Rigorously researched, and as exciting as a good thriller, The Secret Life of Houdini traces the arc of the master magician's life from desperate poverty to worldwide legend, initiating the reader along the way into the arcane world of professional magic. In this remarkable book, Kalush and Sloman decode a life based on deception, providing an intimate and riveting portrayal of Houdini, the man and the legend.
Customer Reviews:
Really 4.75 Stars - Fabulous Book.......2007-10-04
This book is fantastic on so many levels. One doesn't even have to like magic to appreciate this book, but it sure helps. The authors have done a wonderful job of painting the social scene, class hierarchy and the world at large during this time period. In the true style of a Houdini dichotomy, while there's not much new we learn, we learn so much that's new.
The book heavily follows Houdini's involvement with the spiritualist movement, in particular, a Boston spiritualist named Margery.
I can not recommend this book highly enough.
Harry Houdini : The Man, The Myth, The Spy, The Secret Service Agent.......2007-05-18
Harry Houdini : The Man, The Myth, The Spy, The Secret Service Agent
A lot of people love reading about Harry Houdini the magician, the Handcuff King the escape artist but did you know that he was a spy & a Secret Service agent? I can prove it with one book & a few well versed words here. The book I am talking about is one I am just over half way through & it is entitled "The Secret Life of Houdini : The Making of a Superhero."
This book is awesome & I encourage everyone to read it and enjoy the story of Harry Houdini from beginning to end. It tells about the man, the myth, the spy, the Secret Service agent who was a performer who made the world love him & his shows & continually conquered his every demon, including his own self loathing while continually re-creating himself for the world at large.
Yes this book still fits into this world of the wide web that is the internet. The book is all about how all of Harry Houdini's having been a major instigator in World War I in the propaganda & success of America while Harry Houdini, or some may know him better as Ehrich Weiss, a Jewish man who changed his identity to fit better into the world and to better sell himself to the world as an entertainer at large for War World I in the rise of Germany the first time it came to power.
The fact that the book is from archival data and letters both from & to Harry Houdini is what makes this book so intriguing. Please feel free to enjoy the book & I would love to hear anyone else's opinion & thoughts on this subject. A lot of people do not know that the Secret Service was a spy agency at one time and was connected to the spy world like the C.I.A., N.S.A., D.I.A. & the rest of the alphabet Intelligent Agencies.
Harry Houdini taught our American Dough Boys how to escape from handcuffs, being tied in ropes, & how to escape from torpedoed ships by being on stage in an ampitheater & having actually being a teacher of the American military.
spooky.......2007-04-26
Good book but Harry was given something to drink by a woman that slowly killed him.
Comprehensive and Fascinating.......2007-04-18
What a fascinating and readable story. The addition of conjectured dialogue, authentic letters, and numerous thoughtfully placed photographs gives this mammoth biography the feel of both a novel and an A&E special.
It is near impossible to condense this book into a review, but I will say what beguiled me the most was the concept of how the extent and grandeur of Houdini's worldwide fame--in his own lifetime--was conceived and flawlessly executed by his own will and brilliance in an age of no television and no Internet.
The thoroughness of the book is what makes it impressive. It's also what makes it hard to finish. For the length of the book, I can't see how the authors could have made it more exciting, but I can't help thinking that some of the details could have been cut out for the sanity of the reader. I would liken it to the most interesting textbook I've ever read.
Serious and complete.......2007-04-15
This is a very serious and complete biography. I bought this expecting something more for the masses, lots of rumor and sensationalism. In fact, it's a very thoughtful book, with lots of detail and very little speculation, presenting many of the lesser known aspects of Houdini's life, including his campaign against spiritualism and fraudulent mediums, and his extraordinary physical prowess. Not everything was a trick. Many things he accomplished by sheer force of will. Houdini was clearly much more multidimensional than portrayed in movies and popular references. The book also includes many details on the culture and other celebrities of the time; the extensive information on Sir Arthur Conan Doyle was especially interesting. I give it 4 stars only for the fact that there are no footnotes or references. I understand that the authors chose to put those on their Web site, but they're much less useful separated from the book they document.
Book Description
- In his debut as an author, Denzel Washington shares his personal story of the mentors who helped guide his life.
- Washington pens the introduction for the stories of more than 70 of America's leading personalities in theatre, sports, business, and politics as they tell their life-changing stories of mentorship.
- Contributors include Jimmy Carter, Bill Clinton, Antwone Fisher, Bonnie Raitt, Cal Ripken, Alex Rodriguez, Dick Vitale, Whoopie Goldberg and more.
- A portion of the book's proceeds benefit 4.5 million children currently involved in the Boys & Girls Clubs of America.
Customer Reviews:
A Push to a Certain Path at a Certain Time...to Reach Our Certain Purpose.......2007-07-22
In "A Hand to Guide Me," American film star and legend, Denzel Washington, sets out shine a light on the 100 year old Boy's & Girl's Clubs of America, an organization of 3,700 serving more than 4.4 million children in all 50 states. Washington's eventual success can be traced directly to the Boys Club in his home town, Mt. Vernon, New York. It was there, by necessity, that he learned purpose, consequences, and how to be a man.
"A Hand to Guide Me" is a collection of short stories by ordinary people from ordinary beginnings, accomplishing extraordinary things. Six dozen people from diverse backgrounds share their memories about role models, mentors and positive influences in their lives. Some are household names like coach John Wooden, director John Singleton, author Toni Morrison, General Wesley Clark and former President Jimmy Carter. Many are alumni of Girls and Boys Clubs of America, while others have taken on leadership roles in these clubs. And some were asked to contribute because there was something to learn from their voice. These are very readable stories ranging in length from two to four pages.
All of the contributors have outgrown a hardship or two to reach a significant level of success and can draw a line from their success to some rock solid foundational experience - sometimes it is a parent, a coach, a neighbor or the inspiration derived from a tragic event.
