Average customer rating:
- Calculations are only as good as your numbers
- Pants on fire?
- Accepted History & Chronology Must Be Changed.
- Very Interesting
- History as Science Fiction
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History: Fiction or Science? (Chronology, No. 1)
Anatoly Fomenko
Manufacturer: Mithec
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Similar Items:
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History: Fiction or Science? Chronology 2 (Chronology)
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History: Fiction or Science? Astronomical methods as applied to chronology. Ptolemy's Almagest. Chronology III
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Discovering the Mysteries of Ancient America: Lost History And Legends, Unearthed And Explored
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Before the Pharaohs: Egypt's Mysterious Prehistory
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They Cast No Shadows: A Collection of Essays on the Illuminati, Revisionist History, and Suppressed Technologies
ASIN: 2913621058 |
Book Description
Recorded history is a finely-woven magic fabric of intricate lies about events predating the sixteenth century. There is not a single piece of evidence that can be reliably and independently traced back earlier than the eleventh century. This book details events that are substantiated by hard facts and logic, and validated by new astronomical research and statistical analysis of ancient sources.
Customer Reviews:
Calculations are only as good as your numbers.......2007-08-03
Yes, we can all agree that mainstream history is nearly 100% BS due to politics, economics, ego, problems with dating techniques, and various conspiracies. Agreed. But, I've been researching the distinct possibility that human history (in terms of civilizations) are much more ancient than we've been told, so coming across this book was very interesting to me. I wondered how Fomenko could be wrong (if at all) because he is very persuasive in his presentations. Then it dawned on me. If at previous times in prehistory, due to the various catastrophies that are well documented (comets, asteroids, planetary disruptions, plasma discharge, pole reversals, etc) the Earth was in a different position in relation to the sun, different tilt on its axis, different orbit, different rotation (in terms of velocity and DIRECTION), and the continents were in different positions, then would this not cause the ancients to see the sky (constellations) differently? In other words, is Fomenko making erronious assumptions about the physics of the Earth in pre-history, which then corrupt his data with regards to dating the relevant astrology? The last event to seriously disrupt our planet occured roughly 3500 years ago, according to other good researchers, so is it possible Fomenko has been confused by this? The vastly different physics of our planet in the not so distant past may explain this confusion, which is not to say the "mainstream" version of history is correct; on the contrary. I am not an expert in these fields, but wanted to see if this idea could spark discussion.
Pants on fire?.......2007-07-19
Will people ever read before spamming? Yes, Jesuits could not rewrite world history alone, they had help. Anyway, Dr Prof Acad A.Fomenko does not point to jesuits as the driving force of world wide history manipulation in published volumes 1,2,3;, actually he barely mentions the poor devils. Check it with 'Search inside' feature, please. China is rarely mentioned either, in fact, Dr Fomenko is completely eurocentric. Right, his theory contradicts all mainstream schools of history, because in their actual state they are all built on blatantly erroneus chronology. You don't need a mysterious cabal (conspiracy) to falsify history, the falsification is its modus operandi. It is inherent to history(ians) to falsify (distort) events, as it is inherent to humans to boast as it is inherent to power (authority) to legimize itself by referrring to glorious past made to its own order. Dr Prof Fomenko and team have identified scores of instances of such manipulation in Russian, European, etc.. history, and delivered valid statistical proof thereof. His own 'reconstruction' is completely another story. Forget c14 as a valid method of dating. W.Libby has initially discovered a brilliant method of INDEPENDENT dating. Too bad, c14 method has become a joke after a forced marrige with dendrochronology with consensual chronological scale inbuilt. Radiocarbon method can't stand blind tests, but is so very productive as a rubberstamp.
Accepted History & Chronology Must Be Changed. .......2007-04-09
There is no doubt that history as most know it is a sham, & institution's version of History both University & Church is fradulent & inaccurate. Everything was established with an agenda, The real "Dark Ages" are now when we have access to incredible amounts of information past authorities & more important 'common folk' didn't have but our institutions & educators are slow to evolve because of what has ignorantly & arrogantly been taught for too long. This is on many subjects not just Chronology.
For anyone to question "Why would a Mathematician have anything credible to say of History?" The answer is from Dr. Fomenko's preface in the book: "It would be worthwhile to remind the reader that in the XVI-XVII century Chronology was considered to be a subdivision of Mathematics." These volumes could possibly be some of the most important works to date & should be read by everyone with an interest in History, especially professors & educators who have a duty to the public. I have read both books & must say that 'Chronology 1' has some very eye opening & revolutionary information. Even if these volumes are part true the implications are profound & opens the doors to further investigations & questions which must be done. I speak several different lanquages & must say the logic Dr. Fomenko uses with "inflection" of words & words being read from left to right in one region & right to left in another then written backwards, the removal of vowels & get down to basics of words, or different cities & locations having the same name etc. is correct. Vowel usage has always been optional & varied, actually complicating linquistics & study. The first thing one has to understand is that words never had a fixed spelling in history like we do now, the spelling of words was mutable & regional, as well as names & titles of people were vast, varied & changed, NOTHING WAS FIXED or understood linear. Matters of Life & Death as well as financial profiteering yesterday & today were & are made with ignorant, illogical & conspiratorial views of history & reality, it's time people get closer to the Truth & society collectively grow up.
Very Interesting.......2007-03-07
It is a good proposal and I believe it will mature into something even better in the future. I think it deserves to be read.
History as Science Fiction.......2007-01-10
Anatoly Fomenko has written a very intriguing book, full of pictures, charts, and computer 'proof' of his thesis: backwards of AD900 we don't really know what happened or when. Between AD900 and AD1600 there is more certainty, but there is still a lot of fuzzy ground, and things don't get reliable until we get past the 1600's where the printing press made it very difficult for the perpetrators of this timeline manipulation to change anything that had been committed to print. The Dark Ages did not happen. Books were burned for a reason. One organization has doubled the actual length of its existence by expanding the real chronology. Read why.
I had always wondered why Christ died about AD33 and yet men waited until the 11th century to form the Knights Templar, the Cathars, etc and go after the Holy Land by force. Why the 1000 year gap? Turns out there wasn't more than a 10-12 year gap and he proves it using astronomy. This also implies that the planet is not as old as we have been told, and current Christian and other creationist scientists are already championing that idea without being aware of Fomenko's book. The two groups, creationist scientists and the Russian mathematical analysts corroborate each other. Fascinating.
Of course, all this flies in the face of what we have been told traditionally is the 'proper' chronology of western civilization, and most readers will experience 'cognitive dissonance' in reading this book. It means that our history going backwards from AD1600 becomes progressively more incorrect and unreliable until it cannot be trusted at all... in the space of 700-800 years.
Naturally, the curious, open-minded reader will want to know WHO did this, WHY, and did any of the events we think of as really ancient ever happen?
Dr. Fomenko is a respected scientist/mathematician at Moscow State University who has already answered these questions to the satisfaction of his initially skeptical colleagues. Most of them are now believers, a few still refuse to believe (the usual diehards), and of course the western press has ignored Fomenko's work -- for obvious reasons when you read the book. The ones who perpetrated this chronology ruse have a lot to answer for. They are still with us. That's why this book is a well-kept secret.
I gave the book a 4-star rating because I was unable to check out some of his claims; those I checked were as he said. But if even 1/3 of his claims are true, this punches a big hole in what we think is our history, the meaning of western civilization, our educational process (for repeating the ruse as gospel), and the trustworthiness of the organization that perpetrated this ruse, well-intentioned or not.
This book relates to current research into a Young Earth paradigm, to John Keel's discoveries about our planet, and Fr Malachi Martin's insights (in his now out-of-print books). We are indeed sheep who are manipulated and kept ignorant -- for a reason. While knowing what these men have to say may be the "booby prize" (as in: 'what can you do with this knowledge?'), it will provide interesting reading. Didn't someone say: "...and the Truth will set you free."?? For you to judge if this book contains the truth.
Book Description
The Venetian courtesan has long captured the imagination as a female symbol of sexual license, elegance, beauty, and unruliness. What then to make of the cortigiana onesta—the honest courtesan who recast virtue as intellectual integrity and offered wit and refinement in return for patronage and a place in public life? Veronica Franco (1546-1591) was such a woman, a writer and citizen of Venice, whose published poems and familiar letters offer rich testimony to the complexity of the honest courtesan's position.
Margaret F. Rosenthal draws a compelling portrait of Veronica Franco in her cultural social, and economic world. Rosenthal reveals in Franco's writing a passionate support of defenseless women, strong convictions about inequality, and, in the eroticized language of her epistolary verses, the seductive political nature of all poetic contests. It is Veronica Franco's insight into the power conflicts between men and women—and her awareness of the threat she posed to her male contemporaries—that makes her literary works and her dealings with Venetian intellectuals so pertinent today.
Combining the resources of biography, history, literary theory, and cultural criticism, this sophisticated interdisciplinary work presents an eloquent and often moving account of one woman's life as an act of self-creation and as a complex response to social forces and cultural conditions.
"A book . . . pleasurably redolent of Venice in the 16th-century. Rosenthal gives a vivid sense of a world of salons and coteries, of intricate networks of family and patronage, and of literary exchanges both intellectual and erotic."—Helen Hackett, Times Higher Education Supplement
The Honest Courtesan is the basis for the film Dangerous Beauty (1998) directed by Marshall Herskovitz. (The film was re-titled The Honest Courtesan for release in the UK and Europe in 1999.)