Washington's resonant message is that we are all extraordinary in our own way but we don't go it alone. There are people on whose shoulders we stand and we, in turn, can provide a shoulder for others.
The Boys and Girls Clubs of America are the center of everything for many kids today, providing a shoulder for millions of kids and making a vital contribution to the future of our society. They are a breeding ground for hope, purpose, and direction - where many have learned strength, confidence, and the freedom to dream...to think big.
Diverse Reflections of Role Models.......2007-06-15
Denzel Washington uses his star power to assemble personal recollections from assorted successful folks (primarily alumnae of the Boys and Girls Clubs Organizations) about the people who shaped THEIR lives as youngsters.
Some of the stories are more interesting and inspiring than others, and I couldn't help but wonder if this volume couldn't have benefitted from more cohesive editing. But the bottom line is that these are positive and uplifting pages that remind us "if you want to change history, start by changing the life of a child."
A wonderful and inspiring read.......2007-04-10
Denzel Washington has captured the most interesting and inspiring series of short stories and memories I have read in a long time. The people on these pages have very compelling stories and are well written.
Useful in and out of the classroom.......2007-04-06
I bought this book to use in the classroom. I teach high school students and I think its really important that students these days read about people who made it in life and have a good message to give to the students. In this book there are so many positive stories and very short stories that students will not get bored.
Washington really pulled it off by making the book and the stories in it the star. One can look at the cover of the book and think that maybe its all about Washington but its not. There are stories from Bill Clinton to Jimmy Carter. It's really a fantastic read and I think it has helped many of my young male students who have been searching for a role model.
My Son.......2007-03-10
I sent this book to my son who is an Army Officer in Iraq...
He recently lost a good man from his group due to an IED
He said ....
"He changed my life and will be with me always"
this book made me think of them ....
my son loves to read so it seemed as though this book would be a good match .....
Book Description
Now in paperback, the New York Times bestseller by one of rocks most provocative figures Scar Tissue is Anthony Kiediss searingly honest memoir of a life spent in the fast lane. In 1983, four self-described knuckleheads burst out of the mosh-pitted mosaic of the neo-punk rock scene in L.A. with their own unique brand of cosmic hardcore mayhem funk. Over twenty years later, the Red Hot Chili Peppers, against all odds, have become one of the most successful bands in the world. Though the band has gone through many incarnations, Anthony Kiedis, the groups lyricist and dynamic lead singer, has been there for the whole roller-coaster ride. Whether hes recollecting the influence of the beautiful, strong women who have been his muses, or retracing a journey that has included appearances as diverse as a performance before half a million people at Woodstock or an audience of one at the humble compound of the exiled Dalai Lama, Kiedis shares a compelling story about the price of success and excess. Scar Tissue is a story of dedication and debauchery, of intrigue and integrity, of recklessness and redemptiona story that could only have come out of the world of rock.
Customer Reviews:
Scar Tissue.......2007-09-06
Exactly what I was looking for, good book, good price, and took 5 days to ship as opposed to the 1 month it promised.
Brutally Honest.......2007-08-29
This is a fantastic read, and is very well written. Some very cool photos and lyrics are included. I spent the extra money to buy a hardcover version which is a good choice. The drug addiction and honesty that Anthony brings to that disease is worth the read alone. It is awesome he has found a way to deal with his addiction and keep writing and performing at an exceptional level.
truly inspirational book!.......2007-08-13
i was amased by this great reading. anthony isnt only an extraordinary performer but a very good writer. the moment i started reading it, i didn't let it out of my hands. fan or not of RHCP, you'll find this book entertaining.
Drugs, Women, Music and Drugs.......2007-07-25
For those who think they know the Chili Pepper story, or those that are new fans and are unaware of the beligerent lifestyle of the Chili's up unitl this decade, this book clears it all up. Discussed in a narrative voice, all the events and feelings are dictated by Anthony Kiedis and provide a real world connection to these superstars. His individual story as well as the group as a whole is shared in a way that makes them seem so human and makes anyone wonder, "how are these guys still alive, sane, and still making beautiful, boandary pushing music together?"
Never a dull moment!.......2007-07-15
All I can say is that I wanted to have a book to read over the course of about half of the summer and instead I read it in just a couple of days! It's heartfelt & candid. And its written through the voice of Anthony Kiedis rather than someone taking his thoughts and trying to put them in some dull, refined, intellectual way. Anyway, now I have to find something to read that won't bore me after reading this great book!
Book Description
The definitive biography of Leni Riefenstahl, the woman best known as “Hitler’s filmmaker,” one of the most fascinating and controversial personalities of the twentieth century. It is the story of huge talent and huger ambition, one that probes the sometimes blurred borders dividing art and beauty from truth and humanity.
Two of Riefenstahl’s films, Olympia and Triumph of the Will, are universally regarded as the greatest and most innovative documentaries ever made, but they are also insidious glorifications of Adolf Hitler and the Third Reich. Now, in this masterful new biography, Steven Bach reveals the truths and lies behind this gifted woman’s lifelong self-vindication as an apolitical artist who claimed she knew nothing of the Holocaust and denied her complicity with the criminal regime she both used and sanctified.
The facts and her actions, many unknown until now, bear chilling witness: her passionate enthusiasm for Hitler from her first reading of Mein Kampf; her involvements with Nazi leaders Joseph Goebbels, Martin Bormann, Albert Speer, and Julius Streicher, who advanced her career, and with Hitler, who personally helped finance it; her role as silent eyewitness to wartime atrocities against Jews; and her use of slave labor in the form of concentration camp Gypsies destined for Auschwitz. We see her after the war trying to sell footage to Hollywood under an alias, manipulating a sham “discovery” of the Nuba tribes of Sudan into a career comeback, fighting to disinherit her closest living relatives, and—to the end—unable to express remorse for the millions murdered by the Nazi regime made mythic by her work.