Customer Reviews:
disappointed.......2007-05-16
I was hoping to find out about the remarkable life of Veronica Franco but instead was pummeled with quotes, references, repetition, and a string of Italian phrases. There's no doubt that this book is Rosenthal's dissertation. Hopefully one day it will be edited and condensed to 1/5 of its size.
Unequivically biased.......2005-11-27
Unfortunately I bought this book hoping that it would uncover more historical data and the actual works of Veronica Franco translated by a scholar in the field.
That was not the case.
The author used her college dissertation to make a book on a very important aspect of history when her dissertation would have been best served if it stayed at her college.
The author takes liberty to interpret Ms. Franco's works and for the reader it is a logistical nightmare. She first gives her statement as if fact at times which makes the facts (Veronica's actual works) seem secondary. Then she would have the Italian verse, followed by a translation.
Wow! do I feel very side tracked here.
I wouldn't even accept this for a dissertation!
Sorry, it doesn't work out in terms of literary flow, factual data or interesting storyline.
A difficult tome.......2005-07-11
After seeing "Dangerous Beauty" I became curious about the distinctive life style of Renaissance Venice, and hoped to learn a lot more. This book was just a bit too dry and scholarly for casual reading. A great deal of space is used for both the Italian and English translations, which must be interesting to some readers. Although Veronica comes across as intelligent, determined and brave, I would have wished to know more about her and her society in terms of food, clothing, houses, daily activities, etc. Perhaps not enough is known about Veronica herself, but I would hope that a gifted author somewhere could make her story into a novel and breathe some warmth and life into her legend.
5 star history; 2 star read.......2004-07-22
This book is a must read if you're interested in 16th century Venice, Veronica Franco, or the world of the famous Venetian courtesans. It's also an EXTREMELY dry read. The book is quite obviously a doctoral dissertation, and could have used an edit to made it more accessible (something more along the lines of Stephen Ozment's books). I'm glad I read it. I tracked it down because I wanted to see just how accurate the movie Dangerous Beauty--which is LOOSELY based on this book--was. The answer is: Not very. Oh well. For those of a scholarly bent, this is a great resource book, for those looking for a light, romantic read (a la the movie) look elsewhere.
Excellent, but a little slow.......2003-01-16
I greatly enjoyed this book, but I found that wading through 16th century Venetian dialect was difficult. If you are looking for an entertaining story biography, look elsewhere, but if you want a dissertation-style biography, you will enjoy this, as I did.
Book Description
You won’t need luggage for this hypothetical and hilarious trip into the hearts and minds of Beppe Severgnini’s fellow Italians. In fact, Beppe would prefer if you left behind the baggage his crafty and elegant countrymen have smuggled into your subconscious. To get to his Italia, you’ll need to forget about your idealized notions of Italy. Although La Bella Figura will take you to legendary cities and scenic regions, your real destinations are the places where Italians are at their best, worst, and most authentic:
The highway: in America, a red light has only one possible interpretation—Stop! An Italian red light doesn’t warn or order you as much as provide an invitation for reflection.
The airport: where Italians prove that one of their virtues (an appreciation for beauty) is really a vice. Who cares if the beautiful girls hawking cell phones in airport kiosks stick you with an outdated model? That’s the price of gazing upon perfection.
The small town: which demonstrates the Italian genius for pleasant living: “a congenial barber . . . a well-stocked newsstand . . . professionally made coffee and a proper pizza; bell towers we can recognize in the distance, and people with a kind word and a smile for everyone.”
The chaos of the roads, the anarchy of the office, the theatrical spirit of the hypermarkets, and garrulous train journeys; the sensory reassurance of a church and the importance of the beach; the solitude of the soccer stadium and the crowded Italian bedroom; the vertical fixations of the apartment building and the horizontal democracy of the eat-in kitchen. As you venture to these and many other locations rooted in the Italian psyche, you realize that Beppe has become your Dante and shown you a country that “has too much style to be hell” but is “too disorderly to be heaven.”
Ten days, thirty places. From north to south. From food to politics. From saintliness to sexuality. This ironic, methodical, and sentimental examination will help you understand why Italy—as Beppe says—“can have you fuming and then purring in the space of a hundred meters or ten minutes.”
Customer Reviews:
Such a tremendous disappointment!.......2007-09-22
La Bella Figura: A Field Guide to the Italian Mind
I, for one, love everything Italian. So it's easy to see why I picked up this book with its very engaging, colorful cover. In the past I have read many funny books and articles on everything from Italian driving to trying to get a phone installed in your new Italian apartment.(Forget it!) So when I picked up this book I was ready for a humorous read. Well, what a tremendous disappointment. The writing is flat and uninteresting. One finds themselves reading along and reading along waitng to get to the good part, but hey, there is none! Skip this book completely and everything written by this author, Beppe Severgnini. Sorry he's just way too boring and NOT FUNNY!!