Relying on new sources—including interviews with her colleagues and intimate friends, as well as on previously unknown recordings of Riefenstahl herself—Bach gives us an exceptional work of historical investigation that untangles the past and is also an objective but unsparing appraisal of a woman of spectacular gifts corrupted by ruthless personal ambition.
Customer Reviews:
Good Intro to Leni .......2007-08-29
After reading Jurgen Trimborn's admirable but somewhat inaccessible biography of Riefenstahl, I sought out this book in hopes that it would be friendlier to a Riefenstahl novice such as me. It certainly is an easier read and a much better starting place.
Steven Bach, of Final Cut fame, writes from the standpoint of a motion picture enthusiast. He also has a POV where Riefenstahl's Nazi associations are concerned and he doesn't hide it. For Bach Riefenstahl is the living version of Klaus Mann's Mephisto, a careerist willing to do anything and associate with anyone to advance her "art." He also makes the case (clearly building on Trimborn's work, among others) that Riefenstahl not only had no problem with anything Hitler did or said, she likely agreed with most if not all of it.
Bach's style is that of a gossipy Hollywood bio, which is fine by me, but he's no fan magazine hack. He knows the power of the snide observation and, best of all, how damning Leni's own words were. At times Riefenstahl comes across as downright delusional about her artistic abilities and men's lust for her. To hear her tell it no man so much as entered the same zipcode as Leni Riefenstahl without falling madly in love with her.
Some may have disagreements about Bach's assessment of Riefenstahl's artistic contributions. I've only seen clips of her work so my own opinion is somewhat limited. Bach does make a good case the Riefenstahl either stole the ideas of others or took credit for their work. Bach doesn't buy the argument that the art is more important than the character or actions of the artist. He also doesn't buy that Riefenstahl was much of an artist.
This is no love letter to Leni. It is an entertaining read. Gossipy, slightly bitchy (as one reviewer here has aptly noted), and full of telling details and quotes, this is a easy entry into the myths and controversy that make up Leni Riefenstahl.
Brilliant But Petty and Cruel -- Oh, Wait, That's The Author! .......2007-08-26
Not since Albert Goldman's ELVIS has a dense, full length biography of a sexy, glamorous larger than life legend been written with such sadistic relish, such delicious malicious bitchery and pure venomous guile.
There's no question that Leni Riefenstahl, the stunningly beautiful German woman who made hypnotic propaganda films for the Nazis, was guilty of moral cowardice and hypocrisy, if not during the war, then certainly afterwards. She persisted to the end of her life in wanting to have it both ways -- saying in effect "I didn't know," and at the same time "I was too scared to stop Hitler -- too scared that I would be next." She claimed to have legions of Jewish friends before the war, but she never tried to help them when things got bad, even though she had lots of Nazi influence and power. And she always seemed weirdly out of touch with the human results of Hitler's evil deeds.
The problem is, Steve Bach doesn't know when to quit. He sneers at Leni Riefenstahl not just for the big things -- not strangling Hitler with her bare hands, the way he seems to imagine he would have done -- but for the little things too. The book is full of catty little remarks like, "Leni was always conscious of her hypnotic effect on men" or "Leni didn't mind having handsome, powerful men buy her presents" or "Leni's fearless mountain climbing only made her feminine allure more overpowering to the distinguished male cinema artists who indulged her every creative whim."
It's hard to tell whether Bach hates Leni for being heartless and callous or for being beautiful, talented -- and very knowingly seductive.
There is a much more serious issue here than the hissy ALL ABOUT EVE style bitchery of a jaded Hollywood insider. Bach insists on judging a German film maker by a far more rigorous standard than he would ever apply to the film industry in Hollywood today -- or seventy years ago, for that matter. When Leni goes to Hollywood he brags that the left-leaning Hollywood of 1938 treated the lovely German visitor with scorn -- but how did they treat Margaret Mitchell when she came to town the very next year? Bach has nothing to say about why those same "leftists" failed to prevent the making of a racist epic like GONE WITH THE WIND.
If Leni Riefenstahl shares any part of the guilt for Auschwitz -- and I agree that she does -- then David O. Selznick is equally responsible for the murder of Emmitt Till, the bombings in Birmingham, and all the other hate crimes perpetrated in the Jim Crow south. Bach is in a big hurry to compare Leni to the Stalinist film maker Eisenstein -- arguing in a feeble and half-hearted way that Eisenstein "probably" rebelled at what he was doing. But why not compare Leni Riefenstahl to D.W. Griffiths, or Margaret Mitchell, or David Selznick? All of them dealt in racial hate. They looked the other way while helpless people were tortured and murdered, too. But mentioning America's poisonous history of racial hate would reflect badly on Bach's own milieu. Bach's beloved Hollywood elite never questioned the racial status quo in the Jim Crow south -- at least, not until long after blacks had begun risking their lives to bring the horror of their situation to national attention.
What's really going on here is not genuine, humanistic outrage, but elitist hypocrisy. Bach hates Leni Riefenstahl because he knows that, for all their tiresome liberal cant, just about everyone in Hollywood (and the book world, and the world of leftist Manhattan politics) has the same rat-like survival instincts that Leni had. None of the liberals who demonstrate their courage by hating her guts now ever had to look Hitler in the eye. But they know who would have blinked first. And they know themselves too well to ever show mercy to someone just like them.
Double standard.......2007-08-22
Most of the facts and "facts" in this book cannot be disputed. Only one comment - there were many other people who "cooperated" with the Nazis, but who escape any oprobrium, Richard Strauss name comes to mind. In 1938 he composed "Festliches Praeludium" for the occassion of NSDAP Parteitag, he was the president of Reichsmusikkammer, directly working for Goebbels, he never lifted a finger to help his Jewish friends, etc. etc. Maybe Richard Strauss could be another topic for Steven Bach to delve into.