A Poor Book.......2007-09-01
I wish I had read more reviews before purchasing this truly dreadful book. I can only assume that the various newspaper critics that are quoted on the back cover were personal friends. He states correctly in his appalling offering that it appears to have become a pass time of uninspired anglo saxon authors to write about Italy. He should have known better than adding to the marass of garbage himself. I would recommend Matt FreiItaly - the Unfinished Revolution, Tobias JonesThe Dark Side of Italy. Travels Through Time and Space Across Italy or for entertainment Bill Bryson Neither Here nor There: Travels in Europe or Tim Moore's Continental Drifter.
Another useless generalization.......2007-08-03
Another useless generalization, and a series of stereotypes, for the Anglo-Saxon audience that, however, seems to love this type of literature. The usual trivialities written by somebody who seems to understand it all (good for him). As usual, realities are different, more complicated, and moreover more varied. The South is once more treated with superficiality, lack of real understanding, and a subtle prejudice, as it is usually the case in this type of books written by northerners. It can make an amusing reading, for sure, but do not assume anything written in it is what you will actually see in Italy. It is just like somebody wanting to explain you as Americans really are in a few hundred pages with the only authority of being American (and maybe just from New York), and still pretending to understand it all.
Empty babble.......2007-06-26
Severgnini's writing is more about being "clever" in style and phrases than actually saying anything. What he writes about Italy could apply to almost any western country; the book is empty and without insight.
Not so mindful.......2007-01-05
There is so much about the Italian culture that is humorous... I think because, unlike people in most other Western cultures, Italians know that humor, even about themselves, is not inconsistent with intelligence or sexiness. In my estimation, La Bella Figura fell short in the humor arena. I did not laugh much, or find it very interesting. Having been to Italy several times, and studied with Italians, experiencing their wonderful senses of humor, I really expected to find it much more fun, or have much more depth. I would have preferred both.
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Federico Fellini
Manufacturer: Rizzoli International Publications
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ASIN: 0847818780
Release Date: 1995-07-15 |
Book Description
This is the first detailed appraisal of Federico Fellini's universe. Collected here, in addition to a biography and filmography, is a wealth of previously unpublished material allowing a detailed and often personal view of the master of cinema.
Published for the first time in these pages are the texts for four films Fellini never made, complete with sketches and notes; and the director's correspondence with other filmmakers, artists, and famous writers. Fellini's descriptions of his dreams, accompanied by splendid drawings, allow a glimpse of the subconscious world that contributed so much to the creation of his films. His comic strips of unmade films provide an intriguing account of his activity in the last years of his life. The filmography is illustrated with posters, sketches, and stills from all of Fellini's masterpieces - including his best-loved La Strada, 8 1/2, The Clowns, La Dolce Vita, Roma, Amarcord, and La Voce Della Luna.
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Inventing the Renaissance Putto (Bettie Allison Rand Lectures in Art History)
Charles Dempsey
Manufacturer: The University of North Carolina Press
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Binding: Hardcover
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The Portrayal of Love
ASIN: 0807826162
Release Date: 2000-12-06 |
Book Description
The figure of the putto (often portrayed as a mischievous baby) made frequent appearances in the art and literature of Renaissance Italy. Commonly called spiritelli, or sprites, putti embodied a minor species of demon, in their nature neither good nor bad. They included natural spirits, animal spirits, and the spirits of sight and sound, as well as hobgoblin fantasies, bogeys, and the spirits contained in wine. Among the sensations ascribed to spiritelli were feelings of love, erotic arousal, and startling frights.
Throughout, Dempsey advances a larger argument about the nature of Italian Renaissance art. Rather than simply reviving classical forms, he says, the art accommodated and fused them within local, vernacular, and modern Italian traditions, both literary and pictorial.
Customer Reviews:
scholarly classic in its field is stimulating and very readable.......2001-01-14
ITALIAN FILM IN THE LIGHT OF NEOREALISM contains essays on seventeen Italian films, released between 1945 and 1982, which are either Neorealist classics or demonstrate the influence of Neorealism on Italian films made after the movement (7 yrs. duration, according to Marcus) ended. Marcus strikes a fine balance of theory, literary criticism, history, and readability. The book is an informative and stimulating companion to several of the finest Italian films, and several classics of international cinema.