Good book but, a little too long.......2007-08-11
This was a very good book but, I think Bach gives us too much detail on Leni's life after WWII. I thought the book could have ended much sooner than it did. After all, did we really have to hear about Leni's search for a particular tribe in Africa? It would have suited me fine to hear about her various means of defending herself from various charges as a result of her association with Hitler and the Nazis. I don't see what benefit the inclusion of the African tribe info was to the reader. Still an interesting read.
Leni survives all.......2007-06-14
The author tries and fails to give an evenhanded account of this much reviled woman's life. All this proves once again that the winners write the history. In the meantime he does portray a fascinating and beautiful woman as the opportunist she was without detracting from her worth as a great artist. All in all the best effort so far reflecting an eventful life.
Amazon.com
Neal Gabler's meticulously researched biography, Walt Disney offers the full story (Gabler is the first writer to gain complete access to the Disney archives) of the American icon. Readers will discover the whole story, witnessing Disney's invention of a "synergistic empire that combined film, television, theme parks, music, book publishing, and merchandise." What fans don't know could fill a book (this book in fact), and we asked Gabler to point out a few of the juicy bits. Read our interview with him, and his "10 Things That May Surprise You" list below. --Daphne Durham
10 Second Interview: A Few Words with Neal Gabler
Q: Why Walt Disney?
A: When you write about someone as grandiose as Walt Disney, you may tend to get a little grandiose yourself, so forgive me. But I had always set the task for myself to examine the forces that helped define American culture in the twentieth century and those individuals who might be regarded as the architects of the American consciousness. Walt Disney was certainly one of those forces and one of those architects. His visual sensibility is arguably one of the two most important in the last century, along with Picasso's, yet Picasso has received dozens of biographies and Walt Disney had, when I began, not received a single full-scale, fully-annotated biography. I wanted to fill that gap in our cultural studies. I thought that if one could understand Walt Disney, one could go a long way to understanding American popular culture.
Q: One thing that strikes you when reading the book is that Walt Disney never had any money. With all his success how is that possible?
A: It is astonishing that Walt Disney was always--and I do mean always--in dire financial straits until the opening of Disneyland. The primary reason wasn't that his cartoons weren't making money, because they were--at least until the war in Europe when the loss of that market meant disaster for the features. But even as they were making money, the studio was losing money because Walt was constitutionally incapable of cutting corners, enforcing economies, laying off staff. The only thing about which Walt Disney cared was quality. He thought that quality was the way to maintain his preeminence, though quality also had the psychological advantage of letting him perfect his world. The problem was that quality was expensive. To cite just one example, Walt spent more than a hundred thousand dollars setting up a training program for would-be animators, though even then the return was small because Walt was so picky that very few of the candidates actually qualified to work at the studio. Money meant very little to Walt Disney. It was only a means to an end, never an end in itself.
Q: When did Walt first conceive of the idea for Disneyland and what were the initial reactions to the idea?
A: It is very difficult to determine exactly when Walt hatched the idea for Disneyland, though he seems to have been thinking about it for a long time, at least since the early 1930s. Certainly by the time he was taking his daughters, Diane and Sharon, to amusement parks on Sunday afternoons in the late 1940s, he had formulated the idea to establish a park that was clean and wholesome and where parents wouldn't be afraid to take their children. The original plan was to build the park on a plot adjacent to the studio in Burbank, where there would be a train, a town square, an Indian village and kiddieland rides, but as Walt's ideas expanded, so did the need for a bigger plot. As for the reactions to his idea, Roy was initially reluctant, as usual, and Walt's wife, Lillian, was firmly opposed, though she had also been opposed to his making Snow White. Still, Walt exaggerated the opposition as a way, I think of elevating his own foresight and determination. In fact, as the plan grew closer to realization, corporations sought to be included as lessees, and even banks, that had been skeptical, became more receptive. When the park opened, it was an instant success.
Q: What do you think has been Walt's most lasting impact/legacy on American culture?
A: One could answer this question in a dozen different ways depending on one's priorities, but I think his largest bequest is a matter of the American mind. Walt Disney helped change the national consciousness. He got people to believe in the power of wish fulfillment--in their own ability to impose their wills on a recalcitrant reality. That's what Walt Disney did all his life. He managed to replace reality with his illusions--what some people now refer to disparagingly as Disneyfication. He sold us on the idea of control because Walt Disney was himself a master of control. We see the results everywhere--from film to theme parks to virtual reality to virtual politics.
You Don't Know Disney: 10 Things That May Surprise You
1. He is
not frozen. His body was cremated, and his ashes are interred at the Forest Lawn Cemetery in Glendale, California, near his studio.
2. Mickey Mouse's original name allegedly was Mortimer but Disney's wife Lillian objected because she thought it too "sissified."
3. Some of the names originally considered for the dwarfs in Snow White were: Deafy, Dirty, Awful, Blabby, Burpy, Gabby, Puffy, Stuffy, Nifty, Tubby, Biggo Ego, Flabby, Jaunty, Baldy, Lazy, Dizzy, Cranky and Chesty.
4. Walt Disney suffered a nervous breakdown in 1931 and descended into depression after the war, concentrating his attention on model trains rather than on motion pictures.
5. Fantasia was the result of a chance meeting between Walt Disney and symphony conductor Leopold Stokowski at Chasen's restaurant.
6. During World War II the Disney studio became a war factory with well over 90% of its production in the service of government training, education and propaganda films.
7. The studio stopped production for six months on Pinocchio because Walt felt the title character wasn't likable enough. During this time he devised the idea of introducing Jiminy Cricket as Pinocchio's conscience.
8. Walt Disney received more Academy Awards than any other individual--32.
9. Disney modeled Mickey Mouse on Charlie Chaplin and that Chaplin later assisted the Disneys by loaning them his financial books so they could determine what kind of proceeds they should be getting from their distributor on Snow White.
10. MGM head Louis B. Mayer once rejected the opportunity to distribute Mickey Mouse cartoons shortly after Walt had invented the character because Mayer said that pregnant women would be frightened by a giant mouse on screen.
Book Description
From Neal Gabler, the definitive portrait of one of the most important figures in twentieth-century American entertainment and cultural history.
Seven years in the making and meticulously researched—Gabler is the first writer to be given complete access to the Disney archives—this is the full story of a man whose work left an ineradicable brand on our culture but whose life has largely been enshrouded in myth.
Gabler shows us the young Walt Disney breaking free of a heartland childhood of discipline and deprivation and making his way to Hollywood. We see the visionary, whose desire for escape honed an innate sense of what people wanted to see on the screen and, when combined with iron determination and obsessive perfectionism, led him to the reinvention of animation. It was Disney, first with Mickey Mouse and then with his feature films—most notably Snow White, Pinocchio, Fantasia, Dumbo, and Bambi—who transformed animation from a novelty based on movement to an art form that presented an illusion of life.
We see him reimagine the amusement park with Disneyland, prompting critics to coin the word Disneyfication to describe the process by which reality can be modified to fit one’s personal desires. At the same time, he provided a new way to connect with American history through his live-action films and purveyed a view of the country so coherent that even today one can speak meaningfully of “Walt Disney’s America.” We see how the True-Life Adventure nature documentaries he produced helped create the environmental movement by sensitizing the general public to issues of conservation. And we see how he reshaped the entertainment industry by building a synergistic empire that combined film, television, theme parks, music, book publishing, and merchandise in a way that was unprecedented and was later widely imitated.
Gabler also reveals a wounded, lonely, and often disappointed man, who, despite worldwide success, was plagued with financial problems much of his life, suffered a nervous breakdown, and at times retreated into pitiable seclusion in his workshop making model trains. Gabler explores accusations that Disney was a red-baiter, an anti-Semite, an embittered alcoholic. But whatever the characterizations of Disney’s personal life, he appealed to the nation by demonstrating the power of wish fulfillment and the triumph of the American imagination. Walt Disney showed how one could impose one’s will on the world.
This is a masterly biography, a revelation of both the work and the man—of both the remarkable accomplishment and the hidden life
Customer Reviews:
Greatest Disney Book Ever!!!!!.......2007-10-06
I searched high and low to find the most in depth biography of Walt Disney I could and this book proved to be everything I hoped for and more. It is an extremley complete and comprehensive book about Disney and I would strongly recommend it to anyone who wants to know more about the genius behind the name.
The Ultimate Disney Biography.......2007-10-03
Many biographies have been written about the life of Walter Elias Disney. However none have ever been so complete. Neil Gabler's Walt Disney: The Triumph of the American Imagination is simply magical. Mr Gabler research in the Disney archives for this book and it shows. The attention to detail is amazing, and it is a must read for any Disney fan.
A book that sits you on the lap of Walt himself.......2007-09-26
I have read numerous books on Walt Disney. What I found so important about this book was that the author does not tell one side. He tells all sides. Where as one author may only tell the story he selects in writing about, Neal Garber tells all sides. Leaving the reader in control of what to believe to be true or not. I loved the way Neal wrote this book. I felt like Walt was my friend as I read it. The book is more convincable (i use the word convincable because of so many different accounts of the same story that is conveyed to the reader) because of the time spent researching Walts actions and communication. I highly reccomend this book as the FIRST read of many Walt Disney books. This way when you do read books by other authors (who did not have access to the Disney Archives) you can make your own judgement on whether or not the story is as accurate as the author thinks.
Neal addresses the 'frozen Disney' immediately. At first I wrote him off as hiding the true facts. By the end of the book I believed Neal that Disney was in fact cremated.
I highly recommended this book to tons of people, and I recommend it to you too!
Not exciting but lots of data - and many errors..........2007-09-23
Having collected and read about Walt Disney and animation for 30+ years, I found that the only proper way to read Gabler's biography is as follow-up to the great book by Michael Barrier, "An Animated Man", also available on Amazon. Barrier gives the structure of Walt's life as centered on Walt's true loves: his animation and his parks. While Barrier's book is a very pleasant read, and gives insight in what made Walt tick. As a contrast, Gabler recites data as if it was a class in Latin and represents Walt as a kind of nut. Gabler clearly neither likes nor understands Walt. He also has no knowledge of--or love for--the medium of animation, and he keeps talking of Walt's "animations," an expression that is only used by people who have no idea what they are talking about. But he did have access to the Archives, and thus some things are only to be found in his book. There are many, many factual errors in Gabler's book. A huge list can be found on Barriers's site (Google "GablerErrata"). And as a final note, on that same site, one can read that Diane Disney Miller herself thinks the Gabler book is a gross misrepresentation of her father (Google "Diane_On_Gabler"). So buy both books, read Barrier first, then Gabler, and then make up your own mind!
Good biography, but a little too long.......2007-08-26
Gabler does a good job with Walt Disney, but sometimes the text reads like transcribed notecards. Otherwise, Gabler covers all the bases and deals with some painful personal incidents with sympathy, such as the death of Walt Disney's mother and a fatal riding accident from Disney's polo-playing days, which other biographers have tended to play down or use against the man behind Mickey Mouse...this is the un-Richard Shickel version.
Book Description
The only performer to earn 5 stars on the Hollywood Walk of Fame--for film, recordings, TV, radio, and live performance--Gene Autry was the singing cowboy king of American entertainment. Now, in Public Cowboy No.1, Holly George-Warren offers the first serious biography of this singular individual, in a fascinating narrative that traces Autry's climb from small-town farm boy to multimillionaire. Here for the first time Autry the legend becomes a flesh-and-blood man--with all the passions, triumphs, and tragedies of a flawed icon. George-Warren recounts stories never before told, including revelations about Autry's impoverished boyhood, his adventures as an up-and-coming singer, and the impact his unbelievable success had on his personal life. She describes Autry's loving but doomed mother, who died on the brink of her son's success, and his ne'er-do-well father, who married five times and wandered the west. Autry battled his own demons but emerges here in a positive light, an immensely personable man, one of America's most charitable benefactors, known for his boundless generosity, and a patriot who enlisted during World War II. The book provides equally colorful details of Autry's lengthy radio and recording career, which included such classics as "Back in the Saddle Again" and "Rudolph the Red-Nosed Reindeer"; his movie career, where he breathed new life into the Western genre; and his role in early television, being the first movie star to develop his own TV shows. And along the way, we see how he invested shrewdly in radio, real-estate, and television, becoming the owner of the California Angels and the only entertainer listed among 1990's Fortune 400. Based on exclusive access to Gene Autry's personal papers, as well as interviews with more than 100 relatives, employees, colleagues, and friends, this engaging biography brings to life a major Hollywood star--a man who, more than anyone else, put Western music and style on the American cultural map.