The essays are on the following films: Part I: Neorealism Proper: Open City (d. Rossellini) ; Bicycle Thief (d. De Sica); Bitter Rice (d. De Santis); Umberto D. (d. De Sica) / Part II: Transitions Bread, Love, and Fantasy (d. Comencini); La Strada (d. Fellini); Senso (d. Visconti); Red Desert (d. Antonioni) / Part III: Return to Social Commentary: Il Posto (d. Olmi); Seduced and Abandoned (d. Germi); Teorema (d. Pasolini); Investigation of a Citizen Above Suspicion (d. Petri) / Part IV: Fascism and War Reconsidered The Conformist (d. Bertolucci); Love and Anarchy (d. Wertmuller); Christ Stopped at Eboli (d. Rosi); Night of the Shooting Stars (d. Paolo and Vittorio Taviani); We All Loved Each Other So Much (d. Scola).
[back cover: Millicent Marcus is Associate Professor in the Department of French and Italian at the University of Texas, Austin] Marcus was until recently at the University of Pennsylvania, and is now at Yale. The latest DVD editions of CINEMA PARADISO (released 2006) sport her excellent feature length commentary, accompanied here and there by director Giuseppe Tornatore. She makes a brief appearance on a supplement on the MALENA DVD (d. Giuseppe Tornatore), and more recently gives a brief historical background to Visconti's THE LEOPARD (Criterion Collection DVD, supplement). "NEOREALISM" is my favorite book by Marcus, and if you find you enjoy this title, check out her other work as well; the most recent is AFTER FELLINI.
P.S. Most of the films listed above are available on Region 1 DVD (U.S. & Canada coding). Some of them are out of circulation, and some are on Region 2 release. Region 2 DVDs are great for students of Italian who may not get catch the too-fast dialogue through listening comprehension, but can read the Italian-language subtitles usually available on Region 2 (Europe) DVDs of Italian films. [...]
Average customer rating:
- Check and see
- Suprise! Suprise!
- Prescient St Augustine?
- Something of a disappointment
- Romulus courts Helen, Paris founds Rome, Moses goes to Troy..
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History: Fiction or Science? Chronology 2 (Chronology)
Anatoly T Fomenko
Manufacturer: Delamere Resources LLC
ProductGroup: Book
Binding: Paperback
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History: Fiction or Science? (Chronology, No. 1)
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ASIN: 2913621066 |
Product Description
`History: Fiction or Science? Chronology 2` is the second volume of the most explosive and astounding tractate on history ever written - however, every theory it contains, no matter how unorthodox, is backed by rock solid scientific data. The book is easy and pleasant to read; it is well-illustrated, contains hundreds of charts, graphs and illustrations, copies of ancient manuscripts, and countless facts attesting to the falsity of the chronology used nowadays. You will be amazed to discover: - That the chronology universally accepted today and taken for granted is simply wrong; - That ALL methods of dating of ancient sources and artefacts known today are erroneous or non-exact; - That there is not a single document that could be reliably dated earlier than the XIth century; The Author refers to the Middle Ages as the Antiquity and proves mutual superimposition of the Second and the Third Roman Empire, both of which become identified as the respective kingdoms of Israel and Judah. Furthermore, he asserts that the famous reform of the Occidental Church in the XI century by Pope Gregory Hildebrand was the reflection of the XII century reforms of Byzantine emperor Andronicus who in his turn identifies with Jesus Christ. The Trojan war counted by Homer happened only as late as of the XIII century A.D. and the great poet actually lived in XIV century A.D. No stone in history of Antiquity is left unturned. Literally. This book is the beginning of a major correction to the chronology we live with.
Customer Reviews:
Check and see.......2007-06-21
I don't care what other people say of this book. Those affirmig it's fake, they hadn't ever read it. Or have some special reasons to do so. "Living is easy with eyes closed, misunderstanding all you see..." This book won't make you feel comfortable. It'll make you feel free. It'll make you feel you're "not the only one" to feel you'd been lied to for centuries.
Suprise! Suprise!.......2007-03-22
Here is a serie of books which turns "the whole world" upside down. I learned a lot of it and I hope that a new book from A.T. Fomenko will follow very quick. A absolute must for everybody who is interested in history or even a little bit from it.
Prescient St Augustine?.......2006-02-05
We can so far divide the New Chronology into the following three parts:
a) The verifiable theory that proves consensual chronology wrong with the aid of astronomy, statistics and mathematics;
b) The new chronology hypothesis based on a new understanding of known historical facts and the most likely logical explanation of the most obvious inconsistencies inherent in the official version of history;
c) The history conjectures, that is experimental historical reconstructions based on assumptions that the authors believe to make sense in the light of their research and linguistic parallels - void of ironclad factual support to date.
Fomenko's theory complies with the most rigid scientific standards as a whole:
It gives a coherent explanation of what we already know.
- It is consistent: independent lines of inquiry all lead to the same conclusion.
- The predictions it makes are confirmed empirically.