Customer Reviews:
All About Gene.......2007-09-25
This is a big book all about the career of Gene Autry, and not enough about his personal life, which is usually what I like to read. I don't need to know about every record he made and when and every performance, etc., etc., etc. And I don't need to know about all his business dealings. But I like to know about what stars did behind the scenes, etc., and surprisingly this seemed to involve a lot of drinking and womanizing which I didn't think Autry had done. Oh well. There just wasn't enough about him personally for my reading taste, but the guy had no children and had a solid marriage, so I guess there isn't much dirt on him.
Autry Fans - Buy It!.......2007-08-12
Anyone who was a fan of Gene Autry or who liked westerns during their golden years or who just enjoys good biography will find this a very compelling story. It tells the story of a very good, but a very complex man who grew up in poverty, endured a difficult childhood, and displayed very human flaws. This book is endorsed by the Gene Autry Corporation but doesn't coverup or sugarcoat the fact that, despite his image, Gene drank heavily after WW2, maybe to the point of alcholism, and was not always faithful to his wife. Yet he never failed to visit children's hospitals, give supergenerously to those in need, take care of family and non-family alike, and do much good for many people. This includes several generations of children to whom he was always the ideal role model.
Holly George-Warren did an admirable job and deserves to be congratulated. One criticism: I wish Ms George-Warren had gone into greater depth into the extraordinarily complicated relationship between Gene and his wife Ina.
Memories of one of my favorite cowboys.......2007-07-31
This book brought back many great memories of Saturday matinees at our
neighborhood theatre. Gene Autry was one of my favorite western movie
stars. My favorite western movie star was Charles Starrett as the Durango Kid.
Our local movie "show" was a Columbia theatre which showed Columbia
movies including Columbia serials, the Durango Kid and assorted Columbia
"B" movies susitable for the kids' matinees. I enjoyed the Gene Autry 30's
and early '40's westerns more then the later ones he made. This book will
certainly return one to the "days of yesteryear." Excellent book!
Gene Autry, An American Idol.......2007-05-31
Public Cowboy No.1: The Life And Times Of Gene Autry, by Holly George-Warren
A book review by Jerry Rojo, May, 2007
Gene Autry, An American Idol
Holly George-Warrne's biographic tome is a definitive must-read, not only for the worldwide legions of the American cowboy moviegoing public, young and old, but also, anyone interested in a prototypical American dreamer on a lifelong trek, as defined by the arts and entertainment industry's dream factories from Hollywood to Madison Avenue. George-Warren's impeccably researched Gene Autry story, interestingly, is somewhat reminiscent of Doris Kerns-Goodwin's recent Abraham Lincoln book, Team Of Rivals, that chronicles the president's rags-to-riches life in the political arena. Both authors masterfully use the biographic form to convey their respective visions, yet provide the reader scholarly researched stories to ponder any number of themes and ideas about their subject. Like Lincoln, Autry was dirt poor, grassroots, self-made and ambitious; carefully grooming his career with a lifelong, unrelenting, innate ability to charm colleagues, friends and the public at large. Lincoln, too, was a performer. He cherished the spoken/written word, and the theatre, to the chagrin of his aristocratic, snobbish cabinet. Ironically, he was assassinated by a Shakespearean actor. The Autry book, like Lincoln's, defines his respective context/time in America. The political-rodeo arena is a metaphor for our country's so-called "culture", epitomized by the American Idol phenomena, with its demigod-like celebrities from respective realms of, popular entertainment, sports, politics. religion and, now a days, big corporations, all of which defines the current American ethos.
My can't-put-down read of George-Warren was fueled not only by her writing, but by my own childhood spent idolizing Gene Autry while growing up in Illinois, and, my subsequent professional interest in dramatic arts adds to the attraction. A compelling aspect of the book traces Autry's genealogy from the Norman Conquest in 1066 to pre-great depression Texas/Oklahoma, where Autry's story begins. During that period, one is amazed by his personal and professional character development, growing up in a family of six in abject poverty, with an on-and-off absentee, hard-drinking father, and by contrast, a deeply religious and nurturing mother. Everyone knows Autry's interest in the great American pastime, baseball, but a telling tidbit reveals that he was a pretty good sandlot player, and was offered a chance to play for a minor league team, but, declined because he was making more money working on the railroad and needed to support his family. That anecdote helps define this complex man. His devotion and generosity to family, friends and associates throughout his long life was always balanced by his knack for good judgment when it came to decisions about human welfare and the business of life.
It was during the seven odd years in the late 20s early 30s, while in the Chicago/Midwest, that young Autry began his "singing cowboy" career. But there was no overnight success here, instead, an astonishing story of how to succeed in show business--a methodology that paved the way for popular entertainers ever since. With a modicum of musical talent Autry used love of performing, hard work, determination, his WASPish good looks and savvy business acumen to mold a career that would lead to five-star recognition at the Hollywood Walk of Fame. The book documents, in wonderful detail how he shrewdly evolved his signature persona-image, which, once established, never changed. At 91 he died with his boots on.
Before his Chicago days, Autry didn't start out as a cowboy singing around the campfire soothing a restless herd of cattle. He had his sights set on the popular music of the roaring 20s tin pan alley, which featured the likes of Gene Austin and Rudy Vallee (Autry's first name, Orvon, was substituted for Austin's). Ultimately, Gene Autry changed his musical style by literally imitating yodeling Jimmie Rodgers, the father of country/hillbilly music, who's great popularity appealed to blue-collar folks from the South and Midwest. After a brief trip to the Big Apple--before giving up his day job on the railroad--a failed audition with a record company sent Autry home to gain experience singing on local radio stations and other venues. He actually sang with a medicine show, a lesson learned, hawking products. Professional contacts and an established country-folk sound led him back to New York to make records. His recordings caught on, and with astute self-promotion Autry's popularity grew, garnering a spot on Chicago's popular WLS radio station's National Barn Dance program. There, his image was transformed to The Singing Cowboy.
With royalties from a national smash hit record, "That Silver Haired Daddy of Mine" in his hip pocket, a newly minted Martin guitar with his ivory signature on the frets, a new Hollywood-like-Tom Mix cowboy "look" and Buick automobile, he barnstormed the environs of Chicago, Illinois. There, he discovered a key player on the road to success, the highly talented musician, singer, song writer and naturally gifted comedic performer, Smiley Brunette. Autry always had a keen eye for talented associates, musical and otherwise. Back in Chicago on the airwaves, and on tour, they soon developed their signature hero/sidekick routine.
Unlike the multitude of American denizens, then and now, seeking instant success in golden California, Autry didn't go to Hollywood; Hollywood came to Autry. He was already a "star", self-made, and, at a time when the Great Depression was raging world wide. Now, only in his late 20s, part two of his odyssey begins at a B-Western studio factory that Autry would bale-out of near financial ruin, Republic Pictures. Here, Ms George-Warren really delivers the goods with a compendium of data-based facts of tinsel-town fiction that chronicles Autry's American idol success story.
It was 1934, but he didn't have an auspicious start in the movies. After an initial bit part in a Ken Maynard flick, studio executives had reservations--with good reason--about Autry's abilities. It seemed clear, he excelled at nothing cinematic: a marginal singer-guitarist, bad acting, awkward in the saddle and, most of all, he lacked gunslinger machismo, a staple at the time. But, no matter, the audience Autry already established, had a different opinion. He had something!! And it didn't take but a couple of years or so for the Studio and Autry, tinkering with the chemistry, to come up with THE original Gene Autry that would become a one-of-a-kind icon. By 1939 he was in the big leagues with Clark Gable/Gone With The Wind, if you consider audience appeal and box-office numbers. Now, cash-cow-boy Autry played to millions of adoring fans of, so called, sophisticated folks from the East, NYC to Boston, and, Great Britain, where he seduced hundreds of thousands from across the island empire, evidenced by massive turnouts on tour. It was 1942, a turning point in Gene Autry's fame if not fortune. Here again, he makes a watershed career decision. Much to the dismay of Republic Pictures/Hollywood, he joins the military to fight in World War II. George-Warren reveals insightful, detailed stories of the war years that further defines this remarkable man. For example, why, arguably, at the pinnacle of popularity and performance-form does he do it? Is he a consummate patriot, or as he says, protecting his image-based code of cowboy ethics? He survives air force missions, military boredom and keeps in tune doing a stint with the USO at the end of the war, meanwhile at home, movie reruns and other strategies kept him in the public mind's eye. After the war Autry picked up where he left off with his still adoring fans, donning his cowboy persona, producing and performing a mind-boggling schedule of entertainment engagements, including burgeoning TV (he was the first Hollywood star to do so); but, it WAS the beginning of the end and not the end of the beginning, as Churchill coined. Then, in the early to mid 60s the fame-flame goes out, but the fortune doesn't. Now, Gene Autry transitions to the business tycoon still wearing cowboy clothes, occasionally sporting an LA Angels baseball cap. Autry scrupulously designed and protected his public image that, except for in the military, never changed. As entertainer he performed the SELF and when he hung up the guitar in the early 60s he took on the role of CEO, Gene Autry Enterprises, but little else changed.
But what was at the heart of that masked man? It's all there in Holly George-Warren's biography that unearths the Man UNDER the persona, and as she perceives you don't need his purely business-life endgame story. You'd be hard pressed to find anyone, public or private that hated or disrespected Gene Autry, then or now. And he was no pushover while wheeling and dealing in either his business interests or performance career. That's evident by his tough, recalcitrant stance with the tightfisted studio honchos, which, by the way, help lead to Actors's Equity and the independent film makers of today. And yes, the book gets into the nitty-gritty of his postwar performing years of womanizing and binge drinking but that served to make him more human and strengthen his character. A shrink would have a field day, given young Autry's polarized parenting. As a 10y.o. boy I idolized that innovative kind of cowboy-man who was good and strong, and that seemed to portray the best of American values (My grandsons have his 10 Cowboy Commandments, framed.). Singing and playing the guitar as a real-life person his pictures were action-filled musical westerns, portraying the American mantra during that time: talk softly and carry a big stick; he toted a six shooter but never killing the bad guy. My growing up after the war, it was easy to see his weakness as an aging performer and ever more commercializing career strategy, but in the long run, that never led to diminishing the demigod I worshiped circa 1942.
Gene Autry represented as performer and citizen the "God and Country" ideology. The ancient Greek and Romans worshipped a pantheon of Gods who were half-God and half-Human. A recent book, The God Delusion, by Richard Dawkins offers a view on the subject of the human need for God/demigods: it's in the genes, a kind of inner quest for survival. The American mystique seems particularly wedded to the phenomena of super hero, professing a particular moral/ethical/ism standard, albeit augmented by commercialism. Some Heroes are good and others not so, Abraham Lincoln/Adolph Hitler obvious opposites, others, Brittany Spears, Babe Ruth, Jerry Falwell, and Bill Gates fall somewhere in between. Gene Autry was clearly one of the good guys/entertainers, among American's pantheon of God/demigods, further identified in the Epilogue, that points to the multimillions he gave to charity in his lifetime, contributing to schools, hospitals and building a world-class western art museum and institute for western studies. Holly George-Warren's book gives us the arc of this complex quintessential American, who was Gene Autry.