Fomenko goes by the following axioms:
- Chronology is the basis of history;
- Human evolution has always been linear, gradual and irreversible;
- The "cyclic" nature of human civilization is a myth, likewise all the gaps, duplicates, "dark ages" and "renaissances" that we know from consensual history;
- The accumulation of geographical knowledge as reflected in cartography is a gradual and irreversible process;
- The chronological distance between a given manuscript and the events described therein is proportional to the amount of distortions it contains;
- There is no "useless" information in authentic ancient sources.
Why the mainstream historians do not shower mathematician Academician Dr.Prof Fomenko with thanks and laurels?
The Russians:
Because Fomenko asserts that there was no such thing as the Tartar and Mongol invasion followed by three centuries of slavery, providing a formidable body of documental evidence to prove his assertion. The so-called "Tartars and Mongols" were the actual ancestors of the modern Russians, living in a bilingual state with Arabic spoken as freely as Russian. The ancient Russian state was governed by a double structure of civil and military authorities. The hordes were actually professional armies with a tradition of lifelong conscription (the recruitment being the so-called "blood tax"). Their "invasions" were punitive operations against the regions that attempted tax evasion. Fomenko proves that Russian history as we know it today is a blatant forgery concocted by a host of German scientists brought to Russia by the usurper dynasty of the Romanovs, whose ascension to the throne was the result of coup d'état, charged with the mission of making their reign look legitimate. Fomenko proves Ivan the Terrible to be a collation of four rulers, no less. They represented the two rival dynasties - the legitimate rulers and the ambitious upstarts. The winner took it all! Over some 30 years of controversy, Russian historians have made a most remarkable transition - they were initially accusing the young mathematician Fomenko of anticommunist dissident activity and attempts to deface the historical legacy of Soviet Russia; nowadays the middle-aged mathematician is accused of adhering to "pro-communist Russian nationalism" and defacing the proud historical legacy of Great Russia.
The Westerners:
Because Fomenko blows consensual Russian history to smithereens, successfully removing a crucial cornerstone from underneath the otherwise impeccable edifice of World History. Fomenko adds insult to injury, wiping out one by one the Ancient Rome (the foundation of Rome in Italy is dated to the XIV century A. D.), the Ancient Greece and its numerous poleis, which he identifies as the mediaeval crusader settlements on the territory of Greece, and the Ancient Egypt (the pyramids of Giza become dated to the XI-XV century A. D. and identified as the royal cemetery of the Global "Mongolian" Empire, no less). The civilization of the Ancient Egypt is irrefutably dated to the XII-XV century A. D. with the aid of the ancient Egyptian horoscopes cut in stone. He was the first one to decipher and date all such horoscopes, coming up with mediaeval dates in every case. English historians rage at the suggestion that the history of Ancient England was de facto a Byzantine import transplanted to the English soil by the fugitive Byzantine nobility. To reward the English historians who consider themselves the true scribes of World History, the cover of the present book portrays Tintoretto's Jesus Christ crucified on the Big Ben.
The Chinese:
Because Fomenko wipes out the Ancient History of China outright. No such thing. Full point. The compilation of the so-called Ancient Chinese History is reliably datable to the XVII-XVIII century only. It is perfectly recognizable as the Ancient European history, reworked and transcribed in hieroglyphs as yet another historical transplantation, this time performed on the Chinese soil by the loving Jesuit hands. The Chinese are the next in line to go berserk. Chinese history is inevitably bound to get both more ancient and more eventful, proportionally to the growing involvement of China in the world affairs. Chinese historians will keep on finding valid proof of prehistoric Chinese spaceflights until the Politburo orders them to shut up.
The Arabs:
Too bad. Islam with all its key figures is datable to XV-XVI century A. D. Arabic historians may find consolation in the crucial historical role of the Ottoman Empire in the XVI-XVII century. The trouble is that this empire was initially a Christian state, with Hagia Sophia identifiable as Temple of Solomon, according to Fomenko! We can only guess if the acquisition of Alexander the Great (a Macedonian and a Christian) as the founder of the Muslim World Empire will make Fomenko's theories more acceptable to the Arabic mainstream. He certainly does not spare any holy cows at all, claiming The Stone of Qa'Aba in Mecca to contain the lost Arch of the Covenant.
The Divinity:
Despite of reiterated statement that his theory is all about chronology and not Religion, Fomenko stirs up a whole condominium of wasp nests. His collection of anathemas, fatwa, and other condemnations from all parties concerned is already considerable. Little wonder, considering that the history of religions à la Fomenko looks as follows: the pre-Christian period (before the XI century and JC), Bacchic Christianity (XI-XII century, before and after JC), JC Christianity (XII-XVI century) and its subsequent mutations into Orthodox Christianity, the Catholicism, Islam, Buddhism, and so on.
According to Fomenko we know strictly NOTHING about the events that predate the X century A. D.
St Augustin was prescient when he spoke unto us: "be wary of mathematicians, particularly when they speak the truth."