A VERY PUBLIC COWBOY by John Paddy Browne.......2007-05-10
Whatever Holly George-Warren says in her new biography of Gene Autry; however much detail she covers; however many previously unpublished facts she unearths, she is never going to please everyone. Even a monumental biography such as this one, packed to bursting as it is with dates and names and stories, will never record everything that we, the readers, will want to see.
The problem is not Ms George-Warren's. When she says she could have written a book twice this size, I believe her.
No, the problem was created by Autry himself. He lived to a mighty age, and into that great expanse of time he packed enough life experiences to fuel any number of books and magazines and newspaper articles. One glance at George-Warren's footnotes and bibliography shows how the world has been flooded with Autry newsprint throughout a career - no, several careers - that spanned 70 years. And that doesn't take account of his austere childhood (a story in itself that George-Warren tells in remarkable detail), or the vast amount of Autry material that has appeared since his death in 1998: the DVDs, the CDs, the books, the websites - even the belated victory of his Angels team in the World Series. Look at any of the online auction sites any day of the week and you will get an idea of just how much stuff Autry left behind: the supply seems endless, and endlessly varied, and all of this is merely an illusion of the man's actual working life.
Autry was a workaholic, driven, it seems, to be always doing something. When his contemporaries Clark Gable and Spencer Tracy and Tyrone Power finished their day's work at the studio, they went home and put their feet up. Not Autry. As George-Warren records in breathless detail, even while shooting a movie, Autry would be called to the phone to deal with some other business in which he was involved elsewhere: or he would receive commercial partners for discussions on set. There simply weren't enough hours in the day for him.
This handsome biography could never hope to cover everything in such an industrious life, and some of the material that is missing has been judiciously excised for purely logistical, editorial reasons. Quite rightly, the author almost completely eschews Autry's involvement in baseball (a blessed relief for those of us not interested in sports), and instead concentrates a good deal of time to his early radio and recording work. A fascinating account of Autry's notorious shoot-out with Herb Yates at Republic Studios, usng the evidence of surviving documents, brings that painful episode to vivid life. George-Warren skirts around the hackneyed stories, veracious or otherwise, that Autry told so many times that he eventually believed them himself. She neither confirms them or denies them, but puts them into a sort of context from which the reader may draw his or her own conclusions about their probability.
Not that any of this matters, except insofar as how it paints a picture of a man who was as much a media creation as a real-life figure, and possibly more so since he carried the cowboy image into his private life by wearing his Western-styled clothes - his uniform - in public and at home, away from the working environment of the studios. He put on this uniform in the same way that Superman or Santa Claus put on their uniforms, and became a figment of our collective imagination. It was how he made money.
And money is the one constant in Gene Autry's life. Whatever he did, and he did an inordinate number of different things, money was at the heart of it. "Working with figures is what I do best," he allegedly said. "What I do less well is act, sing and play the guitar." There is no hint whatever in the 400-plus pages of Holly George-Warren's book that Autry ever did anything for the love of it. He frequently spoke about how "proud" he was of certain of his achievements, and he had every reason to be proud of them - but that's not the same as "love". No-one ever got him to say that he sang certain songs because he loved them, in the way that, say, folk singers might sing songs for the love of them. Autry sang stuff that would make him money, and that was the criterion for performing and recording it.
His pursuit of money, indeed, seems to have been the one true love-affair of his life - and he has said as much. No-one will begrudge the man becoming one of the richest people in America when he worked so diligently and tirelessly to attain that pleasant state. Nobody gave him his wealth: he went out and worked for it. Ms George-Warren could easily have published a page from any one of Autry's touring schedules (and I've seen them) that would have shown him to be working in a different town or city every single day for months at a stretch. None of your two-days-on and four-days-off for him.
Along the way he gave the illusion of being a happy, carefree cowboy, bestowing a bounty of delight on his fans - fans who would carry their affection for him and loyalty to him into their old age. Autry's trick, if this does not sound too cynical, is that he made them feel that they all mattered to him when, in fact, everything he did, be it hospital visits to chat with sick children, merchandising his name relentlessly, [...] or claiming writing credits for someone else's work - and even his enlistment into the armed forces in World War 2 - all of it had a "money handle" - and he saw it all as a means of furthering his career.
Autry's publicity as high-flying business magnate, which so fascinated the Hollywood press, has done his artistic reputation no favors. Dismissed as "commercial" and superficial by many, it has been an uphill struggle for those of us trying to keep his memory alive, to justify his place at the top of so many lists of achievements in the arts. Indeed, the juxtaposition of the name "Autry" with the word "art" is almost an oxymoron - a contradiction. Yet the trail that Autry left behind him, that so many fledgling artists have followed to their benefit, speaks volumes for the influence he has had on the cultivation and development of the Country and popular music of America and other English-speaking countries. Academically, though, he was never recognised in his lifetime, nor was his work and contribution ever seriously analyzed or documented.
At the end of the day we, his fans, seem not to be troubled by any of this, and even Holly George-Warren's commendably open, impartial and well-written book, with its tales of risque songs, binge drinking, and amorous dalliances with his leading ladies (and some of his female Fan Club members) does nothing to lessen the man's stature. If anything, it reveals him to be more human than the singing cowboy of the screen ever was: the sort of man we are able to relate to: a flawed hero we can identify with.
And if this flies in the face of that famous remark made by the fictional editor of the Shinbone Star: "When the legend becomes fact, print the legend!" what it may do is make the legendary figure of Gene Autry a more approachable figure to a new generation of admirers. And in our hero, the Singing Cowboy, they will find a great deal to admire. Holly George-Warren has seen to that. --JOHN PADDY BROWNE
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