Something of a disappointment.......2005-09-09
After having read the first volume of this expected series of 7 volumes I was triggered by the thesis of these authors that ancient Greek and Roman history did in fact take place in the Middle Ages. So I started studying medieval history of the Middle East - also known as Islamic history - to find out if the opponents of the ancient Greeks and Romans - the Acheamenid Persians, Sassanids, Scythians, Egyptians, etc. - also have their duplicates in medieval history. My search was disappointing: none of the many medieval Islamic dynasties seemed to correspond to the ancient middle eastern rulers.
However, I did find a close correspondence between Herodotus' Persian kings and medieval events:
- the defeat and capture of an Anatolian king - the Lydian Croesus - by the Persian conqueror Cyrus is identical to the defeat and capture of another Anatolian king - sultan Bayezid - by the Asian/Mongol conqueror Tamerlane;
- the Persian conquest of Egypt by the cruel tyrant Cambyses reds almost exactly as the Ottoman conquest of Egypt by Selim the Grim (note the nickname!);
- Darius the Lawgiver of the Persian Empire looks very much alike to Sulayman the Magnificent, the Lawgiver in Islamic history;
- Xerxes, whose main claim to fame is to be defeated by the Greeks at the naval battle of Salamis, looks like Selim II (the Sot) whose main claim to fame is to be defeated by a Spanish-Italian alliance at the naval battle of Lepanto.
I should have expected Fomenko et al. to arrive at similar conclusions, however, they claim that the Persian kings are the alter egos of the Angevin kings of Sicily whose biographies do not contain the exploits of the Persian kings.
The similiarities I indicate lead to the conclusion that Herodotus must have written his Histories at the close of the 16th century. But this is extremely late, given that Herodotus is "the Father of History", so therefore all other "ancient" histories must have been fabricated even later. Yet, the founders of modern chronology - Scaliger and Petavius - laid their foundations also at the close of the 16th century and had the full corpus of ancient histories already at their disposal.
It seems to me that Fomenko has to address these inconsistencies, maybe in the forthcoming 5 volumes?
Another critique of their book is that the correspondencies between different rulers are often based on a superficial comparison of the biographies; upon a more thorough comparison many details appear that do not correspond at all.
Finally, the authors rely heavily on the works of Gregorovius (1821-1891!!) - his medieval histories of Rome and Athens - as the source of medieval history; these works are - at least in the West - hoplessly outdated and have been superceded by more up-to-date works (for instance, Julius Norwich's trilogy on Byzantine history is not even cited).
Romulus courts Helen, Paris founds Rome, Moses goes to Troy.........2005-07-30
If you agree with Fomenko that Roman chronology is basically the foundation of the entire edifice of global chronology; you would also certainly agree that despite its numerous gaps and inconsistencies, Roman history is the best-documented field of ancient history, and thus a reference scale. But how well is the actual date of the Eternal City's foundation known?
Firstly, Rome is supposed to have been founded by the Trojans who had to flee after the fall of Troy. Some claim Rome to have been founded by Aeneas and Ulysses shortly after Troy had fallen; others are of the opinion that there was an entire dynasty that ruled for 500 years between the fall of Troy and the foundation of Rome.
Well, that's just an innocent 500 years long misunderstanding compared with what heretic Fomenko says, asserts, proves in his second volume: Second Roman Empire, Third Roman Empire, Biblical Kingdom of Israel, Biblical Kingdom of Judah, Holy Roman Empire are stories about basically same events, written from different points of view at different times. The underlying events have actually taken place during xii-xv cy. These histories have been written and perfected by multitude of highly talented humanist and clerical writers of xiii-xvi cy disguised as "ancients" with glorious names like Homer, Pluto, Thucydides etc..Chronology 2.0 beta..
Historians are kindly invited to report the bugs.
Book Description
An eye-opening look at the architectural mark fascism left on one of the world's most beloved cities R ome was Mussolini's obsession. After coming to power as a result of his famed march on the city in 1922, he promised Italians that his fascist revolution would unite them as never before and make Italy a major power on the world stage. In the next two decades, he set about rebuilding Rome as the foremost site and symbol of the new fascist order. Through an ambitious program of demolition and construction, he sought to make Rome a capital that both embraced modernity while preserving and glorifying the city's ancient past. Building the new Rome put people to work; 'liberated' ancient monuments from cluttered surroundings; cleared slums; produced giant complexes for education, sports, and cinema; produced wide new boulevards and piazzas; and provided the regime with a showcase in which to assert the power and identity of fascism. This intriguing book reveals Mussolini's tremendous and lasting impact on the city to which millions flock each year. MARKETING - Print Advertising Campaign - Academic Marketing Campaign'
Customer Reviews:
pretentious buildings.......2007-06-11
Rome. The Eternal City. Was there something in its water that Mussolini drank? Painter tells of his maniacal obsession with leaving his mark on this city. With such a storied history, he wanted to add his indelible contributions. So we get a grand tour of Rome. From the 1920s to the present. With black and white photos showing buildings added or altered. Several of which still remain to this day.
There is a comic opera feel to the sheer pretentiousness of Mussolini's activities. He comes off as a bumptious oaf, preferring shallow facades to the reality of a second rate economy.
Book Description
Following his successful TV series and book Venice, the author extends his exploration to the rest of the country. With stunning photographs throughout of Italian culture, past and present, the book celebrates Italy in all its astonishing diversity.
Customer Reviews:
Francescp'sItaly is wonderfully written and pictured.......2007-10-11
The best documentary/history of Italy's regions. Very well written and informative while keeping your attention. Wonderful photography. A book to treasure.
So Romantic-The Way to Tour Italy.......2007-09-22
I just discovered this wonderful author & his TV program for BBC was incredible-makes me want to return to Italy today!
Frnacescos Italy.......2007-09-09
Is this on dvd and why don't you have it for sale. We saw it on the travel channel but would like the dvd. We enjoyed the program.
Book Description
Isabella Dusi, a native Australian, settled in Montalcino, a beautiful mountain eyrie famous for its wine and the proud nature of its inhabitants. Her acceptance into this close-knit community was a hard-won thing and has inspired Isabella to capture the true spirit of Montalcino. Vanilla Beans & Brodo tells of the violent history of this medieval village, which has lefts its mark on the character traits of the Montalcinese, and also offers a rare insight into the anxiety, joy, fun, and pressure of daily life as it unfolds with the seasons. An evocative story of the rivalry between village neighborhoods, of football fever and festival pageantry, Isabella Dusi destroys the myth that Tuscan villages are tranquil places, and instead reveals a life infinitely rich and full of dramas.
Customer Reviews:
Quite enjoyable reading........2006-11-03
If you love all things Italian, you'll enjoy reading Isabella Dusi's
"Vanilla Beans & Brodo". You will feel what it's like to live in a hill town in Tuscany. Isabella intersperses her everyday life in Motalcino with a little history of the area. It made me to want to visit the town again and to personally address all of the people in her book that she encounters in her everyday life. The book is a little slow going at first, but does get better as you get into the book.
A Poor Imitation.......2006-10-29
Ms. Dusi may have been a talented businesswoman in Australia and she may have been in a dire need of an income while living her dream in Tuscany, but she is not a writer and I did not need another half-read bore on my bookshelf. A senseless rambling. In fact, the only intriguing thing about this book is its title and this is what lead me to click the 'buy' tab. This book cannot compare to the expat classics, such as A Year in Provence and/or Under the Tuscan Sun. Have no idea what all the gushing reviews are about.
A must read if you're heading to Tuscany.......2006-07-17
This is an interesting book written by a woman who moved from Australia to Montalcino. There is a lot of Montalcino's fascinating history in the book. While she does steroetype Italians a bit, it isn't too obnoxious. Her description of Montalcino's wine industry (particularly about Brunello di Montalcino) is very interesting and made me really regret not buying some of that wine while we were in Italy. I also enjoyed her descriptions of Tuscan foods.
My only complaint about the book is that it is a slow read. For me some of it was redundant, and the parts about the ceremonial hunts and archery contests got boring.
Meeting some of the characters in VB&B.......2003-11-10
We found this enchanting book in our apt. when we arrived for a 3 1/2 month stay in a small town 10 K's from Montalcino in Sept., 2002. My husband was completely mesmerized and suggested that I also read it. I was immediately caught up in the life in our neighboring town. When visiting one day, we stopped in at the pharmacy (Salvioni's) and met Maurelia, the pharmacist's wife. She was one of the main persons is the story. After a half an hour conversation, she invited us to view the upcoming Festa del Tordo from their balcony (directly overlooking the parade route) and to meet the author, Isabella Dusi. The entire day only clarified our feelings about the warmth and truly embracing, friendly nature of the Italian people. A MUST READ!
More Italian Dreams.......2003-10-22
I am totally in love with everything Italian and with the Italian joy of life. I am planning to take a one-way trip when I retire and hopefully land permanently in some marvelous location such as Montalcino. This book makes us aware not only of the wonders available to us when we visit Italy but to how much we miss by not being prepared for our visits.
VB&B is a fascinating book about a region and a primer on how to learn to adapt and enjoy another culture than our own. We so seldom slow down and learn in depth about a place before moving on to something else - this book will teach you how to absorb the atmosphere which most people miss.
When you have finished "Vanilla Beans and Brodo", go on to another great book about learning to live in Italy: "Extra Virgin".
Books:
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- History: Fiction or Science? (Chronology, No. 1)
- Hitler And Stalin: Parallel Lives
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